BBC Philharmonic (Formerly BBC Northern Orchestra, Then BBC Northern Symphony Orchestra)
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ARSC Journal
A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers. -
Michael Hurd
SRCD.363 STEREO DDD MICHAEL HURD (1928- 2006) Michael Hurd Choral Music Volume 1 Choral Music Volume 1 1 (1987) SATB/organ 7’54” 2 (1987) SATB 6’07” (1996) SATB 9’55” 3 I Antiphon 1’03” 4 II The Pulley 3’13” 5 III Vertue 2’47” 6 IV The Call 1’05” 7 V Exultation 1’47” 8 (1987) SATB/organ 3’00” (1994) SATB 20’14” 9 I Will you Come? 2’00” Vasari Singers 10 II An Old Song 3’12” 11 III Two Pewits 2’06” Jeremy Backhouse, conductor 12 IV Out in the Dark 3’07” 13 V The Dark Forest 2’28” 14 VI Lights Out 4’28” 15 VII Cock-Crow 0’54” 16 VIII The Trumpet 1’59” Vasari Singers Jeremy Backhouse, conductor c © 20 SRCD.363 SRCD.363 1 Michael Hurd was born in Gloucester on 19 December 1928, the son of a self- (1966) SSA/organ 11’14” employed cabinetmaker and upholsterer. His early education took place at Crypt 17 I Kyrie eleison 1’39” Grammar School in Gloucester. National Service with the Intelligence Corps involved 18 II Gloria in excelsis Deo 3’17” a posting to Vienna, where he developed a burgeoning passion for opera. He studied 19 III Sanctus 1’35” at Pembroke College, Oxford (1950-53) with Sir Thomas Armstrong and Dr Bernard 20 IV Benedictus 1’40” Rose and became President of the University Music Society. In addition, he took 21 V Agnus Dei 3’03” composition lessons from Lennox Berkeley, whose Gallic sensibility may be said to have (1980) SATB 5’39” influenced Hurd’s own musical language, not least in the attractive and witty Concerto 22 I Captivity 2’34” da Camera for oboe and small orchestra (1979), which he described in his programme 23 II Rejection 1’03” note as a homage to Poulenc’s ‘particular genius’. -
Decision Making in British Symphony Orchestras: Formal Structures, Informal Systems, and the Role of Players
HarmonyTM FORUM OF THE SYMPHONY ORCHESTRA INSTITUTE NUMBER 4 • APRIL 1997 Decision Making in British Symphony Orchestras: Formal Structures, Informal Systems, and the Role of Players by Sally Maitlis To subscribe to Harmony or provide support to the Institute, contact: Symphony Orchestra Institute 1618 Orrington Avenue, Suite 318 Evanston, IL 60201 Tel: 847.475.5001 Fax: 847.475.2460 e-mail: [email protected] www.soi.org ©1997 by the Symphony Orchestra Institute. All rights reserved. 44 Harmony: FORUM OF THE SYMPHONY ORCHESTRA INSTITUTE Sally Maitlis Decision Making in British Symphony Orchestras: Formal Structures, Informal Systems, and the Role of Players ow are key decisions made in British symphony orchestras? What formal and informal decision-making systems exist? How do they vary between H orchestras? In particular, what is the role of musicians in important artistic and commercial matters and how satisfied are they with the decision- making processes in their organizations? These are the questions underlying a study of decision making and change in symphony orchestras which I am conducting at the Institute of Work Psychology at the University of Sheffield, England. Organizational research on orchestras, in particular British orchestras, is relatively rare. One notable exception is the major comparative study of 78 United States, United Kingdom, and German symphony orchestras which was carried out by J. Richard Hackman, Jutta Allmendinger, and Erin Lehman.1 In an interview published in the April 1996 issue of Harmony, Hackman identified such factors as adequate financial resources and good leadership as critical to an orchestra’s effectiveness, both as to its artistic performance and in terms of member job satisfaction.2 However, little research exists which examines, in depth and over time, the day-to-day functioning of such organizations, especially considering the parts played by musicians when they are not on the stage. -
