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Cora Ginsburg Llc Titi Halle Owner
CoraGinsburg-11/2006.qxd 11/22/06 11:26 AM Page 1 CORA GINSBURG LLC TITI HALLE OWNER A Catalogue of exquisite & rare works of art including 17th to 20th century costume textiles & needlework Winter 2006 by appointment 19 East 74th Street tel 212-744-1352 New York, NY 10021 fax 212-879-1601 www.coraginsburg.com [email protected] EMBROIDERED LINEN FOREHEAD CLOTH English, ca. 1610 Triangular in shape and lavishly embellished, a forehead cloth—also called a cross-cloth or crosset—was a feminine accessory sometimes worn with a coif, an informal type of cap. Rare after the mid-seventeenth century, forehead cloths first appeared in conjunction with the coif around 1580; embroidered with patterns to match, they were worn around the forehead and draped over the coif with the point facing backwards. Though the occasions on which a lady might wear a forehead cloth are not fully known, it seems that they were used for bedside receptions and in times of sickness. In his 1617 travels through Ireland, English author Fynes Moryson observed that, “Many weare such crosse-clothes or forehead clothes as our women use when they are sicke.” The remarkable embroidery seen here shows the practiced hand of a professional. Much fine needlework was accomplished domestically in sixteenth- and seventeenth-century England, but there were also workshops and skilled individuals that catered to the luxury trade. The Broderers’ Company, an organization for professional needleworkers, was founded under Royal Charter in 1561; specialists were also retained for wealthy private households, and journeymen embroiderers were hired as necessity demanded. -
23. Embroidery As an Embellishment in Fabric Decoration
EMBROIDERY AS AN EMBELLISHMENT IN FABRIC DECORATION By OLOWOOKERE PETER OLADIPO Department of Fine and Applied Arts, Federal College of Education, Osiele, Abeokuta. Abstract Nigeria is endowed with abundant human, natural and material resources, which could be used in different vocational practices. Practitioners have consistently practiced their art with attention to uniqueness and high quality forms, styles and content. Embroidery as a decorative process in Art has played principal roles in entrepreneurship development. Hence, this paper made a critical analysis of the forms, content and significant of embroidery in art, the thread colours, fabric motifs and pattern suitable for a successful embroidery design would also be considered. The general conclusion is that if embroidery is properly done, it would increase the embroiderers sense of creativity in our societal growth and the interested individual should be encourage to learn the craft so that the tradition will remain forever. Embroidery is an interesting stitching technique by which coloured threads, generally of silk or wool are used with a special needle to make a variety of stitches, and it is used to make an attractive design on garment, wall hanging or upholstery pieces. In Nigeria today, embroidery clothing are used far and wide and its unique feature and elegance remain the ability to trill and appeal to the people’s fervent love for it whereby the artisan considered different textile materials such as guinea brocade, damask and bringing out the significance of thread with which it is worked. Ojo (2000) defined, embroidery as an art of making pattern on textiles, leather, using threads of wool, linen, silk and needle. -
August Newsletter
Inside JoAnn Fabrics Viking Sewing 502 Fort Evans Road, N.E. Leesburg, VA 20176 Phone: 703-737-3047 Gallery [email protected] www.vikingsewinggallery.com/698 August Newsletter We continue the adventure with the Foot-Of-The-Month (FOTM) club this August with Blocks 2 & 4. Make and Take Classes are here to stay, keep an eye on our website to check for pop-up Make and Take Classes or give us a call — it’s your chance to try our machines! In Viking Club we are making Drunkard’s Path using the Circle Attachment . Want to get more out of your serger? We hear you and we are making a placemat using a serger — or sewing machine if you pre- fer — in the Quilt As You Go Serger Placemat class. A marathon of Owner’s Classes this month including one for Software and for Serger Owner’s! Do not miss the Stabilizer Class, it is very handy when planning your embroidery projects. As always, students receive a 10% discount on their purchases during class (some exclusions apply). Foot-Of-The-Month Club Block 2 – Saturday, August 13th at 10:30 AM Instructor: Kelley Gimping Foot with Guide & Open Toe Foot Use the Gimping Foot to create a dimensional satin stitch technique. Gimp thread is guided by the foot as the satin stitch is sewn over it. Use the Open Toe Foot or Clear Open Toe Foot to stitch a satin stitch around the leaves. Block 4—Saturday, August 20th, 2016 at 10:30 AM Yarn Couching Feet Set Instructor: Kelley With the Yarn Couching Feet you can easily create decora- tive yarn embellishment both when sewing free-motion and embroidering. -
