Vol. 1 No. 3, 2011

Total Page:16

File Type:pdf, Size:1020Kb

Vol. 1 No. 3, 2011 The Cascadia Subductio A LITERARY n Z QUARTERLY on July 2011 X Vol. 1. No. 3 e FEATURE ESSAY Can Science Fiction Change the World? by Kristin King POEMS Where Are You? by Mary Meriam Three Lessons by Shweta Narayan GRANDMOTHER MAGMA Memoirs of a Spacewoman by Naomi Mitchison IN THIS ISSUE An Appreciation by Gwyneth Jones BOOKS REVIEWED Paradise Tales by Geoff Ryman Blackberries and Redbones edited by Regina Spellers and Flower Man Flower Kimberly Moffitt This Shared Dream by Kathleen Ann Goonan Isles of the Forsaken by Carolyn Ives Gilman X Redwood and Wildfire Mr Mead by Andrea Hairston Fairy Tales in Electri-City by Francesca Lia Block Up Against It by M.J. Locke Thief of Lives by Lucy Sussex FEATURED ARTIST $4.00 Mr Mead Managing Editor VOL. 1 NO. 3—JULY 2011 Lew Gilchriist Reviews Editor FEATURES Nisi Shawl Can Science Fiction Change the World? h 3 Features Editor Essay by Kristin King L. Timmel Duchamp Where Are You? h 5 Arts Editor Poem by Mary Meriam Kath Wilham Three Lessons h 9 Poem by Shweta Narayan $4.00 GRANDMOTHER MAGMA FEATURE Memoirs of a Spacewoman by Naomi Mitchison h 6 An appreciation by Gwyneth Jones REVIEWS Paradise Tales by Geoff Ryman h 8 Reviewed by Victoria Garcia Blackberries and Redbones edited by Regina Spellers and Kimberly Moffitt h 10 Reviewed by Tanya C. DePass This Shared Dream by Kathleen Ann Goonan h 11 Reviewed by Deb Taber H Isles of the Forsaken by Carolyn Ives Gilman h 12 Reviewed by Nic Clarke 2 Redwood and Wildfire by Andrea Hairston h 14 Reviewed by Maria I. Velazquez Fairy Tales in Electri-City by Francesca Lia Block h 16 Reviewed by Jennifer Stevenson Up Against It by M.J. Locke h 17 Reviewed by Karen Burnham Thief of Lives by Lucy Sussex h 18 Reviewed by Cynthia Ward FEATURED ARTIST Mr Mead h 22 © The Cascadia Subduction Zone, 2011 Subscriptions and single issues online To order by check, payable to: at: www.thecsz.com Aqueduct Press Print subscription: $15/yr; P.O. Box 95787 Print single issue: $4 Seattle, WA 98145-2787 Electronic Subscription (PDF format): [Washington State Residents $10 per year add 9.5% sales tax.] Electronic single issue: $3 In This ISSUE Cover banner collagraph of the Cascadia subduction zone by Marilyn Linden-Bode n | Can Science Fiction Change the World? Essay by Kristin King A decade into the twenty-first centu- when it is watered, tended, and watched. ry, our world is facing more threats than Maybe even nourished with compost and we can count: catastrophic global warm- protected from invasive species. At some ing, environmental degradation, wars, point, if it grows into a rich, fruit-produc- [L]eftists in the US and and convulsive economic crises. And as ing tree, the gardener can come back, enjoy elsewhere are asking: far as I can tell from my vantage point as its fruits, and acquire more seeds to plant. what do we need to an English speaker in the United States, To move from inspiration to social change, do? How do we build nobody anywhere in the world has a plan we need not only Johnny Appleseeds, but the social and political good enough to save humanity from itself. also gardeners, the organizers who make a movements that will In the US particularly, our Left is in sorry plan and do the work of carrying it out. save the world? shape. In the twentieth century, enor- But in my opinion, formed after spend- mous social movements such as socialism, ing fifteen years working with anarchists Women’s Liberation, and the Civil Rights and other leftists, activists and organizers movement galvanized large sections of in the United States are not equipped to the population and gave them hope for form or carry out an effective plan for sav- a better world. But none of these move- ing the world. They have visions and goals ments gained enough ground to become and a desire to get right to work, but some- sustainable, and over time they weakened thing is missing: a dream that speaks to the and also fragmented into a host of single- soul and that combines a vision for posi- issue and identity-issue movements. Now tive change with a complex understanding leftists in the US and elsewhere are asking, of the world’s peoples and problems. [W]e do need visions of What do we need to do? How do we build And that’s where the readers, editors, different futures, in which the social and political movements that and authors of speculative fiction can con- humanity as a whole will save the world? tribute. We’re all collectively dreaming. i successfully promotes the A successful