Paul Sterling Hoag Papers, Circa 1950-Circa 1985 0000141

Total Page:16

File Type:pdf, Size:1020Kb

Paul Sterling Hoag Papers, Circa 1950-Circa 1985 0000141 http://oac.cdlib.org/findaid/ark:/13030/c83f4nnt No online items Finding Aid for the Paul Sterling Hoag papers, circa 1950-circa 1985 0000141 Finding aid prepared by Chris Marino The processing of this collection was made possible through generous funding from The Andrew W. Mellon Foundation, administered through the Council on Library and Information Resources “Cataloging Hidden Special Collections and Archives” Project. Architecture and Design Collection, Art, Design & Architecture Museum Arts Building Room 1434 University of California Santa Barbara, California, 93106-7130 805-893-2724 [email protected] Finding Aid for the Paul Sterling 0000141 1 Hoag papers, circa 1950-circa 1985 0000141 Title: Paul Sterling Hoag papers Identifier/Call Number: 0000141 Contributing Institution: Architecture and Design Collection, Art, Design & Architecture Museum Language of Material: English Physical Description: 23.0 Linear feet(2 record storage boxes and 7 flat file drawers) Date (inclusive): circa 1950-circa 1985 Location note: Boxes 1-2/ADC - regular 7 Flat File Drawers/ADC - flat files creator: Davidson, Julius Ralph, 1889-1977 creator: Hoag, Paul Sterling, 1913-2002 creator: Schindler, R. M., (Rudolph M. ), 1887-1953 creator: Stacy-Judd, Robert, 1884-1975 Access Partially processed collection, open for use by qualified researchers. Custodial History note Gift of Paul Hoag, 1991. Preferred Citation note Paul Sterling Hoag papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Biographical Note Paul Sterling Hoag was born in Spokane, Washington in 1913. He graduated from Stanford with a degree in architecture in 1934. Between 1945-1946, Hoag worked as a draftsman for Richard Neutra. From 1946 to 1948, he worked for architect Paul Robinson Hunter. In 1949 Hoag began his own independent architectural practice. The majority of Hoag’s work took the form of commissioned residences in the Malibu, Pacific Palisades, Brentwood, West Bel-Air, Encino, Sherman Oaks, Studio City, Beverly Hills, and Hollywood areas of Los Angeles. He also designed houses and schools in Ojai. Several of his commissions were for additions to buildings originally designed by Julius R. Davidson and R. M. Schindler. During his career Hoag was a prolific writer on architecture, contributing on a regular basis to journals and newspapers. Paul Sterling Hoag died in 2003, at the age of 89 in Bellevue, Washington. Scope and Content note The Paul Sterling Hoag papers span 23 linear feet and date from circa 1950 to circa 1985. About 200 architectural commissions designed by Hoag are documented with drawings and some photography. The collection contains black-and-white and color interior and exterior photographs of Hoag’s buildings mounted on boards with descriptions on the versos, clippings from the Los Angeles Times Home magazine regarding Hoag’s work, a letter from Esther McCoy to Paul Hoag, and architectural drawings and reprographic copies of residential buildings and some commercial and public buildings primarily in the Los Angeles area. Hoag's notable works include his own house; buildings for the Happy Valley Schools (associated with the Krishnamurti Foundation), the Krotona Institute, and a house for the ceramicist Beatrice Wood, all in Ojai; alterations and additions to the former Thomas Mann house by Julius R. Davidson for Mr. Lappen; and alterations to the Schindler-designed Richard Lechner house for Mr. Dyer. The collection is arranged alphabetically by client, in one series. Related Archival Materials note Esther McCoy papers, 1920-1989, bulk 1920-1989. Archives of American Art, Smithsonian Institution. Richard and Dion Neutra Papers (Collection Number 1179). Department of Special Collections, Charles E. Young Research Library, UCLA. R. M. Schindler papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Julius R. Davidson papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Robert