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Sadir, Bharatanatyam, Feminist Theory Sriv1dya
ANOTHER STAGE IN THE LIFE OP THE NATION: SADIR, BHARATANATYAM, FEMINIST THEORY A THESIS SUBMITTED TO THE UNIVERSITY OF HYDERABAD FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE SCHOOL OF HUMANITIES SRIV1DYA NATARAJAN FEBRUARY, 1997 CERTIFICATE This is to certify that Ms. Srividya Natarajan worked under my supervision for the Ph.D. Degree in English. Her thesis entitled "Another Stage in the Life of the Nation: Sadir. Bharatanatyam. Feminist Theory" represents her own independent work at the University of Hyderabad. This work has not been submitted to any other institution for the award of any degree. Hyderabad Tejaswini Niranjana Date: 14-02-1997 Department of English School of Humanities University of Hyderabad Hyderabad February 12, 1997 This is to certify that I, Srividya Natarajan, have carried out the research embodied in the present thesis for the full period prescribed under Ph.D. ordinances of the University. I declare to the best of my knowledge that no part of this thesis was earlier submitted for the award of research degree of any University. To those special teachers from whose lives I have learnt more than from all my other education put together: Kittappa Vadhyar, Paati, Thatha, Paddu, Mythili, Nigel. i ACKNOWLEDGEMENTS In the course of five years of work on this thesis, I have piled up more debts than I can acknowledge in due measure. A fellowship from the University Grants Commission gave me leisure for full-time research; some of this time was spent among the stacks of the Tamil Nadu Archives, the Madras University Library, the Music Academy Library, the Adyar Library, the T.T. -
Mechanical Aspire
Newsletter Volume 6, Issue 11, November 2016 Mechanical Aspire Achievements in Sports, Projects, Industry, Research and Education All About Nobel Prize- Part 35 The Breakthrough Prize Inspired by Nobel Prize, there have been many other prizes similar to that, both in amount and in purpose. One such prize is the Breakthrough Prize. The Breakthrough Prize is backed by Facebook chief executive Mark Zuckerberg and Google co-founder Sergey Brin, among others. The Breakthrough Prize was founded by Brin and Anne Wojcicki, who runs genetic testing firm 23andMe, Chinese businessman Jack Ma, and Russian entrepreneur Yuri Milner and his wife Julia. The Breakthrough Prizes honor important, primarily recent, achievements in the categories of Fundamental Physics, Life Sciences and Mathematics . The prizes were founded in 2012 by Sergey Brin and Anne Wojcicki, Mark Zuckerberg and Priscilla Chan, Yuri and Julia Milner, and Jack Ma and Cathy Zhang. Committees of previous laureates choose the winners from candidates nominated in a process that’s online and open to the public. Laureates receive $3 million each in prize money. They attend a televised award ceremony designed to celebrate their achievements and inspire the next generation of scientists. As part of the ceremony schedule, they also engage in a program of lectures and discussions. Those that go on to make fresh discoveries remain eligible for future Breakthrough Prizes. The Trophy The Breakthrough Prize trophy was created by Olafur Eliasson. “The whole idea for me started out with, ‘Where do these great ideas come from? What type of intuition started the trajectory that eventually becomes what we celebrate today?’” Like much of Eliasson's work, the sculpture explores the common ground between art and science. -
Bharatanatyam: Eroticism, Devotion, and a Return to Tradition
