L'univers Du Mugham
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Azerbaijan on the International Arena
Administrative Department of the President of the Republic of Azerbaijan P R E S I D E N T I A L L I B R A R Y Azerbaijan on the international arena Azerbaijan - UN Azerbaijan – European Union Azerbaijan - Council of Europe Azerbaijan - OSCE Azerbaijan - UNESCO Azerbaijan – OIC Azerbaijan – Guam Azerbaijan - NATO 1 Administrative Department of the President of the Republic of Azerbaijan P R E S I D E N T I A L L I B R A R Y Azerbaijan on the international arena Azerbaijan has been following an independent foreign policy since gaining independence in 1991. This policy aims at the strengthening and development of the state system and the protection of the national interests of Azerbaijan. Azerbaijan builds its foreign policy on the principle of respect to the international legal standards and norms, the state sovereignty and territorial integrity and the principles of nonintervention into the internal affairs. The foreign policy of Azerbaijan, adhering to these principles and speaking on behalf of the national interests targets such urgent issues as the risks and challenges to the national security and territorial integrity, sovereignty and independence of the republic and the prevention of the intervention of the Republic of Armenia. The major priorities of the foreign policy of Azerbaijan are the establishment of the regional peace and stability, the implementation of large transport and cooperation projects. The attraction of the foreign capital to the implementation of different projects on the development of the country's economics for more effective protection of the national interests plays a great role in the foreign policy of Azerbaijan in the present-day world. -
AZERBAIJAN in the WORLD ADA Biweekly Newsletter Vol. 5, No. 23
AZERBAIJAN IN THE WORLD ADA Biweekly Newsletter Vol. 5, No. 23 December 1, 2012 [email protected] In this issue: -- Azerbaijani Culture In Diaspora: A Conversation with Jeffrey Werbock -- Vugar Seidov, “Scottish Independence and the Nagorno-Karabakh Separatism: Nothing in Common” -- Paul Goble, “Saving Lake Urmia: Challenges for Azerbaijan” -- A Chronology of Azerbaijan’s Foreign Policy -- Note to Readers ***** AZERBAIJANI CULTURE IN DIASPORA: A CONVERSATION WITH JEFFREY WERBOCK Below is an interview with Jeffrey Werbock, a distinguished performing artist based in the United States and Chairman of the Mugham Society of America (MSA), the sixth in the interviews Azerbaijan in the World has recently conducted with leading figures of Azerbaijani culture. The MSA’s web page is at http://www.mugham.net. Azerbaijan in the World: How did it happen that you began performing mugham? Was this a rational choice or rather something more contingent? Jeffrey Werbock: This question touches on why I play mugham. One can love a certain kind of music and just listen to it; one doesn’t have to learn to play it in order to enjoy it. But for me there was never any question, I had to apply myself to 1 learning to play mugham and I never asked myself why. From the first moment of hearing it played live, right in front of me; I was already thinking how to ask for lessons so I could learn to play it too. And at first I was only concerned about learning how to play mugham. However, thanks to the curiosity of a few friends, I had cause to play this music for others even though I was just beginning my studies. -
Karabakh Mugham School