Stacy-Judd papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara Finding Aid for the Paul Sterling 0000141 2 Hoag papers, circa 1950-circa 1985 0000141 Subjects and Indexing Terms Hoag, Paul Sterling, 1913-2002 Architectural drawings Photographic prints Reprographic copies Project Files I. 1948-1992 Physical Description: 23.0 Linear feet creator: Hoag, Paul Sterling, 1913-2002 Scope and Contents note The Project files document the design and execution of Hoag's circa 200 architectural commissions. The series is arranged alpabetically by client and contains architectural sketches and drawings, and some photographs. The Project Files contain architectural drawings for homes, apartment complexes, and businesses. Many contain sketches and renderings done by Hoag, and some also contain photographs with background information about the project. Also included is a file of articles about Hoag's designs. Box 1, Folder 22 Articles and Clippings 1970-1981 Scope and Contents note The articles and clippings contain magazine articles about houses designed by Hoag. They include his own house (two articles on his Pacific Palisades house, one on his Crane Island house), Hirsch, Holloway, and Hoerner houses from Los Angeles Times Home magazine. Also included is a letter to Hoag from Esther McCoy. Drawer 60, Adobe Hotel Pool House (Yachats, Ore.) 1961 FlatFile 1 Scope and Contents note 4 drawings of elevations and plan Drawer 60, Alkire, Gilman house 10635 Levico Way (Bel Air, Calif.) 1978 FlatFile 2 Scope and Contents note 15 drawings of plans, elevations, sections, and details for house and addition. Drawer 60, Alosta Corporation Laguna Coast Apts. (Laguna Beach, Calif.) 1960 FlatFile 3 Scope and Contents note 36 drawings of plans, elevations, sections, and details. Drawer 60, Anawalt, Fred house 1355 Monaco Dr. (Pacific Palisades, Calif.) 1956 FlatFile 4 Scope and Contents note 8 drawings of plans, sections, elevations, and details. Drawer 60, Andrens, David house 9561 Sawyer St. (Beverly Wood, Calif.) 1951 FlatFile 5 Scope and Contents note 7 drawings of plans, elevations, sections, and details. Drawer 60, Ashbrook, Robert house 2108 S. Indian Creek Rd. (Diamond Bar, Calif.) 1977 FlatFile 6 Scope and Contents note 16 drawings of plans, elevations, sections, and details. Axelrad, Irving house 1561 N. Amalfi Dr. (Pacific Palisades, Calif.) 1953 Finding Aid for the Paul Sterling 0000141 3 Hoag papers, circa 1950-circa 1985 0000141 Project Files I.1948-1992 Drawer 60, Architectural Drawings FlatFile 7 Scope and Contents note 9 drawings of plans, sections, elevations, and details. Also includes lumber company price sheet. Box 1, Folder 1 Photographs 1992 Drawer 60, Aylesworth, Nancy house 21928 Pacific Coast Hwy. (Malibu, Calif.) 1971-1972 FlatFile 8 Scope and Contents note 10 drawings of plans, elevations, sections, and details. Also includes construction notes. Drawer 60, Babick, Matthew house 20101 Wells Dr. (Tarzana, Calif.) 1950 FlatFile 9 Scope and Contents note 8 drawings of plans, sections, elevations, and details. Bard, Emanuel Klein house Valley Meadow Rd. (Sherman Oaks, Calif.) 1953 Drawer 60, Architectural Drawings FlatFile 10 Scope and Contents note 10 drawings of plans, elevations, sections, and details. Box 1, Folder 2 Photograph 1992 Drawer 60, Bayne, R.A. house 1444 San Remo (Los Angeles, Calif.) 1950-1951 FlatFile 11 Scope and Contents note 9 drawings of plans, elevations, sections, and details Berman, Dr. Marvin house 24955 Bob Batchelor Dr. (Calabassas, Calif.) 1973 Drawer 60, Architectural Drawings FlatFile 12 Scope and Contents note 12 drawings of plans, elevations, sections, and details. Box 1, Folder 3 Photographs 1992 Drawer 60, Bernhard, Lazare house Amalfi Dr. (Los Angeles, Calif.) 