REPORT Romania's Entangled Traumatic Pasts Travelling Seminar
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REPORT Romania’s entangled traumatic pasts Travelling Seminar · Bucharest (13-14 March 2019) Authors: Vladimir Costea, Delia Cocora, Alice Chempf, Irina Baciu, Monica Tache, Letitia Roman, Robert Ticalau. Department of Political Science, University of Bucharest Introduction The two-day program focused on the official and vernacular memories of the Holocaust and the communist past in Romania. It consisted in a series of talks and guided visits to some of the most emblematic places of commemoration and memorialization in Bucharest and Jilava. It was organized by the EUROM in collaboration with the Assistant Professor, PhD Caterina Preda from the Department of Political Sciences of the University of Bucharest and included the participation of master students and experts from the University of Bucharest and the University of Barcelona. Romania became a member of the European Union in 2007 after having experienced two totalitarianisms in the 20th century, an extreme-right wing regime (1938-1944) and a communist regime (1948-1989). Their shadows still cover the post-1990 Romanian political and memorial landscape. While the Romanian state has addressed the traumatic past through such initiatives as the Wiesel Report (2004) and the Tismăneanu Commission (2006), which documented the Romanian Holocaust and respectively condemned the “criminal communist dictatorship”, Romanian society has been less adamant to share this official condemnation. This travelling seminar introduced students and scholars to the memory of the Holocaust in Romania and its traces, as well as to the memorialization of the communist past, both at the official level, and in what concerns memory sites. Participants visited some of the most emblematic sites, such as the Holocaust Memorial in Bucharest, the Jilava memorial, “80 east” (a communist apartment), and also joined a walking tour on totalitarianism in downtown Bucharest. 1 13 March 2019 „The Culture, Science, Media section of the Federation of Jewish Communities in memory of the Holocaust in Romania. Romania” Adrian Cioflâncă presented his The first day of the travelling “Traces of (In)humanity in Holocaust seminar was divided in two parts : the Related Killing Sites in Romania and first part of the day was focused on the Moldova” which highlighted the extent memory of the Holocaust, while the of the atrocities that took place in second part on the communist past in Romania and Moldova through the so- Romania. called massacres against the Jews and the attempt to show the importance of Traces of (In) humanity in commemorative monuments, mass Holocaust Related Killing Sites in graves and unmarked killing sites of the Romania and Moldova” Jews. He discussed several case studies of mass perpetrated crimes on Adrian CIOFLÂNCĂ, the Romanian territory during the Director of The Center for the Study Holocaust like: the Iaşi Pogrom (June- of the History of the Jews in Romania July 1941); the Masssacre in Stânca Roznovanu (June 1941); the Massacre in the Vulturi Forest (June 1941); The Massacre in Gura Căinari- Mărculeşti (July 1941). In the first instance, Adrian Cioflâncă stressed the historical context of the beginning of Holocaust in Romania. In this regard, Romania took part in the Holocaust by bullets and “representatives of authorities, former Iron Guard members and civilians, sometimes assisted by The first part of the seminar German officers and soldiers, took place at the Center for the Study started to kill Jews in north- of the History of the Jews in Romania eastern Romania, Bessarabia and (CSIER). Founded in 1977, The Center Northern Bukovina”. He continued for the Study of the History of the Jews with the most representatives in Romania - Centrul pentru Studiul massacres. The Iaşi Pogrom was Istoriei Evreilor din România- perpetrated in 29 of June 1941 by (CSIER) is a structure of scientific officiers from the General Staff and research, documentation and archival disbanded soldiers, policemen, public preservation and operates within the guardians, gendarmes, agents of secret 2 servicies, civilians and 14.000 Jews, mostly men, were killed. Concerning commemorative monuments in Iaşi, we can find a monument in the memory of the victims of the Iaşi Pogrom which was built in 1976 during communism. Also, in 2000, the Canadian film director Simcha Jacobovici illegally installed a plaque on the building of the former Police Headquarter in Iaşi and it remained there till 2011. The presentation of Felicia Waldman Adrian Cioflâncă highlighted the highlighted the subject of fact that two monuments were “Memorialization of the Holocaust in erected in 2010, by Jewish postcommunist Romania”, especially in organizations, in the memory of the visual