Gorgeous Rosevile Sun City Estate Auction (505)
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European Art & Decorative Arts Wall Text and Extended Labels
European Art & Decorative Arts Wall Text and Extended Labels FIRST FLOOR The Morgan Memorial The construction of the Morgan Memorial, completed in two sections in 1910 and 1915, more than doubled the size of the original Wadsworth Atheneum that opened in 1844. The building is dedicated to Junius Spencer Morgan, whose bust by William Wetmore Story stands at the top of the western stairs. Morgan was a Hartford man who founded a banking empire, and his son, J. Pierpont Morgan, chose to build the museum’s new wing as a tribute to his father. The total cost of the Memorial—over $1,400,000—represents the largest of J. Pierpont Morgan’s generous gifts. He spent over twelve years purchasing the several properties on which the Memorial stands, and was involved in its construction until his death in 1913. Benjamin Wistar Morris, a noted New York architect, was selected to design what was to be a new home for the Wadsworth Atheneum’s art collection. It was built in the grand English Renaissance style, and finished with magnificent interior details. Four years after J. Pierpont Morgan’s death, his son, J. Pierpont Morgan Jr., followed the wishes outlined in his father’s will and gave the Wadsworth Atheneum a trove of ancient art and European decorative arts from his father’s renowned collection. Living in the Ancient World Ordinary objects found at sites from the countries surrounding the Mediterranean Sea and the Middle East reveal a great deal about daily life in the ancient world. Utensils for eating and drinking, glassware, lamps, jewelry, pottery, and stone vessels disclose the details of everyday life. -
Movers & Shakers in American Ceramics
A Ceramics Monthly Handbook Movers & Shakers in American Ceramics: Defining Twentieth Century Ceramics A Collection of Articles from Ceramics Monthly Edited by Elaine M. Levin Movers & Shakers in American Ceramics: Defining Twentieth Century Ceramics Movers & Shakers in American Ceramics: Defining Twentieth Century Ceramics A Collection of Articles from Ceramics Monthly Edited by Elaine M. Levin Published by The American Ceramic Society 600 N. Cleveland Ave., Suite 210 Westerville, Ohio 43082 USA The American Ceramic Society 600 N. Cleveland Ave., Suite 210 Westerville, OH 43082 © 2003, 2011 by The American Ceramic Society, All rights reserved. ISBN: 1-57498-165-X (Paperback) ISBN: 978-1-57498-560-3 (PDF) No part of this book may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher, except by a reviewer, who may quote brief passages in review. Authorization to photocopy for internal or personal use beyond the limits of Sections 107 and 108 of the U.S. Copyright Law is granted by The American Ceramic Society, provided that the appropriate fee is paid directly to the Copyright Clearance Center, Inc., 222 Rosewood Drive, Danvers, MA 01923 U.S.A., www.copyright.com. Prior to photocopying items for educational classroom use, please contact Copyright Clearance Center, Inc. This consent does not extend to copyright items for general distribution or for advertising or promotional purposes or to republishing items in whole or in part in any work in any format. Requests for special photocopying permission and reprint requests should be directed to Director, Publications, The American Ceramic Society, 600 N. -
Philippa H Deeley Ltd Catalogue 17 Oct 2015
Philippa H Deeley Ltd Catalogue 17 Oct 2015 1 A Pinxton porcelain teapot decorated in gilt with yellow cartouches with gilt decoration and hand hand painted landscapes of castle ruins within a painted botanical studies of pink roses, numbered square border, unmarked, pattern number 300, 3824 in gilt, and three other porcelain teacups and illustrated in Michael Bertould and Philip Miller's saucers from the same factory; Etruscan shape 'An Anthology of British Teapots', page 184, plate with serpent handle, hand painted with pink roses 1102, 17.5cm high x 26cm across - Part of a and gilt decoration, the saucer numbered 3785 in private