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Stairway to Heaven? Geographies of the Space Elevator in Science Fiction
ISSN 2624-9081 • DOI 10.26034/roadsides-202000306 Stairway to Heaven? Geographies of the Space Elevator in Science Fiction Oliver Dunnett Outer space is often presented as a kind of universal global commons – a space for all humankind, against which the hopes and dreams of humanity have been projected. Yet, since the advent of spaceflight, it has become apparent that access to outer space has been limited, shaped and procured in certain ways. Geographical approaches to the study of outer space have started to interrogate the ways in which such inequalities have emerged and sustained themselves, across environmental, cultural and political registers. For example, recent studies have understood outer space as increasingly foreclosed by certain state and commercial actors (Beery 2012), have emphasised narratives of tropical difference in understanding geosynchronous equatorial satellite orbits (Dunnett 2019) and, more broadly, have conceptualised the Solar System as part of Earth’s environment (Degroot 2017). It is clear from this and related literature that various types of infrastructure have been a significant part of the uneven geographies of outer space, whether in terms of long-established spaceports (Redfield 2000), anticipatory infrastructures (Gorman 2009) or redundant space hardware orbiting Earth as debris (Klinger 2019). collection no. 003 • Infrastructure on/off Earth Roadsides Stairway to Heaven? 43 Having been the subject of speculation in both engineering and science-fictional discourses for many decades, the space elevator has more recently been promoted as a “revolutionary and efficient way to space for all humanity” (ISEC 2017). The concept involves a tether lowered from a position in geostationary orbit to a point on Earth’s equator, along which an elevator can ascend and arrive in orbit. -
David Burrows and Simon O'sullivan, Fictioning
BOOK REVIEW: David Burrows and Simon O’Sullivan, Fictioning: The Myth-Functions of Contemporary Art and Philosophy John Cussans The deadpan cover of David Burrows and Simon O’Sullivan’s Fictioning: The Myth-Functions of Contemporary Art and Philosophy will come as a surprise to anyone familiar with the authors’ parallel lives as the creators of Plastique Fantastique, the performance art group whose multi-sensory, neo-pagan, anarcho-sci-fi performance-rituals have been warping art audience sensoria since 2004. The emphatically no-frills design gives the impression of an editors’ proof waiting to be signed off. However, lurking beneath the black sans serif title that floats on a sea of grey, there is an obscure sequence of white letters fading into a smudgy evocation of an under- exposed film negative: ‘thr s nt & nvr hs bn nythng t ndrstnd!’ This disemvowelled sentence, the title of a group show Plastique Fantastique curated in 2012, reminds us that, beyond the sobriety of academic appearances and scholarly convention, there exists a mutating plasmate of unknown origin, whose creative unfolding we may never fully grasp or comprehend. The semi-visible unsentence is a coded reference to the esoteric leanings of the two authors and their shared admiration for the art of Austin Osman Spare, the English artist-magician to whom they dedicate an early section of the book. Spare was famously a proponent of sigil magic, an ancient occult practice rooted in medieval hermeticism and updated by Spare in the early twentieth century, through which one’s secret wishes can be made to have real world effects. -
Hugo Award -- Britannica Online Encyclopedia
10/10/2017 Hugo Award -- Britannica Online Encyclopedia Hugo Award Hugo Award, any of several annual awards presented by the World Science Fiction Society (WSFS). The awards are granted for notable achievement in science �ction or science fantasy. Established in 1953, the Hugo Awards were named in honour of Hugo Gernsback, founder of Amazing Stories, the �rst magazine exclusively for science �ction. Hugo Award. This particular award was given at MidAmeriCon II, in Kansas City, Missouri, on August … Michi Trota Pin, in the form of the rocket on the Hugo Award, that is given to the finalists. Michi Trota Hugo Awards https://www.britannica.com/print/article/1055018 1/10 10/10/2017 Hugo