1950 FlatFile 13 Scope and Contents note 4 drawings of plot plan, floor plan, and alternative floor plan Drawer 60, Bioquest Corporation offices (Cockeysville, Md.) 1969-1970 FlatFile 14 Scope and Contents note 6 drawings of interior furniture and partition plan, with furniture specifications. Drawer 60, Bixby, Fred Ranch Company (Seal Beach, Calif.): Old Ranch Country Club 1966 FlatFile 15 Scope and Contents note 2 drawings of parking and plot plans Drawer 60, Blanchard, Ronald house 10498 Sandal Lane (Bel Air, Calif.) 1956 FlatFile 16 Scope and Contents note 8 drawings of plans, sections, elevations, and details. Drawer 60, Bloomberg, Robert house 357 Bonhill Rd. (Los Angeles, Calif.): Alterations 1976 FlatFile 17 Scope and Contents note 1 drawing of plan for alterations. Drawer 60, Book, William house 5415 Amestoy Ave. (Encino, Calif.) 1952 FlatFile 18 Scope and Contents note 7 drawings of plans, sections, elevations, and details. Finding Aid for the Paul Sterling 0000141 4 Hoag papers, circa 1950-circa 1985 0000141 Project Files I.1948-1992 Drawer 60, Boy Scouts of America Camp Josepho 1982 FlatFile 19 Scope and Contents note 4 drawings of plans and elevations of shelter and cabin Drawer 60, Brawer, Michael house 6560 81st Ave S.E. (Mercer Island, Wash.) 1989 FlatFile 20 Scope and Contents note 36 small drawings (sketches) of the house plan and elevation. 25 drawings of plans, sections, elevations, and details. Brown, Dr. Jann house 21544 W. Deerpath Lane (Malibu, Calif.) 1957-1958 Drawer 60, Architectural Drawings FlatFile 21 Scope and Contents note 11 drawings of plans, elevations, sections, and details. Box 1, Folder 4 Photographs
Recommended publications
  • The German/American Exchange on Nazi-Era Art Provenance Research
    2017 PREP Exchanges The Metropolitan Museum of Art, New York (February 5–10) Stiftung Preußischer Kulturbesitz, Staatliche Museen zu Berlin (September 24–29) 2018 PREP Exchanges The Getty Research Institute, Los Angeles (February 25–March 2) Zentralinstitut für Kunstgeschichte, Munich (October 8–12) 2019 PREP Exchanges Staatliche Kunstsammlungen Dresden (Spring) Smithsonian Institution, Provenance Research Initiative, Washington, D.C. (Fall) Major support for the German/American Provenance Research Exchange Program comes from The German Program for Transatlantic Encounters, financed by the European Recovery Program through Germany's Federal Ministry for Economic Affairs and Energy, and its Commissioner for Culture and the Media Additional funding comes from the PREP Partner Institutions, The German/American Exchange on the Smithsonian Women's Committee, James P. Hayes, Nazi-Era Art Provenance Research Suzanne and Norman Cohn, and the Ferdinand-Möller-Stiftung, Berlin 3RD PREP Exchange in Los Angeles February 25 — March 2, 2018 Front cover: Photos and auction catalogs from the 1910s in the Getty Research Institute’s provenance research holdings The Getty Research Institute 1200 Getty Center Drive Los Angeles, CA 90049 © 2018Paul J.Getty Trust ORGANIZING PARTNERS Smithsonian Provenance Research Initiative, Smithsonian Institution Washington, D.C. Stiftung Preußischer Kulturbesitz—Staatliche Museen zu Berlin (Prussian Cultural Heritage Foundation—National Museums in Berlin) PARTNERS The Metropolitan Museum of Art, New York The Getty Research
    [Show full text]
  • German Studies Association Newsletter ______
    ______________________________________________________________________________ German Studies Association Newsletter __________________________________________________________________ Volume XLIV Number 1 Spring 2019 German Studies Association Newsletter Volume XLIV Number 1 Spring 2019 __________________________________________________________________________ Table of Contents Letter from the President ............................................................................................................... 2 Letter from the Executive Director ................................................................................................. 5 Conference Details .......................................................................................................................... 8 Conference Highlights ..................................................................................................................... 