DOCSLIB.ORG

2015-16-Sch.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2015-16-Sch.Pdf LALIT KALA AKADEMI NEW DELHI SCHOLARSHIP SECTION The Lalit Kala Akademi awards scholarship to young and budding artists every year. The objective of this scholarship scheme is to provide these young people a work space where their skills can be improved and they can develop innovative ideas in their respective field of visual arts. The Akademi awards maximum number of 40 scholarships every year. The registered scholars under this scheme are awarded Rs.10,000/- per month for a period of twelve months (one year). The minimum age limit for the scholars is 21 years and maximum is 35 years. Following are the names of the Jury members who were part of the Scholarship 2015-16 Selection Committee: Prof. Nuzhat Kazmi Shri K.S. Radhakrishnan Dr. Shukla Sawant Shri Manish Pushkale List of total applications received by the Akademi for the Scholarship 2015-16 S.No. Name of the Scholar State Discipline 1 Shantanu Shastry Lucknow U.P. Sculpture 2 Amit Kumar Haryana Sculpture 3 S. Arokkivaraj Tamilnadu Sculpture 4 Shehensha Mittal Delhi Painting 5 Chandan Kumar Bihar Sculpture 6 Shivshankar Kumar Bihar Sculpture 7 Bharat Kumar Bihar Sculpture 8 Susheel Chauhan Himachal Pradesh Painting 9 Jignesh Makwana Gujarat Print Making 10 Abhishek Narayan Verma New Delhi Print Making 11 Kirusiya Rani V. Tamilnadu Painting 12 Ajay Rana Shahjahapur U.P. Graphic 13 Vandana Kumari Shahjahapur U.P. Graphic 14 Thryambaka Karthik Tamilnadu Painting 15 Rishi Raj Tomer Delhi Painting 16 Lokesh Sharma Delhi Painting 17 Shikha Ojha New Delhi Drawing 18 Pukhramban Premchandra Singh Manipur Sculpture 19 Devajit Keithellakpam Manipur Print Making 20 Tridip Sarma Assam Sculpture 21 Chitranjan Moharana Odisha Sculpture 22 Kushagr Jain Rajasthan Painting 23 Chand Kumar Doliya New Delhi Painting 24 Krishna Sardar West Bengal Graphic 25 Rinku Saha West Bengal Painting 26 Jeevan Tiwari Haryana Graphic 27 Sonam Bhakuni Haryana Graphic 28 Kanchan Kapruwan Delhi Print Making 29 Avijit West Bengal Textile/Painting 30 Shraddha Tiwari Kanpur (U.P.) Graphic 31 Santoo Chaubey Lucknow U.P. Sculpture 32 Kavita Mehrotra Uttar Pradesh Graphic 33 Sonia Yadav Delhi Painting/ Printmaking 34 Savita Devi Yadav Delhi Painting 35 Sudarsan Sahoo Odisha Sculpture 36 Lalit Nath Assam Sculpture 37 Mohita Shukla Lucknow U.P. Sculpture 38 Geetika Pathania Chandigarh Sculpture 39 Komal Verma Delhi Painting 40 Tribhuvan Kumar Chhattisgarh Graphic 41 Ajit Kumar Uttar Pradesh Graphic 42 Mamta Keshri Bihar Sculpture 43 Kamana Mathur Rajasthan Painting 44 Ambrish Mishra Uttar Pradesh Drawing 45 Furkan Ali New Delhi Painting 46 Abhishek Pal Allahabad U.P. Painting 47 Deeksha Jha Chhattisgarh Drawing 48 Rachna Kesarwani Allahabad U.P. Drawing 49 Neeraj Khandka New Delhi Graphic 50 Satwinder Kaur New Delhi Graphic (Print Making) 51 Shankara Narayanan Jagadeesan