Erasmo Castellani Foreigners in Venice: Common Features and Particularities of Dalmatians
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Re/Defining the Imaginary Museum of National Music
Re/Defining the Imaginary Museum of National Music The Case of Croatia Zdravko Blažekovic´ The historian is a product of history himself, and of his situation. However hard we may try, he cannot escape the molding of his mind by his experience and his surroundings.1 Music historiography in Croatia was throughout the twentieth century marked by the path established in the late nineteenth century by Franjo Ksaver Kuhač (1834-1911), who defined the criteria for inclusion of musicians into the national canon on the basis of their Croatian ethnic origin rather than presenting cultural circles in which they were active. In the twentieth century, the central influence on the definition of the canon of Croatian music history came from Josip Andreis (1909-1982) in his historical survey published in three Croatian editions (Razvoj muzičke umjetnosti u Hrvatskoj [The development of musical arts in Croatia], 1962; Povijest hrvatske glazbe [History of Croatian music], 1974, 1989) and two English editions (Music in Croatia 1974, 1982). Synthesizing the existing views about Croatian music, he constructed in his narrative a museum of Croatian and foreign com- posers active in Croatia, as well as composers born in Croatia but living abroad. Besides nationalistic traits inherited from Kuhač, a reason for emphasizing activities of composers working abroad were the political and cultural circumstances surrounding Andreis during the time of communist Yugoslavia, when Croatian connections with the Central European musical space were particularly appreciated, especially when the quality of composers living abroad surpassed the musical production within the country. Being a part of multina- tional Yugoslavia situated between the Eastern and Western cultural and religious spheres, Croatians at the time wanted to distance themselves from the cultures in Eastern Europe and felt the need to be reassured about their belonging to Slavia Latina. -
ART HISTORY of VENICE HA-590I (Sec
Gentile Bellini, Procession in Saint Mark’s Square, oil on canvas, 1496. Gallerie dell’Accademia, Venice ART HISTORY OF VENICE HA-590I (sec. 01– undergraduate; sec. 02– graduate) 3 credits, Summer 2016 Pratt in Venice––Pratt Institute INSTRUCTOR Joseph Kopta, [email protected] (preferred); [email protected] Direct phone in Italy: (+39) 339 16 11 818 Office hours: on-site in Venice immediately before or after class, or by appointment COURSE DESCRIPTION On-site study of mosaics, painting, architecture, and sculpture of Venice is the primary purpose of this course. Classes held on site alternate with lectures and discussions that place material in its art historical context. Students explore Byzantine, Gothic, Renaissance, Baroque examples at many locations that show in one place the rich visual materials of all these periods, as well as materials and works acquired through conquest or collection. Students will carry out visually- and historically-based assignments in Venice. Upon return, undergraduates complete a paper based on site study, and graduate students submit a paper researched in Venice. The Marciana and Querini Stampalia libraries are available to all students, and those doing graduate work also have access to the Cini Foundation Library. Class meetings (refer to calendar) include lectures at the Università Internazionale dell’ Arte (UIA) and on-site visits to churches, architectural landmarks, and museums of Venice. TEXTS • Deborah Howard, Architectural History of Venice, reprint (New Haven and London: Yale University Press, 2003). [Recommended for purchase prior to departure as this book is generally unavailable in Venice; several copies are available in the Pratt in Venice Library at UIA] • David Chambers and Brian Pullan, with Jennifer Fletcher, eds., Venice: A Documentary History, 1450– 1630 (Toronto: University of Toronto Press, 2001). -
Working Papers