social movement needs vi- We make the dream, or we read it, or we health and welfare of the 3 sion — dreams big enough for large num- share it with someone else. Organizers are entire world rather than bers of people to believe in. But not just often readers of speculative fiction, and the enrichment of the any old dreams. We’ve already had plenty often participate in the collective dream- wealthiest one percent. of the wrong sort. To take just two exam- ing whenever they pick up a book. ples, the US dream of Western expansion But there is potential for an even closer led to genocide, and the dream of the dic- collaboration, in which the dreamers and tatorship of the proletariat led to Stalinist the organizers spend time talking to each Russia. Such collective dreams have given other — hosting a salon or party, perhaps, political visions a bad name. And yet we do and sharing what lights a spark in us. Sup- need visions of different futures, in which pose a reader got really excited about a humanity as a whole successfully promotes story with a vision for social change and [A]ctivists and organizers the health and welfare of the entire world told all her friends about it. A friend, who in the United States are rather than the enrichment of the wealthi- is an organizer, might try implementing it. not equipped to form or est one percent. Where do new visions of a The result, of course, would be nothing like carry out an effective plan better future come from? what the story’s author imagined. But it for saving the world. They Many science fiction readers believe would be interesting, and full of story. The have visions and goals science fiction can be a visionary force for organizer might tell the author of the story and a desire to get right change. They have the idea that science what happened with her idea, and the au- to work, but something fiction can plant the seed of an idea — a thor might be inspired to write yet another is missing: a dream that vision of a better society — that will moti- story. Of course, that second story would speaks to the soul vate people to act, and in that way change be nothing like the organizer might herself the world. I call that the Johnny Appleseed have imagined, but it could be a great story, model. Though it’s a start, it doesn’t go far and it could form a seed for a successful enough. Sure, sometimes you can just toss social movement that nobody has, as yet, a seed down and it will grow into a tree. imagined. But a seed has a better chance of growing Cont. on p. 4 n Change the Synchronicity, collaboration, learning: Guin has pointed out, it is an ambiguous we change our dreams; our dreams change utopia. In it, the ideals of anarchism have World us. This kind of collaboration needs to been institutionalized. In their fervor to (cont. from p. 3) happen more often. stop marriage partnerships from becom- ing ownership, the citizens set up rules that work against Shevek and his wife, giv- In 2009, I was a member of the anar- ing them job assignments far away from chist/socialist organization Common Ac- each other. The parallel in the real world is tion. We engaged in coalition-building, that groups of anarchists tend to crystal- social justice work, and the development lize their ideals into rules, and the people of new theories. On comparing notes, we who aren’t living by the rules are excluded were struck by the influence of specula- from the group because they aren’t anar- [W]e were struck by the tive fiction on our political development. chist enough. influence of speculative We were also inspired by a science fiction (3) L. Timmel Duchamp’s five-book and fantasy discussion group in Chicago fiction on our political Marq’ssan Cycle. Where many utopias called Think Galactic, which was found- development. present a harmonious and orderly view ed by three anarchists reflecting on their of society, the Marq’ssan Cycle presents a experience at the WisCon science fiction region in struggle. The Pacific Northwest convention. Free Zone, another ambiguous anarchist We decided to host a panel on specu- lative fiction at Seattle’s annual anarchist utopia, is perpetually defending itself book fair. Ariel Wetzel, Lambert Rochfort, against threats from both inside and out. and I planned the panel “Beyond The The Free Zone is a work in progress, as any Dispossessed: Anarchism and Science society, anarchist or not, will always be. As Fiction.” We invited L. Timmel Duch- such, it’s a more realistic role model than amp, Nisi Shawl, Eileen Gunn, and Saab a full-fledged utopia.