owner collection £80.00 - £120.00 gilt, old English shape, decorated in cobalt blue 2 A Pinxton porcelain teacup and saucer, each with hand painted panels depicting birds with floral decorated with floral sprigs and hand painted gilt decoration and borders, numbered 4037 in gilt landscapes with in ornate gilt surround, unmarked, and second bell shape, decorated with a cobalt pattern no. 221, teacup 6cm high, saucer 14.7cm blue ground, gilt detail and hand painted diameter - Part of a private owner collection £30.00 landscape panels - Part of a private owner - £40.00 collection £20.00 - £30.00 3 A porcelain teapot and cream jug, possibly by 8A Three volumes by Michael Berthoud FRICS FSVA: Ridgway, with ornate gilding, cobalt blue body and 'H & R Daniel 1822-1846', 'A Copendium of British cartouches containing hand painted floral sparys, Teacups' and 'An Anthology of British Teapots' co 26cm long, 15cm high - -
Glasunternehmen Vista Alegre Atlantis Group Und Glaswerk IVIMA, Portugal
Pressglas-Korrespondenz 2006-2 Dieter Neumann, Ralph Sadler, SG März 2006 Glasunternehmen Vista Alegre Atlantis Group und Glaswerk IVIMA, Portugal Guten Tag Herr Neumann, tons per day in 1974, and therefore creating opportuni- ties in new markets. The Atlantis crystal was by then die Firma IVIMA ist unseres Wissens 1998 von der being exported to 20 different countries and has become "Grupo Atlantis" gekauft worden. (siehe unten) famous as one of the purest crystals in the world. Die Website ist folgende: During that same year, 1974, the glass factory in Ma- http://www.atlantis-cristais-de- rinha Grande was converted to produce automatic- alcobaca.pt/ivima/pt/flash/en/index.html made glass in Portugal, which is nowadays, commer- Anschrift und Ansprechpartner finden Sie unter: cialized under the name CRISAL GLASS. http://www.atlantis-cristais-de- In 1985 Atlantis decided do build a new factory to pro- alcobaca.pt/ivima/pt/flash/en/contactos.html. duce 10 tons of crystal per day, and moved to Casal da Mit freundlichen Grüßen, Areia, also in Alcobaça. In 1986 the company was listed António Teixeira on the Lisbon Stock Exchange. [email protected] In 1991 the production capacity of the Marinha Gran- Tauentzienstrasse 7 b/c – 10789 Berlin de factory was increased to 50 tons/day. Tel. +49 30 254106 15, Fax +49 30 254106 99 http://www.portugalinbusiness.com http://www.visitportugal.com http://www.atlantis-cristais-de- alcobaca.pt/ivima/pt/flash/en/historia.html In 1972 the factory was converted to produce top quali- ty handmade lead crystal - the Atlantis crystal, which was launched on the American market that same year. -
Lot 1 Royal Worcester Cabinet Cup and Saucer, Circa 1933, Decorated
Byrne's Auctioneers - The Fine Sale - Starts 18 Sep 2019 Lot 1 Royal Worcester cabinet cup and saucer, circa 1933, decorated with sheep in a Highland landscape by E Barker, the cup with a gilded interior, the saucer 9.5cm diameter Estimate: 80 - 120 Fees: 21% inc VAT Lot 2 Royal Worcester cabinet cup and saucer, circa 1931, decorated with a stag in a Highland landscape by James Stinton, the cup with a gilded interior, the saucer 9.5cm diameter Estimate: 80 - 120 Fees: 21% inc VAT Lot 3 Royal Worcester cabinet cup and saucer, circa 1932, decorated with a red breasted Robin by E Barker, white glazed interior and gilded border Estimate: 40 - 60 Fees: 21% inc VAT Lot 4 Royal Worcester cabinet cup and saucer, circa 1932, decorated with Highland cattle by James Stinton, the cup with a gilded interior, the saucer 9.5cm diameter Estimate: 80 - 120 Fees: 21% inc VAT Lot 5 Royal Worcester cabinet cup and saucer, circa 1932, decorated with blackberries by Kitty Blake, gilded exterior, the saucer 9.5cm diameter Estimate: 80 - 120 Fees: 21% inc VAT Lot 6 Royal Worcester cabinet cup and saucer, circa 1932, decorated with roses by Spilsbury, the cup with a gilded exterior, the saucer 9.5cm diameter Estimate: 50 - 80 Fees: 21% inc VAT Lot 7 Royal Worcester cabinet cup and saucer, circa 1926, hand decorated with fruits by F Harper, and with a gilded exterior, printed marks, the saucer 9.5cm diameter Estimate: 80 - 120 Fees: 21% inc VAT Lot 8 Chinese medallion bowl, early 20th Century, decorated in famille rose colours, Qianlong seal mark, 18.5cm diameter -
