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CARPET CLEANING SPECIAL K N O W ? Throughout History, I Dogs Have Been the on OU> 211 Most Obvious Agents in 5 MILES SO
remain young and beautiful only by bathing in and in the story of Lauren Elder’s grueling 36-hour or S a t u r d a y drinking the blood of young innocent girls — includ deal following the crash of a light aiplane that killed ing her daughter’s. 12:30 a.m. on WQAD. her two companions. The two-hour drama is based "Tarzan’s New Adventure” —- Bruce Bennett and "Sweet, Sweet Rachel” — An ESP expert is pit on the book by Lauren Elder and Shirley Ula Holt star in the 1936 release. 1 p.m. on WMT. ted against an unseen presence that is trying to drive Streshinsky. 8 p.m. on NBC. "Harlow” — The sultry screen star of the 1930s is a beautiful woman crazy. The 1971 TV movie stars "Walk, Don’t Run” — A young woman (Saman the subject of the 1965 film biography with- Carroll Alex Dreier, Stefanie Powers, Pat Hingle and Steve tha Eggar) unwittingly agrees to share her apart Baker, Peter Lawford, Red Buttons, Michael Con Ihnat. 12:30 a.m. on KCRG. ment with a businessman (Cary Grant) and an athe- nors and Raf Vallone 1 p.m. on WOC lete (Jim Hutton) during the Tokyo Olympics (1966). "The Left-Handed Gun” — Paul Newman, Lita 11 p.m. on WMT Milan and Hurd Hatfield are the stars of the 1958 S u n d a y western detailing Billy the Kid’s career 1 p.m. on "The Flying Deuces” — Stan Laurel and Oliver KWWL. Hardy join the Foreign Legion so Ollie can forget an T u e s d a y "The Swimmer” — John Cheever’s story about unhappy romance (1939). -
Annotated Bibliography -- Trailtones
Annotated Bibliography -- Trailtones Part Three: Annotated Bibliography Contents: Abdul, Raoul. Blacks in Classical Music. New York: Dodd, Mead and Company, 1977. [Mentions Tucson-born Ulysses Kay and his 'New Horizons' composition, performed by the Moscow State Radio Orchestra and cited in Pravda in 1958. His most recent opera was Margeret Walker's Jubilee.] Adams, Alice D. The Neglected Period of Anti-Slavery n America 1808-1831. Gloucester, Massachusetts: Peter Smith, 1964. [Charts the locations of Colonization groups in America.] Adams, George W. Doctors in Blue: the Medical History of the Union Army. New York: Henry Schuman, 1952. [Gives general information about the Civil War doctors.] Agee, Victoria. National Inventory of Documentary Sources in the United States. Teanack, New Jersey: Chadwick Healy, 1983. [The Black History collection is cited . Also found are: Mexico City Census counts, Arizona Indians, the Army, Fourth Colored Infantry, New Mexico and Civil War Pension information.] Ainsworth, Fred C. The War of the Rebellion Compilation of the Official Records of the Union and Confederate Armies. General Index. [Volumes I and Volume IV deal with Arizona.] Alwick, Henry. A Geography of Commodities. London: George G. Harrop and Co., 1962. [Tells about distribution of workers with certain crops, like sugar cane.] Amann, William F.,ed. Personnel of the Civil War: The Union Armies. New York: Thomas Yoseloff, 1961. [Gives Civil War genealogy of the Black Regiments that moved into Arizona from the United States Colored troops.] American Folklife Center. Ethnic Recordings in America: a Neglected Heritage. Washington: Library of Congress, 1982. [Talks of the Black Sacred Harping Singing, Blues & Gospel and Blues records of 1943- 66 by Mike Leadbetter.] American Historical Association Annual Report. -
2003 Conference Abstracts
African Studies Roberto Cordova, Ph.D., University of Northern Colorado Hermon George, Jr., Ph.D., University of Northern Colorado "Cooperation Between People of Color in an Age of Deracia1ization: The Case of the Black/Latino Coalition of the University of Northern Colorado (UNC), c.1982-2002" Much of the analysis of recent Afro-American/Latino relations has centered upon the electoral arena in large urban areas (e.g., Romo, 1990; Browning, Marshall, and Tabb, 1990; Jennings, 1997; Franklin and Seltzer, 2002). The chances for cooperation between these two groups in this setting is said to depend upon political mobilization for economic (e.g., low wage jobs) and political (e.g., government employment) resources. However, in our study, a non-electora1 arena- a university campus -is the locus of a study of a two decades old Afro- American/Latino coalition, the Black/Latino Coalition (BLC). After establishing four factors that account for this coalition's persistence and success (leadership, agenda, adversarial accountability, and absence of direct economic or political competition between coalition partners), a periodization of the BLC's history is offered. The study concludes with a summation of the BLC's major victories and defeats, and of the BLC's success as a measure of the prospects for black/brown cooperation in an age of deracialization. Foster K. Amey, Middle Tennessee State University AFRICAN FEMALE IMMIGRANTS IN THE US LABOR FORCE Several studies have examined the dynamics of labor force participation among immigrants in the labor markets of advanced economies such us the United States, Canada, and Australia. Particular attention has been focused on the role of female immigrants in light of the real and perceived hostile nature of the labor market in these countries to their peculiar positions as women and immigrants. -
Mack Studies
DOCUMENT RESUME ED 381 472 SO 024 893 AUTHOR Botsch, Carol Sears; And Others TITLE African-Americans and the Palmetto State. INSTITUTION South Carolina State Dept. of Education, Columbia. PUB DATE 94 NOTE 246p. PUB TYPE Guides Non-Classroom Use (055) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS Area Studies; *Black Culture; *Black History; Blacks; *Mack Studies; Cultural Context; Ethnic Studies; Grade 8; Junior High Schools; Local History; Resource Materials; Social Environment' *Social History; Social Studies; State Curriculum Guides; State Government; *State History IDENTIFIERS *African Americans; South Carolina ABSTRACT This book is part of a series of materials and aids for instruction in black history produced by the State Department of Education in compliance with the Education Improvement Act of 1984. It is designed for use by eighth grade teachers of South Carolina history as a supplement to aid in the instruction of cultural, political, and economic contributions of African-Americans to South Carolina History. Teachers and students studying the history of the state are provided information about a part of the citizenry that has been excluded historically. The book can also be used as a resource for Social Studies, English and Elementary Education. The volume's contents include:(1) "Passage";(2) "The Creation of Early South Carolina"; (3) "Resistance to Enslavement";(4) "Free African-Americans in Early South Carolina";(5) "Early African-American Arts";(6) "The Civil War";(7) "Reconstruction"; (8) "Life After Reconstruction";(9) "Religion"; (10) "Literature"; (11) "Music, Dance and the Performing Arts";(12) "Visual Arts and Crafts";(13) "Military Service";(14) "Civil Rights"; (15) "African-Americans and South Carolina Today"; and (16) "Conclusion: What is South Carolina?" Appendices contain lists of African-American state senators and congressmen. -
Eat the Film
EATEAT AT HOME THETHE FILMFILM WESTERNS AVAILABLE AT PARTICIPATING HOMES FOR A FEW HOURS MORE Slow-cooked B.B.Q beef brisket with desert dry rub BLAZIN' RIGHT THROUGH THE SADDLE Campfire beans and griddled corn bread TRUE GRITS Grits 'n' molasses pie with vanilla cream WAY PAST HIGH NOON Orange, lemon, lime and housemade grenadine with raspberry shrub Enjoy a Mexican sunset ROXY CINEMA STAFF PICKS HELL OR HIGH WATER (USA 2016) One of the most enthralling and tightly plotted films of the last decade. A brilliant neo-western that takes risks aplenty and gets its rewards. Strong performances all round, although particular mention must go to Ben Foster who de- livers a career best. This film also firmly established writer Taylor Sheridan (Sicario, Wind River), as one of the best scriptwriters of his generation. If you are looking for an insight into the new west, look no further than here folks! – Liam UNFORGIVEN (USA 1992) Directed by and starring CLINT! One of my favorite Westerns with my favorite actor. The line “It’s a hell of a thing, killing a man “ensures Eastwood delivers a raw well-constructed western that is a daring and provocative vision of the old west. Great performances also from Gene Hackman and Morgan Freeman. The violence feels remarkably realistic and the extraordinarily thrilling climatic shootout is worth the wait! – Jamie THE GRAND DUEL (Italy 1972) Ex-Sheriff (Lee Van Cleef) tracks down and begrudgingly helps a man framed for murder in this fantastic Spaghetti Western. Opening with a very 'flippy' gunfight and escape, things just get better as these two trade barbs while beinchased across country. -