Recommended publications
  • Dec. 2006 E-MAIL: [email protected] WEBSITE
    PO Box 656, Washington, DC 20044 - (202) 232-3141 - Issue #201 - Dec. 2006 E-MAIL: [email protected] WEBSITE: http://www.lambdasf.org/ New Year’s Eve Reminder: Annual LSF Dec. 2006 - Feb. 2007 Video Party Book Exchange Battlestar Galactica Parties announced by Set for Jan. 14th Meeting from Peter Knapp Peter Knapp Come celebrate New Year’s Eve (and other with Lambda Sci-Fi at Rob and Peter’s stuff, too!) home in DC. This annual event will give us a chance to both recover from the That’s right, gang, the Holiday hectic “holiday” season and to party Season is almost upon us again; and it’s some more in anticipation of the new time for a short reminder about Lambda year. Here are the details on how to join Sci-Fi’s upcoming seventeenth annual in on the fun! book (et al) exchange, which will occur at Where: The home of Rob & the January 14th meeting! All LSF mem- Rob and I will be hosting par- Peter - 1425 “S” Street, NW Washington, bers are invited to participate in this “blind ties to view the next four episodes of DC. For directions, see: exchange” -- and visitors are invited to Battlestar Galactica and Jonathan will http://www.lambdasf.org/lsf/club/ join in the fun, too! be the host for the following four epi- PeterRob.html Briefly, this will be an opportu- sodes. Because the holiday season is Date: Sunday, Dec. 31, 2006 nity for LSFers to exchange copies of their upon us, the Sci Fi Channel will be not be Time: The doors will open at favorite science-fiction, fantasy, or hor- broadcasting the show some weekends.
    [Show full text]
  • The Aqueduct Gazette Top Stories Filter House Co-Winner of the Tiptree H Filter House Wins the Tiptree on April 26, 2009, the James Tiptree, Jr
    Spring/Summer 2009 Volume 5 The Aqueduct Gazette Top Stories Filter House Co-Winner of the Tiptree H Filter House Wins the Tiptree On April 26, 2009, The James Tiptree, Jr. H New Essay Collection from Literary Award Council announced that the Ursula K. Le Guin 2008 Tiptree Award will be going to Patrick Special Features Ness’s young adult novel The Knife of Never Letting Go and Nisi Shawl’s Filter House, an H Hanging out along the Aqueduct…, by Nisi Shawl Aqueduct Press book. page 9 The Tiptree Award, an annual literary prize H L. Timmel Duchamp for science fiction or fantasy “that expands or Interviews Liz Henry about explores our understanding of gender,” will The WisCon Chronicles, Vol. 3 be presented on Memorial Day weekend at page 6 WisCon in Madison, Wisconsin. Each winner H Gwyneth Jones writes about will receive $1000 in prize money, an original The Buonarotti Quartet artwork created specifically for the winning page 2 novel or story, and a confection, usually choco- H Three Observations and a late. The 2008 jurors were Gavin J. Grant Dialogue by Sylvia Kelso page 2 (chair), K. Tempest Bradford, Leslie Howle, Roz Kaveney, and Catherynne M. Valente. In Other News The award is named for Alice B. Sheldon, who wrote under the pseudonym H Aqueduct Celebrates James Tiptree, Jr. By her impulsive choice of a masculine pen name, Sheldon 5th Anniversary cont. on page 5 page 8 H New Spring Releases New from Aqueduct: Ursula K. Le Guin, page 12 Cheek by Jowl Talks and Essays about How and Why Fantasy Matters The monstrous homogenization of our world has now almost destroyed the map, any map, by making every place on it exactly like every other place, and leaving no blanks.