9 Election Results Announced ......................................................................................................... 14 A List of Dissertations in German Studies, 2017-19 ..................................................................... 16 Letter from the President Dear members and friends of the GSA, To many of us, “the GSA” refers principally to a conference that convenes annually in late September or early October in one city or another, and which provides opportunities to share ongoing work, to network with old and new friends and colleagues. And it is all of that, for sure: a forum for
    [Show full text]
  • The Berlin Journal | Number 33 | Fall 2019
    THE BERLIN JOURNAL A Magazine from the American Academy in Berlin Number Thirty-Three Fall 2019 How Democracies Die by Steven Levitsky and Daniel Ziblatt THe FuTure oF work in Germany by Laura D’Andrea Tyson FicTion by Adam Ehrlich Sachs, Angela Flournoy, and Paul La Farge THe empaTHic wiT oF HeinricH Heine by Azade Seyhan arTisT porTFolio Renée Green THe HisTory oF THe posTcarD by Liliane Weissberg We are deeply grateful to STEFAN VON HOLTZBRINCK for his generous support of this issue of the Berlin Journal. CONTENTS focus features notebook 4 34 80 6 How Democracies Die 36 WisH you were Here! 82 In praise oF DeliberaTive by Steven Levitsky and by Liliane Weissberg Democracy Daniel Ziblatt 42 ARTisT porTFolio 83 THe ricHarD c. Holbrooke 10 In THe reD Renée Green FellowsHip by Steven Klein 52 EmpaTHic wiT 84 THe 2018 max beckmann 14 ZukunFTsmusik by Azade Seyhan DisTinGuisHeD visiTor by Laura D’Andrea Tyson 55 Impossible proximiTy 84 Alumni seminar 22 THe orGans oF sense by Tatyana Gershkovich aT StanForD by Adam Ehrlich Sachs 58 WriTinG GeneraTions 86 Weiss anD cHipperFielD 28 LanD oF Darkness by Veronika Fuechtner 86 StreeT smarT by Suki Kim 62 THe miss april Houses 87 PoliTics anD Brötchen by Angela Flournoy 87 Welcome aboarD 66 All incluDeD by Paul La Farge 88 ProFiles in scHolarsHip 70 THe anDrew w. mellon worksHop 90 Book reviews Rosalind C. Morris, by Adam Ross and Kenny Fries Natacha Nsabimana, Miriam Ticktin, 96 Alumni books and Yvette Christiansë 97 SupporTers anD Donors CONTRIBUTORS Daniel Ziblatt is Eaton Professor professor in the School of Architec- at Carnegie Mellon University.
    [Show full text]
  • Villa Aurora and Thomas Mann House in Los Angeles by Kerstin Zilm
    Villa Aurora and Thomas Mann House in Los Angeles by Kerstin Zilm Kerstin Zilm: During the Nazi Regime, German artists, scientists, and other intellectuals found refuge in Southern California. Lion Feuchtwanger and Thomas Mann were two of the more prominent “exiles in paradise.” Their new surroundings reminded them of the Mediterranean while they were constantly thinking about the country, friends, and family they had to leave behind. Exile, transatlantic relationships, and debates about pressing global issues — those themes fill Feuchtwanger’s and Mann’s former homes again today. Take a trip to the Villa Aurora and the Thomas Mann House in Pacific Palisades. Margit Kleinman: Feuchtwanger himself was then under the Vichy government interned in the South of France for about six months, in Les Milles, an internment camp. And she, Marta, was only interned for a couple of weeks in a women’s camp. Kerstin Zilm: Margit Kleinman, director of the Villa Aurora, tells the story about how Lion and Marta Feuchtwanger came to Los Angeles. She leads a spontaneous tour through the maze of rooms, staircases, and hallways, across creaky wooden floors, past black and white pictures, drawings, and busts. About 15 visitors follow her through the last home that the Feuchtwangers created for themselves. Lion died in California in 1958, his wife almost thirty years later, in 1987. Lion Feuchtwanger had been a critic of Adolf Hitler since the 1920s. The Nazis took away his German citizenship and publicly burned his books. The couple first fled to Southern France, which proved to not be safe. Margit Kleinman: ..