Award -- Britannica Online Encyclopedia year category* title author 1946 novel The Mule Isaac Asimov (awarded in 1996) novella "Animal Farm" George Orwell novelette "First Contact" Murray Leinster short story "Uncommon Sense" Hal Clement 1951 novel Farmer in the Sky Robert A. Heinlein (awarded in 2001) novella "The Man Who Sold the Moon" Robert A. Heinlein novelette "The Little Black Bag" C.M. Kornbluth short story "To Serve Man" Damon Knight 1953 novel The Demolished Man Alfred Bester 1954 novel Fahrenheit 451 Ray Bradbury (awarded in 2004) novella "A Case of Conscience" James Blish novelette "Earthman, Come Home" James Blish short story "The Nine Billion Names of God" Arthur C. Clarke 1955 novel They’d Rather Be Right Mark Clifton and Frank Riley novelette "The Darfsteller" Walter M. Miller, Jr. short story "Allamagoosa" Eric Frank Russell 1956 novel Double Star Robert A. Heinlein novelette "Exploration Team" Murray Leinster short story "The Star" Arthur C. -
Review 330 Fall 2019 SFRA
SFRA RREVIEWS, ARTICLES,e ANDview NEWS FROM THE SFRA SINCE 1971 330 Fall 2019 FEATURING Area X: Five Years Later PB • SFRA Review 330 • Fall 2019 Proceedings of the SFRASFRA 2019 Review 330Conference • Fall 2019 • 1 330 THE OPEN ACCESS JOURNAL OF THE Fall 2019 SFRA MASTHEAD ReSCIENCE FICTIONview RESEARCH ASSOCIATION SENIOR EDITORS ISSN 2641-2837 EDITOR SFRA Review is an open access journal published four times a year by Sean Guynes Michigan State University the Science Fiction Research Association (SFRA) since 1971. SFRA [email protected] Review publishes scholarly articles and reviews. The Review is devoted to surveying the contemporary field of SF scholarship, fiction, and MANAGING EDITOR media as it develops. Ian Campbell Georgia State University [email protected] Submissions ASSOCIATE EDITOR SFRA Review accepts original scholarly articles; interviews; Virginia Conn review essays; individual reviews of recent scholarship, fiction, Rutgers University and media germane to SF studies. [email protected] ASSOCIATE EDITOR All submissions should be prepared in MLA 8th ed. style and Amandine Faucheux submitted to the appropriate editor for consideration. Accepted University of Louisiana at Lafayette pieces are published at the discretion of the editors under the [email protected] author's copyright and made available open access via a CC-BY- NC-ND 4.0 license. REVIEWS EDITORS NONFICTION EDITOR SFRA Review does not accept unsolicited reviews. If you would like Dominick Grace to write a review essay or review, please contact the appropriate Brescia University College [email protected] review editor. For all other publication types—including special issues and symposia—contact the editor, managing, and/or ASSISTANT NONFICTION EDITOR associate editors. -
Reading William Morris, Peter Kropotkin, Ursula K. Le Guin, and PM in the Light of Digital Socialism
tripleC 18(1): 146-186, 2020 http://www.triple-c.at The Utopian Internet, Computing, Communication, and Concrete Utopias: Reading William Morris, Peter Kropotkin, Ursula K. Le Guin, and P.M. in the Light of Digital Socialism Christian Fuchs University of Westminster, London, [email protected], http://fuchs.uti.at Abstract: This paper asks: What can we learn from literary communist utopias for the creation and organisation of communicative and digital socialist society and a utopian Internet? To pro- vide an answer to this question, the article discusses aspects of technology and communica- tion in utopian-communist writings and reads these literary works in the light of questions con- cerning digital technologies and 21st-century communication. The selected authors have writ- ten some of the most influential literary communist utopias. The utopias presented by these authors are the focus of the reading presented in this paper: William Morris’s (1890/1993) News from Nowhere, Peter Kropotkin’s (1892/1995) The Conquest of Bread, Ursula K. Le Guin’s (1974/2002) The Dispossessed, and P.M.’s (1983/2011; 2009; 2012) bolo’bolo and Kartoffeln und Computer (Potatoes and Computers). These works are the focus of the reading presented in this paper and are read in respect to three themes: general communism, technol- ogy and production, communication and culture. The paper recommends features of concrete utopian-communist stories that can inspire contemporary political imagination and socialist consciousness. The themes explored include the role of post-scarcity, decentralised comput- erised planning, wealth and luxury for all, beauty, creativity, education, democracy, the public sphere, everyday life, transportation, dirt, robots, automation, and communist means of com- munication (such as the “ansible”) in digital communism. -