Temi di discussione (Working Papers) The catalytic role of IMF programs by Claudia Maurini and Alessandro Schiavone April 2021 April Number 1331 Temi di discussione (Working Papers) The catalytic role of IMF programs by Claudia Maurini and Alessandro Schiavone Number 1331 - April 2021 The papers published in the Temi di discussione series describe preliminary results and are made available to the public to encourage discussion and elicit comments. The views expressed in the articles are those of the authors and do not involve the responsibility of the Bank. Editorial Board: Federico Cingano, Marianna Riggi, Monica Andini, Audinga Baltrunaite, Marco Bottone, Davide Delle Monache, Sara Formai, Francesco Franceschi, Adriana Grasso, Salvatore Lo Bello, Juho Taneli Makinen, Luca Metelli, Marco Savegnago. Editorial Assistants: Alessandra Giammarco, Roberto Marano. ISSN 1594-7939 (print) ISSN 2281-3950 (online) Printed by the Printing and Publishing Division of the Bank of Italy THE CATALYTIC ROLE OF IMF PROGRAMS by Claudia Maurini* and Alessandro Schiavone* Abstract This paper investigates the impact of IMF programs on private capital flows in the assisted countries. We look at the impact on inflows and outflows of both traditional and precautionary programs, also taking into account the characteristics of the programs. Using the entropy balancing method to address the selection bias, we find that traditional IMF programs have an anticatalytic effect on private capital inflows; this effect is mainly driven by programs that went off-track and by exceptional access programs. By contrast, precautionary programs are found to have a catalytic effect, working mainly through outflows. JEL Classification: F33, F34, G11, G15. Keywords: International Monetary Fund, catalysis, capital flows. -
The Trouble with Bulls: the Cacce Dei Tori in Early4modern Venice
The Trouble with Bulls: The Cacce dei Tori in Early-Modern Venice ROBERT C. DAVIS* The city of Venice has been historiographically identified with festival. Venetians staged regular symbolic enactments of the city’s piety, beauty, unity, military valour, connection with the sea, and sense of justice, usually exploiting Venice’s public squares, boats, bridges, and canals to give these occasions a unique character. One festival, however, the cacce dei tori or baiting of bulls, celebrated none of these virtues and had nothing to do with the sea. Usually found in cities with strong feudal and economic ties to the countryside, such events would seem out of place in a city with no such ties and an impractical environment for large animals. The roots of the cacce dei tori, however, lay more in Venice’s intense neighbourhood and factional rivalries than in urban-rural tensions. Sur le plan historiographique, on identifie la ville de Venise aux festivals. Les Vénitiens faisaient régulièrement des mises en scène symboliques de la piété, de la beauté, de l’unité, de la vaillance militaire, du lieu avec la mer et du sens de la justice de la ville, exploitant habituellement les places publiques, les bateaux, les ponts et les canaux de Venise pour conférer un cachet unique à ces occasions. Un festival, toutefois, le cacce dei tori, ou l’appâtage des taureaux, ne célébrait aucune de ces vertus et n’avait rien à voir avec la mer. De tels événements, qui se dérou- laient normalement dans des villes ayant de solides liens féodaux et économiques avec la campagne, paraîtraient incongrus dans une ville ne présentant aucuns liens de la sorte et offrant un milieu inhospitalier pour des animaux de grande taille. -
2016 Marks the 25Th Anniversary of the Work of the International Trust for Croatian Monuments
THE INTERNATIONAL TRUST FOR CROATIAN MONUMENTS Charity Registration No. 1040187 34 Cadogan Square, London SW1X 0JL Tel/Fax: (020) 7589 1134 & (01677) 422811 www.croatianmonuments.org Email: [email protected] Trustees: Jadranka Lady Beresford-Peirse Sherban Cantacuzino CBE The Viscount Norwich Peter Stormonth Darling Sir Henry Njers Beresford-Peirse John Beresford-Peirse YEAR 2016 MARKS THE 25TH ANNIVERSARY OF THE WORK OF THE INTERNATIONAL TRUST FOR CROATIAN MONUMENTS WITH MANY THANKS TO ALL OUR SUPPORTERS PROGRESS REPORT 2016 Visits to Croatia in September/October 2015 and May 2016 Last autumn, I was a happy and grateful recipient of a Special Mention, an out of ordinary category of the VICKO ANDRIĆ awards, given annually by the Ministry of Culture to individuals and institutions for their efforts in the preservation of Croatian cultural heritage. The awards, started in 2004, are given for Life and Annual Achievement and for Contribution to the Life of Local Communities in the field of conservation.This is in memory of Vicko Andrić, 1793 – 1866, an architect and surveyor and the first Croatian