BHARATANATYAM: EROTICISM, DEVOTION, AND A RETURN TO TRADITION A THESIS Presented to The Faculty of the Department of Religion In Partial Fulfillment of the Requirements for the Degree Bachelor of Arts By Taylor Steine May/2016 Page 1! of 34! Abstract The classical Indian dance style of Bharatanatyam evolved out of the sadir dance of the devadāsīs. Through the colonial period, the dance style underwent major changes and continues to evolve today. This paper aims to examine the elements of eroticism and devotion within both the sadir dance style and the contemporary Bharatanatyam. The erotic is viewed as a religious path to devotion and salvation in the Hindu religion and I will analyze why this eroticism is seen as religious and what makes it so vital to understanding and connecting with the divine, especially through the embodied practices of religious dance. Introduction Bharatanatyam is an Indian dance style that evolved from the sadir dance of devadāsīs. Sadir has been popular since roughly the 6th century. The original sadir dance form most likely originated in the area of Tamil Nadu in southern India and was used in part for temple rituals. Because of this connection to the ancient sadir dance, Bharatanatyam has historic traditional value. It began as a dance style performed in temples as ritual devotion to the gods. This original form of the style performed by the devadāsīs was inherently religious, as devadāsīs were women employed by the temple specifically to perform religious texts for the deities and for devotees. Because some sadir pieces were dances based on poems about kings and not deities, secularism does have a place in the dance form. -
Dr. Padma Sugavanam AIR A-Graded Carnatic Musician – Vocalist
Dr. Padma Sugavanam AIR A-graded Carnatic Musician – Vocalist, Academic and Researcher New No 14, First floor, 3rd Avenue, Besant Nagar, Chennai – 600090 E-mail : [email protected]; Ph: +91-9949121122, 044-24910306 Experience and Credentials - Performance A-Grade artiste (AIR) specially double promoted (from B-grade, skipping B-high), since 2002 Most outstanding vocalist (junior) award from the Music Academy, Chennai in 2014, followed by promotion to the sub-senior category in 2015 Sought-after vocalist, gave 60 performances in 2016 across India, US, Canada, Singapore, Malaysia Performances in leading Sabhas (Music Academy, Krishna Gana Sabha, Parthasarathy Swami Sabha, Mylapore Fine Arts etc.) during December Margazhi music festival in Chennai Lecture-demonstrations at prestigious forums such as the Madras Music Academy, and the Ivy League institution, University of Pennsylvania (Philadelphia, USA) Six international concert tours, including an 18 concerts tour of USA and Canada (including the Cleveland Tyagaraja Aradhana), and a tour of Singapore and Malaysia, in 2016 “Pallavi Darbar” concert on advanced Pallavis (Dvinadai, Dviraga, Ettu-kalai, Chanda-taalam pallavis), with Gayathri Girish, Amritha Murali, Nisha Rajagopal, for Carnatica and Parthasarathy Swamy Sabha Performance in the Akashvani Sangeet Sammelan 2012 Regular performances in Nada Nirajanam of Sri Venkateswara Bhakti Channel (SVBC), Tirupati Performances in various TV channels such as Podhigai TV, Jaya TV, Pudu Yugam etc. Thematic programs and lecture-demonstrations such as Prahlada Bhakti Vijayam, Nauka Charitram, Sri Krishna Leela Tarangini, Raganubhava series (Carnatica Archival Centre) etc. Musical Tutelage Intensive training in gurukula style, from Sangita Kala Acharya Smt. Seetha Rajan from 1994 – 2014 Presently undergoing advanced training, under Sangita Kalanidhi Smt. -
Nishanth Chandran August 3, 2021 Principal Researcher, Microsoft Research, India
Nishanth Chandran August 3, 2021 Principal Researcher, Microsoft Research, India. Email: [email protected] \VIGYAN", No. 9, Lavelle Road, Ph: +91-80-6658 6252 Bangalore, India 560001 https://www.microsoft.com/en-us/research/people/nichandr/ Work Experience Microsoft Research Bangalore, India Principal Researcher July 2019 − Present Microsoft Research Bangalore, India Researcher November 2013 − July 2019 AT&T Labs − Security Research Center New York, NY Senior Member of Technical Staff October 2012 − November 2013 Microsoft Research Redmond, WA Post-doctoral Researcher July 2011 − September 2012 Research Expertise Cryptography, Cloud Security, Confidential Computing, Blockchain Computing on encrypted data, Secure Computation, Data protection and key management Education University of California, Los Angeles Los Angeles, CA Ph.D. Computer Science 2007 − 2011 { Thesis: Theoretical Foundations of Position-based Cryptography University of California, Los Angeles Los Angeles, CA M.S. Computer Science 2005 − 2007 { GPA: 4:0=4:0 Anna University (Hindustan College of Engineering) Chennai, India B.E. Computer Science and Engineering 2001 − 2005 In Media Work on Secure Neural Network Inference and Training covered by 1. \Announcing SecureNN in tf-encrypted", Ben DeCoste, December 13 2018; Web: https: //medium.com/dropoutlabs/announcing-securenn-in-tf-encrypted-9c9c3e8a5a52. 