Tamilnadu Painting 52 Goutam Pramanick West Bengal Painting 53 Sunny Kushwaha Uttar Pradesh Painting 54 Bholanath Rudra West Bengal Painting 55 Bikash Mohanta Odisha Painting 56 Rosalin Sahoo Odisha Painting 57 Sarita Kumari Acharya Odisha Painting 58 Basil Baby Kerala Painting 59 Sreejith V.C. Chandran Kerala Painting 60 Jyoti Pant Uttar Pradesh Sculpture 61 Sikha Deka Assam Graphic 62 Puspita Sahoo Odisha Painting 63 Tony May Dalang Slong Meghalaya 64 Anjan Modak West Bengal Painting 65 Sangita Datta Kolkata Painting 66 Samarjeet Behera Odisha Painting 67 Anand Kushwaha Uttar Pradesh Sculpture 68 Manas Das Odisha Painting 69 Neha Samal Odisha Painting 70 Sudip Hazra Kolkata Painting 71 Akash Ranjan Odisha Painting 72 Sumanta Kumar Sahoo Odisha Painting 73 Hemant Kushwaha Uttar Pradesh Painting 74 Mousumi Manna West Bengal Painting 75 Harsh Madhav Bihar Sculpture 76 Sanjeev Kumar Bihar Painting 77 Indrani Barman West Bengal Sculpture 78 Pulkit Jawa Delhi Sculpture 79 Bibhuti Bhusan Delhi Sculpture 80 Sumbul Khan New Delhi Painting 81 Pankaj Kumar Singh Uttar Pradesh Painting 82 Vinita Kumari Delhi Printmaking Graphic 83 Mani Murugesan Tamilnadu Printmaking 84 Shikha Kumari Bihar Painting 85 Rajesh RV Tamilnadu Graphic 86 Vinil Rabeek Stephen Baskar Tamilnadu Printmaking 87 B. Naveen Kumar Karnataka Painting 88 Satheesha K.R. Karnataka Graphic 89 Kartick Chandra Dinda West Bengal Painting 90 Shriya Kastuar Delhi Ceramic Art 91 Smriti Sangal Delhi Print Research base Making 92 Venkata Gangunaidu Penuganti Andhra Pradesh Painting 93 Parvesh Dhalwal Haryana Painting 94 Preeti Dalal Haryana Painting 95 Manju Malik Haryana Painting 96 Naveen Kumar Haryana Painting 97 Neeraj Malik Haryana Painting 98 Pranita Upadhayaya Delhi Painting 99 Bhawan Panwar New Delhi Painting 100 Mubin Rabha Assam Painting 101 Manoj Mohanty New Delhi Painting 102 Srinia Chowdhury Delhi Ceramic Art 103 Ashmita Banerjee Delhi Painting 104 Kunal Jain Delhi Painting 105 Satyaranjan Sahoo Odisha Painting 106 Rajani Kanta Sahu Delhi Painting 107 Deepu David New Delhi Painting 108 Jitendra Thorat Delhi Painting 109 Prachi Aggarwala Delhi Painting 110 Meghaa Madan Delhi Graphic 111 Shivani Garg NCR Noida Painting 112 Ashish Kushwaha Delhi Painting 113 Kunal Kalra Gurgaon (Haryana) Painting 114 Reshma Chongtham Delhi Painting 115 Prabhu Dayal Tirkey Odisha Painting 116 Vinod Kumar Haryana Painting 117 Appalachari Chalapaka Andhra Pradesh Graphic 118 Mery Borah Assam Painting 119 Rajnarayan Santra Kolkata Painting 120 Preeti Singh Delhi Drawing 121 S. Thiyagarajan Tamilnadu Ceramic Art 122 Ankur Rana Haryana Painting 123 Lalit Mohan Uttarakhand Drawing/Painting 124 Rahul Solanki NCR Ghaziabad U.P. Painting 125 Mahua Roy Malhotra NCR Ghaziabad U.P. Painting 126 Ujjwal Ankur New Delhi Sculpture 127 Ujjwal Ankur New Delhi Mix Media Art 128 Prem Singh New Delhi Painting 129 Sonam Chaprana Haryana Painting 130 