    [Show full text]
  • Press Release
    Press Release Berthold Leibinger Stiftung The first fellows of the Thomas Mann House Johann-Maus-Str. 2 have been announced: 71254 Ditzingen, Germany www.leibinger-stiftung.de Brigitte Diefenbacher Jutta Allmendinger (Berlin), Heinrich Detering (Göttingen), Phone: +49 7156 303-35201 Burghart Klaußner (Hamburg), Yiannos Manoli (Freiburg), and brigitte.diefenbacher@ leibinger-stiftung.de Sylke Tempel (Berlin) are the first German intellectual ambassadors to be sent to California. Berthold Leibinger Stiftung gives more than 3 million euros. Sept. 19, 2017 - Page 1 of 2 The Thomas Mann House, situated in 1550 San Remo Drive, Pacific Palisades, California, is still being renovated; the first fellows will likely move in early summer 2018. The fellows, outstanding personalities, who come from the fields of culture, politics, business, media, and science, will live in Mann’s former exile home from three up to ten months in order to engage in an intensive exchange with US-American institutions and personalities. These fellowships are supported by the Berthold Leibinger Stiftung for a period of at least five years with 1.5 million euros. Berthold Leibinger emphasized his strong commitment to the United States of America which, together with his affection for Thomas Mann as a writer with a critical political mind, constitutes the firm involvement of the Berthold Leibinger Stiftung to assist with the refurbishment of Thomas Mann’s exile home as well as to financially support the fellowships. The Berthold Leibinger Stiftung aims to foster the memory of Thomas Mann, his life, his time in exile, his intellectual environment and his family, as well as his literary and political work created in his Californian home.
    [Show full text]
  • Director Receives Villa Aurora Fellowship
    1/2 FOR IMMEDIATE RELEASE Berlin / Los Angeles December 3, 2019 „System Crasher“ Director receives Villa Aurora fellowship Nora Fingscheidt is awarded MFG-Star and will travel to Villa Aurora Last Friday, director Nora Fingscheidt was awarded the MFG Star, the MFG Film Fund’s prestigious Young Talent Award, for her feature „System Crasher “. The award includes a six-week residency at Villa Aurora in the Pacific Palisades neighborhood of Los Angeles. Jury member Hermine Huntgeburth explains her vote for Fingscheidt as follows: „I have seen a great movie – with a forceful artistic and humane signature. “ Nora Fingscheidt tells the story of Benni, a wild nine-year old girl belonging to a group called „system crashers“ by the German youth welfare office. Foster family, group home, special-needs school: Wherever Benni goes, she is immediately kicked out. At the same time, Benni only wants one thing: Love, security and to live with her mother again! But Bianca is afraid of her unpredictable daughter. As a last resort -when there seems to be no place for Benni and no solution for her situation- anti- violence trainer Micha tries to rescue her form a spiral of rage and aggression. Nora Fingscheidt was born in Braunschweig in 1983 and went to school in Germany and Argentina. From 2003 on, served as a Founding Board Member of filmArche in Berlin, now Europe’s largest self- organized film school. At the same time, she was trained as an acting coach. From 2008 to 2017, Fingscheidt studied directing at the Film Akademie Baden-Württemberg. Her undergraduate film „Syncope“ was nominated for the German Short Film Award.