conservator, responsible for preservation of many monuments in Croatia. The public at large, professionals and institutions, can nominate people who they think deserve such honours and I would like to express my thanks to those who proposed my name and to those who supported their proposition. Last autumn, I visited for the first time the Town Museum in SISAK, Roman SISCIA, a treasure trove of archaeological finds, from all periods, including Roman, who were settled there from the 1st to the 4th century AD. The Museum had recently employed a conservator and wanted to establish a conservation workshop, to be able to do at least some work at home, instead of sending to other workshops. -
Venetian Foreign Affairs from 1250 to 1381: the Wars with Genoa and Other External Developments
Venetian Foreign Affairs from 1250 to 1381: The Wars with Genoa and Other External Developments By Mark R. Filip for the Degree of Bachelor of Arts in History College of Liberal Arts and Sciences University of Illinois Urbana, Illinois 1988 Table of Contents Major Topics page Introduction 1 The First and Second Genoese Wars 2 Renewed Hostilities at Ferrara 16 Tiepolo's Attempt at Revolution 22 A New Era of Commercial Growth 25 Government in Territories of the Republic 35 The Black Death and Third ' < 'ioese War 38 Portolungo 55 A Second Attempt at Rcvoiut.on 58 Doge Gradenigo and Peace with Genoa 64 Problems in Hungary and Crete 67 The Beginning of the Contarini Dogcship 77 Emperor Paleologus and the War of Chioggia 87 The Battle of Pola 94 Venetian Defensive Successes 103 Zeno and the Venetian Victory 105 Conclusion 109 Endnotes 113 Annotated Bibliography 121 1 Introduction In the years preceding the War of Chioggia, Venetian foreign affairs were dominated by conflicts with Genoa. Throughout the thirteenth and fourteenth centuries, the two powers often clashed in open hostilities. This antagonism between the cities lasted for ten generations, and has been compared to the earlier rivalry between Rome and Carthage. Like the struggle between the two ancient powers, the Venetian/Gcnoan hatred stemmed from their competitive relationship in maritime trade. Unlike land-based rivals, sea powers cannot be separated by any natural boundary or agree to observe any territorial spheres of influence. Trade with the Levant, a source of great wealth and prosperity for each of the cities, required Venice and Genoa to come into repeated conflict in ports such as Chios, Lajazzo, Acre, and Tyre. -
The Changing Face of Venice by Palma Il Giovane Depicting the History of the Restoration of the Theatre Malibran
ACCESS SCORZÉ NOALE MARCO POLO AIRPORT - Tessera SALZANO S. MARIA DECUMANO QUARTO PORTEGRANDI DI SALA D'ALTINO SPINEA MIRANO MESTREMESTRE Aeroporto SANTA LUCIA RAILWAY STATION - Venice Marco Polo MARGHERA TORCELLO BURANO autostrada Padova-Venezia S.GIULIANO DOLO MIRA MURANO MALCONTENTA STRÀ ORIAGO WATER-BUS STATION FIESSO TREPORTI CAVALLINO D'ARTICO FUSINA PUNTA SABBIONI VTP. - M. 103 for Venice RIVIERA DEL BRENTA VENEZIA LIDO MALAMOCCO WATER-BUS STATION ALBERONI VTP - San Basilio S. PIETRO IN VOLTA WATER-BUS STATION PORTOSECCO Riva 7 Martiri - Venice PELLESTRINA P PIAZZALE ROMA CAR PARK - Venice P TRONCHETTO CAR PARK - Venice P INDUSTRIAL AREA CAR PARK - Marghera P RAILWAY-STATION CAR PARK - Mestre P FUSINA CAR PARK - Mestre + P SAN GIULIANO CAR PARK - Mestre Venezia P PUNTA SABBIONI CAR PARK - Cavallino The changing face of Venice The architect Frank O. Gehry has been • The Fusina terminal has been designed entrusted with developing what has been by A. Cecchetto.This terminal will be of SAVE, the company that has been run- • defined as a project for the new airport strategic importance as the port of entry ning Venice airport since 1987 is exten- marina. It comprises a series of facilities from the mainland to the lagoon and ding facilities to easily cope with the con- that are vital for the future development historical Venice. stant increase in traffic at Venice airport. of the airport, such as a hotel and an The new airport is able to process 6 mil- The new water-bus station has been desi- administration centre with meeting and • lion passengers a year. gned by U. -
Medieval Mediterranean Influence in the Treasury of San Marco Claire