Neeraj Yadava New Delhi Painting 131 Kaushlendra P. Singh New Delhi Painting 132 Anil Chaudhari New Delhi Painting 133 Mohd. Arif New Delhi Painting 134 Panchanan Sa New Delhi Painting 135 Satyabrata Sahoo New Delhi Sculpture 136 Anu Haryana Painting 137 Rohit Maurya Haryana Drawing 138 Shaik Tajjammul Hussan New Delhi Print Making 139 Rashid Ahmed Uttar Pradesh Painting 140 Pooja Gaur Delhi Sculpture 141 K. Viswanath Delhi Painting 142 Akhlaq Ahmad Ahmad Delhi Painting 143 Bhola Rana Jharkhand Painting 144 Shashi Kant Tiwari Delhi Sculpture 145 Shashikant Delhi graphic 146 Swati Bihar Painting 147 Anand Bharti New Delhi Painting 148 Rafeek Shah Delhi Drawing 149 Nilansu Bala Sasamal Delhi Painting 150 J. Ashok Delhi Drawing 151 Ashwin Lanjewar New Delhi Painting 152 Digbijayee Khatua New Delhi Painting 153 Rahul Sharma New Delhi Painting 154 Tanu Prakash Khandual Odisha Painting 155 Ghazala Fatima New Delhi Painting 156 Basharat Bashir Naik Kashmir Painting 157 Praveen Kumar Uttar Pradesh Painting 158 Bapan Rabha Uttar Pradesh Painting 159 Deepak Kumar Uttar Pradesh Drawing 160 Abhijit Halder Kolkata Sculpture 161 Akansha Verma Uttar Pradesh Painting 162 Nidhi Paliwal Rajasthan Painting 163 Pradeep Jogdand Rajasthan Sculpture 164 Subhadip Nandy West Bengal Painting 165 Bappa Maji West Bengal Painting 166 Manoj Gond Uttar Pradesh Painting 167 Ankit Ranjan Bihar Painting/Photography 168 Maheshwar Kumar Uttar Pradesh Sculpture 169 Yogeeta Yadav Madhya Pradesh Painting 170 Devesh Upadhayay Uttar Pradesh Ceramic Art 171 Javed Akhtar West Bengal Painting 172 Preetam Das West Bengal Painting 173 Archana Kumari Bihar Painting 174 Surinder Kumar Punjab Applied Art 175 Chiranjit Maity West Bengal Painting 176 Pooja Prajapat Rajasthan Printmaking 177 David Kumar K. Thiruvarur/Tamilnadu Sculpture 178 Vitasta Raina Delhi Art History 179 V. Vasandan Puducherry Painting 180 Tisha Mandal New Delhi Painting 181 Payal Vema NCR Ghaziabad U.P. Painting 182 Ashok Das Chandigarh Painting 183 Ritika Anand Madhya Pradesh Ceramic Art 184 Ankur Singla Delhi Painting 185 Umesh Jana West Bengal Painting 186 Bhanu Pan Kolkata Sculpture 187 Tejswini Sonawane Maharashtra Painting 188 Preshika Dwivedi Rajasthan Painting 189 Vivek Kumar Delhi Sculpture 190 H. Akup Kolkata Sculpture 191 Sumit Nahar Delhi Painting 192 Nillbaja Bhattacharya West Bengal Visual Art 193 Maninder Singh Chhattisgarh Graphic 194 Saumen Das West Bengal Sculpture 195 E. Loganathan Chennai/Tamilnadu Ceramic Art 196 Dilip Kumar Delhi Visual Art 197 Monika Rohra Delhi Painting 198 Ravikant Haryana Painting 199 Neha Kholiya Uttarakhand Painting 200 Parvin Kumar Haryana Painting 201 Srinivasa Rao Taduturi Gujarat Print Making 202 Ashok. S Karnataka Mix Media Art 203 Sai Kiran Maheswara Andhra Pradesh Painting 204 Rabi Sankar Naskar West Bengal Sculpture 205 Sujeeth Kumar Tamilnadu Painting 206 Sajeesh P.A. Kerala Painting 207 Dilip