    [Show full text]
  • Guest Speaker Biographies
    Guest Speaker Biographies 3rd PREP Exchange in Los Angeles February 25–March 2, 2018 The Getty Research Institute 1200 Getty Center Drive Los Angeles, CA 90049 Sunday, February 25, 2018 Margit Kleinman Director Villa Aurora Margit Kleinman studied French and German linguistics and literature in Würzburg and Paris and holds an MA from the University of Tübingen, Germany. From 1987 to 2012, she was the program director at the Goethe-Institut Los Angeles. In May of 2012, she assumed the directorship at Villa Aurora. Friedel Schmoranzer Project Coordinator Villa Aurora Friedel Schmoranzer studied German Philology and Sociology at the University of Konstance (BA) and holds an MA in editorial studies from the Freie Universität Berlin. From March 2010 to November 2010 she was Chief Editor for the catalog Transatlantic Impulses—15 Years of Villa Aurora at the Villa Aurora Forum Berlin. In 2011 she became assistant to the director at Villa Aurora Los Angeles, and has been serving as project coordinator since 2012. Nikolai Blaumer Program Director Thomas Mann House Nikolai Blaumer, born in Düsseldorf in 1983, studied at Ludwig- Maximilians-Universität Munich and Hebrew University of Jerusalem. He earned a doctorate in philosophy from LMU with a dissertation entitled “Korrektive Gerechtigkeit: Über die Entschädigung historischen Unrechts” (2015) and taught at Ludwig-Maximilians-Universität as well as Bauhaus-Universität Weimar. Since 2014, Nikolai Blaumer has been working for the Goethe-Institut’s Department of Culture. He is coeditor of the book Teilen und Tauschen (2017). In February of 2018, he was posted to Los Angeles, where he assumed the position of program director at the Thomas Mann House.
    [Show full text]
  • The Lonely People
    Pressemitteilung SAVE THE DATE – *please scroll down for English version* ALL THE LONELY PEOPLE 25.9. – 10.10.2021; silent green Kulturquartier, Gerichtstr. 35, 13347 Berlin 20.11.2021 – 8.1.2022; LAXART, 7000 Santa Monica Blvd., West Hollywood, CA 90038 Saâdane Afif, Vajiko Chachkhiani, Louisa Clement, Lauren Halsey, Johnston Marklee, Annika Kahrs, Susan Philipsz, Anri Sala, April Street, Thomas Struth, Kaari Upson, Andrea Zittel Berlin, 18.5.2021 – Anlässlich des 25-jährigen Jubiläums der Villa Aurora zeigt VATMH (Villa Aurora & Thomas Mann House) im silent green Kulturquartier ALL THE LONELY PEOPLE, kuratiert von Nana Bahlmann. Die Ausstellung präsentiert in der unterirdischen Betonhalle des ehemaligen Krematoriums im Berliner Wedding künstlerische Darstellungen physischer und mentaler Räume des Rückzugs im Kontext von Isolation und Kontemplation. Die Ausstellung wird großzügig gefördert vom Auswärtigen Amt, der Senatskanzlei Berlin, der Friede Springer Stiftung und einem privaten Mäzen. ALL THE LONELY PEOPLE zeigt bestehende sowie sieben eigens für die Ausstellung konzipierte Arbeiten von ehemaligen Villa Aurora-Stipendiat:innen und in Los Angeles lebenden Künstler:innen. Die Ausstellung versammelt künstlerische Darstellungen von Einsamkeit, Melancholie und Sehnsucht unter dem Gesichts- punkt universaler Topoi des Rückzugs und der Kontemplation. Das Eremitentum ist ein vertrautes Terrain der Kunst: Distanz ist ein wesentlicher Bestandteil der künstlerischen Positionierung zur Welt. Was bisher als meist selbstgewählte Lebensform von einigen Wenigen praktiziert wurde, hat im vergangenen Jahr aufgrund der andauernden weltweiten Lockdowns Eingang in den Erfahrungshorizont der breiten Bevölkerung gefunden und rückt einen kultur- und kunstgeschichtlichen Topos nun aus unerwarteter Perspektive in den Vordergrund. Künstler:innen machen diese Isolation sichtbar und erfahrbar. Mit verschiedenen Medien wie Fotografie, Video, Skulptur, Klang und Installation sollen die Erfahrungen der jüngsten Vergangenheit auf inspirierende Weise reflektiert werden.