The Imagined Wests of Kim Stanley Robinson in the "Three Californias" and Mars Trilogies
Portland State University PDXScholar Urban Studies and Planning Faculty Nohad A. Toulan School of Urban Studies and Publications and Presentations Planning Spring 2003 Falling into History: The Imagined Wests of Kim Stanley Robinson in the "Three Californias" and Mars Trilogies Carl Abbott Portland State University, [email protected] Follow this and additional works at: https://pdxscholar.library.pdx.edu/usp_fac Part of the Urban Studies and Planning Commons Let us know how access to this document benefits ou.y Citation Details Abbott, C. Falling into History: The Imagined Wests of Kim Stanley Robinson in the "Three Californias" and Mars Trilogies. The Western Historical Quarterly , Vol. 34, No. 1 (Spring, 2003), pp. 27-47. This Article is brought to you for free and open access. It has been accepted for inclusion in Urban Studies and Planning Faculty Publications and Presentations by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Falling into History: The ImaginedWests of Kim Stanley Robinson in the "Three Californias" and Mars Trilogies Carl Abbott California science fiction writer Kim Stanley Robinson has imagined the future of Southern California in three novels published 1984-1990, and the settle ment of Mars in another trilogy published 1993-1996. In framing these narratives he worked in explicitly historical terms and incorporated themes and issues that characterize the "new western history" of the 1980s and 1990s, thus providing evidence of the resonance of that new historiography. .EDMars is Kim Stanley Robinson's R highly praised science fiction novel published in 1993.1 Its pivotal section carries the title "Falling into History." More than two decades have passed since permanent human settlers arrived on the red planet in 2027, and the growing Martian communities have become too complex to be guided by simple earth-made plans or single individuals. -
Fantasy Illustrated Rose City Virtual Book Fair
To order The best way to order is by email at [email protected]. You can also call your order in at 425-750-4513. ● We take checks, money orders, PayPal and credit card via Square. ● If you want to pay by PayPal let me know and I will send you a PayPal invoice to pay from. ● If you want to pay by check or money order let me know so I can give you a final total to mail in. ● If you want to pay by credit card then give me a call and I can run your card over the phone. Fantasy Illustrated, P.O. Box 248, Silvana, WA 98287. Vintage hardcover and paperback science fiction and fantasy first editions. Pulp magazines. Always buying! www.fantasyillustrated.net Fantasy Illustrated Rose City Virtual Book Fair Greetings and welcome to our virtual book fair catalog consisting of selections which we have never offered on our website or anywhere on the internet. Here you will find our freshest stock ranging over many different genres of collecting; pulp magazines, Arkham House, science fiction first editions including presentation copies, illustrated books, pin-up and comic art. Almost something for everyone. You will find gems such as two signed Edger Rice Burroughs books, a signed Ursula K. Le Guinn and an ultra-rare signed association copy of A Canticle for Leibowitz by the reclusive Walter M. Miller, Jr. In addition to our specialties this list also offers 1st editions by Hemingway, Houdini, Thomas Pynchon, Hunter S. Thompson and others. For almost two thousand other items please check out our web site at www.fantasyillustrated.net -Thanks for looking. -
Arch : Northwestern University Institutional Repository