Kumar Kesavan Tamilnadu Painting 208 Janarthanan Rudhra Moorthy Tamilnadu Sculpture 209 Rakesh Khanra Howrah/West bengal Painting 210 Uday Kumar Delhi Sculpture 211 Amlan Dutta West Bengal Painting 212 Ujjayani Nandi Tripura Graphic 213 Susmit Pattanayak Odisha Painting 214 M. Koilpitchai Prabhakar Tamilnadu Ceramic Art 215 Srabani Sarkar West Bengal Graphic 216 nandan Debnath Tripura Ceramic Art 217 Nivedita Dutta West Bengal Painting 218 Sukumati Thiu Odisha Sculpture 219 Vinita Sinha Bihar Painting 220 Sheshank Mishra Uttar Pradesh Painting 221 Raman Rishi Delhi Sculpture 222 Ganesh Das Delhi Painting 223 Soniya Haryana Graphic 224 Mahesh Chand Delhi Painting 225 Subha Basu Kolkata Painting 226 Gouri Moharana Odisha Painting 227 Prabhakar Sahoo Odisha Printmaking 228 Sujoy Das West Bengal Painting 229 Karthik V. Karnataka Graphic/Printmaking 230 Yathi D.R. Kerala Sculpture 231 Kajal Gorai West Bengal/Bankura
Load more

Recommended publications
  • Shuvaprasanna Bhattacharya — Concise Bio
    Shuvaprasanna Bhattacharya — Concise Bio Major Solo Exhibitions − 2011 'Shuvaprasanna: Recent Works', Centre of International Modern Art (CIMA), Kolkata − 2011 Traveling Retrospective at Lalit Kala Akademi; Art Indus; Gallery Nvya, New Delhi; Tao Art Gallery, New Delhi − 2008 ‘Night Watch’, Art Alive Gallery, New Delhi − 2007 ‘Madhura: The Golden Flute’, organized by Indian Contemporary at Visual Arts Centre, Hong Kong − 2006 ‘Evocative Expressions: In Quest of Krishna’, Art Alive Gallery, New Delhi − 2006 ‘Evocative Expressions: In Quest of Krishna’, ITC Sonar Bangla Art Gallery, Kolkata − 2006 ‘The Divine Flute’, Aicon Gallery, USA − 2005 ‘The Golden Flute’, organized by Indian Fine Art at Cymroza Art Gallery, Mumbai − 2004 ‘Lila’, organized by Art Indus, New Delhi at Shridharni Art Gallery, New Delhi − 2004 ‘The Divine Flute’, Gallery ArtsIndia, New York − 2002 ‘Icons and Illusions’, Gallery Arts India, New York − 2002 ‘Madhura’, Art Indus, New Delhi − 2000 ‘Shuvaprasanna’s Icon and Retrospective’, organized by Art Indus at Indira Gandhi National Centre for the Arts, New Delhi − 2000 Fine Art Company, Mumbai − 2000 Gallery Sumukha, Bangalore − 2000 Art world, Chennai − 1998 ‘An Appreciation of Ted Hughes’, Exhibition of Crow Paintings, British Council, Kolkata − 1998 Art Indus, New Delhi − 1995 Painters Home Gallery, Kolkata − 1995 Gallery Sanskritii, New Delhi − 1994 Vadhera Art Gallery, New Delhi − 1994 Galerie Grewal Mohanjeet, Paris, France − 1993 ‘Metropolis’, Portraits of Calcutta, Centre for International Modern Art (CIMA), Kolkata
    [Show full text]
  • Nerve Studio Residency.Indd 2 28/06/13 10:52 PM