2. \A Path to Sub-Second, Encrypted Skin Cancer Detection", Yann Dupis, June 13 2019; Web: https://medium.com/dropoutlabs/encrypted-skin-cancer-detection-3d096d3b7237. Work on position-based cryptography covered by 1. Nature : \Quantum information: The conundrum of secure positioning", Gilles Brassard; Nature, 479, Pages 307-308, 2011. 2. The MIT Technology Review: \Physicists Use Location To Guarantee Security of Quantum Messages", May 13, 2010. -
The Journal of the Music Academy Madras Devoted to the Advancement of the Science and Art of Music
The Journal of Music Academy Madras ISSN. 0970-3101 Publication by THE MUSIC ACADEMY MADRAS Sangita Sampradaya Pradarsini of Subbarama Dikshitar (Tamil) Part I, II & III each 150.00 Part – IV 50.00 Part – V 180.00 The Journal Sangita Sampradaya Pradarsini of Subbarama Dikshitar of (English) Volume – I 750.00 Volume – II 900.00 The Music Academy Madras Volume – III 900.00 Devoted to the Advancement of the Science and Art of Music Volume – IV 650.00 Volume – V 750.00 Vol. 89 2018 Appendix (A & B) Veena Seshannavin Uruppadigal (in Tamil) 250.00 ŸÊ„¢U fl‚ÊÁ◊ flÒ∑ȧá∆U Ÿ ÿÊÁªNÔUŒÿ ⁄UflÊÒ– Ragas of Sangita Saramrta – T.V. Subba Rao & ◊jQÊ— ÿòÊ ªÊÿÁãà ÃòÊ ÁÃDÊÁ◊ ŸÊ⁄UŒH Dr. S.R. Janakiraman (in English) 50.00 “I dwell not in Vaikunta, nor in the hearts of Yogins, not in the Sun; Lakshana Gitas – Dr. S.R. Janakiraman 50.00 (but) where my Bhaktas sing, there be I, Narada !” Narada Bhakti Sutra The Chaturdandi Prakasika of Venkatamakhin 50.00 (Sanskrit Text with supplement) E Krishna Iyer Centenary Issue 25.00 Professor Sambamoorthy, the Visionary Musicologist 150.00 By Brahma EDITOR Sriram V. Raga Lakshanangal – Dr. S.R. Janakiraman (in Tamil) Volume – I, II & III each 150.00 VOL. 89 – 2018 VOL. COMPUPRINT • 2811 6768 Published by N. Murali on behalf The Music Academy Madras at New No. 168, TTK Road, Royapettah, Chennai 600 014 and Printed by N. Subramanian at Sudarsan Graphics Offset Press, 14, Neelakanta Metha Street, T. Nagar, Chennai 600 014. Editor : V. Sriram. THE MUSIC ACADEMY MADRAS ISSN. -
Online Film Festival Raytoday by Films Division
A Report Films Division Govt. of India, Min. of I & B, 24- Dr. G Deshmukh Marg, Mumbai -26 Dated the 10th May, 2021 Online Film Festival RayToday by Films Division Satyajit Ray, one of the greatest film makers of all the time, is credited with taking Indian cinema to the global level. A true renaissance man, Ray earned worldwide fame for himself and to the art of cinema as well, with his poetic realism and cinematic imagination. Films Division marked beginning of the year-long birth centenary celebrations of the legendary filmmaker by screening Shyam Benegal’s eponymous biopic, Satyajit Ray on 2nd May 2021 on its website. Continuing with the celebrations of the auteur, Films Division has organized an online film festival, RayToday, a curated package of non-feature works by Ray along with films on him and his oeuvre, on FD website from 7th to 9th May 2021. RayToday included, among others, a rare documentary made by him on Nobel laureate, Rabindranath Tagore, the one and only television film by Ray on a short story by Munshi Premchand and the much acclaimed biopic by Shyam Benegal. The following films werestreamed in the festival : Sadgati (Satyajit Ray/Doordarshan/52 Mins/1981) - a television film set on rural India which throws light on caste system in society. Two (Satyajit Ray/Esso World Theatre/15 Mins/1964) - a simple but hard hitting societal commentary on the class struggle shows an encounter between a child of a rich family and a street child, and displays attempts of one-upmanship between kids in their successive display of toys. -
Chapter 1 Uday Shankar and Locating Modernity