Mending As Practice and Expression Pocosin Arts Online - August 2021 Material Suggestions
Mending as Practice and Expression Pocosin Arts Online - August 2021 Material Suggestions I want this experience to ft with what you have on hand and what you want to learn! I will link to sources of some supplies I like below, but there is no need to purchase anything unless you want to and think you will use it. You can also check the links to compare supplies to those you may already have. And of course you can get supplies anywhere you like. The most important thing you will need is some fabric scraps or worn-out textles to practce mending on (not your absolute favorite thing to start with). There are two broad categories of fabrics, based on how they are made; woven (like jeans, dress shirts, and sheets) and knited (like sweaters, socks, and T-shirts). We will talk a lot more about these in class. Each type lends itself to somewhat diferent tools and techniques. If you can, I encourage you to fnd a few scraps of each type to practce on, ideally in fabrics that are similar to the items you want to mend. These will also be a good source of material to cut patches from. I will be in touch before our class starts to fnd out about the projects you want to work on. For now, here are some general suggestons of materials and tools you may want to have on hand. In the meantme, feel free to contact me with any questons! [email protected] Threads You may want to use anything from sewing thread to wool yarn in your mending, depending on what you want to fx. -
Hobby 1142-Manual-EN.Pdf
hobby114 2 Owner´s manual 7 6 5 4 3 2 1 28 8 9 27 211 2626 100 202 111 191 122 188 25 141 24 151 233 16 171 22 122 11 2020 133 Parts of your hobby™ 1142 sewing machine 1 Bobbin winder stop 2 Bobbin winder spindle 3 Hole for extra spool pin 4 Spool pin 5 Carrying handle 6 Bobbin thread guide 7 Take-up lever 8 Foot pressure dial 9 Face plate 10 Thread cutter 11 Buttonhole lever 12 Needle threader 13 Slide for lowering the feed dog 14 Needle plate 15 Accessory tray 16 Throat plate 17 Throat plate release button 18 Thumbscrew 19 Needle screw 20 Presser foot lifter 21 Thread tension dial 22 Reverse stitch lever 23 Power switch 24 Connecting socket 25 Stitch length dial 26 Stitch selector dial 27 Handwheel 28 Stitch width dial Congratulations on purchasing your new PFAFF® hobby! Your hobby is so easy to use and offers a whole range of features and accessories for you to explore. Please spend some time reading these operating instructions as it is a great way to learn the machine and also to make full use of the features. Your Pfaff dealer will be at your service with any help or advice you need. We wish you many enjoyable hours of sewing ! Some fabrics have excess dye which can cause discoloration on other fabric but also on your sewing machine. This discoloring may be very difÀ cult or impossible to remove. Fleece and denim fabric in especially red and blue often contain a lot of excess dye. -
What Is Sashiko?
What is Sashiko? Sashiko is a form of embroidery that originated in Japan around 200 years ago. It was used to repair and bulk up clothing, blankets, and other textiles for the cold weather as many regions of the country experienced frigid winters. As such, the focus was less on what the work looked like, and more on how quickly it could be made. Today, Sashiko has become a form of decorative embroidery enjoyed by many people around the world. Traditional patterns are still practiced among modern ones. However, the root of Sashiko remains the same: it doesn’t have to be perfect as long as you enjoy doing it. A jacket embroidered all over with Sashiko patterns from the Metropolitan Museum of Art collections. A closeup of a kimono with Sashiko detailing from the Metropolitan Museum of Art collections. Sashiko Project by Aya Kusumoto Instructions for Sashiko on paper Step 1 - Fold along the solid black line in the middle. Step 2 - Take your thread and fold it in half, then thread the folded end through the needle. This is called double-threading. You can single thread your needle instead but you will be able to see the pattern more clearly the thicker the thread is. Tie a double knot at the end. Step 3 - Start wherever you want on your pattern with the printed side facing up. The printed side will become the back with the knots. Pierce your needle through one end of a stitch, then without fully pulling your needle through, push it back up through the other end of the stitch. -
Stitches and Seam Techniques