Spring 2018/2 by Brian Wilson and Dan Morgan
Second Thoughts and Short Reviews - Spring 2018/2 By Brian Wilson and Dan Morgan Reviews are by Brian Wilson unless signed [DM]. Spring 2018/1 is here. Links there to earlier editions. Index: ADAMS Absolute Jest; Naïve and Sentimental Music_Chandos BACH Keyboard Music: Volume 2_Nimbus - Complete Organ Works Volume 7_Signum BEETHOVEN Triple Concerto_DG (+ BRAHMS) BORENSTEIN Violin Concerto, etc._Chandos BRAHMS Double Concerto_DG (+ BEETHOVEN) BRUCKNER Symphony No. 3_Profil - Symphony No. 4 in E-flat ‘Romantic’_LSO Live BUSONI Orchestral Works_Chandos ELGAR Violin Sonata, etc._Naxos_Chandos GERSHWIN Rhapsody in Blue_Beulah GUILMANT Organ Works_Chandos (+ WIDOR, FRANCK, SAINT-SAËNS) IRELAND Downland Suite, etc._Chandos - Mai Dun, Overlanders Suite, etc._Hallé JANITSCH Rediscoveries from the Sara Levy Collection_Chandos KARAYEV Symphony No.1; Violin Concerto_Naxos - Seven Beauties Suite, etc._Chandos LIDSTRÖM Rigoletto Fantasy_BIS (+ SHOSTAKOVICH Cello Concerto) LISZT A Faust Symphony_Alpha LUDFORD Missa Videte miraculum, etc._Hyperion MAHLER Symphony No.1_CAvi - Symphonies Nos. 4-6_Signum - Symphony No. 6_BIS MONTEVERDI Lettera Amorosa_Ricercar - Clorinda e Tancredi: Love scenes_Glossa - Night - Stories of Lovers and Warriors_Naïve PALUMBO Three Concertos_BIS RACHMANINOV The Bells, Symphonic Dances_BRKlassik ROSSINI Overtures – Gazza Ladra, Guillaume Tell_Beulah SAUER Piano Concerto No.1_Hyperion (+ SCHARWENKA) SCHARWENKA Piano Concerto No.4_Hyperion (+ SAUER) SHOSTAKOVICH Cello Concerto No.1_BIS (+ LIDSTRÖM) TALLIS Lamentations and Medieval Chant_Signum TIPPETT Symphonies Nos. 1 and 2_Hyperion VIVALDI Concertos Op.8/1-12_Chandos - Double Concertos_Chandos WESLEY, Samuel Symphonies_Chandos WESLEY, Samuel Sebastian Ascribe unto the Lord - Sacred choral works_Chandos WIDOR Organ Works_Chandos (see GUILMANT) Electric Django (Reinhardt)_Beulah *** MusicWeb International April 2018 Second Thoughts and Short Reviews - Spring 2018/2 Nicholas LUDFORD (c.1490-1557) Ninefold Kyrie (at Ladymass on Tuesday, Feria iii) [4:45] Alleluia. -
Richard O'neill
Richard O’Neill 1276 Aikins Way Boulder, CO 80305 917.826.7041 [email protected] www.richard-oneill.com Education University of North Carolina School of the Arts 1997 High School Diploma University of Southern California, Thornton School of Music 2001 Bachelor of Music, magna cum laude The Juilliard School 2003 Master of Music The Juilliard School 2005 Artist Diploma Teaching University of Colorado, Boulder, College of Music 2020 - present Experience Artist in Residence, Takacs Quartet University of California Los Angeles, Herb Alpert School of Music 2007 - 2016 Lecturer of Viola University of Southern California, Thornton School of Music 2008 Viola Masterclasses Hello?! Orchestra (South Korea) 2012 - present Multicultural Youth Orchestra Founder, conductor and teacher Music Academy of the West, Santa Barbara 2014 - present Viola and Chamber Music Florida International University 2014 Viola Masterclass Brown University 2015 Viola Masterclass Hong Kong Academy of Performing Arts. 2016, 2018 Viola Masterclasses Scotia Festival 2017 Viola Masterclasses Asia Society, Hong Kong 2018 Viola and Chamber Music Masterclasses Mannes School of Music 2018 Viola Masterclass The Broad Stage, Santa Monica 2018 - 2019 Artist-in-residence, viola masterclasses, community events Affiliations Sejong Soloists 2001 - 2007 Principal Viola The Chamber Music Society of Lincoln Center 2003 - present CMS Two/Bowers YoungArtist from 2004-06 CREDIA International Artist Management 2004 - present Worldwide manager, based in South Korea Seattle Chamber Music Society -
Download Booklet
