How to Cross Stitch Use the Information in This Section to Help You Create the Right Stitch and Select the Correct Tools to Complete Your Projects
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Macstitch/Winstitch Manual by Ursa Software
MacStitch/WinStitch Manual by Ursa Software Revision: January 2017 - !1 Introduction This document explains all the main functions of the application, plus the bundled Thread Editor utility, and Symbol Editor. We hope you enjoy many hours using the program! If you can't find the answer to a query you have within this document, please send us an email using the contact form on our website, or in the help menu of your program. Jeff & Deb Tullin Ursa Software MacStitch Mac, and WinStitch for the PC are designed for making the creation of counted cross stitch charts easy, quick and fun. You draw on screen using the mouse, using your selected colors (taken from the DMC, Anchor, Madeira or several other thread ranges), and build up your design just as you would on graph paper. For the artistically challenged, you can import scanned photos or clipart, and have the program turn them into ready-to-stitch designs in minutes, at just the right size. The printouts are clear and easy to read, especially when you choose to print at the larger symbol sizes. No need run down to the print shop to get the chart enlarged when you can print it yourself! The task of creating a chart involves either designing something based upon an idea you have, and using the computer screen like a sheet of graph paper, or by importing an image from elsewhere (perhaps a photo or piece of clip art) Once the design is on the screen, you can amend it further: perhaps by adding text, removing background stitches, or adding half stitches to smooth curved edges. -
Faculty Development Grant Report Sumi Lee Professor of Fashion
Faculty Development Grant Report Sumi Lee Professor of Fashion Design Faculty Development Grant Report Submitted Sep.11th, 2017 Sumi Lee Professor of Fashion Design Project Description: In Fall 2016, I received a Faculty Development Grant to fund a textile art workshop titled “Places, Spaces and Traces” in Les Carroz, France. This workshop focused on creating artistic textile surfaces, while experimenting with found materials, different media, novel techniques, mark-making (i.e., use of stitch as a “line”), and paint methods on fabric (e.g., sun prints with silk dyes). These different approaches to creating textiles are often described as “painting with cloth.” This workshop was instructed by a renowned textile artist from the U.K., Cas Holmes, author of several books and articles including “The Found Object in Textile Art” and “Stitch Stories”. She utilizes a unique “hands-on” approach that showcases her experimental use of found materials and inventive application of textile and mixed media procedures. Significant Activities: According to Cas Holmes, the most important aspect of “creating art” is the process of developing one’s own approach to subject matter in a meaningful way. Specifically, Holmes showed how she makes connections to natural environments in developing her narratives and her personal vision as a textile artist. #1. Stitch- Sketching: Drawing and recording daily observation, and the realization of those ideas in textile is a process. Sketchbook by Cas Holms Sketchbook by Sumi Lee The colors, textures, and changing light over the meadows, fields and landscape can provide a stimulus for the narrative, formal, or abstract quality in textile works. -
Sashiko Tote
Sashiko Tote You can never have too many bags! Create unique tote featuring Sashiko quilting and accent stitching. This project is quick and easy to make using the Baby Lock Sashiko machine. Skill Level: Beginner Created by: Kelly Laws, Marketing Project Manager Supplies: Baby Lock Sewing Machine Baby Lock Sashiko Twenty 4” cotton print squares in different colors 1 yard fusible fleece 1 1/4 yard coordinating cotton fabric 2 ½ yards ¾” wide gross grain ribbon All-purpose thread to match fabrics 30-Weight thread in white and black Fusible Web (optional) Iron and Ironing board Scissors Pins Ruler Chalk Baby Lock Sewing Project: Sashiko Tote Page 1 of 3 Instructions: 1. Thread the machine with all-purpose thread to match your fabrics. Using a ¼” seam sew five blocks together to form a row. 2. Create 3 more rows of 5 blocks alternating the block colors. 3. Sew two rows together to create the pieced band for the bag front. 4. Repeat to make a pieced band for the other side of the bag. 5. Cut four pieces 18” x 15” from the cotton fabric. 6. Cut two pieces of fusible fleece 18” x 15”. 7. Following the manufactures directions, fuse the fleece to the wrong side of two of the 18” x 15” pieces. 8. Sew the two fleece pieces together along one of the 15” sides. 9. Sew the other two 18” x 15” pieces together along one of the 15” sides. This is the tote lining, set this piece aside for later. 10. Open the piece out into one long strip. -
