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Greenpeace Annual Report 2017 – Laying the Groundwork for An
© Greenpeace / Pierre Gleizes . Taziazet 1 alongside the Esperanza in West Africa, Mauritania-Western Africa. 2017. Editorial Team: Mbong Akiy, Nchemty Metini Ozongashu, Hellen Dena Contributors: Ahmed Diame, Bodhisattva Gupta, Deshanta Naidoo, Dr Ibrahima Cisse, Gerhard Combrink, Leola Abraham, Lindlyn Moma, Melita Steele, Nhlanhla Sibisi, Renee Olende, Toko Tomita, Victorine Che Thorner and Zane Ford Commissioned by: Greenpeace Africa Published: June 2018 by Greenpeace Africa Greenpeace Africa: 293 Kent Avenue, Randburg, Johannesburg, South Africa Designed by: Kaitoma Creatives Printed on 100% recycled post-consumer paper with vegetable based inks. Cover photos: © Greenpeace. For more information contact: [email protected] © Greenpeace / Pierre Gleizes. Village on beach in Turtle Islands, Sierra Leone. 2017. on beach in Turtle Gleizes. Village / Pierre © Greenpeace Contents Executive Director’s Summary 04 Campaigns: Oceans Fighting Illegal, Unregulated and Unreported Fishing in West African Waters 06 Forests The World Dances for a Pristine Forest 12 Climate and Energy Bringing Light and Hope to Diepsloot – Project Sunshine 20 Food for Life Revamping the Food System in Kenya 28 Towards an Environmental Movement in Africa 34 What did our Volunteers Get Up to? 36 Working with Partners– Together we are Stronger 38 Maiden Internship Voyage in Greenpeace Africa 40 The Year in Numbers: FR Acquisitions 2017 and Sign-ups at a Glance 42 Finance 44 2017 : Looking Back at Greenpeace Globally 46 © Greenpeace / Philip Schedler. Njeri Kabeberi Greenpeace Africa Executive Director. South Africa. 2017. Executive Director’s Summary “To settle in” must be an alien concept at Greenpeace, because after 1 year and 2 months, I can honestly say I am still waiting for that moment. -
EU/UNESCO Expert Facility Inception Meeting List of Participants 12‐14 February 2019, Bangkok, Thailand
With funding from the European Union EU/UNESCO Expert Facility inception meeting List of Participants 12‐14 February 2019, Bangkok, Thailand Members of the 2019/2022 Expert Facility: 40 Jordi Baltà Portolés (Spain) [email protected] Jordi is a consultant, researcher and trainer in cultural policy and international affairs, with a particular interest in the role of culture in sustainable development, cultural diversity and international cultural cooperation. He is an advisor on culture and sustainable cities for the United Cities and Local Governments (UCLG) Committee on Culture and regularly works for several other organizations, including the Asia‐Europe Museum Network (ASEMUS) and Trànsit Projectes (Barcelona). He has experience working in several Latin American, African and European countries. Between 2001 and 2014, he was a researcher and project coordinator at the Interarts Foundation, where he coordinated the European Expert Network on Culture (EENC). He teaches at the MA in Cultural Management at the Open University of Catalonia (UOC) and the University of Girona (UdG), as well as the Degree in International Relations at the Universitat Ramon Llull (URL). Jordi holds a BA in Political Science (Autonomous University of Barcelona, UAB) and an MA in European Cultural Policy (University of Warwick). Languages: Spanish, English, French, Catalan Alexandra Bensamoun (France) alexandra.bensamoun@u‐psud.fr Alexandra is a professor of Private Law at the University of Rennes 1 (IODE‐CNRS) and a member of the Board of Directors for the Center for Studies and Research in Immaterial Law (CERDI – University Paris‐Sud/Paris‐Saclay). She specializes in intellectual property law and digital law, which she teaches in France and in foreign universities. -
Wiyaala EPK Google Doc.Docx
