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Squatting – the Real Story
Squatters are usually portrayed as worthless scroungers hell-bent on disrupting society. Here at last is the inside story of the 250,000 people from all walks of life who have squatted in Britain over the past 12 years. The country is riddled with empty houses and there are thousands of homeless people. When squatters logically put the two together the result can be electrifying, amazing and occasionally disastrous. SQUATTING the real story is a unique and diverse account the real story of squatting. Written and produced by squatters, it covers all aspects of the subject: • The history of squatting • Famous squats • The politics of squatting • Squatting as a cultural challenge • The facts behind the myths • Squatting around the world and much, much more. Contains over 500 photographs plus illustrations, cartoons, poems, songs and 4 pages of posters and murals in colour. Squatting: a revolutionary force or just a bunch of hooligans doing their own thing? Read this book for the real story. Paperback £4.90 ISBN 0 9507259 1 9 Hardback £11.50 ISBN 0 9507259 0 0 i Electronic version (not revised or updated) of original 1980 edition in portable document format (pdf), 2005 Produced and distributed by Nick Wates Associates Community planning specialists 7 Tackleway Hastings TN34 3DE United Kingdom Tel: +44 (0)1424 447888 Fax: +44 (0)1424 441514 Email: [email protected] Web: www.nickwates.co.uk Digital layout by Mae Wates and Graphic Ideas the real story First published in December 1980 written by Nick Anning by Bay Leaf Books, PO Box 107, London E14 7HW Celia Brown Set in Century by Pat Sampson Piers Corbyn Andrew Friend Cover photo by Union Place Collective Mark Gimson Printed by Blackrose Press, 30 Clerkenwell Close, London EC1R 0AT (tel: 01 251 3043) Andrew Ingham Pat Moan Cover & colour printing by Morning Litho Printers Ltd. -
London Borough of Lambeth
LONDON BOROUGH OF LAMBETH LAMBETH ARCHIVES DEPARTMENT Reference number IV/224 Title Morley College Covering dates 1888-2013 Physical extent 29 boxes & 2 volumes Creator Morley College Administrative history Morley College originated in the work of the Coffee Music Halls Company Ltd. who promoted temperance and the arts in London. The college was established by Emma Cons, a visionary and social reformer who fought to improve standards of London’s Waterloo district. In 1880, Cons, with the support of the Coffee Music Halls Company Ltd. leased what is now known as the ‘Old Vic’ theatre and created the Royal Victoria Coffee and Music Hall. In 1882 the hall began to host weekly lectures in which eminent scientists would address the public on a wide range of topics. The success of these lectures led to the establishment of Morley Memorial College for working men and women, named after Samuel Morley, a textile manufacturer, MP and philanthropist who contributed to Morley College. In the 1920s the college moved to Westminster Bridge Road where it remains today although it has since expanded and now includes Morley Gallery and Arts Studio and the Nancy Seear Building. The college has attracted eminent staff including composer Gustav Holst, Director of Music 1907- 1924, a post later filled by Sir Michael Kemp Tippet, 1940-1951. Other high profile personalities associated with the college include composer Ralph Vaughn Williams, writer Virginia Woolf and artist David Hockney. Acquisition or transfer information Collection acquired by Lambeth Archives between 1999-2007 as a gift. Acquisition numbers: 1999/11, 2002/30, 2003/13, 2006/11, 2007/23; ARC/2013/6,8. -
Making Space
Alternative radical histories and campaigns continuing today. Sam Burgum November 2018 Property ownership is not a given, but a social and legal construction, with a specific history. Magna Carta (1215) established a legal precedent for protecting property owners from arbitrary possession by the state. ‘For a man’s home is his ASS Archives ASS castle, and each man’s home is his safest refuge’ - Edward Coke, 1604 Charter of the Forest (1217) asserted the rights of the ‘commons’ (i.e. propertyless) to access the 143 royal forests enclosed since 1066. Enclosure Acts (1760-1870) enclosed 7million acres of commons through 4000 acts of parliament. My land – a squatter fable A man is out walking on a hillside when suddenly John Locke (1632-1704) Squatting & Trespass Context in Trespass & Squatting the owner appears. argued that enclosure could ‘Get off my land’, he yells. only be justified if: ‘Who says it’s your land?’ demands the intruder. • ‘As much and as good’ ‘I do, and I’ve got the deeds to prove it.’ was left to others; ‘Well, where did you get it from?’ ‘From my father.’ • Unused property could be ‘And where did he get it from?’ forfeited for better use. ‘From his father. He was the seventeenth Earl. The estate originally belonged to the first Earl.’ This logic was used to ‘And how did he get it?’ dispossess indigenous people ‘He fought for it in the War of the Roses.’ of land, which appeared Right – then I’ll fight you for it!’ ‘unused’ to European settlers. 1 ‘England is not a Free people till the poor that have no land… live as Comfortably as the landlords that live in their inclosures.’ Many post-Civil war movements and sects saw the execution of King Charles as ending a centuries-long Norman oppression. -