    [Show full text]
  • Readercon 14
    readercon 14 program guide The conference on imaginative literature, fourteenth edition readercon 14 The Boston Marriott Burlington Burlington, Massachusetts 12th-14th July 2002 Guests of Honor: Octavia E. Butler Gwyneth Jones Memorial GoH: John Brunner program guide Practical Information......................................................................................... 1 Readercon 14 Committee................................................................................... 2 Hotel Map.......................................................................................................... 4 Bookshop Dealers...............................................................................................5 Readercon 14 Guests..........................................................................................6 Readercon 14: The Program.............................................................................. 7 Friday..................................................................................................... 8 Saturday................................................................................................14 Sunday................................................................................................. 21 Readercon 15 Advertisement.......................................................................... 26 About the Program Participants......................................................................27 Program Grids...........................................Back Cover and Inside Back Cover Cover
    [Show full text]
  • Conference Program
    Thirty-Ninth International Conference on the Fantastic in the Arts ConferenCe Program No taping of sessions may take place without signed permission from an elected officer of the IAFA Executive Board and from all individuals participating in the session. Wednesday, March 14 11:00am-6:00pm 9:00am-6:00pm Registration Desk IAFA Book Exhibit and Sales Main Floor Augusta A/B Coordinator: Karen Hellekson Director: Mark Wingenfeld Audio-Visual Acrobatics coordinated by the incomparable Sean Nixon 2:30-3:15 p.m. Pre-Opening Refreshment Ballroom Foyer 3:30-4:15 p.m. Opening Ceremony Ballroom Host: Donald E. Morse, Conference Chair Welcome from the President: Sherryl Vint Opening Panel: Mary Shelley’s Legacies Moderator: Gary K. Wolfe Nike Sulway, John Kessel, Fred Botting Wednesday, 4:30-6:00pm Sessions 1-11 C 1. (IF/SF/VPAA) Magic and Science Fiction from the Perso- 2. (FTFN/CYA) Constructing Identity in Wonder Tales P O Arabic World and Lovecraft Chair: Linda J. Lee I V N E Chair: Debbie Felton University of Pennsylvania E University of Massachusetts-Amherst Navigating Enfreaked Disabilities in the Realms of Victorian Orange Princesses, Emerald Sorcerers and Dandy Demons: Fairy Tales The Fantastic in Persianate Miniature Painting and Epic Literature Victoria Phelps Zahra Faridany-Akhavan Saginaw Valley State University Independent Scholar With Eyes both Brown and Blue: Making Monsters in Lost Girl The Vault of Heaven: Science Fiction’s Perso-Arabic Origins Jeana Jorgensen Peter Adrian Behravesh Indiana University/Butler University University of Southern Maine The Dark Arts and the Occult: Magic(k)al Influences on/of H.