The Most Promising Artiste in Africa - All Africa Music Awards (Afrima) 2014 The Revelation of the African Continent - All Africa Music Awards (Afrima) 2014 Best Female Vocal – Vodafone Ghana Music Awards 2015 Songwriter of The Year – Vodafone Ghana Music Awards 2015 “Wiyaala is sensational” DJ Rita Ray’s artistes to watch out for in 2015 on BBC Africa “She’s taking the musical game, devouring it, and asking for seconds” Mind Of Malaka Daily Graphic “unyielding Wiyaala blew away the richly diverse audience at Alliance Francaise” Circumspect: Wiyaala in Concert, The Making of an African legend The Music Wiyaala fearlessly explores different musical genre in pursuit of her musical ambitions. In just one year, she has played Afro- pop sex kitten, Afro-tribal warrior queen, old school reggae man-eater, Afro-house dreamer and the nation’s favorite soccer playing girl next door. She self-assuredly inhabits every musical role with unwavering conviction whilst displaying the power and physicality of an Olympic athlete. Once the “young lioness of Africa” gets on your radar, whether you like it or not, she will prey on your senses until you are left breathless and begging for more. The Beginning Born in Wa, the capital town of the Upper West Region of Ghana, Wiyaala is the second of four sisters. Her mother was a chorister and her father a local government health official. Her childhood was spent in Funsi, a small West African village. At a very young age, Wiyaala attracted attention as an entertainer, artist and athlete. Her Madonna/Michael Jackson inspired performances always providing much notoriety in the village. -
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Established 1961 Friday ISSUE NO: 17378 SAFAR 21, 1439 AH FRIDAY, NOVEMBER 10, 2017 Sabah Al-Ahmad Sea Macron suggests France could join Celtics roll past Lakers 4 City: A photo feature 11new fronts against Islamic State 44 for 10th straight win TRIPOLI: A poster of Saudi Arabia’s Crown Prince Mohammed bin Salman with a phrase reading in Arabic, “God protect you” is seen on a highway in the northern Lebanese port city of Tripoli yes- terday. — AFP Saudi calls on its citizens to leave Lebanon: Minister Page 10 2 Friday Local Friday, November 10, 2017 PHOTO OF THE DAY Samson Kuwait Local Spotlight By Muna Al-Fuzai [email protected] hile Saudi Arabia has been actively arresting a number of people accused of corruption and Wstealing millions in public funds, newspapers in Kuwait published reports that became a subject of com- parison and comments among Kuwaitis. “Samson”, a mafia leader in Jleeb Al-Shuyoukh, was arrested by police, end- ing a chapter of fear and theft against Bangladeshi and other Asian street vendors selling vegetables and used clothes. He is not a minister, official or even a citizen. He is a Bangladeshi expatriate who had a chance to get rich and powerful without any restrictions or fear. We have all read about and saw Samson in several movies and cartoons. He was introduced to us as a man of superhuman strength who nonetheless could not escape tragedy. Samson is the biblical Hercules and he was the last of the judges of the ancient Israelites mentioned in the Book of Judges in the Hebrew Bible. -
No. 369, June 2018
Pour la version française cliquez ici. Observatory of Cultural Policies in Africa The Observatory is a Pan African international NGO created in 2002 with the support of African Union, the Ford Foundation, and UNESCO. Its aim is to monitor cultural trends and national cultural policies in the region and to enhance their integration in human development strategies through advocacy, information, research, capacity building, networking, co-ordination, and co-operation at the regional and international levels. OCPA NEWS No 369 26 June 2018 OCPA News aims to promote interactive information exchange within Africa and between Africa and the other regions. Please send us information for dissemination about new initiatives, meetings, research projects and publications of interest for cultural policies for development in Africa. Thank you for your co-operation. *** Contact: OCPA Secretariat, Avenida Patrice Lumumba No. 850, Primeiro Andar, Caixa Postal 1207, Maputo, Mozambique Tel.: + 258 21306138 / Fax: +258 21320304 / E-mail: [email protected] Executive Director: Lupwishi Mbuyamba, [email protected] Editor