City, University of London Institutional Repository
City Research Online City, University of London Institutional Repository Citation: Pick, J.M. (1980). The interaction of financial practices, critical judgement and professional ethics in London West End theatre management 1843-1899. (Unpublished Doctoral thesis, City University London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/7681/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] THE INTERACTION OF FINANCIAL PRACTICES, CRITICAL JUDGEMENT AND PROFESSIONAL ETHICS IN LONDON WEST END THEATRE MANAGEMENT 1843 - 1899. John Morley Pick, M. A. Thesis submitted for the Degree of Doctor of Philosophy in the City University, London. Research undertaken in the Centre for Arts and Related Studies (Arts Administration Studies). October 1980, 1 TABLE OF CONTENTS Acknowledgements 4 Abstract 5 One. Introduction: the Nature of Theatre Management 1843-1899 6 1: a The characteristics of managers 9 1: b Professional Ethics 11 1: c Managerial Objectives 15 1: d Sources and methodology 17 Two. -
The Development of the Role of the Actor-Musician in Britain by British Directors Since the 1960’S
1 The Development of the Role of the Actor-Musician in Britain by British Directors Since the 1960’s Francesca Mary Greatorex Theatre and Performance Department Goldsmiths University of London A thesis presented in fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) 2 I hereby declare that the work presented in this thesis is my own. Signed: ……………………………………………. 3 Acknowledgements This thesis could not have been written without the generosity of many individuals who were kind enough to share their knowledge and theatre experience with me. I have spoken with actors, musical directors, set designers, directors, singers, choreographers and actor-musicians and their names and testaments exist within the thesis. I should like to thank Emily Parsons the archivist for the Liverpool Everyman for all her help with my endless requests. I also want to thank Jonathan Petherbridge at the London Bubble for making the archive available to me. A further thank you to Rosamond Castle for all her help. On a sadder note a posthumous thank you to the director Robert Hamlin. He responded to my email request for the information with warmth, humour and above all, great enthusiasm for the project. Also a posthumous thank you to the actor, Robert Demeger who was so very generous with the information regarding the production of Ninagawa’s Hamlet in which he played Polonius. Finally, a big thank you to John Ginman for all his help, patience and advice. 4 The Development of the Role of the Actor-Musician in Britain by British Directors During the Period 1960 to 2000. -
Introduction: London Is the Place for Me
Notes Introduction: London Is the Place for Me “London is the Place for Me,” Lord Kitchner accompanied by Freddy Grant’s Caribbean Rhythm, London is the Place for Me: Trinidadian Calypso in London, 1950–1956. Compact disc recording (London: Honest Jon’s Records, 2002). 1. Following the work of anti-racist, transnational feminist scholars such as Chandra Talpade Mohanty, my use of the term Third World is, indeed, political as it signals a sociopolitical category/group. I do not use the term in a pejorative sense. 2. Britain or Great Britain is generally used to denote England, Wales, and Scotland. The term United Kingdom refers to England, Scotland, Wales, and Northern Ireland, and is also more formally known as the United Kingdom of Great Britain and Northern Ireland. 3. Within two months of the murder, the suspects—Jamie and Neil Acourt, Gary Dobson, David Norris, and Luke Knight—were arrested, ques- tioned, and released on bail; initially, two were charged with murder but the cases were dropped due to “insufficient evidence.” This pro- tracted, high-profile case caught the attention of the media and the public, mostly, I think, due to the perseverance of the Lawrence family. They refused to stop seeking justice. The Lawrence family launched a private prosecution, even though this eventuated in the suspects’ acquit- tal due to the judge’s dismissal of evidence and eyewitness testimony. This was followed up by a public inquiry (known as the Macpherson Inquiry) between 1997 and 1998 put into motion by then home secre- tary Jack Straw and carried out by former High Court judge Sir William Macpherson. -
REGISTER of MEMBERS' FINANCIAL INTERESTS As at 30 September 2019