"Alphabet 11 - Outline" by Katherine Martin Tripp
"Alphabet 11 - Outline" by Katherine Martin Tripp x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x Copyright Alphabet 11 - Outline at www.better-cross-stitch-patterns.com "Alphabet 11 - Outline" by Katherine Martin Tripp Copyright Alphabet 11 - Outline at www.better-cross-stitch-patterns.com Alphabet 11 - Outline Author: Katherine Martin Tripp Company: Extra Mile Mercantile Copyright: Katherine Martin Tripp Website: www.better-cross-stitch-patterns.com Fabric: Evenweave Grid Size: 112W x 90H Design Area: 7.79" x 6.21" (109 x 87 stitches) Legend: [2] DMC 3834 grape - dk Backstitch Lines: DMC-3834 grape - dk In the Photograph: The "Alphabet 11", as shown in the photograph, is stitched on 14-count Aida using DMC floss. It was originally designed to be stitched in outline, using backstitches alone. However, it can also be filled in with cross stitches. You can see an example in the letters "A" and "B" stitched at the bottom of the chart.. Outline only: • 1 strand for backstitches Filled in: • 2 strands for cross stitches and partial stitches • 1 strand for backstitches Description: Outline Letters, script/italics Characters Included : • Upper Case Letters • Lower Case Letters • Numbers • Punctuation Height: • The upper case letters are 7 stitches high. • The lower case letters without ascenders or descenders (ex: a, c, o) are 5 stitches high. -
Xstitch Pro for Windows Manual
Platinum For Mac OSX Plus edition Copyright D. Peters 2015 Rev. 1.00 ii Platinum For Mac OSX 1 - Introduction.................................................................................1 2 - Running XSPro...........................................................................3 3 - Commands...................................................................................5 4 - Text to Stitches..........................................................................75 5 - Creating Fonts .........................................................................79 6 - Objects......................................................................................83 7 - Motifs........................................................................................87 8 - Printing......................................................................................95 9 - Digitising for Machine............................................................117 10 - Colours....................................................................................121 11 - DP Frame ...............................................................................127 12 - Hardanger Design....................................................................131 13 - Colour Range Editor...............................................................133 14 - Settings....................................................................................139 15 - Technical Support...................................................................141 S1 - Template Format.....................................................................143 -
1 MULTIUSE, EMBROIDERY and SEWING SCISSORS Stainless Steel
WWW.RAMUNDI.IT GIMAP s.r.l. 23834 PREMANA (LC) ITALY Zona Ind. Giabbio Tel. +39 0341 818 000 The line is composed by extremely high performance items, result of over 70 years of research of perfect cutting performances. Every single item is produced with the best materials and is carefully controlled by the expert hands of our artisans, from the raw material to the last control phase. The Extra line quality will satisfy all your needs. MULTIUSE, EMBROIDERY AND SEWING SCISSORS Stainless steel and handles in nylon 6 Series of professional scissors for textile, embroidery and multipurpose use. Made in AISI 420 steel, these scissors will allow you to made every kind of job with an extreme confort and precision. The scissors are made with special machines that make a perfect finish and operation that lasts over time. Nylon 6 handle are made with fiberglass with an innovative design and it can be use in contact with food. multiuse scissors in stainless steel and handles 553/5 in nylon 6 13 cm 553/6 15 cm 553 552/7,5 19 cm 552/8,5 21 cm 552/9,5 24 cm 552/10,5 26 cm 552/11 28 cm 552M Left- hand 22 cm 552 240/1/3,5 Embroidery scissors 9 cm 241/1/4 Embroidery scissors bent 10 cm 241/1/4 240/1/3,5 351/4 Sewing scissors 10,5 cm 351/5 12,5 cm 351/6 15 cm 351 485/7 Multiuse scissors 19 cm 360MN/4,5 Thread clipper 485/7 360MN/4,5 1 WWW.RAMUNDI.IT GIMAP s.r.l. -
Step 1: Turn on Sewing Machine - Switch on the Right Hand Side