    nerve trend Residencies have been part of most vocations – and art is one of them. India has recognised its scope only recently, offering an optimistic platform for many Sleeping With Your Art hen you drive past the long stretch of shanties on Wadibunder Road, WMumbai, you begin to wonder if the essence of art really does linger close by. Your GPS beeps just then, instructing you to take a left turn into a big iron gate. A watchman unquestioningly lets you in as you hoot an impatient honk. Yet, your doubt persists because heavy labour and heavy machinery is all you see around you. It seems like people know the purpose of your visit. A man waves at you to take a turn at the end of the sprawling compound. And just as you do, Space 118 comes into view. In front of you are three occupied studios and to your left stands a cosy-looking cottage of sorts under a brick roof. This is Saloni Doshi’s office. It is cluttered with small sized sculptures and a neat stack of paintings against its walls. With an enthusiastic interest in art’s offerings, this thirty something collector revamped part of an industrial space for the purpose of studio residencies for artists – budding and bloomed. Like most spaces in 2009, it was inaugurated with the intention of focussing on artists with limited exposure to the creative realm’s ecosystem. Graduates and those from smaller towns deem it an honour to be accepted for a residency. Sometimes they need to pay a fee, and at other times it’s a barter of one of their creations.
    [Show full text]
  • Download Excerpt
    the art of the art of CONTENTS January – March 2012 Director’s Note 5 © 2012 Delhi Art Gallery Pvt. Ltd., New Delhi Editor’s Note 7 White, Black And Grey: 10 The Colonial Interface Paula Sengupta ‘Revivalism’ And The 32 11 Hauz Khas Village, New Delhi 110016, India ‘Bengal School’ Tel: 91 11 46005300 Sanjoy Mallik DLF Emporio, Second Floor, Vasant Kunj New Delhi 110070, India History And Utopia 44 Tel: 91 11 41004150 Ina Puri Email: [email protected] www.delhiartgallery.com Late 18th Century -1910 62 PROJECT EDITOR: Kishore Singh 1911-1920 103 EXECUTIVE EDITOR: Shruti Parthasarathy PROJECT COORDINATOR: Nishant and Neha Berlia 1921-1930 120 RESEARCH: Aditya Jha, Puja Kaushik, Poonam Baid, Sukriti Datt 1931-1940 140 PHOTOGRAPHY OF ARTWORKS: Durga Pada Chowdhury 1941-1950 164 RESTORATION: Priya Khanna 1951-1960 208 DESIGN: Madhav Tankha, Vivek Sahni – Vivek Sahni Design 1961-1970 252 PRINT: Archana Printers Pvt. Ltd., New Delhi 1971-1980 298 All rights are reserved under international copyright conventions. No part of this catalogue may be reproduced or utilised in any form or by any means, 1981-1990 340 electronic and mechanical, including photocopying, recording or by any information storage and retrieval system, without prior permission in writing 1991-2010 368 from the publisher. 2000-2010 400 ISBN: 978-93-81217-23-8 Artist Profiles 415 Front cover: Author Profiles 452 Back cover: Artist Groups in Bengal 453 Bibliography 454 Artist Index 461 DIRECTOR’S NOTE engal – the association with its art (and literature, and cinema, and food) is instinctive, almost as if it’s DNA-coded into its people.