MOZART Violin Concertos Nos. 3, 4 and 5 Henning Kraggerud, Violin Norwegian Chamber Orchestra Wolfgang Amadeus Mozart (1756-1791) Norwegian Chamber Orchestra Violin Concertos Nos. 3, 4 and 5 Photo: Mona Ødegaard Since its formation in 1977 the Wolfgang Amadeus Mozart was born in Salzburg in 1756, describe as a disgrace to his profession, coarse and dirty. Norwegian Chamber Orchestra has the son of a court musician who, in the year of his Brunetti, a Neapolitan by birth, had been appointed secured a reputation for itself for its youngest child’s birth, published an influential book on Hofmusikdirektor and Hofkonzertmeister in Salzburg in innovative programming and violin-playing. Leopold Mozart rose to occupy the position 1776 and in the following year he succeeded Mozart as creativity. The artistic directors and of Vice-Kapellmeister to the Archbishop of Salzburg, but Konzertmeister, when the latter left the service of the guest leaders of the orchestra have sacrificed his own creative career to that of his son, in Archbishop of Salzburg to seek his fortune in Mannheim included Iona Brown, Leif Ove whom he detected early signs of precocious genius. With and Paris. In 1778 Brunetti had to marry Maria Judith Andsnes, Martin Fröst, François the indulgence of his patron, he was able to undertake Lipps, the sister-in-law of Michael Haydn, who had Leleux and Steven Isserlis together extended concert tours of Europe in which his son and already born him a child. Mozart himself was fastidious with the current artistic director Terje older daughter Nannerl were able to astonish audiences. -
BRITISH and COMMONWEALTH CONCERTOS from the NINETEENTH CENTURY to the PRESENT Sir Edward Elgar
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Sir Edward Elgar (1857-1934) Born in Broadheath, Worcestershire, Elgar was the son of a music shop owner and received only private musical instruction. Despite this he is arguably England’s greatest composer some of whose orchestral music has traveled around the world more than any of his compatriots. In addition to the Conceros, his 3 Symphonies and Enigma Variations are his other orchestral masterpieces. His many other works for orchestra, including the Pomp and Circumstance Marches, Falstaff and Cockaigne Overture have been recorded numerous times. He was appointed Master of the King’s Musick in 1924. Piano Concerto (arranged by Robert Walker from sketches, drafts and recordings) (1913/2004) David Owen Norris (piano)/David Lloyd-Jones/BBC Concert Orchestra ( + Four Songs {orch. Haydn Wood}, Adieu, So Many True Princesses, Spanish Serenade, The Immortal Legions and Collins: Elegy in Memory of Edward Elgar) DUTTON EPOCH CDLX 7148 (2005) Violin Concerto in B minor, Op. 61 (1909-10) Salvatore Accardo (violin)/Richard Hickox/London Symphony Orchestra ( + Walton: Violin Concerto) BRILLIANT CLASSICS 9173 (2010) (original CD release: COLLINS CLASSICS COL 1338-2) (1992) Hugh Bean (violin)/Sir Charles Groves/Royal Liverpool Philharmonic Orchestra ( + Violin Sonata, Piano Quintet, String Quartet, Concert Allegro and Serenade) CLASSICS FOR PLEASURE CDCFP 585908-2 (2 CDs) (2004) (original LP release: HMV ASD2883) (1973) -
To Download the Full Archive
Complete Concerts and Recording Sessions Brighton Festival Chorus 27 Apr 1968 Concert Dome Concert Hall, Brighton Brighton Festival Belshazzar's Feast Walton William Walton Royal Philharmonic Orchestra Baritone Thomas Hemsley 11 May 1968 Concert Dome Concert Hall, Brighton Brighton Festival Kyrie in D minor, K 341 Mozart Colin Davis BBC Symphony Orchestra 27 Oct 1968 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Budavari Te Deum Kodály Laszlo Heltay Brighton Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Sarah Walker Tenor Paul Taylor Bass Brian Kay 23 Feb 1969 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Symphony No. 9 in D minor, op.125 Beethoven Herbert Menges Brighton Philharmonic Orchestra Soprano Elizabeth Harwood Mezzo-Soprano Barbara Robotham Tenor Kenneth MacDonald Bass Raimund Herincx 09 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Mass in D Dvorák Václav Smetáček Czech Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Valerie Baulard Tenor Paul