Following tradition Mehriban ALIYEVA UNESCO Goodwill Ambassador, President, Heydar Aliyev Foundation Karabakh Mugham School AccORDING TO A UNESCO DECISION, THE MUGHAM OF AZERBAIJAN has BEEN PROCLAIMED A MastERPIECE OF THE ORAL AND INtaNGIBLE HERitaGE OF HUMANITY. IN AZERBAIJAN PROPER, WHERE THE MUGHAM IS PERCEIVED as AN INTEGRAL paRT OF A SYstEM OF FUNDAMENtaL CUL- TURAL VALUES OF THE AZERBAIJANI PEOPLE, THIS DECISION IS VIEWED BOTH as A RECOGNITION OF THE MERits BY OUtstaNDING REPRESENta- TIVES OF THE GENRE AND as A DESIRE TO attRact THE attENTION OF THE WORLD’S CULTURAL COMMUNITY TO THIS UNIQUE HERitaGE. ossessing a centuries-long quirements harmoniously blend this art’s living tissue. The Mugham history, the Mugham reached with the possibility of improvisa- performers, as people initiated into Pits heyday in a period de- tion and creative development of a mystery, can demonstrate this ev- scribed by specialists as Eastern Re- the theme. ergreen tree of living music and po- naissance, when, on a foundation The unique Mugham culture etry through every performance. As of Greek-Roman heritage, the Azer- evolved on a rich philosophical, mu- a synthetic art, Mugham is based on baijani culture created masterpieces sical and literary foundation. Those classical Azerbaijani poetry which is in different spheres ranging from performing the Mugham are often full of allegories and symbols. Ae- literature to architecture. The subse- perceived by listeners as carriers of sopian is combined with a mystical quent development of the Mugham an archaic magical code passed on sense. The context of every poetic did not alter its essence and impor- from one generation to another. -
Leading Partnership of Dmc's in Eastern Europe And
LEADING PARTNERSHIP OF DMC’S IN EASTERN EUROPE AND CENTRAL ASIA COUNTRIES GENERAL DESCRIPTION Official English country name: Republic of Azerbaijan Political system: Democratic, constitutional, legal, secular & unitary republic Area: 86600 sq. km Population: 9 600 000 people (by 01.02.2015) Capital and largest city: Baku Languages: Azerbaijani (official), Russian and English (widely used) Religion: Islam (mostly 86%), Judaism, Christianity Currency: Azerbaijan Manat Location: South Caucasus, western coast of the Caspian Sea, between Iran and Russia Border countries: Russia, Georgia, Armenia, Iran and Turkey Time zone: GMT + 4 Main sights to visit: Baku, Old city, Qobustan Preserve, Ateshgah Fire Temple, Yanardaq, Quba, Xinaliq, Shamakhy, Lahij, Qebele, Sheki, Mingechevir, Gandja,Nakhchivan. LEADING PARTNERSHIP OF DMC’S IN EASTERN EUROPE AND CENTRAL ASIA COUNTRIES ARRIVAL/DEPARTUE BAKU AIRPORT: Heydar Aliyev International Airport Baku TRAIN: From Baku Central Station trains to multiple directions in Azerbaijan and International trains GANJA AIRPORT: Ganja International Airport TRAIN: Ganja railway station GABALA AIRPORT: Gabala International Airport NAKHCHIVAN AIRPORT: Nakhchivan International Airport LEADING PARTNERSHIP OF DMC’S IN EASTERN EUROPE AND CENTRAL ASIA COUNTRIES TRANSPORT Transfers / transport services throughout Azerbaijan with professional drivers and modern vehicles: • Comfortable buses (20-72 pax) • Minibus (10-19 pax) • Minibus (6-10 pax) • Minivans (up to 6 pax) • Comfortable cars of E, C, S class (2-3 pax) LEADING PARTNERSHIP OF DMC’S IN EASTERN EUROPE AND CENTRAL ASIA COUNTRIES HOTELS In Baku and its suburbs operates more than 250 modern hotels and guest houses, some of which are well-known international brands such as Hyatt , Sheraton, Hillton, Absheron Marriot, Kempinsky, Radisson SAS, Fairmont, Four Seasons etc. -
2002 Smithsonian Folklife Festival
Smithsonian Folklife Festival records: 2002 Smithsonian Folklife Festival CFCH Staff 2017 Ralph Rinzler Folklife Archives and Collections Smithsonian Center for Folklife and Cultural Heritage 600 Maryland Ave SW Washington, D.C. [email protected] https://www.folklife.si.edu/archive/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Historical note.................................................................................................................. 2 Scope and Contents note................................................................................................ 2 Arrangement note............................................................................................................ 2 Introduction....................................................................................................................... 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 6 Series 1: Program Books, Festival Publications, and Ephemera, 2002................... 6 Series 2: The Silk Road: Connecting Cultures, Creating Trust................................ 7 Smithsonian Folklife Festival records: 2002 Smithsonian -