of OCPA News: Máté Kovács, [email protected] 1 OCPA WEB SITE - www.ocpanet.org OCPA FACEBOOK - www.facebook.com/pages/OCPA-Observatory-of-Cultural-Policies-in- Africa/100962769953248?v=info You can subscribe or unsubscribe to OCPA News via the online form at http://www.ocpanet.org/activities/newsletter/mailinglist/subscribe-en.html or http://www.ocpanet.org/activities/newsletter/mailinglist/unsubscribe-en.html Previous issues of OCPA News at http://ocpa.irmo.hr/activities/newsletter/index-en.html * OCPA is an official partner of UNESCO (associate status) *** We express our thanks to our main partners whose support has permitted the development of our activities: ENCATC CBAAC FORD FOUNDATION *** *** 2 In this issue A. -
General Presentation Note
23/06/2021 2nd edition 2021 Strengthening the Pan-African Movement for a Culture of Peace and Non- Violence: Towards a Global Partnership General presentation note 1 23/06/2021 INTRODUCTION The Biennale of Luanda - Pan-African Forum for the Culture of Peace is a joint initiative of the United Nations Educational, Scientific and Cultural Organization (UNESCO), the African Union (AU) and the Government of Angola, which is part of the implementation of the "Plan of Action for a Culture of Peace in Africa/Let's Move for Peace" adopted in March 2013 in Luanda, Angola, at the Pan-African Forum "Sources and Resources for a Culture of Peace". The Biennale was established by Decision 558/XXIV, adopted in 2015 at the 24th Session of the Assembly of Heads of State and Government of the African Union, requesting the African Union Commission (AUC) to work towards its organization, in consultation with UNESCO and the Government of the Republic of Angola. This initiative reinforces the implementation of Goals 16 and 17 of the United Nations 2030 Agenda for Sustainable Development and the 7 Aspirations of the African Union's Agenda 2063, in particular its "Silence the Guns by 2020" initiative, which has been extended for ten years (2030) and the implementation of the Charter for African Cultural Renaissance. The Biennale also contributes to the implementation of UNESCO's "Operational Strategy for Priority Africa (2014-2021)", aimed at providing African responses to the transformations affecting the continent's economies and societies. The African Union has always placed culture and culture of peace at the top of its agenda which affirms the commitment of the African Union Member States to ensure the coordination and harmonization of their policies to strengthen the African cultural identity and shared values. -
Du Bassin Du Congo
HEBDOMADAIRE RÉGIONAL DINFORMATIONS DU GROUPE ADIAC DU BASSIN DU CONGO CCongo R - République démocratique duC Congo A - Angola B- Burundi -C Cameroun - CCentrafrique - Gabon G - Guinée G équatoriale - Ouga Onda - Rwanda R - Tchad T - Sao S Tomé-et-Principe TP XAF CDF RWF N°116 DU VENDREDI 9 AU JEUDI 15 AVRIL 2021 HOMMAGE Avril, mois de Papa Wemba Le «roi de la rumba congolaise» est décédé dans la nuit du samedi 23 au dimanche 24 avril 2016 à Abidjan, en Côte d’Ivoire, sur la scène du Festival des musiques urbaines d’Anoumabo à Abidjan (Femua), alors qu’il donnait un concert. Il restera incontestablement l’un des plus grands artistes africains de ces 50 dernières années. Retour sur son parcours artistique, en quelques dates et illustrations, dans cet hommage à deux volets. PAGE 8 MUSIQUE CHALLENGE Ocevne, une voix Une Congolaise au concours à suivre d’éloquence de Paris Deborah Mbou Tsoumou du Congo est parmi les lauréats du concours international d’éloquence de l’université Paris 1, PanthéonSorbonne, dont les demifi nales se dérouleront, le 14 avril, en France. Organisé chaque année en partenariat avec l’Agence universitaire de la Francophonie, TV5 monde et la fondation Voltaire, ce concours, qui promeut l’art oratoire, est ouvert à l’ensemble des étudiants de l’université dans toutes ses fi lières confondues, ainsi qu’aux candidats à travers le monde. PAGE 5 MÉTIER DU DIGITAL Elle est parvenue à rallier des fans à sa passion, l’année dernière, lors du lancement de ses deux EP de 4 titres, De vrais et faux in uenceurs chantés en langue Swahili, chacun livré publiquement en Ils font partie de cette nouvelle juillet et octobre 2020. -