Circular Inspirations: Medieval Mediterranean Influence in the Treasury of San Marco Claire Rasmussen Thesis Submitted to the Department of Art For the Degree of Bachelor of Arts 2019 2 TABLE OF CONTENTS Page CHAPTER I. Introduction………………………...………………………………………….3 II. Myths……………………………………………………………………….....9 a. Historical Myths…………………………………………………………...9 b. Treasury Myths…………………………………………………………..28 III. Mediums and Materials………………………………………………………34 IV. Mergings……………………………………………………………………..38 a. Shared Taste……………………………………………………………...40 i. Global Networks…………………………………………………40 ii. Byzantine Influence……………………………………………...55 b. Unique Taste……………………………………………………………..60 V. Conclusion…………………………………………………………………...68 VI. Appendix………………………………………………………………….….73 VII. List of Figures………………………………………………………………..93 VIII. Works Cited…………………………………………………...……………104 3 I. Introduction In the Treasury of San Marco, there is an object of three parts (Figure 1). Its largest section piece of transparent crystal, carved into the shape of a grotto. Inside this temple is a metal figurine of Mary, her hands outstretched. At the bottom, the crystal grotto is fixed to a Byzantine crown decorated with enamels. Each part originated from a dramatically different time and place. The crystal was either carved in Imperial Rome prior to the fourth century or in 9th or 10th century Cairo at the time of the Fatimid dynasty. The figure of Mary is from thirteenth century Venice, and the votive crown is Byzantine, made by craftsmen in the 8th or 9th century. The object resembles a Frankenstein’s monster of a sculpture, an amalgamation of pieces fused together that were meant to used apart. But to call it a Frankenstein would be to suggest that the object’s parts are wildly mismatched and clumsily sewn together, and is to dismiss the beauty of the crystal grotto, for each of its individual components is finely made: the crystal is intricately carved, the figure of Mary elegant, and the crown vivid and colorful. -
Fortification in the XVI Century: the Case of Famagusta
02D0691 Project Number: MADOO1C 1 (p Fortification in the XVI Century: The Case of Famagusta An Interactive Qualifying Project Report Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for the Degree of Bachelor of Science By Matthew Cardinal and r Joseph Rennert Date: April 26, 2002 Approved: Professor Michael Demetriou, Advisor sc Professor Roberto Pietroforte, Advisor Table of Contents Chapter I- Introduction pages 1-6 Chapter II- Methodology pages 7-18 Chapter III- The Siege Warfare Before Gunpowder pages 19-26 Chapter IV- Defensive Architecture Before Gunpowder pages 27-32 Chapter V- Change: From Pre to Post Gunpowder pages 33- 38 Chapter VI- Defending Artillery pages 39- 47 Chapter VII- Venice, The Commercial Power pages 48-60 Chapter VIII- The Venetian Influences in Famagusta pages 61- 73 Chapter IX- Conclusion pages 74- 77 Appendix A pages 78- 81 Appendix B pages 82-82 Bibliography pages 83-84 Abstract The changes in the Sixteenth century of the fortifications surrounding Famagusta, Cyprus from pre to post gunpowder are studied. Methods of siege warfare and siege defense before and after the advent of artillery are compared. Literary research conducted describes evolutionary changes made in the engineering design of fortifications. The Venetian influence in the design of Famagusta's defensive structures due to the progression of Fourteenth to Sixteenth century military warfare demonstrates the effect engineering technology has on society. CHAPTER I Introduction Engineering design change has been a result of technological advances made by societies, both past and present. During the Renaissance period in the Mediterranean, the city of Venice (Fig. -
The Ragusans in Venice from the Thirteenth to the Eighteenth Century
L.Dubrovnik »oraliÊ, TheAnnals Ragusans 3 (1999): in Venice13-40 from the Thirteenth to the Eighteenth Century 13 Original Paper UDC 945-2 Venecija:929-054.6(497.13-2 Dubrovnik)≈12/17« THE RAGUSANS IN VENICE FROM THE THIRTEENTH TO THE EIGHTEENTH CENTURY LOVORKA »ORALIΔ ABSTRACT: Based upon the documents from Venetian archives, this study deals with the presence and activities of the Ragusans in Venice from the thirteenth to the eighteenth century with regard to their residence, occupation, and spiritual and everyday life, with particular insight into the activities of distinguished Ragusans in the province of culture, science, and art. The migration of the population from the eastern coast of the Adriatic to Venice taking place over the centuries, can be viewed as a complex process caused by the