    [Show full text]
  • Full Celebration Overview
    Center for the Study of Women in Society For Immediate Release Website: http://csws.uoregon.edu/ [email protected] 541-346-5077 “Celebrating Forty Years: Anniversary Event to Showcase Feminist Research, Activism, and Creativity” Eugene, OR – This fall, the Center for the Study of Women in Society (CSWS) celebrates the legacy of feminist research, teaching, activism, and creativity at the University of Oregon. Presented in collaboration with the Department of Women’s and Gender Studies and ASUO Women’s Center, CSWS’s 40th Anniversary Celebration will be held Nov. 7-9, 2013, in UO’s Erb Memorial Union. Free and open to the public (ticketing required), the event offers multiple opportunities to witness the long reach of feminist thought and production through engaging narratives about our past, present, and possible futures. On Thursday, Nov. 7, 3-6:30 p.m., the celebration kicks off with the premiere of Agents of Change, a documentary that chronicles the development of the Center for the Study of Women in Society, from its origins in the women’s movement to Fortune magazine editor William Harris’ gift that endowed it to the present moment Among the special guest speakers will be Eugene Mayor Kitty Piercy on women and leadership. On Friday, Nov. 8, 9 a.m.-5 p.m., the “Women’s Stories, Women’s Lives” Symposium explores four decades of feminist research and activism through the personal narratives, visual illustrations, and dialogue of more than twenty women activists, professionals, scholars, and community leaders. Among the symposium panelists, local activist Kate Barkley will talk about domestic violence and the creation of Womenspace in the 1970s, Eugene Mayor Kitty Piercy will lend insight into issues of reproductive rights in the 1980s, Eugene Weekly owner Anita Johnson will offer how changing legislation affected workplace equity in the 1990s, and Mobility International co-founder Susan Sygall will provide insight into women and the disability movement in the new millennium.
    [Show full text]
  • Wednesday, March 18, 2020 2:30 Pm
    1 Wednesday, March 18, 2020 2:30 p.m. - 3:15 p.m. Pre-Opening Refreshment Ballroom Foyer ********** Wednesday, March 18, 2020 3:30 p.m. - 4:15 p.m. Opening Ceremony Ballroom Host: Jeri Zulli, Conference Director Welcome from the President: Dale Knickerbocker Guest of Honor Reading: Jeff VanderMeer Ballroom “DEAD ALIVE: Astronauts versus Hummingbirds versus Giant Marmots” Host: Benjamin J. Robertson University of Colorado, Boulder ********** Wednesday, March 18, 2020 4:30 p.m. - 6:00 p.m. 1. (GaH) Cosmic Horror, Existential Dread, and the Limits of Mortality Belle Isle Chair: Jude Wright Peru State College Dead Cthulhu Waits Dreaming of Corn in June: Intersections Between Folk Horror and Cosmic Horror Doug Ford State College of Florida The Immortal Existential Crisis Illuminates The Monstrous Human in Glen Duncan's The Last Werewolf Jordan Moran State College of Florida Hell . With a Beach: Christian Horror in Michael Bishop's "The Door Gunner" Joe Sanders Shadetree Scholar 2 2. (CYA/FTV) Superhero Surprise! Gender Constructions in Marvel, SpecFic, and DC Captiva A Chair: Emily Midkiff Northeastern State University "Every Woman Has a Crazy Side"? The Young Adult and Middle Grade Feminist Reclamation of Harley Quinn Anastasia Salter University of Central Florida An Elaborate Contraption: Pervasive Games as Mechanisms of Control in Ernest Cline's Ready Player One Jack Murray University of Central Florida 3. (FTFN/CYA) Orienting Oneself with Fairy Stories Captiva B Chair: Jennifer Eastman Attebery Idaho State University Fairy-Tale Socialization and the Many Lands of Oz Jill Terry Rudy Brigham Young University From Android to Human – Examining Technology to Explore Identity and Humanity in The Lunar Chronicles Hannah Mummert University of Southern Mississippi The Gentry and The Little People: Resolving the Conflicting Legacy of Fairy Fiction Savannah Hughes University of Maine, Stonecoast 3 4.