Stitches and Seam Techniques Seen on Dark Age / Medieval Garments in Various Museum Collections The following notes have been gathered while attempting to learn stitches and construction techniques in use during the Dark Ages / Medieval period. The following is in no way a complete report, but only an indication of some techniques observed on extant Dark Ages / Medieval garments. Hopefully, others who are researching “actual” garments of the period in question will also report on their findings, so that comparisons can be made and a better total understanding achieved. Jennifer Baker –New Varangian Guard – Hodegon Branch – 2009 Contents VIKING AND SAXON STITCHES 1. RUNNING STITCH 2. OVERSEWING 3. HERRINGBONE 4. BLANKET STITCH SEAMS 1. SEAMS 2. BUTTED SEAMS 3. STAND-UP SEAM 4. SEAMS SPREAD OPEN AFTER JOIN IS MADE 5. “LAPPED” FELL SEAM 6. FELL SEAM WORKED ON WRONG SIDE OF GARMENT FINISHES ON RAW EDGES OF SEAMS SEWING ON TABLET WOVEN BRAID HEMS OTHER STITCHES FOUND IN ARCHEOLOGICAL FINDS REFERENCES 1 Stitches and Seam Techniques VIKING AND SAXON STITCHES There are only four basic stitches to master: 1. RUNNING STITCH , 2. OVERSEWING, ALSO KNOWN AS OVERCAST STITCH OR WHIP STITCH 3. HERRINGBONE , ALSO KNOWN AS CATCH STITCH 4. AND BLANKET STITCH. ALSO KNOWN AS BUTTONHOLE STITCH Running stitch is probably the easiest to start with followed by oversewing. With these two stitches you can make clothing. The other two are for decorative edging. These directions are for a right handed person, if you are left handed remember to reverse all directions. 2 Stitches and Seam Techniques RUNNING STITCH A running stitch is done through one or more layers of fabric (but normally two or more), with the needle going down and up, down and up, in an essentially straight line. -
Powerhouse Museum Lace Collection: Glossary of Terms Used in the Documentation – Blue Files and Collection Notebooks
Book Appendix Glossary 12-02 Powerhouse Museum Lace Collection: Glossary of terms used in the documentation – Blue files and collection notebooks. Rosemary Shepherd: 1983 to 2003 The following references were used in the documentation. For needle laces: Therese de Dillmont, The Complete Encyclopaedia of Needlework, Running Press reprint, Philadelphia, 1971 For bobbin laces: Bridget M Cook and Geraldine Stott, The Book of Bobbin Lace Stitches, A H & A W Reed, Sydney, 1980 The principal historical reference: Santina Levey, Lace a History, Victoria and Albert Museum and W H Maney, Leeds, 1983 In compiling the glossary reference was also made to Alexandra Stillwell’s Illustrated dictionary of lacemaking, Cassell, London 1996 General lace and lacemaking terms A border, flounce or edging is a length of lace with one shaped edge (headside) and one straight edge (footside). The headside shaping may be as insignificant as a straight or undulating line of picots, or as pronounced as deep ‘van Dyke’ scallops. ‘Border’ is used for laces to 100mm and ‘flounce’ for laces wider than 100 mm and these are the terms used in the documentation of the Powerhouse collection. The term ‘lace edging’ is often used elsewhere instead of border, for very narrow laces. An insertion is usually a length of lace with two straight edges (footsides) which are stitched directly onto the mounting fabric, the fabric then being cut away behind the lace. Ocasionally lace insertions are shaped (for example, square or triangular motifs for use on household linen) in which case they are entirely enclosed by a footside. See also ‘panel’ and ‘engrelure’ A lace panel is usually has finished edges, enclosing a specially designed motif. -
Working with Neon Rays Added Karen Chrissinger As a Teacher
June 2017 A Message from Jill In this Issue: On October 1, 2009, I took a big step in my and my family’s life - I A Message from Jill purchased Louise’s Needlework. Being an owner of a small business is one of the hardest yet most fulfilling jobs there is. I love the challenge of Yeah….that stitch! growing Louise’s every year and we have come so far yet there is still more Karen Chrissinger discusses the basic types of stitches and growing to do. Our move has been one of the best changes we made. We how they are worked. love our space, light and parking. In fact we wish we had more space than we have now! We have added new thread lines and continue to grow Classes others. Don’t miss out on a wonderful new class beginning soon at Louise’s. We have had great success with our clubs and will continue to add new and exciting ones in the near future. New classes have been added on A Few of Our Newest Arrivals Thursdays and we have hosted Laura Taylor (who will be back in 2018), Canvases just added – and will be hosting Kelly Clark in September. available in the store and online. Even employees have changed. We have Working with Neon Rays added Karen Chrissinger as a teacher. If you Diane Snyder gives several haven’t taken a class from her you should. helpful hints on working with this beautiful, but sometimes Karen has spread her love of needlepoint to frustrating, ribbon. -