Taylor Bass Michael Rippon Sussex University Choir 11 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Liebeslieder-Walzer Brahms Laszlo Heltay Piano Courtney Kenny Piano Roy Langridge 25 Jan 1970 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Requiem Fauré Laszlo Heltay Brighton Philharmonic Orchestra Soprano Maureen Keetch Baritone Robert Bateman Organ Roy Langridge 09 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Mass in B Minor Bach Karl Richter English Chamber Orchestra Soprano Ann Pashley Mezzo-Soprano Meriel Dickinson Tenor Paul Taylor Bass Stafford Dean Bass Michael Rippon Sussex University Choir 1 Brighton Festival Chorus 17 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Fantasia for Piano, Chorus and Orchestra in C minor Beethoven Symphony No. -
July 2018 by Special Request of the Director, John Gilhooly
International Ernest Bloch Society President Steven Isserlis CBE Associate musicians: Natalie Clein, Danny Driver, Rivka Golani, Jack Liebeck, Malcolm Singer, Raphael Wallfisch, Benjamin Wolf www.ernestblochsociety.org News Sheet no 2 – August 2018 In this News Sheet: Page 1 Ernest Bloch Anniversaries Page 1 Anniversary Events Page 3 News from International Partners in Israel and France Page 4 Dedication of Memorial near where Bloch lived in Agate Beach, Newport, Oregon Page 6 Appreciation of Ernest Bloch II who died on 10 August 2018 Page 7 Appreciation of J Audrey Ellison who died on 14 June 2018 Page 8 Ernest Bloch Studies Review Page 9 Short Biography of Ernest Bloch Ernest Bloch Anniversaries 2019 and 2020 July was a significant month for Swiss-American Composer, Ernest Bloch. He was born in Geneva on 24 July 1880 and died in Portland, Oregon, on 15 July 1959 aged nearly 79. That means that two fairly significant anniversaries are coming up: 2019 will mark the 60th anniversary of his death and 2020 will mark the 140th anniversary of his birth. The International Ernest Bloch Society, based in London, and our international partners in Switzerland, Oregon USA, France and Israel, will be marking both these anniversaries with a two-year programme ‘Out of the Wilderness’. It will highlight outstanding artists in their performances of Bloch works and endeavour to bring some lesser known works to attention and to introduce Ernest Bloch and his music to students and musicians young and old. Anniversary Events: Wigmore Hall: Natalie Clein Sunday 23 September 2018, 11.30am The opening event heralding the celebration of these anniversaries is on Sunday 23 September this year, 2018 at 11.30am, when renowned cellist Natalie Clein, International Ernest Bloch Society (IEBS) Associate Musician, includes Bloch’s first Solo Cello Suite as well as his suite ‘From Jewish Life’ in her programme at the Wigmore Hall. -
STEVEN ISSERLIS STEPHEN HOUGH Cello Piano
STEVEN ISSERLIS STEPHEN HOUGH Cello Piano Antonin Dvorák Waldesruhe, Op. 68, No. 5 (1841– 1904) Josef Suk Ballade and Serenade for Cello and Piano, Op. 3 (1874 – 1935) Franz Schubert Sonata in A minor for Arpeggione and Piano, (1797 – 1828) D. 821 Allegro moderato Adagio Allegretto ***Intermission*** Stephen Hough Sonata for Cello and Piano, Left Hand, (b. 1961) “Les Adieux” i) Moderato mesto ii) Allegretto placido (Im Legendenton) iii) Adagio sereno Edvard Grieg Cello Sonata in A minor, Op. 36 (1843 – 1907) Allegro agitato Andante molto tranquillo Allegro Wednesday, March 9, 2016 8:00 p.m. Chapin Hall Williamstown, Massachusetts See music.williams.edu for full details and additional happenings as well as to sign up for the weekly e-newsletters. Upcoming Events: Fri Mar 11 4:15pm Alex Ross – Class of 1960 Lecture Bernhard, room 30 Fri Mar 11 8pm Williams Chamber Players Brooks-Rogers Recital Hall Wed Mar 16 12:15pm MIDWEEKMUSIC Chapin Hall Thu Mar 17 7pm Brass Ensemble “Brass Bash” Brooks-Rogers Recital Hall Wed Apr 6 4:15pm Master Class: Orion Weiss and Anna Polonsky - Brooks-Rogers Recital Hall Visiting Artist