NORTHWESTERN UNIVERSITY Myth and the Modern Problem: Mythic Thinking in Twentieth-Century Britain A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS for the degree DOCTOR OF PHILOSOPHY Field of History By Matthew Kane Sterenberg EVANSTON, ILLINOIS December 2007 2 © Copyright by Matthew Kane Sterenberg 2007 All Rights Reserved 3 ABSTRACT Myth and the Modern Problem: Mythic Thinking in Twentieth-Century Britain Matthew Sterenberg This dissertation, “Myth and the Modern Problem: Mythic Thinking in Twentieth- Century Britain,” argues that a widespread phenomenon best described as “mythic thinking” emerged in the early twentieth century as way for a variety of thinkers and key cultural groups to frame and articulate their anxieties about, and their responses to, modernity. As such, can be understood in part as a response to what W.H. Auden described as “the modern problem”: a vacuum of meaning caused by the absence of inherited presuppositions and metanarratives that imposed coherence on the flow of experience. At the same time, the dissertation contends that— paradoxically—mythic thinkers’ response to, and critique of, modernity was itself a modern project insofar as it took place within, and depended upon, fundamental institutions, features, and tenets of modernity. Mythic thinking was defined by the belief that myths—timeless rather than time-bound explanatory narratives dealing with ultimate questions—were indispensable frameworks for interpreting experience, and essential tools for coping with and criticizing modernity. Throughout the period 1900 to 1980, it took the form of works of literature, art, philosophy, and theology designed to show that ancient myths had revelatory power for modern life, and that modernity sometimes required creation of new mythic narratives. -
13Th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture
13th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture James F. O’Gorman Non-fiction 38.65 ACROSS THE SEA OF GREGORY BENFORD SF 9.95 SUNS Affluent Society John Kenneth Galbraith 13.99 African Exodus: The Origins Christopher Stringer and Non-fiction 6.49 of Modern Humanity Robin McKie AGAINST INFINITY GREGORY BENFORD SF 25.00 Age of Anxiety: A Baroque W. H. Auden Eclogue Alabanza: New and Selected Martin Espada Poetry 24.95 Poems, 1982-2002 Alexandria Quartet Lawrence Durell ALIEN LIGHT NANCY KRESS SF Alva & Irva: The Twins Who Edward Carey Fiction Saved a City And Quiet Flows the Don Mikhail Sholokhov Fiction AND ETERNITY PIERS ANTHONY SF ANDROMEDA STRAIN MICHAEL CRICHTON SF Annotated Mona Lisa: A Carol Strickland and Non-fiction Crash Course in Art History John Boswell From Prehistoric to Post- Modern ANTHONOLOGY PIERS ANTHONY SF Appointment in Samarra John O’Hara ARSLAN M. J. ENGH SF Art of Living: The Classic Epictetus and Sharon Lebell Non-fiction Manual on Virtue, Happiness, and Effectiveness Art Attack: A Short Cultural Marc Aronson Non-fiction History of the Avant-Garde AT WINTER’S END ROBERT SILVERBERG SF Austerlitz W.G. Sebald Auto biography of Miss Jane Ernest Gaines Fiction Pittman Backlash: The Undeclared Susan Faludi Non-fiction War Against American Women Bad Publicity Jeffrey Frank Bad Land Jonathan Raban Badenheim 1939 Aharon Appelfeld Fiction Ball Four: My Life and Hard Jim Bouton Time Throwing the Knuckleball in the Big Leagues Barefoot to Balanchine: How Mary Kerner Non-fiction to Watch Dance Battle with the Slum Jacob Riis Bear William Faulkner Fiction Beauty Robin McKinley Fiction BEGGARS IN SPAIN NANCY KRESS SF BEHOLD THE MAN MICHAEL MOORCOCK SF Being Dead Jim Crace Bend in the River V. -
Ansible® 405 April 2021 from David Langford , 94 London Road, Reading, Berks, RG1 5AU, UK
Ansible® 405 April 2021 From David Langford , 94 London Road, Reading, Berks, RG1 5AU, UK. Website news.ansible.uk. ISSN 0265-9816 (print); 1740- 942X (e). Logo: Dan Steffan . Cartoon (‘Dragon’s Eye’): Ulrika O’Brien . Available for SAE, ticholama, hesso-penthol or resilian. MOVING ON. October 2021 will see the tenth anniversary of the online £50 reg; under-17s £12; under-13s free. See novacon.org.uk. Encyclopedia of Science Fiction , hosted by Orion and linked to the SOLD OUT . 21-24 Apr 2022 ! Camp SFW, Vauxhall Holiday Park, Gollancz SF Gateway ebook operation. Orion/Gollancz have now decided Great Yarmouth. See www.scifiweekender.com. All places presumably not to renew the contract on 1 October. The principal Encyclopedia taken by membership transfers from the cancelled March 2021 event. editors John Clute and David Langford plan to move sf-encyclopedia.com POSTPONED AGAIN . 27-29 May 2022 ! Satellite 7, Crowne Plaza, to their own web server and continue as seamlessly as possible with Glasgow. £70 reg (£80 at the door); under-25s £60; under-18s £20; much the same ‘look and feel’, perhaps with a new sponsor and certainly under-12s £5; under-5s £2. See seven.satellitex.org.uk. Former dates 21- with a few improvements that the current platform doesn’t allow. 23 May 2021. All existing memberships transferred to 2022; no refunds. Rumblings. DisCon III (Worldcon 2021, Washington DC), with one The Army of Unalterable Law of its two hotels not only closed but filing for bankruptcy, is unable to tell Peter S. Beagle and his current business partners regained rights ‘to members whether it will be a physical as well as a virtual convention. -