8 th - Introduction of the Tempo Baby - lock Sewing Machine Page | 1 Part 1: Sewing Machine (Student Worksheet – Formative Assessment) Name _____________________________________________ Period ________ Score _____________________________________________ Directions: Complete after all parts have been completed, place in designated tray. Step 1: Turn on sewing machine - Switch on the right hand side. Step 2: Identify & Practice Using Assigned Parts Sewing Machine Parts: Part 1 1. Needle Button and Needle - DO NOT USE HANDWHEEL! On / Off Switch 2. Reverse Button – Reverse 3. Presser Foot – Holds down fabric 4. Stop/Start button must be green to sew. This is only done when the presser foot is down. 5. Speed Switch – Regulates your sewing speed. (NOTE: remember we are in a school zone – So sew slowly!!) Speed Switch 6. Stitch Regulator – Regulates stitch sizes (Large, Medium, Small). To make changes click the light at the bottom of the stitch regulator. Then slide the switch to the stitch size required. Most stitching is done with the medium stitch size. Stitch Regulator 8 th - Introduction of the Tempo Baby - lock Sewing Machine Page | 2 7. ZigZag Stitching - Press the zigzag button light when using this 4 type of stitch. The up/down button will change the numbers on the screen and will determine what stitch you are making. Check the plastic chart to see what numbers correlate to each design. Since we have the “J” foot on, these are the stitches we will be using. 8. A few more parts: Zig Zag Dials a. Feed Dogs – Grabs fabric smoothly through b. Threading Guides – Helps you thread the machine – all are sequentially labeled. -
A Hole New Story Jumper & Socks Edition
Workshop no.1 A hole new story jumper & socks edition Don’t let your textiles go to waste workshop series Contents 1. Who are we? 3 2. Mending, a story of tradition and care 7 3. Fabrics 101 11 4. Material kit explained 16 5. Visible mending techniques 18 6. Basic sewing skills 23 7. Step-by-step mending techniques 25 2 1. Who are we? 3 TextileLab Amsterdam TextileLab Amsterdam is a group of people that researches, questions and Pictured above (from left to right): speculates how we can help transition the textile and clothing industry towards a more sustainable and value driven approach. From a holistic Cecilia Raspanti approach we look at materials, tools/instruments, processes, culture and Co-founder TextileLab Amsterdam, systems and how these are related. Co-founder Fabricademy: textile academy The research always has a collaborative and value driven nature, where Ista Boszhard findings are shared in a fully open source fashion to create knowledge Co-founder TextileLab Amsterdam, exchange and foster collaboration with a range of diverse stakeholders. Lecturer Amfi Circular economy, sustainable value flows and networks, as well as material Margherita Soldati research and innovation are at the core of the TextileLab operations, going Concept and design TextileLab Amsterdam, hand in hand with exploring informal hands-on alternatives for design, Independent Designer fabrication and production. This wide range of operations and outcomes all feed into education innovation, supporting the change of this field starting Beatriz Sandini from existing educational structures. Concept and design TextileLab Amsterdam, Independent Designer 4 REFLOW Textiles have been a critical and polluting industry since the Industrial Revolution – each year, 14,000 tons of textiles are thrown away in Amsterdam only. -
Astronauts in Lunar Orbit After Blastoff from Moon
ri . v f- ■ ,, Average Dally Net Press Ron 'I’hfe-Weather For The Week Ended Mostly cloudy, warm, humid through Wednesday with chance July 81, m i of ahowers/thunderstorms; low tonight near. 70 with consider 14,890 able night rain. Manchester— A City of Village Charm (Classified Advertising on Page 17) PRICE FIFTEEN CENTS VOL. LXXXX, NO. 257 (TWENTY PAGES) man(:hester, conn., Monday, august 2,1971 Steel Strike Averted But Pact Settles Astronauts in Lunar Orbit Prices Hiked PITTSBURGH (AP)— Rail Strike U.S. Steel Corp., the in After Blastoff from Moon dustry pacesetter, hiked WASHINGTON (A P)— Negotiators announced to prices on virtually all prod day a contract settlement providing 42 per cent wage ucts today, a little more hikes over 42 months for about 200,000 trainmen, and SPACE CENTER, Hous than 12 hours after the said pickets would be removed froih 10-strike-bound ton (A P)—Apollo 15 as steel industry and the railroads, -------------------- : tronauts David R. Scott and James B. Irwin blast United Steelworkers Settlement of the 18-day old President Charles Luna of the ' strikes in the dispute involving striking-AFO-CTO United Trans- ed off safely from the agreed on a strike-avert all of the nation’s major rail- portatlon Union, ing contract. moon today after three roads came after a 17-hour <‘nve arp very happy that this days of historic lunar ex The m oveby U.S. Steel came marathon bargaining session at long dispute has ended and that as most of the nation’s steel ploration. A television the Labor Department. -