    [Show full text]
  • Reciprocity in Experimental Writing, Hypertext Fiction, and Video Games
    UNDERSTANDING INTERACTIVE FICTIONS AS A CONTINUUM: RECIPROCITY IN EXPERIMENTAL WRITING, HYPERTEXT FICTION, AND VIDEO GAMES. A thesis submitted to The University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2015 ELIZABETH BURGESS SCHOOL OF ARTS, LANGUAGES AND CULTURES 2 LIST OF CONTENTS Abstract 3 Declaration 4 Copyright Statement 5 Acknowledgements 6 Introduction 7 Chapter One: Materially Experimental Writing 30 1.1 Introduction.........................................................................................30 1.2 Context: metafiction, realism, telling the truth, and public opinion....36 1.3 Randomness, political implications, and potentiality..........................53 1.4 Instructions..........................................................................................69 1.41 Hopscotch...................................................................................69 1.42 The Unfortunates........................................................................83 1.43 Composition No. 1......................................................................87 1.5 Conclusion...........................................................................................94 Chapter Two: Hypertext Fiction 96 2.1 Introduction.........................................................................................96 2.2 Hypertexts: books that don’t end?......................................................102 2.3 Footnotes and telling the truth............................................................119
    [Show full text]
  • Einblatt! April 2009 Calendar G Sat, Apr 18, 2PM
    Einblatt! April 2009 Calendar g Sat, Apr 18, 2PM. Minicon by Carl & Helfers and Prince Of Postmortem. Matt+Kelly Strait's. Stories: The Many Worlds Of Neil à Tues, Mar 31, 7PM. Lois Gaiman by Hank Wagner et al. McMaster reading & Q&A at g Sat, Apr 18, 2PM. Minn-StF Dakota County Heritage Library, Meeting & Minicon Devonian PMF Johnson has a poem, "We 20085 Heritage Dr, Lakeville. Ductiva Party. Matt+Kelly Ignore Him," in the April/May FFI: 952-891-0360 Strait's, 1631 Selby Ave #1. FFI: Asimov's. 651-644-1812 à Sat, Apr 4, 2-4PM. Stipple-Apa Neil Gaiman, The Graveyard Book, collation. Open to potential à Sat, Apr 18. 11th Annual another tp reprint from Bloomsbury members who enjoy expressing MISFITS Team Trivia UK due October themselves and keeping in Challenge. 3PM Elimination, "Tate Hallaway" (Lyda Morehouse), touch with fellow fans in a 6PM Finals. Sheraton Dead If I Do, Berkley tp due May tangible form. Sample issue is Bloomington. FFI: FREE! Jeanne Mealy, 1595 E. http://www.misfit.org/trivia/index. Patricia C. Wrede and Caroline Hoyt Av., St. Paul. Cats, no htm. Stevermer, The Mislaid Magician, Or smoking. FFI: 651-771-7226 (9 Ten Years After (tp reprint from g Thurs, Apr 23, 11:59PM. a.m. - 9:00 p.m.). Harcourt/Graphia & pb reprint from Einblatt! Deadline. g Sat, Apr 4, 2PM. Minn-StF Magic Carpet) due May; Thirteenth Meeting. Blaisdell Polytechnic, Advance Warning Child by Wrede alone, hc novel from Scholastic scheduled for April 3721 Blaisdell Ave S, Mpls. Minn-StF Meetings: May 2 & 16.
    [Show full text]
  • 2, July 2008 (5 Months Late) Is Edited and Published by Rich Coad, 2132 Berkeley Drive, Santa Rosa, CA 95401
    Sense of Wonder Stories 2, July 2008 (5 months late) is edited and published by Rich Coad, 2132 Berkeley Drive, Santa Rosa, CA 95401. e-mail: [email protected] Wondertorial......................................... .........................................page 3 Editorial natterings by Rich Coad The Good Soldier: George Turner as Combative Critic.................page 6 Bruce Gillespie on the well known author and critic A Dream of Flight..........................................................................page 13 Cover artist Bruce Townley on steam driven planes Heresy, Maybe?............................................................................page 16 FAAn Award winner Peter Weston battles James Blish J.G.Ballard A Journey of Inference...............................................page 18 Graham Charnock reminds us how good Mundane SF could be The Readers Write.......................................................................page 22 To get SF fans talking SF simply mention Heinlein Great Science Fiction Editors..................................................back cover Horace Gold: Galaxy Master 2 WONDERTORIAL SF seems to be a literature that thrives upon manifes- Hard to argue with that. Science fiction rooted in sci- toes, written and unwritten, loudly proclaimed for all ence fact - sounds like Campbell’s prescription for As- to inveigh upon, or stealthily applied by editors at large tounding. And the future is here on Earth for most of to shift the field into a new direction. us seems less than controversial He goes on to say Geoff Ryman, a writer of immense talent and ambi- tion as anyone who has read Was will tell you, has fol- “I wrote a jokey Mundane Mani- lowed the loud proclamation route with his provoca- festo. It said let’s play this serious tive call for more mundane SF. It’s difficult to think of game. Let’s agree: no FTL, no FTL a name more calculated to drive the average SF fan communications, no time travel, into a state of copralaliac Tourette’s twitches than no aliens in the flesh, no immortal- “Mundane SF”.