Ruling Family, Leading Figures Urged to Stay Away from Polls
SUBSCRIPTION TUESDAY, NOVEMBER 8, 2016 SAFAR 8, 1438 AH www.kuwaittimes.net Legislations May lays Delhi shuts Veteran needed to groundwork schools as smog Evra called address key for post-Brexit sparks health up to France issues: 3Sour India21 trade deal ‘emergency’28 squad19 Ruling family, leading figures Min 27º urged to stay away from polls Max 16º High Tide 03:58 & 18:36 Reform initiative also calls for change in voting system Low Tide 11:11 & 23:25 40 PAGES NO: 17044 150 FILS KUWAIT: A group of leading personalities that include for- mer ministers and lawmakers, calling itself the Reform and Clinton, Trump in frenzied campaign finale National Consensus Initiative Group, yesterday launched a political reconciliation initiative to end the deterioration in the country’s affairs. The initiative called on “competing members of the ruling family and other leading figures” to stop interfering in the election through “political money” and other means that could influence the outcome of the parliamentary polls, allowing them to ensure the success of their “candidates” in the election. The initiative did not provide further details, but there have been increasing accusations that some influential fig- ures, in a bid to influence the outcome of the polls to serve their interests, have pumped millions of dinars into the process. Allegations of vote-buying and other forms of bribery and corruption have been repeatedly made, but very few people have been sent to court over such claims. The group consists of 20 personalities representing vari- ous political schools of thought and includes people like for- mer justice minister and deputy speaker Meshari Al-Anjari, veteran politician and former minister Yousef Al-Nasef, for- mer minister and MP Abdulwahab Al-Haroun, former minis- ter Abdulwahab Al-Wazzan and several other dignitaries. -
Une Icône De La Sape
Les Dépêches de Brazzaville - Samedi 18 juin 2016 ÉDITION DU SAMEDI1 Hector Mediavila www.adiac-congo.com Photographe N° 2637 DU 18 AU 24 JUIN 2016 / 200 FCFA, 300 FC, 1€ JOCELYN ARMEL ‘‘ LE BACHELOR’’ Une icône de la sape cp / afp Figure emblématique du mou- CO. Très populaire, à plus de CVS vend essentiellement des plie de parfait dandy, déclinée il est à l’aiche de la campagne vement de la sape, le Congolais cinquante ans, il s’est impo- complets trois pièces, des che- dans des couleurs vives et un « Talent du Congo » lancée par Jocelyn Armel dit Le Bachelor sé dans Paris avec des choix mises et des cravates fabriquées mixte d’imprimés qui font des la compagnie aérienne congo- est le fondateur, styliste et gé- audacieux qui font de lui une en Europe ou des chaussures émules. Sans jamais perdre son laise ECAir. rant de Connivences SAPE & icône depuis dix ans. Sa grife venues d’Italie. Une pano- attachement à sa terre natale, PAGES 8 ET 9 MUSIQUE Livre Les enfants Shungu et l’artiste Bozi « Tu le diras à ma mère : L’histoire vraie de Coco Boziana rendent hommage à Papa Wemba Ramazani », racontée par Joseph Mwantuali Plus de 45 jours après le décès de l’artiste C’est une œuvre poignante, renver- musicien Papa Wemba à Abidjan, les en- sante, troublante où la véracité des fants Shungu et Maguy Otemissi organisent faits étreint le lecteur dès la préface, une messe de requiem en sa mémoire, le 19 signée par l’emblématique Were juin à la Cathédrale Sacré-Cœur de Braz- Were Liking. -
High Fashion, Lower Class of La Sape in Congo