Journal 33.Pdf
1 GOVERNMENT OF INDIA GEOGRAPHICAL INDICATIONS JOURNAL NO. 33 APRIL 30, 2010 / VAISAKHA 2, SAKA 1932 2 INDEX Page S.No. Particulars No. 1. Official Notices 4 2. G.I Application Details 5 3. Public Notice 11 4. Sandur Lambani Embroidery 12 5. Hand Made Carpet of Bhadohi 31 6. Paithani Saree & Fabrics 43 7. Mahabaleshwar Strawberry 65 8. Hyderabad Haleem 71 9. General Information 77 10. Registration Process 81 3 OFFICIAL NOTICES Sub: Notice is given under Rule 41(1) of Geographical Indications of Goods (Registration & Protection) Rules, 2002. 1. As per the requirement of Rule 41(1) it is informed that the issue of Journal 33 of the Geographical Indications Journal dated 30th April 2010 / Vaisakha 2, Saka 1932 has been made available to the public from 30th April 2010. 4 G.I. Geographical Indication Class Goods App.No. 1 Darjeeling Tea (word) 30 Agricultural 2 Darjeeling Tea (Logo) 30 Agricultural 3 Aranmula Kannadi 20 Handicraft 24, 25 & 4 Pochampalli Ikat Textile 27 5 Salem Fabric 24 Textile 6 Payyannur Pavithra Ring 14 Handicraft 7 Chanderi Fabric 24 Textile 8 Solapur Chaddar 24 Textile 9 Solapur Terry Towel 24 Textile 10 Kotpad Handloom fabric 24 Textile 24, 25 & 11 Mysore Silk Textile 26 12 Kota Doria 24 & 25 Textile 13 Mysore Agarbathi 3 Manufactured 14 Basmati Rice 30 Agricultural 15 Kancheepuram Silk 24 & 25 Textile 16 Bhavani Jamakkalam 24 Textile 17 Navara - The grain of Kerala 30 Agricultural 18 Mysore Agarbathi "Logo" 3 Manufactured 19 Kullu Shawl 24 Textile 20 Bidriware 6, 21 & 34 Handicraft 21 Madurai Sungudi Saree 24 & 25 -
A Pair of Scissors Wool a Sewing Needle Small Knitting
Easy peasy (well, it is if you take a look at the champion ‘how to knit’ guide at www.learn2knit.co.uk which will give you everything you need.) But if you’ve 1. Pop your feet up with a cup of tea. done a bit in the past, here’s a reminder of the main stitch. 2. Using double knitting yarn and some small needles, cast on 28 stitches. You’ll need this stuff: 3. Knit 2 rows. Then, starting with a knit row, work in stocking stitch (knit 1 row, purl 1 row, knit 1 row etc) for 12 more rows. small knitting 4. For the next row, knit 2 together to the end (14 a sewing a pair perhaps wool needles stitches). And for the row after that, purl 2 together needle of scissors some bobbles (31/4 mm - 4mm) to the end (7 stitches). 5. When you’ve finished, cut the yarn leaving about 25 cm. Thread the cut end of the yarn through a sewing needle, then run it through the loops and 1. Insert the tip of the right needle through the first loop remove the knitting needle (fig. A). on the left needle, from front to back. Then wrap the working yarn around the tip of the right needle. 6. Tighten the yarn (fig. B) and sew the little hat together at the side (fig. C). Once finished, turn it right-side out so that the seam you've just sewn runs up the inside. 7. Just to check you’re on the right track we reckon 2. -
Stitch Spotlight: Alicia's Lace Variations by Diane Snyder
Stitch Spotlight: Alicia's Lace Variations by Diane Snyder One of my hands-down favorite stitches to use is Alicia's Lace Variations. As its name suggests, it works well for a lacy effect on clothing such as collars and dresses or textiles such as curtains and linens. The basic structure of diamond shapes is very easy to compensate because the diagonal stitches are over only two threads so the compensating stitch will be a single tent stitch in the correct orientation to match the pattern. I find it a very versatile stitch because of all the variations that can be used within the basic diamond shapes. You can leave the open areas as they are; this produces a very light and airy stitch perfect for backgrounds. The weight of the thread or the number of strands determines how much open canvas reads visually in the overall texture. Adding a single upright stitch over two threads in the center of the diamond adds more texture and makes the overall pattern denser; again, the choice of thread weight or strands will determine how dense or open the overall pattern appears. You may choose to fill every diamond shape, every other diamond shape or row in a pattern, or add the uprights randomly throughout. My favorite way to use this stitch is for skies. On an 18-mesh canvas, I like using two strands of a subtly overdyed silk that matches the canvas color. In areas where I want the sky to seem lighter I'll work the diamond shapes with the space between left open; in areas where I want the sky darker I'll add the uprights in the center.