Natural Selection and Coalescent Theory
Natural Selection and Coalescent Theory John Wakeley Harvard University INTRODUCTION The story of population genetics begins with the publication of Darwin’s Origin of Species and the tension which followed concerning the nature of inheritance. Today, workers in this field aim to understand the forces that produce and maintain genetic variation within and between species. For this we use the most direct kind of genetic data: DNA sequences, even entire genomes. Our “Great Obsession” with explaining genetic variation (Gillespie, 2004a) can be traced back to Darwin’s recognition that natural selection can occur only if individuals of a species vary, and this variation is heritable. Darwin might have been surprised that the importance of natural selection in shaping variation at the molecular level would be de-emphasized, beginning in the late 1960s, by scientists who readily accepted the fact and importance of his theory (Kimura, 1983). The motivation behind this chapter is the possible demise of this Neutral Theory of Molecular Evolution, which a growing number of population geneticists feel must follow recent observations of genetic variation within and between species. One hundred fifty years after the publication of the Origin, we are struggling to fully incorporate natural selection into the modern, genealogical models of population genetics. The main goal of this chapter is to present the mathematical models that have been used to describe the effects of positive selective sweeps on genetic variation, as mediated by gene genealogies, or coalescent trees. Background material, comprised of population genetic theory and simulation results, is provided in order to facilitate an understanding of these models. -
The Hugo Awards for Best Novel Jon D
The Hugo Awards for Best Novel Jon D. Swartz Game Design 2013 Officers George Phillies PRESIDENT David Speakman Kaymar Award Ruth Davidson DIRECTORATE Denny Davis Sarah E Harder Ruth Davidson N3F Bookworms Holly Wilson Heath Row Jon D. Swartz N’APA George Phillies Jean Lamb TREASURER William Center HISTORIAN Jon D Swartz SECRETARY Ruth Davidson (acting) Neffy Awards David Speakman ACTIVITY BUREAUS Artists Bureau Round Robins Sarah Harder Patricia King Birthday Cards Short Story Contest R-Laurraine Tutihasi Jefferson Swycaffer Con Coordinator Welcommittee Heath Row Heath Row David Speakman Initial distribution free to members of BayCon 31 and the National Fantasy Fan Federation. Text © 2012 by Jon D. Swartz; cover art © 2012 by Sarah Lynn Griffith; publication designed and edited by David Speakman. A somewhat different version of this appeared in the fanzine, Ultraverse, also by Jon D. Swartz. This non-commercial Fandbook is published through volunteer effort of the National Fantasy Fan Federation’s Editoral Cabal’s Special Publication committee. The National Fantasy Fan Federation First Edition: July 2013 Page 2 Fandbook No. 6: The Hugo Awards for Best Novel by Jon D. Swartz The Hugo Awards originally were called the Science Fiction Achievement Awards and first were given out at Philcon II, the World Science Fiction Con- vention of 1953, held in Philadelphia, Pennsylvania. The second oldest--and most prestigious--awards in the field, they quickly were nicknamed the Hugos (officially since 1958), in honor of Hugo Gernsback (1884 -1967), founder of Amazing Stories, the first professional magazine devoted entirely to science fiction. No awards were given in 1954 at the World Science Fiction Con in San Francisco, but they were restored in 1955 at the Clevention (in Cleveland) and included six categories: novel, novelette, short story, magazine, artist, and fan magazine.