Africa: History and Culture, 2019, 4(1) Copyright © 2019 by Academic Publishing House Researcher s.r.o. Published in the Slovak Republic Africa: History and Culture Has been issued since 2016. E-ISSN: 2500-3771 2019, 4(1): 4-11 DOI: 10.13187/ahc.2019.1.4 www.ejournal48.com Articles and Statements “Hey! Who is that Dandy?”: High Fashion, Lower Class of La Sape in Congo Shuan Lin a , * a National Changhua University of Education, Taiwan Abstract Vestments transmit a sense of identity, status, and occasion. The vested body thus provides an ideal medium for investigating changing identities at the intersection of consumption and social status. This paper examines the vested body in the la Sape movement in Congo, Central Africa, by applying the model of ‘conspicuous consumption’ put forward by Thorstein Veblen. In so doing, the model of ‘conspicuous consumption’ illuminates how la Sape is more than an appropriation of western fashion, but rather a medium by which fashion is invested as a site for identity transformation in order to distinguish itself from the rest of the society. The analysis focuses particularly the development of this appropriation of western clothes from the pre-colonial era to the 1970s with the intention of illustrating the proliferation of la Sape with the expanding popularity of Congolese music at its fullest magnitude, and the complex consumption on clothing. Keywords: Congo, Conspicuous Consumption, la Sape, Papa Wemba, Vested Body, Vestments. 1. Introduction “I saved up to buy these shoes. It took me almost two years. If I hadn’t bought this pair, I’d have bought a plot of land,” he said proudly, adding that it’s the designer logo that adds to his “dignity” and “self-esteem.” “I had to buy them,” he said. -
Revisedphdwhole THING Whizz 1
McGuinness, Sara E. (2011) Grupo Lokito: a practice-based investigation into contemporary links between Congolese and Cuban popular music. PhD Thesis. SOAS, University of London http://eprints.soas.ac.uk/14703 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. GRUPO LOKITO A practice-based investigation into contemporary links between Congolese and Cuban popular music Sara E. McGuinness Thesis submitted for the degree of Doctor of Philosophy 2011 School of Oriental and African Studies University of London Declaration for PhD thesis I have read and understood regulation 17.9 of the Regulations for students of the School of Oriental and African Studies concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. I also undertake that any quotation or paraphrase from the published or unpublished work of another person has been duly acknowledged in the work which I present for examination. -
Congolese Rumba and Other Cosmopolitanisms La Rumba Congolaise Et Autres Cosmopolitismes
Cahiers d’études africaines 168 | 2002 Musiques du monde Congolese Rumba and Other Cosmopolitanisms La rumba congolaise et autres cosmopolitismes Bob W. White Electronic version URL: http://journals.openedition.org/etudesafricaines/161 DOI: 10.4000/etudesafricaines.161 ISSN: 1777-5353 Publisher Éditions de l’EHESS Printed version Date of publication: 1 January 2002 Number of pages: 663-686 ISBN: 978-2-7132-1778-4 ISSN: 0008-0055 Electronic reference Bob W. White, « Congolese Rumba and Other Cosmopolitanisms », Cahiers d’études africaines [Online], 168 | 2002, Online since 22 November 2013, connection on 01 May 2019. URL : http:// journals.openedition.org/etudesafricaines/161 ; DOI : 10.4000/etudesafricaines.161 © Cahiers d’Études africaines Bob W. White Congolese Rumba and Other Cosmopolitanisms Most first-time listeners of Congolese popular dance music comment on the fact that this typically African musical style actually sounds like it comes from somewhere else: “Is that merengue?” or “It sounds kind of Cuban”. Given that since the beginning of Congolese modern music in the 1930s, Afro-Cuban music has been one of its primary sources of inspiration, this is obviously not a coincidence. In historical terms, it is probably more accurate to say that Cuba and other Caribbean nations have been inspired by the musical traditions of Africa, though this is not the focus of my article. While research on the question of transatlantic cultural flows can provide valuable information about the roots and resilience of culture, I am more interested in what these flows mean to people in particular times and places and ultimately what people are able to do with them, both socially and politically.