And, If Investors Are Resident in a Member State of the European Economic Area, a Qualified Investor)
Disclaimer THIS DOCUMENT IS AVAILABLE ONLY TO INVESTORS WHO ARE OUTSIDE THE UNITED STATES (AND, IF INVESTORS ARE RESIDENT IN A MEMBER STATE OF THE EUROPEAN ECONOMIC AREA, A QUALIFIED INVESTOR). THIS DOCUMENT MAY NOT BE DISTRIBUTED IN OR INTO AUSTRALIA, CANADA, JAPAN OR THE UNITED STATES. IMPORTANT: You must read the following before continuing. The following applies to the attached document and you are therefore required to read this disclaimer carefully before accessing, reading or making any other use of the attached document. In accessing the attached document, you agree to be bound by the following terms and conditions, including any modifications to them from time to time, each time you receive any information from us as a result of such access. You agree you will not forward, reproduce or publish this electronic transmission or the attached document to any other person. Failure to comply with this directive may result in a violation of the Securities Act or the applicable laws of other jurisdictions. Restrictions: Under no circumstances shall the attached document constitute an offer to sell or the solicitation of an offer to buy nor shall there be any sale of the securities described in the attached document in any jurisdiction in which such offer or solicitation would be unlawful. The securities described in the attached document have not been, and will not be, registered under the Securities Act, or with the securities regulatory authority of any state or other jurisdiction in the United States, and may not be offered, sold, exercised or otherwise transferred except pursuant to an exemption from, or in a transaction not subject to, the registration requirements of the Securities Act and in compliance with any applicable state law. -
ORIENTAL and EUROPEAN CERAMICS and GLASS
SECOND DAY’S SALE WEDNESDAY 9th JULY 2014 ORIENTAL AND EUROPEAN CERAMICS AND GLASS Commencing not before 10.00pm Oriental and European Ceramics and Glass will be on view on: Friday 4th July 9.00am to 4.00pm Saturday 5th July 9.00am to 1.00pm Sunday 6th July 2.00pm to 4.00pm Monday 7th July 9.00am to 5.15pm Tuesday 8th July 9.00am to 5.15pm Limited viewing on sale day Enquiries: Andrew Thomas Enquiries: Nic Saintey Tel: 01392 413100 Tel: 01392 413100 Email: [email protected] Email: [email protected] 321 A clear glass decanter of mallet shaped form, wheel cut with three shield shaped panels between narrow bands of printies below a facet cut neck and star cut lozenge shaped stopper, early 19th century, 30.5cm high. £180 - 220 322 An airtwist wine glass the bell shaped bowl set on a straight single series airtwist stem on a fold over foot, circa 1740-60, 18cm high. £100 - 150 326 323 An opaque twist wine glass the rounded funnel shaped bowl set on a slightly tapering double series opaque twist stem comprising a lace twist within spiral threads, on a conical foot, circa 1760-80, 14.5cm high. £80 - 120 324 A Regency cut glass water jug, probably Irish of oval form with faceted and hobnail cut decoration, star cut base, 21cm high [small chip to base of handle]. £80 - 120 325 327 328 A large Continental painted and enamelled glass vase in Lobmeyr style, applied with 327 328 eight prunts and on spreading A Rindskopf art glass vase A cameo glass vase by Fritz foot, decorated with stylised of slender garlic-shaped form, Heckert of frosted clear and flowers, foliage and iron red the green body applied with a pink colour cut with trees and cartouches on a green ground, textured and iridescent silver foliage, signed, circa 1905/10, late 19th century, 32cm high. -
Auction Results SA240421 Saturday, 24 April 2021