REGISTER OF MEMBERS’ FINANCIAL INTERESTS as at 30 September 2019 _________________ Abbott, Ms Diane (Hackney North and Stoke Newington) 1. Employment and earnings 21 July 2017, received £100 from the Guardian, Guardian News and Media, Kings Place, 90 York Way, London N1 9GU, for an article. Hours: 1 hr. (Registered 18 July 2019) 4. Visits outside the UK Name of donor: (1) The Great Britain China Centre with sponsorship from Prudential Plc and China International Capital Corporation; (2) All-China Youth Federation Address of donor: (1) 15 Belgrave Square, Belgravia, London SW1X 8PS; (2) 10 Qianmen Dongdajie, Dongcheng District, Beijing Estimate of the probable value (or amount of any donation): (1) International Flights £1,586.50; (2) accommodation £292.74; transport £215.19; total £507.93 Destination of visit: Beijing, China Dates of visit: 28 July - 2 August 2019 Purpose of visit: to participate in the 2019 Young Leaders Roundtable and to build UK-China understanding and partnership on environment and climate change issues. (Registered 19 August 2019) 8. Miscellaneous Since December 2015, a trustee of the Diane Abbott Foundation, which works to excel and improve education. (Registered 26 October 2016) Abrahams, Debbie (Oldham East and Saddleworth) Nil Adams, Nigel (Selby and Ainsty) 2. (b) Any other support not included in Category 2(a) Name of donor: Autohorn Fleet Services Ltd Address of donor: Foundry Lane, York YO26 4XD Amount of donation, or nature and value if donation in kind: £11,900 Date received: 3 July 2019 Date accepted: -
Waterloo Guided Walks
WATERLOO GUIDED WALKS Waterloo is a historic and a fascinating neighbourhood, full of surprises, which can be discovered on these self-guided walks. Choose one or two routes through this historic part of South London, or add all four together to make one big circuit. Each section takes about 30 minutes without stops. WWW.WEAREWATERLOO.CO.UK @wearewaterloouk We are working with the Cross River Partnership through their Mayor’s Air Quality Funded programme Clean Air Better Business (CABB) to deliver air quality improvements and encourage active travel for workers, residents and visitors to the area. VICTORIAN WATERLOO Walk through the main iron gate (you are welcome to visit or attend a service) and skirt the church to the right, leaving by the gate hidden in the hedge right behind the building. Follow Secker Street left and right, In medieval times this area was desolate Lambeth Marsh, which only really came to life with the crossing Cornwall Road to Theed Street completion of Westminster Bridge in 1750. Then around a century later the first railways arrived, running above ground level on mighty brick viaducts. Start in Waterloo Station, under the four-faced clock suspended from the roof at the centre of the concourse, a popular meeting 4 spot for travellers for almost 80 years. Theed Street, Windmill Walk and Roupell Street This is one of London’s most atmospheric quarters, much fi lmed, with its nineteenth-century terraces, elegant streetlamps and steeply pitched roofs. The gallery on the corner of Theed Street was once a cello factory and the musical motif continues as you walk: the gate signed ‘The Warehouse’ is home to the London Festival Orchestra, which became independent in the 1980s and performs at major venues and festivals. -
Tenants Handbook
WHQDQWV· handbook This handbook tells you how to make the best of your home and explains what you are and are not allowed to do as our tenant. It also tells you what our duties are as your landlord and provides other information that we hope you will find useful. Lambeth and Southwark Housing Association Limited 7a St Agnes Place, Kennington, London SE11 4AU We are open Monday - Friday 9.30am-1pm and 2pm-5pm Tel: 020 7735 3935 Email: [email protected] Text Service: 07826 826823 Website: www.lsha.org.uk LAMBETH & SOUTHWARK HOUSING ASSOCIATION ii Lambeth & Southwark Housing Association Welcome Welcome to LSHA’s tenant handbook. This is your guide to our services. It includes information that explains your tenancy agreement. Inside we have set out, in clear sections, what you can expect of us and what we expect of you. We hope this will help you make the most of your tenancy with us and that you enjoy your new home. This handbook also includes contact details, plus important information on repairs. If you need to talk to us, please get in touch. Our phone numbers and full address are shown on the left. You can also contact us through our website at www.lsha.org.uk through MyTenancy or by email [email protected] and also by texting us on 07826 826823 I hope you enjoy living in your home. Mark Jackson Chief Executive TENANTS’ HANDBOOK iii Contents Lambeth & Southwark Housing Association Who are we? 1 Your Tenancy Agreement Can you succeed to an assured tenancy? 2 Can you assign an assured tenancy? 2 Do assured tenants have the Right to Buy? 3 -
87 Ideals and Achievements at the Old