Have Gun, Will Travel: the Myth of the Frontier in the Hollywood Western John Springhall
Feature Have gun, will travel: The myth of the frontier in the Hollywood Western John Springhall Newspaper editor (bit player): ‘This is the West, sir. When the legend becomes fact, we print the legend’. The Man Who Shot Liberty Valance (dir. John Ford, 1962). Gil Westrum (Randolph Scott): ‘You know what’s on the back of a poor man when he dies? The clothes of pride. And they are not a bit warmer to him dead than they were when he was alive. Is that all you want, Steve?’ Steve Judd (Joel McCrea): ‘All I want is to enter my house justified’. Ride the High Country [a.k.a. Guns in the Afternoon] (dir. Sam Peckinpah, 1962)> J. W. Grant (Ralph Bellamy): ‘You bastard!’ Henry ‘Rico’ Fardan (Lee Marvin): ‘Yes, sir. In my case an accident of birth. But you, you’re a self-made man.’ The Professionals (dir. Richard Brooks, 1966).1 he Western movies that from Taround 1910 until the 1960s made up at least a fifth of all the American film titles on general release signified Lee Marvin, Lee Van Cleef, John Wayne and Strother Martin on the set of The Man Who Shot Liberty Valance escapist entertainment for British directed and produced by John Ford. audiences: an alluring vision of vast © Sunset Boulevard/Corbis open spaces, of cowboys on horseback outlined against an imposing landscape. For Americans themselves, the Western a schoolboy in the 1950s, the Western believed that the western frontier was signified their own turbulent frontier has an undeniable appeal, allowing the closing or had already closed – as the history west of the Mississippi in the cinemagoer to interrogate, from youth U. -
United States Army Scouts: the Southwestern
3-/71 UNITED STATES ARMY SCOUTS: THE SOUTHWESTERN EXPERIENCE, 1866-1890 THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Carol Conley Nance, B. A. Denton, Texas May, 1975 Nance, Carol Conley, United States Army Scouts: The Southwestern Experience, 1866-1890. Master of Arts (History), May, 1975, 156 pp., 4 maps, bibliography, 107 titles. In the post-Civil War Southwest, the United States Army utilized civilians and Indians as scouts. As the mainstay of the reconnaissance force, enlisted Indians excelled as trackers, guides, and fighters. General George Crook became the foremost advocate of this service. A little-known aspect of the era was the international controversy created by the activities of native trackers under the 1882 recipro- cal hot pursuit agreement between Mexico and the United States. Providing valuable information on Army scouts are numerous government records which include the Annual Report of the Secretary of War from 1866 to 1896 and Foreign Relations of the United States for 1883 and 1886. Memoirs, biographies, and articles in regional and national histori- cal journals supplement government documents. TABLE OF CONTENTS Page LIST OF MAPS . iv Chapter I. THE SOUTHWEST: CONVENTIONAL ARMY, UNCONVENTIONAL ENEMY 17 II. ARMY SCOUTS: CIVILIANS ON THE TRAIL . 2.17 III. ARMY SCOUTS: SET AN INDIAN TO CATCH AN INDIAN ..................... - - - - 28 IV. GENERAL GEORGE CROOK: UNCONVENTIONAL SOLDIER ........................ - -0 -0 -0 .0 68 V. INDIAN SCOUTS: AN INTERNATIONAL CONTROVERSY .......... *........ .100 VI. ARMY SCOUTS: SOME OBSERVATIONS .. o. 142 BIBLIOGRAPHY, . ...........-.-.-. .148 iii LIST OF MAPS Map Following Page 1. -
The Tucson Buffalo Soldiers Memorial Project