political, cultural, and trade links between the two neighbour- ing regions. Most of the towns along the eastern Adriatic coast share common histori- cal features, having all once been part of the Venetian Republic. Dubrovnik, however, managed to retain its independence as a city-republic, except for the period from 1205 to 1358, with a powerful economy founded on sea-borne commerce, and a cultural and scholarly life stirred to the greatest heights among the cities on the eastern shores of the Adriatic. Therefore, the migra- Lovorka »oraliÊ, member of the Croatian Institute of History in Zagreb. Address: Hrvatski institut za povijest, OpatiËka 10, 10000 Zagreb, Croatia. A longer version of this article has already been published in Croatian under the following title: ≈DubrovËani u Veneciji od XIII. do XVIII. -
Eliminating Artificial Trans Fatty Acids in Argentina
Publication: Bulletin of the World Health Organization; Type: Research Article ID: BLT.14.150516 Adolfo Rubinstein et al. Dietary fats in Argentina This online first version has been peer-reviewed, accepted and edited, but not formatted and finalized with corrections from authors and proofreaders. Eliminating artificial trans fatty acids in Argentina: estimated effects on the burden of coronary heart disease and the costs Adolfo Rubinstein,a Natalia Elorriaga,a Ulises Garay,a Rosana Poggio,a Joaquin Caporale,a Maria G Matta,a Federico Augustovski,a Andres Pichon- Riviere a & Dariush Mozaffarian b a Institute for Clinical Effectiveness and Health Policy (IECS), Ravignani 2024, Buenos Aires, C1414CPV, Argentina. b Friedman School of Nutrition Science and Policy, Tufts University, Boston, United States of America. Correspondence to Adolfo Rubinstein (email: [email protected]). (Submitted: 16 November 2014 – Revised version received: 15 March 2015 – Accepted: 10 April 2015 – Published online: 22 June 2015) Abstract Objective To estimate the impact of Argentine policies to reduce trans fatty acids (TFA) on coronary heart disease (CHD), disability-adjusted life years (DALYs) and associated health care costs. Methods We estimated the baseline intake of TFA before 2004 to be 1.5% of total energy intake. We built a policy model including baseline intake of TFA, the oils and fats used to replace artificial TFAs, the clinical effect of reducing artificial TFAs and the costs and DALYs saved due to averted CHD events. To calculate the percentage of reduction of CHD, we calculated CHD risks on a population-based sample before and after implementation. The effect of the policies was modelled in three ways, based on projected changes: (i) in plasma lipid profiles; (ii) in lipid and inflammatory biomarkers; and (iii) the results of prospective cohort studies. -
From Seedlings to Ships: Supply Chain Management in the Venice Arsenale, 1320-1800
Wilson, J. M. and Favotto, A. (2016) From Seedlings to Ships: Supply Chain Management in the Venice Arsenale, 1320-1800. British Academy of Management Conference, Newcastle, UK, 06-08 Sep, 2016. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/161686/ Deposited on: 3 May 2018 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk From Seedlings to Ships: Supply Chain Management in the Venice Arsenale, 1320-1800 Dr. Alvise Favotto Adam Smith Business School University of Glasgow University Avenue Glasgow, G12 8QQ Scotland Dr. James M. Wilson Adam Smith Business School University of Glasgow University Avenue Glasgow, G12 8QQ Scotland Corresponding author: Dr. James Wilson, [email protected] BAM Submission Number 12 From Seedlings to Ships: Supply Chain Management in the Venice Arsenale, 1320-1800 Abstract The Venice Arsenale was one of the earliest large industrial complexes, started in 1104 with expansions in 1320 and after 1660. It made all the warships and much of the commercial shipping used by Venice. It is reputed to have innovated producing standardized parts enabling the mass-production of galleys. Preliminary investigations show a rich data set for the period 1665-1779 revealing how the Arsenale was managed. This research provides a significant insight into one aspect of the Arsenale’s activities: the management of the wood used and the forests supplying it. A historical investigation will show how its production activities were planned, organized and controlled from the Arsenale’s inception until Napoleon’s conquest of Venice in 1797 and its independent operations gradually ceased.