    [Show full text]
  • ‍68Projects Der GALERIEKORNFELD Präsentiert in Kooperation Mit Villa Aurora & Thomas Mann House E.V
    ‍68projects der GALERIEKORNFELD präsentiert in Kooperation mit Villa Aurora & Thomas Mann House e.V. !ei K"nstler#innen des $%projects Residen pro&ramms Michael John Kelly & Rachel Eulena Williams $%projects 'reut sich, den aus Los An&eles stammenden K"nstler Michael John Kelly und die )e! *orker K"nstlerin Rachel Eulena Williams mit der kommenden ,!ei-.ersonen-Ausstellun& u präsentieren. Die &ro0'ormati&en Gemälde und ,eichnun&en 1on Kell2 sind ebenso !ie o3jekthafte 4erke 1on Williams !ährend der Au'enthalte der beiden K"nstler#innen in unserem Residen pro- &ramm in 5erlin entstanden. Au' Einladun& der Villa Aurora & Thomas Mann House e.V.1erbrachte Michael 6ohn Kell2 als 5erlin 7ello! !ei Monate in 5erlin. Anlässlich seines Au'enthalts, brachte Kell2 mehr als 89 di&itale Ge- mälde au' .apier mit, die er "ber die ,eit seiner Residen su+ essi1e auseinanderriss. Mit seiner Kunst, die sich !ischen di&italer ,eichnun&( Videokunst und klassischer abstrakter Malerei 1er- orten lässt, rekurriert er au' eine &esamte :ra kunstschaf'ender .ra;is. Es &eht ihm nicht so sehr um die <berset un& 1on di&italer Malerei ins Analo&e, sondern darum 3eide miteinander u 1er- 3inden und dadurch anders er'ahrbar u machen. Auch Williams set t sich mit den 5edin&un&en und M=&lichkeiten des klassischen Mediums Male- rei auseinander. >ie dekonstruiert die rechtecki&e Lein!and, indem sie durch die Verbindun& mit >eilen und >to''en ? o'tmals !ährend ihres 5erliner Au'enthalts &esammelte 7undst"cke ? ihre ei&ene 7läche schaf't. Dabei sind die 'ormalen Gren en ihrer Arbeiten o't unklar und der so o''en- &ele&te >cha''enspro ess ist inte&raler 5estandteil des Werknarrati1s.
    [Show full text]
  • Extensions of Remarks
    December 15, 1981 EXTENSIONS OF REMARKS 31623 EXTENSIONS OF REMARKS SENATOR RANDOLPH COM- There being no objection, the mate­ America, as it moves forward among the MENDS CITIZEN LEADERS FOR rial was ordered to be printed in the nations, can only be strong if her people are COMMUNITY IMPROVEMENT RECORD, as follows: strong. What happens at the grassroots is PROGRAMS what counts; all of you have demonstrated REMARKS OF SENATOR JENNINGS RANDOLPH this, through your participation in these Ladies and gentlemen, members and direc­ programs. People can, and should, do more HON. QUENTIN N. BURDICK tors, award winners and friends. It is a privi­ for themselves. The award winners are OF NORTH DAKOTA lege to join you again, in a KAB meeting. abundant proof of that: they stand as IN THE SENATE OF THE UNITED STATES We mark the successes and achievements of models of what can be accomplished in this year in the movement to keep America every community, large or small, urban or Tuesday, December 15, 1981 beautiful. My salute to the many award win­ rural. e Mr. BURDICK. Mr. President, I call ners. Voluntarism responds to the call for in­ attention to the tribute paid Decem­ Forgive my singling out three excellent creased participation of the individual in de­ ber 10, by our colleague from West programs from the State of West Virginia: ciding the destiny of his community, and ul­ Virginia, Senator JENNINGS RANDOLPH, The Governor's Office of Economic and timately, his country. You award winners who addressed 400 citizen leaders from Community Development, as you heard, has have already risen to the challenge, taking won a Keep America Beautiful Day Award the lead in determining the future of your outstanding community improvement for its statewide effort this spring.