The Tucson Buffalo Soldiers Memorial Project The Tucson Buffalo Soldiers Memorial Project A COLLABORATION BETWEEN: CITY OF TUCSON, WARD 5 ARIZONA HISTORICAL SOCIETY THE GREATER SOUTHERN ARIZONA AREA CHAPTER, 9TH and 10TH CAVALRY ASSOCIATION 9TH MEMORIAL UNITED STATES CAVALRY, INC 10TH CAVALRY TROOP B FOUNDATION OMEGA PSI PHI FRATENITY We Can, We Will, We Are So Others Can Learn The Tucson Buffalo Soldiers Memorial Project TABLE OF CONTENTS Subject Page Memorial Project Overview 1 The Need 1 The Purpose 1 Goals 1 Mission Statement 1 Their Story - Our History 2 Buffalo Soldier Background 2 The Buffalo Soldier Legacy 2 Black American Officers 2 Buffalo Soldier Medal of Honor Recipients 3 Memorial Project Coalition Members 6 Current Coalition Members 6 Other Partnership Possibilities 6 Letters of Support 7 Memorial Project Design 7 Memorial Design 7 Other Memorial Features 7 Possible Feature Examples 8 Proposed Memorial Layout 9 Fundraising 10 Fundraising Ideas 10 Other Funding Sources 10 Project Financial Information 10 Budget (Overall) 10 Budget - Phase I (Planning and Memorial Preparation) 11 Budget - Phase II (Project Features) 11 Budget - Phase III (Project Construction) 11 The Tucson Buffalo Soldiers Memorial Project TABLE OF CONTENTS CONTINUED Timeline/Milestones 11 Location Site and its Benefits 12 The Quincie Douglas Neighborhood Center 12 Quincie Douglas Bio 12 Location Benefits 13 Audience 13 Memorial Awareness Trend 13 Audience 13 Appendix A 14 Proposed Resolution The Tucson Buffalo Soldiers Memorial Project MEMORIAL PROJECT OVERVIEW Over the past seven years, various Buffalo Soldier organizations have been working with Tucson City Council Members to honor the contributions of some of America’s greatest heroes, the Buffalo Soldiers. -
Modernizing the Greek Tragedy: Clint Eastwood’S Impact on the Western
Modernizing the Greek Tragedy: Clint Eastwood’s Impact on the Western Jacob A. Williams A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Interdisciplinary Studies University of Washington 2012 Committee: Claudia Gorbman E. Joseph Sharkey Program Authorized to Offer Degree: Interdisciplinary Arts and Sciences Table of Contents Dedication ii Acknowledgements iii Introduction 1 Section I The Anti-Hero: Newborn or Reborn Hero? 4 Section II A Greek Tradition: Violence as Catharsis 11 Section III The Theseus Theory 21 Section IV A Modern Greek Tale: The Outlaw Josey Wales 31 Section V The Euripides Effect: Bringing the Audience on Stage 40 Section VI The Importance of the Western Myth 47 Section VII Conclusion: The Immortality of the Western 49 Bibliography 53 Sources Cited 62 i Dedication To my wife and children, whom I cherish every day: To Brandy, for always being the one person I can always count on, and for supporting me through this entire process. You are my love and my life. I couldn’t have done any of this without you. To Andrew, for always being so responsible, being an awesome big brother to your siblings, and always helping me whenever I need you. You are a good son, and I am proud of the man you are becoming. To Tristan, for always being my best friend, and my son. You never cease to amaze and inspire me. Your creativity exceeds my own. To Gracie, for being my happy “Pretty Princess.” Thank you for allowing me to see the world through the eyes of a nature-loving little girl. -
January 2015, There Was Also a Steampunk Vehicle May 2016, September 2016)
CONTENTS 3-4 COVER FEATURE Southern Missouri Rangers Fifth Annual Women’s Wild West Shootout 6-7 EDITORIALS How do we Stop the Loss of Members and Expand our Membership? Another Perspective Another Way of Looking at This SASS Divisional Championships Single Action Shooting Society® 8-9 COSTUMING CORNER 215 Cowboy Way, Edgewood, NM 87015 Wild Wild West and a Steampunk Convention 505-843-1320 • Fax 877-770-8687 © 2019 10-11 WILD BUNCH All rights reserved Oklahoma State Wild Bunch Championship 2018 The Cowboy Chronicle Magazine is Designed and Printed by 12-16 GUNS & GEAR The Single Action Shooting Society® Visit the SASS web site at: Dispatches From Camp Baylor—The Legend of “Heaven” and “Hell” www.sassnet.com BAMM Rifles 17-29 ANNUAL MATCHES EDITORIAL STAFF Rattlesnake Gulch Roundup 2018 Cowford Regulators 2018 Annual Match EDITOR-IN-CHIEF A Dark Day on The Santa Fe 2018 Skinny First Annual Shootout at The OK Corral SASS