CHAPTER 1 UDAY SHANKAR AND LOCATING MODERNITY In 1920, a twenty year old, handsome Indian student arrived in London to study painting at the Royal College of Art. Three years later, he made his debut at Covent Garden alongside the legendary Russian ballet dancer, Anna Pavlova, although—quite remarkably—until a few months earlier, he had little to no dance experience. His audiences in England, France, and the United States nevertheless thought he was very talented at what he did. The dancer invented a new style of dance, which purportedly represented Indian culture; his dance looked “foreign” enough that nobody doubted his claim. In the late 1920s, the dancer returned to India, and demonstrated his new style to his fellow compatriots. Most of his compatriots did not care for this new style, but a few prominent figures encouraged him to continue with what he was doing. His family and friends also supported him; some of them even joined his dance troupe as dancers and musicians, including his youngest brother, twenty years his junior. The troupe then returned to Paris. Meanwhile, India was nearing the end of its dramatic transition from a British imperial colony to a newly independent nation. When the dancer returned to settle in India in the late 1930s, he immersed himself in the current debates over India’s future identity and culture. Most people, who believed the essence of Indian culture could be found in its ancient traditions, were looking to the past for the “real” definition of national culture and identity. The dancer, however, proposed that his invented style and eclectic approach to art defined India’s culture instead. -
2019-20-English
The Institute of Mathematical Sciences Annual Report & Audited Statement of Accounts 1 March 2019- April 2020 The Institute of Mathematical Sciences Chennai Annual Report and Audited Statement of Accounts April 2019 - March 2020 Telephone: +91-44-2254 3100, 2254 1856 Website: https://www.imsc.res.in/ Fax: +91-44-2254 1586 DID No.: +91-44-2254 3xxx(xxx=extension) 2 Director’s Note Director’s Note I am happy to present the annual report of the Institute for 2019-2020 and put forth the distinctive achievements of its members during the year along with a perspective for the future. During the period April 2019 - March 2020, there were 144 students pursuing their PhD and 42 scholars pursuing their post-doctoral programme at IMSc. Spread through this period, the Institute organized or co-sponsored several workshops and conferences. The First IMSc discussion meeting on extreme QCD matter held during September 16 - 21, 2019 brought together senior scientists to deliver a set of pedagogic lectures on the current state-of-the-art, open problems and challenges in the area of hot and dense QCD matter. The annual meeting of the International Pulsar Timing Array (IPTA) was organized during June 10 - 21, 2019 by its Indian arm, of which IMSc is a part. An NCM sponsored workshop on Combinatorial Models for Representation Theory was organised in IMSc during November 4 - 16, 2019 and saw active participation from Ph.D students and postdocs from across the country. An ACM-India Summer School on Graphs and Graph Algorithms and a meeting on Recent Trends in Algorithms were both organised during the year. -
The Journal the Music Academy
THE JOURNAL OF THE MUSIC ACADEMY* DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC Vol. LXI 1990 vet rrar fassT fa m r s n ''I dwell not In Vaikuntha, nor in the hearts of Yogins nor in the Sun; (but) where my bhaktas sing, there be I, Narada!" Edited ^by: T. S. PARTHASARATHY The Music Academy Madras 306, T. T. K. Road, Madras-600014 Annual Subscription — Inland Rs. 30 : Foreign $ 3-00 OURSELVES This Journal is published as an Annual. All correspondence relating to the Journal should be addressed and all books etc,, intended for it should be sent to The Editor Journal of the Music Academy, 306, T. T. K. Road, Madras-600 014. Articles on music and dance are accepted for publication on the understanding that they are contributed solely to the Journal of the Music Academy. Manuscripts should be legibly written or, preferably, type written (double-spaced and on one side of the paper only) and should be signed by the writter (giving his or her address in full.) The Editor of the Journal is not responsible for the views expressed by contributors in their articles. CONTENTS PAGE The 63rd Madras Music Conference—Official Report ... 