Auction Results SA240421 Saturday, 24 April 2021 Lot No Description 2 A Victorian blue and white transfer meat plate liner printed with dog rose border to/w various other ceramics, including Royal £25.00 Worcester Astley coffee service, jasper ware, Japanese eggshell coffee service etc (box) 4 Two cut-glass ring-neck decanters and stoppers to/w three claret jugs with ep tops and give various other decanters (box) £70.00 5 Studio glass lustrous vase, signed Siddy Langley 1997 to/w an Imari cache-pot, Victorian china fruit dishes with matching £85.00 sauce tureens, Denby fruit bowl etc (box) 6 Two boxed Bilston enamel Easter eggs to/w two patch-boxes and two Halcyon Days boxes, lot also includes Victorian £65.00 rosewood tea caddy, coach lamp and eight various pewter mugs (box) 8 A Victorian Shelley blue and white cylindrical vase printed with dragons to/w various collectables including silver oddments, £40.00 Pathescope Ace projector, three Decca Toytown gramophone records, candles etc (box) 9 AnA Clarice 18th century Cliff honey-glazed style enamel dinner box with service hinged with cover, green painted banded with decoration, courting couples37 pieces in includingArcadian tureenssettings, and 9.5 cover cm wide to/w a £40.00 10 (possibly) Capodimonte box with painted interior to lid depicting 18th century family scene, Royal Doulton terrier cleaning £110.00 plate HN1158, Karl Ens owl, Dresden floral-painted heart-shaped pin-dish and an advertising jug for Worthingtons beer 11 A PottschapelMeakin pottery (Dresden) 'Nordic' Carlpattern -
ANNEX B.1.1. Open Powers of Attorney Declarations on Support
Open Ref. Ares(2012)79776 - 24/01/2012 ANNEX B.1.1. Open Powers of attorney Declarations on support and company data Requests for confidentiality This annex contains powers of attorney, declarations on support and company data as well as requests for confidentiality. For the reasons set out hereafter, this information is limited and cannot be otherwise summarized. T:\Ma nda nten\RBI074raCeram\022__d_open\Annex_B_1 „1 „00„PoA„eíc_cover_open. docx -2- The European companies concerned have reason to believe that a complaint in their name will lead to retaliatory measures and have a disastrous effect on their production, sales and overall performance. A number of their customers are also purchasing and selling tableware that is imported from China. They have strong reasons to suspect that they will exert pressure as their suppliers probably would request them to withdraw their support from any action. Moreover, they strongiy expect that their customers will also relay the pressure from their Chinese suppliers and Chinese authorities, asking them not to support the anti-dumping investigation. Certain companies also have some activities in China and have to fear countermeasures from suppliers, customers and Chinese authorities, as witnessed in past trade cases for other products. For fear of the potential impact of possible retaliation on their business in China and elsewhere, their name needs to remain confidential. Such retaliation measures could lead to undue pressure on their commercial activities in the EU, restrictions placed on their activities in China and elsewhere and a loss of orders to customers in China and in the EU. This would frustrate the purpose of the anti-dumping investigation. -
History and Description of English Porcelain Pdf, Epub, Ebook
HISTORY AND DESCRIPTION OF ENGLISH PORCELAIN PDF, EPUB, EBOOK William Burton | 277 pages | 01 Jun 1988 | E.P. Publishing | 9780854099023 | English | United Kingdom History and Description of English Porcelain PDF Book Twitchett, John. Ltd : Hanley, , earthenware, ironstone, etc. Mackenzie, Sir Compton. Brears, Peter C. Hughes, G. Blue and White Transfer Ware, A Qing plate depicts Christ being baptized by John—with magnolia trees blossoming in the background. Today, one can still marvel at the strange game of decorative, Orientalist telephone that this development created. King, William. Reprint Philadelphia: Seifer, Both the French and the English porcelain of the 18th century is of the artificial kind using powdered glass - with the frequent addition in England of ash from charred bones, beginning the specifically British tradition of bone china. Pine, Lynda and Nicholas Pine. This level of materialism, after all, is never about necessity. During the 17th century imports