Fernando Arrabal: About Alfred Jarry and Pataphysique

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Fernando Arrabal: About Alfred Jarry and Pataphysique

PERFORMING ARTS Fernando Arrabal: About NEW YORK Alfred Jarry and Pataphysique Mon, November 11, 2013 10:00 am Venue The Martin Segal Theater Center, 365 5th Ave, New York, NY 10016 View map More information View full program Credits Presented in collaboration with Spain Culture New York-Consulate General of Spain, and Performa as part of Performa 13. Screenings will include Arrabal’s films ‘Viva la muerte,’ and ‘L’Arbre de Guernica’ as part of Performa 13. Fernando Arrabal (born 1932) is a legendary Spanish playwright, screenwriter, film director, novelist and poet. Arrabal, a self-described “desterrado,” “half-expatriate, half-exiled,” was born in Melilla, Spain, but settled in Paris in 1955. He was a friend of Andy Warhol and Tristan Tzara and spent three years as a member of André Breton’s surrealists group. In 1962, Arrabal co- founded the Panic Movement with Alejandro Jodorowsky and Roland Topor, and was elected Transcendent Satrap of the Collège de Pataphysique in 1990. Forty other Transcendent Satraps have been elected over the past half- century, including Marcel Duchamp, Eugène Ionesco, Man Ray, Boris Vian, Dario Fo, Umberto Eco and Jean Baudrillard. Arrabal has directed seven full-length feature films; he has published over 100 plays, 14 novels, 800 poetry collections, chapbooks, and artist’s books; several essays, and his notorious Letter to General Franco during the dictator’s lifetime. Free. The screenings will be followed by an evening conversation moderated by Frank Hentschker at 6:30 pm. Embassy of Spain – Cultural Office | 2801 16th Street, NW, Washington, D.C. 20009 | Tel: (202) 728-2334 View this event online: https://www.spainculture.us/city/new-york/fernando-arrabal-about-alfred-jarry-and-pataphysique/ Created on 09/24/2021 | Page 1 of 1.

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View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repositori d'Objectes Digitals per a l'Ensenyament la Recerca i la... Juego ceremonial, fiesta cruel: del Living Theatre a Fernando Arrabal Domingo PUJANTE GONZÁLEZ Universitat de València Real, E., Jiménez, D., Pujante, D. y Cortijo, A. (eds.), Écrire, traduire et représenter la fête, Universitat de València, 2001, pp. 397-408, I.S.B.N.: 84-370-5141-X. A Mari Jose, mi hermana La perfection se présente à moi comme le comble de l'inhumanité, ainsi que le cortège qui l'accompagne: morale, ordre, etc.1 Arrabal no es contestatario, un predicador militante de la moral; es un hombre que juega. El arte, tal y como él lo concibe es un juego, y el mundo en cuanto él lo toca se torna juego. Pero este siglo es un terreno prohibido para los juegos, una trampa puesta a los jugadores.2 Las nuevas teorías sobre la percepción estética nos advierten que todo arte sin pe- numbras, sin sugerencias veladas, sin misterio, carecerá de interés, no golpeará nuestros sentidos ni cuestionará nuestros hábitos.3 Tout choix implique un sacrifice, et tout sacrifice est cruel.4 Es imposible aludir, aunque sólo fuera suscitar, a la combinación mágica de dos palabras: teatro y crueldad sin que el nombre de Antonin Artaud se haga tan presente que aplaste dicha formulación, aconsejando prudencia en su uso o desaconsejándola ya de antemano. Si bien es lícito, como indica Pierre Brunel,5 considerar que la palabra «crueldad» le pertenece y que conviene dársela, no por 1 Arrabal, Fernando, «L'homme panique», in Le panique, Paris, 10/18, Union générale d'éditions, 1973, p.
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