Pennsylvania State Championship 2018 MANAGING EDITOR Michigan State Championship Range War 2018 Misty Moonshine Appalachian Showdown XXVII EDITORS EMERITUS 30-35 PRODUCT REVIEW Cimarron’s Uberti 1858 Conversion Tex & Cat Ballou Swab-Its® Bore-Sticks™ ADVERTISING MANAGER 36-44 FICTION Square Deal Jim Small Creek: Kid Galena Rides—Chapter 9 410-531-5456 | [email protected] 45 HEALTH & FITNESS GRAPHIC DESIGN Stretching for Cowboy Action Shooters™ Mac Daddy 46-48 PROFILES 2018 Scholarship Recipient Diamond Kate, SASS #95104 STAFF WRITERS The Beginning of the End - Essay by Diamond Kate, SASS #95104 Big Dave, The Capgun Kid, Capt. George SASS Alias — Possibly the Best Part of the Game! Baylor, Col. -
Widescreen Weekend 2014 Brochure
WIDESCREEN WEEKEND 10-13 APRIL 2014 2OTH BRADFORD INTERNATIONAL FILM FESTIVAL IN PARTNERSHIP WITH NATIONAL MEDIA MUSEUM Bradford BD1 1NQ Box Office 0844 856 3797 www.nationalmediamuseum.org.uk www.bradfordfilmfestival.org.uk 20TH BRADFORD INTERNATIONAL FILM FESTIVAL 27 MARCH - 6 APRIL 2014 WIDESCREEN WEEKEND 1 ................................................................................................................. INTRODUCTION TH TICKETS 2O In 1954 the movie industry was facing fierce competition from television, and investing heavily in offering the best possible experience in the cinema. Quality counted, and that year Tickets for individual screenings and events can be a new widescreen process was launched. The words “Paramount proudly presents the first purchased from the National Media Museum Box picture in VistaVision” appeared on screen and the letter V came flying towards the audience, Office (open 10am-9pm during the festival), on the BRADFORD creating a startling 3D effect. And with this introduction yet another widescreen process was phone 0844 856 3797 (8.30am-8.30pm), or via the presented to the public, the third in as many years. Each was designed to ensure that the only website www.bradfordfilmfestival.org.uk INTERNATIONAL place you could witness vivid, exciting, detailed imagery, was in cinemas. For details of how to book a widescreen FILM FESTIVAL Hollywood had to strive continually in the 1950s to offer something which could not be weekend pass, please see the festival website 27 MARCH - 6 APRIL 2O14 rivalled in the home. Television had started gaining a foothold in American homes from 1948 www.bradfordfilmfestival.org.uk and just like today – with large screen HD TVs, home cinema and uncompressed audio – the battle between the two media was intense. -
Allen Rostron, the Law and Order Theme in Political and Popular Culture
OCULREV Fall 2012 Rostron 323-395 (Do Not Delete) 12/17/2012 10:59 AM OKLAHOMA CITY UNIVERSITY LAW REVIEW VOLUME 37 FALL 2012 NUMBER 3 ARTICLES THE LAW AND ORDER THEME IN POLITICAL AND POPULAR CULTURE Allen Rostron I. INTRODUCTION “Law and order” became a potent theme in American politics in the 1960s. With that simple phrase, politicians evoked a litany of troubles plaguing the country, from street crime to racial unrest, urban riots, and unruly student protests. Calling for law and order became a shorthand way of expressing contempt for everything that was wrong with the modern permissive society and calling for a return to the discipline and values of the past. The law and order rallying cry also signified intense opposition to the Supreme Court’s expansion of the constitutional rights of accused criminals. In the eyes of law and order conservatives, judges needed to stop coddling criminals and letting them go free on legal technicalities. In 1968, Richard Nixon made himself the law and order candidate and won the White House, and his administration continued to trumpet the law and order theme and blame weak-kneed liberals, The William R. Jacques Constitutional Law Scholar and Professor of Law, University of Missouri–Kansas City School of Law. B.A. 1991, University of Virginia; J.D. 1994, Yale Law School. The UMKC Law Foundation generously supported the research and writing of this Article. 323 OCULREV Fall 2012 Rostron 323-395 (Do Not Delete) 12/17/2012 10:59 AM 324 Oklahoma City University Law Review [Vol. 37 particularly judges, for society’s ills.