of china become much more common, particularly of delicate wares to accomodate Europe's new craze of tea-drinking. Spode logo since London: Chapman and Hall, In general a better substance. John, Willliam D. Crown Derby Porcelain. This is despite it being fired at the same high vitrifying temperature as hard-paste porcelain. A Century of Potting in the City of Worcester from I am doing my best to raise the phoenix from the ashes with my ongoing company making English bone china figurines. Another patent was applied for by Frye on 17 November , and the specification was enrolled 17 March Since the site had been a 'potworks' and at the time of the Spode purchase it was described as including: ' potworks potovens pothouses workhouses warehouses compting house… '. -
Meet Our Brands Chefs’ Collection 5 Concept Stores Innovative
MEET OUR BRANDS CHEFS’ COLLECTION 5 CONCEPT STORES INNOVATIVE CREATIVE PERSONAL CONTACT OWN STOCK 5 CONCEPT STORES EUROPEAN BRANDS FAMILY BUSINESS OWN STOCK BROGGI 1818 Made in Italy Our company has been producing unique and refined objects for almost 200 years: a story of prestige and great success. Our products have always contained the profes- sionalism of master silversmiths of other times, well-finished products, from the classi- cal and refined lines. A historical brand, while respecting the original guidelines, does not remain anchored to the memory of the magnificence of the past, professionalism and dedication do not change, but the constant attention and monitoring of new design trends contribute to give it a dynamic and constantly evolving image today. In addition to the decorations and reliefs of the most classical lines, historical collec- tions that have left their mark on the tradition of international hotel; new lines from linear sections, smooth surfaces and forms of design arise that make the silversmith company a name of tradition always oriented to the future. Robert Welch Britisch designed cutlery With over 60 years’ experience and passion for creating cutlery that is as functional as it is beautiful, Robert Welch cutlery is ideal for use across all catering establishments. An extensive range of high-quality, British designed, stainless steel catering cutlery (or flatware) from a multi-award winning brand. Today, Robert Welch Designs supply the world’s foremost hotels, restaurants and airlines, often with bespoke ranges of the finest 18/10 stainless steel cutlery, chef’s knives, barware, flatware, hollowware and bathroom ranges. -
Lot Description LOW Estimate HIGH Estimate 4000 Chinese Celadon
LOW HIGH Lot Description Estimate Estimate Chinese celadon glazed ceramic bottle vase, the yuhuchunping featuring characteristic 4000 pear shaped body coated with a pale green hue, 8.5"h $ 500 - 700 Chinese Yaozhou-type molded ceramic bowl, featuring lotus sprigs and fish reserves to 4001 the interior, 7.25"w $ 300 - 500 (lot of 3) Group of Chinese ceramics: consisting of a celadon glazed tripod censer, with a 4002 ribbed cylindrical body; a persimmon glazed bowl, molded with a peony; together with a marble glazed dish, largest: 7"w $ 400 - 600 Chinese Guan-type censer, with a flared rim and low slung body, the tan colored body 4003 with a network of crackles, flanked by a pair of shaped handles, 6.25"w $ 300 - 500 Chinese celadon glazed covered jar, in the form of a granary, with a thatched roof form lid 4004 and cylindrical body, 5.75"h $ 300 - 500 (lot of 6) Chinese assorted ceramics: three dishes and a Jun-type bowl; one Ge-type five 4005 stem vase, with five tubes encircling the central neck; together with a celadon arrow vase, 8.25"h $ 500 - 700 4006 Chinese porcelain vase, of rhombus section with notched edges, the pastel blue ground with flowers of the four seasons in bisque, base with apocryphal Qianlong mark, 8.25"h $ 300 - 500 Chinese underglazed blue porcelain brush pot, the cylindrical form featuring scholar 4007 official and beauties gathered in front of a pavilion, base with apocryphal Kangxi mark, 6"h $ 400 - 600 Chinese blue-and-white porcelain circular box, the lid molded with a dragon reserve on a 4008 blue ground,