Series Wed Apr 6 8pm Orion Weiss and Anna Polonsky, piano duo - Chapin Hall Visiting Artist Series Stephen Hough Named by The Economist as one of 20 Living Polymaths, British pianist Stephen Hough is a rare renaissance man of our time. Over the course of a long and distinguished career as one of the world’s leading concert pianists, he has also excelled as a writer and composer. Mr. Hough combines an exceptional facility and tonal palette with a uniquely inquisitive musical personality, and his musical achievements have resulted in many awards and accolades for his concerts and a discography of more than fifty recordings. -
Services No Longer Required
Immediate Release Services No Longer Required BBC Philharmonic and Salford Symphony Orchestra At IWM North 3pm and 8pm on 17 and 18 October 2014 ‘My word it’s a very different battalion now, there are very few of the old lads left in my own platoon...there’s not a one I know’. Arthur ‘Pat’ Burke The powerful story of a soldier from Salford who fought in the First World War will be brought to life in a series of special performances on 17 and 18 October with players from the BBC Philharmonic and Salford Symphony Orchestra at IWM North, part of Imperial War Museums. In a unique collaboration between the BBC Philharmonic and IWM North, Services No Longer Required will share the experiences of Arthur Pat Burke, who exchanged the home comforts of Salford for the front line and the Battle of the Somme. Writer Di Sherlock has dramatised some of the many letters that Pat (as he was known) wrote home to his mother (Ma) and his brothers Reg and Tom. Ten musicians from BBC Philharmonic and members of the Salford Symphony Orchestra will perform an original score composed by Richard Taylor and share the stage with actors playing the parts of Pat Burke, ‘Ma’ and a war veteran who reflects on true experiences from contemporary conflicts. The evening performance on Friday 17 October at 8pm will be broadcast live on BBC Radio Manchester, and will be followed by a Q&A hosted by breakfast show host, Allan Beswick and featuring artists, guests and relatives of Arthur Pat Burke. -
Vol.21 No 2 August 2018
Journal August 2018 Vol. 21, No. 2 The Elgar Society Journal 18 Holtsmere Close, Watford, Herts., WD25 9NG Email: [email protected] August 2018 Vol. 21, No. 2 Cross against Corselet: Elgar, Longfellow, and the Saga of King Olaf 3 President John T. Hamilton Julian Lloyd Webber FRCM Elgar’s King Olaf – an illustrated history 15 John Norris, Arthur Reynolds Vice-Presidents To the edge of the Great Unknown: 1,000 Miles up the Amazon 27 Diana McVeagh Martin Bird Dame Janet Baker, CH, DBE Leonard Slatkin Book reviews 41 Sir Andrew Davis, CBE Barry Collett Donald Hunt, OBE Christopher Robinson, CVO, CBE CD reviews 43 Andrew Neill Barry Collett, Andrew Neill, Michael Schwalb Sir Mark Elder, CBE Martyn Brabbins DVD reviews 54 Tasmin Little, OBE Ian Lace Letters 56 Jerrold Northrop Moore, Andrew Neill, Arthur Reynolds Chairman Steven Halls Elgar viewed from afar 58 Alan Tongue, Martin Bird Vice-Chairman Stuart Freed 100 Years Ago 69 Martin Bird Treasurer Helen Whittaker Secretary George Smart The Editor does not necessarily agree with the views expressed by contributors, nor does the Elgar Society accept responsibility for such views. Front Cover: Front Cover: Edward William Elgar (1857-1934; Arthur Reynolds’ Archive) and Henry Wadsworth Longfellow (1807-1882; Charles Kaufmann’s Archive). Notes for Contributors. Please adhere to these as far as possible if you deliver writing (as is much preferred) in Microsoft Word or Rich Text Format. Copyright: it is the contributor’s responsibility to be reasonably sure that copyright permissions, if Cross against Corselet required, are obtained. Elgar, Longfellow, and the Saga of King Olaf Illustrations (pictures, short music examples) are welcome, but please ensure they are pertinent, cued into the text, and have captions.