    [Show full text]
  • Anuradha Nalapat #100, Adarsh Vista, Vignan Nagar Main Road, [email protected] Vibhutipura, Ph:080 25225700 Bangalore 560037 Anuradhanalapat.Com
    Anuradha Nalapat #100, Adarsh Vista, Vignan Nagar Main Road, [email protected] Vibhutipura, Ph:080 25225700 Bangalore 560037 Anuradhanalapat.com Born in Calicut, Kerala, India – 1967 Education Bachelor of Fine Arts from College of Fine Arts, Thiruvananthapuram, Kerala Work Worked at Lalith Kala Akademi Studios at Madras and Calcutta during 1990 to 1992. Taught Art at Rani Birla High School, Calcutta, 1992 Former member of the Lalit kala Akademi and Sahitya Akademi-2006 Publications Published poetry in: Sahitya Akadami Journal, Indian Literature, The Poetry Chain, Haritham and other journals and magazines. Published poetry in: ‘Mosaic’ by Unisun Publications, Bangalore-2008. Published stories in ‘Many rooms many Voices’ by Katha Lok. Stories in anthology-‘Shrinking Women’ and ‘The Curse of the Bird’ by Unisun Publications, Bangalore-2008. Her story won the third place in the Unisun-British Council competition-2007 Story in South Asian Review-Creative Writing Issue-2008 Anthology of Inklinks- A group of women short story writers, Bangalore- ‘Bhelpuri’-2009 Door in the Wall- 2013 Chicken soup for the Single Soul anthology-2011 Books Book of verse, “Nothing is Safe”- Writers Workshop, Calcutta Naalkavalayile Kuttichathan- stories in Malayalam by Purna Publishers-2011 The little book of Serendipity- 2013 Solo Shows 2013 Art world, Chennai 2012 Sara Arakkal gallery, Bangalore 2010 Kalakriti Art Gallery, Hyderabad 2010 Chaitanya Art Gallery, Kochi 2009 Time and Space Gallery, Bangalore 2005 Chitra Kala Parishat, Bangalore 2005 Lalit Kala Akademi,
    [Show full text]
  • Phaneendra Nath Chaturvedi [email protected] +91 98109 47249
    Phaneendra Nath Chaturvedi [email protected] +91 98109 47249 Phaneendra Nath Chaturvedi unapologetically unmasks the men and women he draws in his large-format works to reveal the grotesque, robotic creatures he believes they really are. Skeletal forms in colorful shirts and dresses populate his multi-piece works on paper, some plugged into an electrical outlet, others held down with barbed wire and nuts and bolts. These anthropomorphic beings focus attention on the artificiality of beautiful appearances and the corruption that he believes has found its way into every aspect of contemporary human existence and interaction. Describing himself as a painter true to his ideology and perception, Phaneendra accepts that his work is provocative, stark and ‘brutally honest’ Phaneendra Nath Chaturvedi did his M. F. A. in painting from College of Arts & Crafts, Faculty of Fine Arts, and University of Lucknow. He worked on the research grant of Lalit Kala Akademi New Delhi and awarded National Scholarship for Young Artist, Ministry of Culture, Govt. of India. He was a visiting faculty at Lucknow College of Architecture, Lucknow. He has received 5 awards including best exhibit award of AIFACS, New Delhi. Phaneendra has participated in almost all major all India exhibitions including national exhibition of Lalit Kala Akademi for last one decade. He has held first solo exhibition at U.P.State Lalit Kala Akademi, Lucknow in 2003. The one being at The Mint, New Delhi 2007 and artist of the month (January) at Saffronart, www.saffronart.com 2008 too, most recent at Karin Weber Gallery, Hong Kong 2012. His works have been exhibited in number of group shows such as Asian Young Artist held at Keumsan Art Gallery, Heyri Art Valley, Korea and Hybrid Trend, contemporary art exhibition at Hangaram Art Museum, Seoul Art Center, Seoul, Korea and most recent is “Ode To Monumental”, at the Lalit Kala Akademi, New Delhi and Jahagir Art Gallery, Mumbai.