1 Meetings of the Advisory Committee , 28 The Sadas 46 Prahlada Bhakti Vijayam of Sri Tyagaraja ... 65 7. S. Parthasarathy Bharata Natyam 116 Anne—Marie Gaston The Pancha Ratna Kritis of Sri Tyagaraja 146 7. S. Parthasarathy Balasaraswati’s Abhinaya Style 160 Kay Poursine Ancient Music : 165 Brinda Varadarajan Sri Tyagaraja Swamigal in Samskrita Kritis 189 V. Sivaswamy The Values of Tyagaraja 206 W illiam J . -
Sikkil C. Gurucharan—Vocal Sikkil C
Sikkil C. Gurucharan—Vocal Sikkil C. Gurucharan is a disciple of Vaigal sri S. Gnanaskandan (Semmangudi Srinivasa Iyer’s disciple) for more than 12 years. Gurucharan is the grandson of the eldest of Sikkil sisters. Born and brought up in a music family, commenced his carnatic music training from a very early age. His first concert was under the banner of Gnanaskandan trust at Music Academy Chennai in 1994. Since then he has been performing at all important sabhas in Chennai during the Music Season. He has performed all over India, and more recently, in the USA and Singapore. He is an A Grade artiste of the All India Radio. Gurucharan’s sonorous voice and unique style adds glamour without assaulting tradition, and has been widely applauded by critics. He has released several albums on Thiruppavai, Thiruvembai, Bhajans, Gaana Prabhavam, Kaaveri Pattinam, Ramayanam, Ganapatyam, Melakarta ragas, Peranandam and many more. He has won numerous prizes and awards from several prestigious institutions since his school days. Recent awards include Yuva Kala Bharathi Award (Bharat Kalachar), Isai Chudar (Karthik Fine Arts), Kalki Memorial Award (Kalki Trust), and Swarna Venkatesha Dikshitar(Music Academy). Gurucharan holds a masters degree in Financial Management. Nagai Sriram—Violin Nagai Sriram was born into a family of musicians. He started learning violin from his grandmother Smt. R. Komalavalli and underwent advanced training from his uncle Sri Nagai Muralidharan. He has accompanied several top musicians such as Madurai Seshagopalan, T. V. Sankaranarayanan, and S. Sowmya, and has traveled abroad many times. Sriram has won many prizes and awards including Yuva Kala Bharathi, and has won the Best Violinist Award from the Madras Music Academy for the last 6 consecutive years. -
District Statistical Hand Book Chennai District 2016-2017
Government of Tamil Nadu Department of Economics and Statistics DISTRICT STATISTICAL HAND BOOK CHENNAI DISTRICT 2016-2017 Chennai Airport Chennai Ennoor Horbour INDEX PAGE NO “A VIEW ON ORGIN OF CHENNAI DISTRICT 1 - 31 STATISTICAL HANDBOOK IN TABULAR FORM 32- 114 STATISTICAL TABLES CONTENTS 1. AREA AND POPULATION 1.1 Area, Population, Literate, SCs and STs- Sex wise by Blocks and Municipalities 32 1.2 Population by Broad Industrial categories of Workers. 33 1.3 Population by Religion 34 1.4 Population by Age Groups 34 1.5 Population of the District-Decennial Growth 35 1.6 Salient features of 1991 Census – Block and Municipality wise. 35 2. CLIMATE AND RAINFALL 2.1 Monthly Rainfall Data . 36 2.2 Seasonwise Rainfall 37 2.3 Time Series Date of Rainfall by seasons 38 2.4 Monthly Rainfall from April 2015 to March 2016 39 3. AGRICULTURE - Not Applicable for Chennai District 3.1 Soil Classification (with illustration by map) 3.2 Land Utilisation 3.3 Area and Production of Crops 3.4 Agricultural Machinery and Implements 3.5 Number and Area of Operational Holdings 3.6 Consumption of Chemical Fertilisers and Pesticides 3.7 Regulated Markets 3.8 Crop Insurance Scheme 3.9 Sericulture i 4. IRRIGATION - Not Applicable for Chennai District 4.1 Sources of Water Supply with Command Area – Blockwise. 4.2 Actual Area Irrigated (Net and Gross) by sources. 4.3 Area Irrigated by Crops. 4.4 Details of Dams, Tanks, Wells and Borewells. 5. ANIMAL HUSBANDRY 5.1 Livestock Population 40 5.2 Veterinary Institutions and Animals treated – Blockwise.