The Piano Music of Azerbaijan: National and Cross- Cultural Influences on Contemporary Performance Practices
City Research Online City, University of London Institutional Repository Citation: Mirzayeva, G. (2020). The piano music of Azerbaijan: national and cross- cultural influences on contemporary performance practices. (Unpublished Doctoral thesis, Guildhall School of Music and Drama) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/25377/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] The Piano Music of Azerbaijan: National and Cross- Cultural Influences on Contemporary Performance Practices A thesis submitted to Guildhall School of Music & Drama for the degree of DMus in the Department of Research January 2020 Gunel Mirzayeva Table of Contents Table of Contents ii List of Figures and Maps vii Abstract ix Acknowledgments x Abbreviations and Notes on Transliteration -
Azerbaijan Diplomatic Academy Azerbaijan in the World
AZERBAIJAN DIPLOMATIC ACADEMY AZERBAIJAN IN THE WORLD AZERBAIJANI CULTURE IN DIASPORA: A CONVERSATION WITH JEFFREY WERBOCK 1. How did it happen that you began performing mugham? Was this a conscious choice or rather something more contingent? This question touches on why I play mugham. One can love a certain kind of music and just listen to it; one doesn’t have to learn to play it in order to enjoy it. But for me there was never any question, I had to apply myself to learning to play mugham and I never asked myself why. From the first moment of hearing it played live, right in front of me; I was already thinking how to ask for lessons so I could learn to play it too. And at first I was only concerned about learning how to play mugham. However, thanks to the curiosity of a few friends, I had cause to play this music for others even though I was just beginning my studies. They encouraged me to perform this music, unknown to all of us, as much as I can, so I took that advice to heart and soon after I arranged for a performance at UCLA (University of California in Los Angeles) and another one at Grinnell College in the State of Iowa. I noticed that being on stage performing for others didn’t bother me or make me nervous so I decided to arrange for more public demonstrations of mugham, as I understood it those early days. Shortly after moving to New York City in 1974 I had my first public appearance there in the Gallery of Musical Antiquities at the Metropolitan Museum of Art. -
Scientific Meetings 014.Pdf
EDİTÖRLER DOÇ. DR. TARKAN YAZICI DOÇ. DR. KÜRŞAD GÜLBEYAZ 01 AĞUSTOS 2019 ÜRGÜP – NEVŞEHİR V. ULUSLARARASI MÜZİK VE DANS KONGRESİ ÖZET KİTABI 22-23-24-25-26 Temmuz 2019 / Ürgüp www.imdcongress.com KONGRE KOORDİNATÖRLERİ Doç. Dr. Kürşad GÜLBEYAZ & Doç. Dr. Habibe MAMMADOVA & Doç. Dr. Tarkan YAZICI ONUR KURULU Prof. Dr. Mazhar BAĞLI Türkiye Nevşehir Hacı Bektaş Veli Üniversitesi Rektörü Prof. Dr. Ferhad BEDELBEYLİ Azerbaycan Bakü Müzik Akademisi Rektörü Prof. Dr. Timuçin EFENDİYEV Azerbaycan Bakü Koreografi Akademisi Rektörü Prof. Pencho GESHEV Bulgaristan Sofya NSA Vassil Levski Rektörü KONGRE KOMİTESİ Anıl ÇELİK Ender ŞENEL Fatih Mehmet SÜRMELİ Gülcan YÜCEDAĞ Gülcan BOYRAZ Gülnaz ABDULLAZADE Gürbüz AKTAŞ Habibe MAMMADOVA Kubilay ÖCAL Kürşad GÜLBEYAZ Mevlüt YILDIZ Sonahanım İBRAHİMOVA Tarkan YAZICI Turan SAĞER SANAT KURULU Dr. ARZU UYSAL Mersin Üniversitesi Dr. AYŞE MERAL TÖREYİN Ankara Üniversitesi Dr. ÇINLA ŞEKER