    [Show full text]
  • Proquest Dissertations
    Writing in subversive space: Language and the body in feminist science fiction in French and English Item Type text; Dissertation-Reproduction (electronic) Authors Sauble-Otto, Lorie Gwen Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 05/10/2021 19:58:23 Link to Item http://hdl.handle.net/10150/279786 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overiaps. Photographs included in the original manuscript have been reproduced xerographicaliy in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge.
    [Show full text]
  • W41 PPB-Web.Pdf
    The thrilling adventures of... 41 Pocket Program Book May 26-29, 2017 Concourse Hotel Madison Wisconsin #WC41 facebook.com/wisconwiscon.net @wisconsf3 Name/Room No: If you find a named pocket program book, please return it to the registration desk! New! Schedule & Hours Pamphlet—a smaller, condensed version of this Pocket Program Book. Large Print copies of this book are available at the Registration Desk. TheWisSched app is available on Android and iOS. What works for you? What doesn't? Take the post-con survey at wiscon.net/survey to let us know! Contents EVENTS Welcome to WisCon 41! ...........................................1 Art Show/Tiptree Auction Display .........................4 Tiptree Auction ..........................................................6 Dessert Salon ..............................................................7 SPACES Is This Your First WisCon?.......................................8 Workshop Sessions ....................................................8 Childcare .................................................................. 10 Children's and Teens' Programming ..................... 11 Children's Schedule ................................................ 11 Teens' Schedule ....................................................... 12 INFO Con Suite ................................................................. 12 Dealers’ Room .......................................................... 14 Gaming ..................................................................... 15 Quiet Rooms ..........................................................
    [Show full text]
  • Nice Distinctions 6
    Nice Distinctions 6 Arthur D. Hlavaty, 206 Valentine Street, Yonkers, NY 10704-1814. 914-965-4861. [email protected] <http://www.livejournal.com/users/supergee/>. Published four times (or so) per year. The print version is available for $1 ($2 outside the USA), arranged trade, or letter of comment (e-mail counts). If there is an X after your name on the envelope, send at least one of the above if you wish to receive the next issue. The e-mail version is available on request. Copyright * 2004 by Arthur D. Hlavaty. Staff: Bernadette Bosky, Kevin J. Maroney, Peter Celeron, Courageous, and the Valentine's Castle Rat Pack. Permission to reprint in any nonprofit publication is hereby granted, on condition that I am credited and sent a copy. This is Discordian Regimentation #106, a Church of the SuperGenius publication. In Wile E. we trust. The big news here is that an otherwise respectable company has hired Kevin to a real fulltime job, which is cause for rejoicing. ___________________________________________________ The forces of propriety and decency are once again in the ascendant. The Federal Communications Commission, as usual protecting us whether we want to be protected or not, has cracked down on notorious sewermouth Howard Stern. (Perhaps for saying, "one-term president," but let that pass.) Besides, there is censorware, often more meticulous than the most obsessed wowser. (Sorry, Ms. Matsushita.) Once more, evasive tactics are called for. Gore Vidal and Robert Anton Wilson suggested using the names of the smutstompers themselves. It's tempting to say something like, "His idea of a good time is to get down on his knees and phelps a dozen sailors," but the names will become obsolete, and it's unfair to others who share them.
    [Show full text]