    [Show full text]
  • Price List 2015.Indd
    Lalit Kala Publications 2015 Lalit Kala Akademi Rabindra Bhavan, New Delhi-110001 MONOGRAPHS The monographs in the Lalit Kala Series of Contemporary Indian Art have been undertaken by the Lalit Kala Akademi with the intention of popularising the works of India’s leading painters, sculptors and printmakers. Effort is made to present a bird’s eye view of the development of their artistic career. Each monograph is in the format 17.5 x 12 cms. on foreign art paper. It contains a brief introduction of the artist along with colour plates and b/w illustrations. Monographs Available Rs. 1. Dhanraj Bhagat 50 2. Prodosh Das Gupta 50 3. Biren De 50 4. L. Munuswamy 50 5. K. S. Kulkarni 50 6. Ram Gopal Vijaiwargiya 50 7. S. H. Raza 50 8. Y. K. Shukla 50 9. Ranvir Singh Bisht 50 10. V. P. Karmarkar 50 11. Bimal Das Gupta 50 12. Radhamohan 50 13. Sarat Chandra Debo 50 14. Goverdhan Lal Joshi 50 15. P. T. Reddy 50 16. K. Madhava Menon 50 17. Nicholas Roerich 50 18. Amarnath Sehgal 50 19. Chittaprosad 50 20. Kanwal Krishna & Devyani Krishna 50 21. J. Swaminathan 50 22. Gurcharan Singh 50 23. Piraji Sagara 50 24. M. Reddappa Naidu 50 25. Devki Nandan Sharma 75 26. A. P. Santhanaraj 75 27. R. K. Rao 75 28. Balbir Singh Katt 75 29. Sakti Burman 75 30. Kripal Singh Shekhawat 75 Monographs Large Format (Hard Bound 9”x9”) 31. J. Sultan Ali 100 32. Pilloo Pochkhanawala 100 33. Somnath Hore 100 34. V. S. Gaitonde 100 35.
    [Show full text]
  • Exhibit320 Is One of the Leading Contemporary Art Galleries in India
    Exhibit320 is one of the leading contemporary art galleries in India, showcasing contemporary art from the sub - continent, creating a platform for new thoughts and ideas. The emphasis of the exhibition space is on art that engages in new means, both by thoughts and material. This organizational space is for creative endeavour, aesthetic explorations, and furthering visual dialogues. Our aim is to discover and encourage contemporary and evolving talent. Exhibit320, supports seminars,lectures, and discussions, talks that contextualise art within critical discourse. Exhibit320 is located in the heart of Lado Sarai, in capital city of New Delhi, India providing dynamic and creative hub for artists, the arts and its audience. Exhibition Dates – Friday, August 9TH – Friday, September 20th, 2013 Venue – F - 320, Lado Sarai, New Delhi – 110030 Contact – [email protected], 011 4613 0637, www.exhibit320.com Exhibition Details – THE POSSIBILITY OF BEING Curated By – Rahul Bhattacharya Participating Artists – Ashim Purkayasta, Jagannath Panda, Muktinath Mondal, Nataraj Sharma and Rekha Rodwittiya The Possibility of Being The Possibility of Being is a curatorial engagement with five artist immersed in image making with a constant dialogue with Painting and Drawing both in terms of medium and practice. The curation is dedicated to (re) exploring linkages between the image, the socio-political and painterly practices as we come to the end of an era which was (is being) called Contemporary. Among the many developments that marks the term contemporary has been the dominating focus on content that prioritize socially and politically charged subject matters over stylistic experimentation and investigations over Form and Language. It is also marked by its affiliations to the idea of digital progress.
    [Show full text]
  • Mapping the Field of Indian Art Criticism: Post‐Independence Progress Report, April 2010
    AAA Research Grant 2009‐10 Vidya Shivadas Mapping the field of Indian art criticism: Post‐independence Progress Report, April 2010 The Background/Rationale behind the Project Most of my research to date has been on art institutions and museums and how they frame art practice and grapple with discourses on modernism, tradition, nation and identity. But this is a scantily documented field in the Indian context and one has to contend constantly with the lack of information and access to material. It was while researching the National Museum in 2006, for the Getty‐funded Museology and the Colony project, that I had a personal breakthrough. I realized that by closely examining the Journal of Indian Museums1 I would get good leads on the National Museum’s role and mandate, and how this evolved over the years. This was not only in terms of the journal being a repository of information on the museum but in looking at the questions and debates current in the museum world and how these influenced institutional policies. Looking at the post‐independence cultural institutions I realized the need to change strategy and scrutinize the dialectical relationship between institutional spaces and critical discourse that was being produced via art writing. This shift towards mapping art writing in the Indian post‐colonial context is, to follow from Tapati Guha‐Thakurtha2, an examination of how the object field comes to be constituted in text and how this, in turn, affects exhibition and museum practices. In 2009 while working on an essay on the National Gallery of Modern Art, I found a photograph in the 1951 issue of the bi‐monthly bulletin Art News, published by the artist‐led organization, the All India Fine Arts and Crafts Society (AIFACS)3.