Dokuz Eylül Üniversitesi Dr. EMRAH UYSAL Mersin Üniversitesi Dr. GÜLNAZ ABDULLAZADE Bakü Müzik Akademisi – Azerbaycan Dr. GÜRBÜZ AKTAŞ Emekli – Amerika Birleşik Devletleri Dr. LYUDMILA HASANOVA Bakü Koreografi Akademisi – Azerbaycan Dr. MUZAFFER SÜMBÜL Çukurova Üniversitesi Dr. NİHAL ÖTKEN İstanbul Teknik Üniversitesi Dr. NİLGÜN SAZAK Sakarya Üniversitesi Dr. TURAN SAĞER Yıldız Teknik Üniversitesi Dr. UĞUR ALPAGUT Abant İzzet Baysal Üniversitesi i V. ULUSLARARASI MÜZİK VE DANS KONGRESİ ÖZET KİTABI 22-23-24-25-26 Temmuz 2019 / Ürgüp www.imdcongress.com BİLİM / HAKEM KURULU ADI SOYADI KURUMU Dr. ABDUL MENAF KORKUTATA Çanakkale 18 Mart Üniversitesi Dr. AHMET SELİM DOĞAN Atatürk Üniversitesi Dr. ANIL ÇELİK Nevşehir Hacı Bektaş Veli Üniversitesi Dr. ANN R. DAVID Roehampton Üniversitesi – İngiltere Dr. ARZU UYSAL Mersin Üniversitesi Dr. AYCAN GÜRER ÖZÇİMEN Necmettin Erbakan Üniversitesi Dr. -
Azerbaijan in the International Arena
Administrative Department of the President of the Republic of Azerbaijan P R E S I D E N T I A L L I B R A R Y AZERBAIJAN IN THE INTERNATIONAL ARENA I. JOINING OF AZERBAIJAN TO THE SYSTEM OF INTERNATIONAL RELATIONS ........................................................................................................................................... 2 II. FOREIGN POLICY PRIORITIES OF THE REPUBLIC OF AZERBAIJAN .............. 3 III. REGIONAL AND BILATERAL DIMENSION ............................................................... 4 IV. ON LEGAL STATUS OF CASPIAN SEA ........................................................................ 6 V. MULTILATERAL RELATION........................................................................................... 7 1. Azerbaijan – United Nations ...................................................................... 7 2. Azerbaijan – OSCE ..................................................................................... 9 3. Azerbaijan – Council of Europe ............................................................... 10 4. Azerbaijan – NATO ................................................................................... 16 5. Azerbaijan – European Union .................................................................. 19 6. Azerbaijan – OIC ....................................................................................... 21 7. Azerbaijan – GUAM .................................................................................. 23 8. Azerbaijan – UNESCO ............................................................................. -
Analysis and Perspectives of Tourism in Azerbaijan
Master’s Degree programme – Second Cycle (D.M. 270/2004) in International Relations Final Thesis Analysis and Perspectives of Tourism in Azerbaijan Supervisor Prof. Aldo Ferrari Co-Supervisor Carlo Frappi Graduand Francesco Ricapito Matriculation Number 832916 Academic Year 2014 / 2015 1 INDEX Acknowledgements 5 Introduction 7 1. Chapter one: What is tourism and how it is considered on an international level 11 1.1: A short history of tourism 11 1.2: The origin of the term tourism 17 1.3: The academic definition of tourism 18 1.4: The international definition of tourism 21 1.5: The history, the role and the purpose of the UNWTO 24 1.6: The main numbers of today’s tourism 29 2. Chapter two: The main facts about Azerbaijan 35 2.1: A geographical description 35 2.2: Population and languages 38 2.3: A short history of Azerbaijan 41 2.4: From the Nagorno-Karabakh was until today 45 2.5: Azerbaijan’s economic situation 48 2.6: Azerbaijan today 51 3. Chapter three: Tourism in Azerbaijan 57 3.1: A short history of tourism in Azerbaijan 57 3.2: The numbers of tourism in Azerbaijan 59 3.3: Tourism and the Azerbaijani Government 68 2 3.4: The main critical points 72 3.5: Temporary conclusions on the phenomenon of tourism in Azerbaijan 79 4. Chapter four: The main tourism guides about Azerbaijan 81 4.1: On the tourism guides about Azerbaijan 81 4.2: Georgia Armenia & Azerbaijan 81 4.3: Azerbaijan, with and excursion to Georgia 84 4.4: Baku & the best of Azerbaijan 87 4.5: Other two examples of guides in English 89 4.6: The case of the German guide 90 5. -