    [Show full text]
  • Mitzi Blahd Gifts $1 Million to SMC by SUE PASCOE the Bank for Travelers Checks and One Day, Editor the Bank Clerk Asked Me Where I Was Going This Time
    TALENTED TWINS MAKE A SPLASH Vol. 3, No. 4 • December 21, 2016 Uniting the Community with News, Features and Commentary Circulation: 15,000 • $1.00 See Page 15 Hot Prowls Firefighters, Police Honored Scare Palisades Homeowners he LAPD’s recent weekly crime re- port for Pacific Palisades included Ttwo “hot prowl” burglary reports. 1.) In the 16000 block of Northfield on December 9, at 12:20 a.m., the suspects (#1 male, 5’11”, NFD, #2 male, 5’11”, NFD) pried and removed a door to enter victim’s home while the victim was sleeping. The suspects took victim’s money and fled when the victim woke up. 2.) In the 300 block of Beirut on Decem- ber 9, at 1:45 a.m., the suspects (#1 male, 6’ 170 lbs. NFD, #2 male, 6’, 170 lbs. NFD, #3 male, 6’, 170 lbs. NFD) pried open a door to enter victim’s home while the victim was sleeping. The suspects took money and jew- elry, and fled when victim’s wife woke up. “There were two incidents and in one the person did not have an alarm,” said Senior Lead Officer Michael Moore. “We think the L.A. firefighters, police officers and Chrysalis workers were honored at a luncheon at Il Piccolo Ritrovo, hosted by the suspects might have gone door to door Palisades Business Improvement District on December 14. Ritrovo owners Tarcisio Mosconi (purple tie) and Nando Silvestri (Continued on Page 5) oversaw the event. (See story, page 13.) Photo: Bart Bartholomew Mitzi Blahd Gifts $1 Million to SMC By SUE PASCOE the bank for travelers checks and one day, Editor the bank clerk asked me where I was going this time.
    [Show full text]
  • Featured Releases 2 Limited Editions 102 Journals 109
    Lorenzo Vitturi, from Money Must Be Made, published by SPBH Editions. See page 125. Featured Releases 2 Limited Editions 102 Journals 109 CATALOG EDITOR Thomas Evans Fall Highlights 110 DESIGNER Photography 112 Martha Ormiston Art 134 IMAGE PRODUCTION Hayden Anderson Architecture 166 COPY WRITING Design 176 Janine DeFeo, Thomas Evans, Megan Ashley DiNoia PRINTING Sonic Media Solutions, Inc. Specialty Books 180 Art 182 FRONT COVER IMAGE Group Exhibitions 196 Fritz Lang, Woman in the Moon (film still), 1929. From The Moon, Photography 200 published by Louisiana Museum of Modern Art. See Page 5. BACK COVER IMAGE From Voyagers, published by The Ice Plant. See page 26. Backlist Highlights 206 Index 215 Hilma af Klint: Paintings for the Future Edited with text by Tracey Bashkoff. Text by Tessel M. Bauduin, Daniel Birnbaum, Briony Fer, Vivien Greene, David Max Horowitz, Andrea Kollnitz, Helen Molesworth, Julia Voss. When Swedish artist Hilma af Klint died in 1944 at the age of 81, she left behind more than 1,000 paintings and works on paper that she had kept largely private during her lifetime. Believing the world was not yet ready for her art, she stipulated that it should remain unseen for another 20 years. But only in recent decades has the public had a chance to reckon with af Klint’s radically abstract painting practice—one which predates the work of Vasily Kandinsky and other artists widely considered trailblazers of modernist abstraction. Her boldly colorful works, many of them large-scale, reflect an ambitious, spiritually informed attempt to chart an invisible, totalizing world order through a synthesis of natural and geometric forms, textual elements and esoteric symbolism.
    [Show full text]