Stitch Chart
Stitch Chart Memo • When any of the following stitches (reverse stitch patterns) are selected, pressing (Reverse/ Reinforcement stitch button) will sew reverse stitches. Stitch 110 stitches 00 02 05 No. 100 stitches 00 01 04 When any other stitch is selected, pressing (Reverse/Reinforcement stitch button) will sew reinforcement stitches. • The stitch pattern symbols indicate the following. 1 Left needle position a d e 2 b d e Middle (center) needle position c 3 Right needle position 4 Reverse stitch pattern 5 Reinforcement stitch pattern Note • The walking foot can only be used with straight or zigzag stitch patterns. Do not sew reverse stitches with the walking foot. • When using the twin needle, set the machine to the twin needle mode. For details, refer to the Operation Manual. *1 Twin needle can be used by attaching zigzag foot “J”. For details on using the twin needle, refer to the Operation Manual. No. Stitch width Stitch length Presser (mm (inch)) (mm (inch)) Stitch 110 100 Stitch name/Applications stitches stitches foot Auto. Auto. model model Manual Manual Straight stitch (Left) 0.0 (0) 2.5 (3/32) 00*1 00*1 J General sewing, gather, pintuck, etc. 0.0 - 7.0 0.2 - 5.0 (0 - 1/4) (1/64 - 3/16) Straight stitch (Left) 0.0 (0) 2.5 (3/32) 01*1 –JGeneral sewing, gather, pintuck, etc. 0.0 - 7.0 0.2 - 5.0 (0 - 1/4) (1/64 - 3/16) Straight stitch (Middle) 3.5 (1/8) 2.5 (3/32) 02*1 01*1 J General sewing, gather, pintuck, etc. -
Sashiko Tote
Sashiko Tote You can never have too many bags! Create unique tote featuring Sashiko quilting and accent stitching. This project is quick and easy to make using the Baby Lock Sashiko machine. Skill Level: Beginner Created by: Kelly Laws, Marketing Project Manager Supplies: Baby Lock Sewing Machine Baby Lock Sashiko Twenty 4” cotton print squares in different colors 1 yard fusible fleece 1 1/4 yard coordinating cotton fabric 2 ½ yards ¾” wide gross grain ribbon All-purpose thread to match fabrics 30-Weight thread in white and black Fusible Web (optional) Iron and Ironing board Scissors Pins Ruler Chalk Baby Lock Sewing Project: Sashiko Tote Page 1 of 3 Instructions: 1. Thread the machine with all-purpose thread to match your fabrics. Using a ¼” seam sew five blocks together to form a row. 2. Create 3 more rows of 5 blocks alternating the block colors. 3. Sew two rows together to create the pieced band for the bag front. 4. Repeat to make a pieced band for the other side of the bag. 5. Cut four pieces 18” x 15” from the cotton fabric. 6. Cut two pieces of fusible fleece 18” x 15”. 7. Following the manufactures directions, fuse the fleece to the wrong side of two of the 18” x 15” pieces. 8. Sew the two fleece pieces together along one of the 15” sides. 9. Sew the other two 18” x 15” pieces together along one of the 15” sides. This is the tote lining, set this piece aside for later. 10. Open the piece out into one long strip. -
BL2102 February 2021
Blackwork Journey Blog, February 2021 Looking forward in 2021 and beyond! February is a difficult month in the UK, as although Christmas is behind us, Spring still seems a long way away. However, for the first time in a year there are some positive things to report. The vaccines are being rolled out and there is hope that we can start to see a way forward and begin to look, albeit tentatively, to the future. Sashiko and quilted Phoenix project This design was my way of saying that there is a way forward out of Covid-19 into a new future, like the mythical bird who rose from the ashes, reborn, stronger and more powerful. In Japan, as earlier in China, the Phoenix was adopted as a symbol of the imperial household, particularly the Empress. This mythical bird represents fire, the sun, justice, obedience and fidelity. The Asian Phoenix is different from the Phoenix found in Egypt and Greece and is a bird of completely different feathers and traditions. The ornamental design of the Dragon (Emperor) and Phoenix (Empress) on the doors of the Hall of Heavenly and Terrestrial Union, Beijing, China A phoenix depicted in a book of legendary creatures by FJ Bertuch (1747–1822) Presidential standard of Greece 1 Blackwork Journey © Blackwork Journey Blog, February 2021 The Phoenix from Greek mythology was a feathered creature of great size with large wings and talons, its plumage vibrant and beautiful. It is still used today as the emblem on the Presidential standard of Greece. The Phoenix lived for 500 years before it built its own funeral pyre, burst into flames and died, consumed in its own fiery inferno..