Layla and Majnun (New York Premiere)
Thursday–Saturday, October 26–28, 2017, at 7:30 pm Sunday, October 29, 2017, at 3:00 pm Layla and Majnun (New York premiere) Mark Morris Dance Group Mark Morris , Choreographer and Director Silk Road Ensemble Alim Qasimov , Majnun Fargana Qasimova , Layla Howard Hodgkin , Scenic and Costume Design James F. Ingalls , Lighting Design Music composed by Uzeyir Hajibeyli and arranged by Alim Qasimov, Johnny Gandelsman, and Colin Jacobsen LibreTTo based on The poem Leyli and Majnun by Muhammad Fuzuli Dancers : Mica Bernas, Sam Black, Durell R. Comedy, Rita Donahue, Domingo Estrada, Jr., Lesley Garrison, Lauren Grant, Sarah Haarmann, Brian Lawson, Aaron Loux, Laurel Lynch, Dallas McMurray, Brandon Randolph, Nicole Sabella, Christina Sahaida*, Billy Smith, Noah Vinson This program is approximately 70 minutes long and will be performed without intermission. Please join the artists for a White Light Lounge following the performances on Thursday, Friday, and Saturday. * apprentice (Program continued) This presenTaTion of Mark Morris Dance Group’s Layla and Majnun is made possible in parT by endowmenT supporT from The American Express CulTural PreservaTion Fund. EndowmenT supporT for The WhiTe LighT FesTival presenTaTion of Mark Morris Dance Group is provided by BlavaTnik Family FoundaTion Fund for Dance. These performances are made possible in part by the Josie Robertson Fund for Lincoln Center. Rose TheaTer Please make certain all your electronic devices Jazz aT Lincoln CenTer’s Frederick P. Rose Hall are switched off. WhiTeLighTFesTival.org American Airlines is The Official Airline of Lincoln UPCOMING WHITE LIGHT FESTIVAL EVENTS: CenTer Wednesday–Thursday, November 1–2, at 7:30 pm Nespresso is The Official Coffee of Lincoln CenTer in the Rose Theater NewYork-PresbyTerian is The Official HospiTal of Stabat mater (New York premiere) Lincoln CenTer Jessica Lang Dance ArTisT CaTering provided by Zabar’s and Zabars.com Jessica Lang , direcTor and choreographer Orchestra of St. -
Eapcult11del3 INVENTORY REPORT AZERBAIJAN
Eastern Partnership Culture Programme Regional Monitoring and Capacity Building Unit (RMCBU) EuropeAid Contract No 2010/255-219 Inventory of existing documentations and regional/national/local initiatives in policy and legal development for the cultural sector in Azerbaijan Studies and Diagnostics on Cultural Policies of the Eastern Partnership Countries Data for this Report has been collected by the Experts of the Regional Monitoring and Capacity Building Unit of the Eastern Partnership Culture Programme Mr. Jahangir Selimkhanov in February 2012 and Ms. Asmer Abdullayeva in December 2014. This report has been prepared with assistance of the European Union. The content of this report is the sole responsibility of the Regional Monitoring and Capacity Building Unit of the Eastern Partnership Culture Programme. It reflects the opinion of contributing experts and can in no way be taken to reflect the views of the European Commission. The RMCBU Project is implemented by the Consortium led by Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH in partnership with HYDEA S.p.A. (Italy) and RWTH Aachen University (Germany). Inventory of existing documentations and regional/national/local initiatives in policy and legal development for the cultural sector in Azerbaijan ____________________________________________________________________________ Table of Contents I Policy and legal framework for culture ....................................................................................................... 3 1. List of ratified international