IDEALS AND AOHIEVEMENTS AT THE OLD VIO 87 all of us concerning our Christian ideal. Probably there will be plenty to regard his as a wasted life, and to admire more the athletic Christian at the head of his troop of Boy Scouts. But which, after all, is in the best Christian tradition ? G. C. RAWLINSON. IDEALS AND ACHIEVEMENTS AT THE OLD VIC THE fact that the Editor has asked the Vic Management for an article is sufficient proof that the work of the Theatre is appre- ciated, and that it is bearing fruit much further afield than could have been hoped for in 1879, when its noble founder, Emma Cons, a pioneer of modern social service, acquired the freehold through public subscription to provide a place of healthy recreation, free from the sale of intoxicating drink, with all its attendant evils. The need for such a place of recreation was brought home to her very strongly in connection with her work on the problem of the better housing of the poor, with which she first became familiar when, as a seventeen-year-old Sunday-School teacher, she visited the homes of the children. She taught at St. John's, Fitzroy Square, under Dr. Moorhouse, who was later Bishop of Melbourne and afterwards Bishop of Manchester. At the Ladies' Guild she first met Octavia Hill, with whom she was in after life closely associated on housing and philan- thropic work, and about the same time, John Ruskin, who greatly admired her artistic qualities. She became an artist of some achievement, a glass painter, and manuscript illuminator of outstanding merit. -
Hidden Histories of Resistance
Hidden Histories In essence, without squatting we would have remained isolated as gay men living in our individual shabby bedsit or flats or of Resistance The Diverse Heritage of Squatting in England houses. Squatting enabled us to come together collectively to break down that isolation and produced some of the most productive political campaigning and radical theatre, not to mention a shot at non-bourgeois, non-straight ways of living. – Ian Townson text liberated from the landlords at crimethinc.com by oplopanax publishing Over the past few years, there has been a push to criminalize squatting across Western Europe. But in a time of increasing economic instability, can governments succeed in suppressing squatting? What is at stake here? This article reviews the background and contemporary context of squat- ting in England, beginning after the Second World War and comparing the current movement to its counterparts on mainland Europe. It touches on many stories: migrants squatting to build a life safe from fascist attacks, gay activists finding spaces in which to build up a scene, vibrant and insurgent squatted areas, single-issue campaigns occupying as a direct action tactic, and anti-capitalist groups setting up social centers. We hope this text will help those in present-day struggles to root themselves in the heritage of previous movements. Online version with photos and video available at cwc.im/uksquat The UK Social Centre Network (in 2006) has warned that “Britain is now at the centre of a perfect storm of housing problems. High and rising rents, the cripplingly high costs of getting on the housing ladder, and the lowest peacetime building figures since the 1920s have all combined with a prolonged economic downturn to increase the pressure on families.” Another commentator ends a long analysis by sug- gesting that we will soon be witnessing the return of slums in the UK. -
Fairies, Feminists & Queer Anarchists: Geographies of Squatting In
FAIRIES, FEMINISTS & QUEER ANARCHISTS: Geographies of squatting in Brixton, south London Milo Bettocchi Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy School of Geography 7 January 2021 Approx. 87,000 words Abstract This thesis assembles cultural, historical, political, affective and infrastructural geographies of squatting in Brixton, south London. It does so to spatialise the complex material and affective processes through which identities, collectivities and political projects are assembled, negotiated and navigated; to document vital spaces, histories, dynamics, political lineages and struggles which the literature on squatting in England has overlooked; and to critically interrogate and expand how squatting in England has been conceptualised. In pursuing these aims, this thesis insists on and demonstrates the co-constitution of the spatial and the political. Where work on squatting in England has largely concentrated on a narrow range of collectives, spaces and time periods and has neglected how squatting has intersected with anti-racist, decolonial, feminist and LGBTQ struggles and politics, this thesis responds to these gaps. Chapters focus on what became known in the 1970s as the Brixton Gay Community, an experiment in communal living and revolutionary politics by gay men; on the Brixton Black Women’s Group, a socialist, anti-imperialist feminist organisation active in the 1970s and 1980s; on Queeruption, an anarchist queer festival organised out of a squat in the late 1990s; and on the House of Brag, a queer squatting collective active between 2012 and 2014. I argue that thinking squatting through these can profoundly reframe our understandings of squatting. To this end, I have drawn on 24 original interviews as well as on a broad range of archival material.