arts field. Her presentation the Jews killed in Sculeni and discussed the very close relationship Stânca Roznovanu. Another massacre established between the social-political was in Mărculeşti- Gura Căinari (July reality presented by Adrian Cioflâncă 1941) where the Jewish population of and the subsequent artistic Mărculeşti (The Republic of Moldova) representations that demonstrate the was evacuated and killed near Gura impact that some past events have on Căinari. the artistic achievements of a country or even at the European and Memorialization of the international level. Her presentation Holocaust in postcommunist started with some Romanian Romania documentaries, such as Struma (Radu Gabrea and Stelian Tănase, 2001), Holocaust under the Antonescu Felicia WALDMAN, Government (Cristian Hadji-Culea, Assistant Professor of Modern 2009) and the most recent, The Dead Hebrew and Jewish thought at the Nation, produced by Radu Jude in Faculty of Letters, University of 2017. The last one presents the rising Bucharest of the anti-Semitism policy and eventually a harrowing depiction of the Romanian Holocaust, a topic which is not very talked about in the contemporary Romanian society. About the Roma victims, there are several documentaries, such as Hidden Sorrows: The persecution of Romanian Gypsies during World War II (Michelle Kelso, 2005), Valley of Sighs (Mihai Leaha, Iulia Hossu and Andrei Crișan, 3 2013) or The exile from Bessarabia The Holocaust Memorial (Sergiu Ene, 2013). Theatre also deals with the Holocaust as is the case of The kings’ game (Pavel Kohout), Born for never (AndrasVisky) or At your service, Fuhrer (Mihai Maniutiu). Concerning the educational theatre, inter@FACE 3 is an experimental show combining avant-garde musical composition, technological innovation and documentary theatre. Shoah – The Survival is a multimedia interactive sound installation-performance about Our seminar continued with a survival, inspired by the events that visit at the Holocaust Memorial in occur in Transylvania during the Bucharest. We found out that The Holocaust and by the survivor Memorial of Holocaust Victims in testimonies. Bucharest 41 – Round trip Romania was inaugurated on 8 October is a 4 hour travelling show which starts 2009 and the marking of this day was at the State Jewish Theatre and established by law in 2004 with the continues to the Great Synagogue, the foundation of the National Institute for Hammer Vocational School and the Holocaust Studies “Elie Wiesel” and the Jilava Forest. Along the way the approval of the law punishing the anti- spectators are accompanied by a guide Semitism. The building of the Memorial who explains what happened in was initiated in 2005 by the Ministry of Bucharest in 1941. Culture following the Felicia Waldman’s presentation recommendations of the International also introduced a series of museums in Commission of the Study of the Romania which emphasize the Holocaust in Romania (Wiesel traumatic heritage of the Holocaust: Commission) as an expression of the The Holocaust Memorial in Bucharest, duty to recognize and assume the The Elie Wiesel Memorial House and crimes committed during the Second Maramureș Jewish Culture Museum or World War against the Jewish and the memorial plaques in different Roma community. We could see on an departments of the country. area of nearly 3,000 meters the Central Memorial and the five sculptures: the Memorial Column, Via Dolorosa, the Roma Wheel, David’s Star and the Epitaph. 4 Theater, the group had the chance to learn more about Romania’s traumatic pasts. Mihai Burcea highlighted the meaning of buildings for the communist regime and for the Revolution. One of the most important points was the Square of Revolution, where he explained the meaning of December ‘89 for the Romanian democratic future. Moreover, he presented how Ceausescu managed to escape from the former Central Committee of the Romanian Communist Party but was afterwards caught and executed together with his wife. Visit of the 80 east – the communist apartment, with the participation of Alexandra Bârdan (University of Bucharest) Totalitarianism tour, a walking tour in downtown Bucharest After the walking tour of The day continued with a walk Bucharest, the group visited “80 east in the centre of Bucharest where the communist apartment” (a civic group discovered where the Secret initiative of the NGO “Funky Citizens”) Police Service had its headquarters. with the participation of Alexandra Being accompanied by the historian Bârdan. The purpose of the apartment Mihai Burcea who described every is to be the setting for a lesson of historical building or monument such human rights for pupils in order to as the Police headquarters, Cercul contrast the narrative of the discussion Militar National, the former National with the communist decorations,