    [Show full text]
  • NANDALAL BOSE the Doyen of Indian Art DINKAR KOWSHIK
    NANDALAL BOSE The doyen of Indian art DINKAR KOWSHIK Contents Forebears and Parents School and College Education Nandalal enters the Magic Circle Early Laurels Discovery of Indian Art At Ajanta Okakura The Poet and the Painter Nandalal and Coomaraswamy Interim Ethical Moorings Far Eastern Voyage Wall Paintings Architecture & Museum Notes on His Paintings Art for the Community Depression Artist of the Indian National Congress A Humane and Kindly Being Nandalal and His Students Nandalal’s Views on Art Gandhiji’s Visit —1945 Admirers and Critics Evening Years I am indebted to the following scholars, authors, colleagues and relatives of Acharya Nandalal Bose for their assistance in assembling material for this book. Their writings and information given during personal interviews have been most helpful: Sri Banabehari Gosh, Sri Biswarup Bose, Sm. Gouri Bhanja, Sm. Jamuna Sen, Sri Kanai Samanta, Sri K.G. Subramanyan, Sri Panchanan Mandal, Sri Rabi Paul, Sri Sanat Bagchi, Sm. Uma Das Gupta, Sm. Arnita Sen. I am grateful to Sri Sumitendranath Tagore for his permission to reproduce Acharya Nandalal’s portrait by Abanindranath Tagore on the cover. I thank Dr. L.P. Sihare, Director, National Gallery of Modern Art, for allowing me to use photographs of Acharya Nandalal’s paintings from the collections in the National Gallery. I record my special gratitude to Sm. Jaya Appasamy, who went through the script, edited it and brought it to its present shape. Santiniketan 28 November 1983 DINKAR KOWSHIK Forebears and Parents Madho, Basavan, Govardhan, Bishandas, Mansur, Mukund and Manohar are some of the artists who worked in the imperial ateliers of Akbar and Jehangir.
    [Show full text]
  • Guidelines for Allotment of Art Galleries for Exhibition Lalit Kala Akademi New Delhi
    GUIDELINES FOR ALLOTMENT OF ART GALLERIES FOR EXHIBITION LALIT KALA AKADEMI NEW DELHI 1. The galleries of Lalit Kala Akademi are meant for exhibitions of visual art organized by the Akademi. As part of Akademi’s art promotional activities, the Galleries of the Akademi are allotted for use of visual art exhibition by working artists or any artist or group of artists or the organisation who are promoting Art for a period of one or two weeks for their exhibitions. 2. Akademi invites applications from all over India for the booking of its Art Galleries at Rabindra Bhavan, New Delhi every year in the month of March through an open advertisement in English/Hindi and local newspapers (all editions). 3. Artists/Exhibitors must follow the procedure for applying for the booking of the galleries. The duly filled prescribed application will only be accepted. Incomplete application forms are liable to be rejected. The Akademi’s authority at its sole discretion reserves the right to accept or reject any application for the booking of the gallery. 4. All received applications for the gallery allotment are placed before the Gallery Allotment Committee which consists of senior artists for selection. 5. Selected applicant list is uploaded on Akademi’s website www.lalitkala.gov.in . 6. The application duly filled in all respects will only be considered for the allotment. The exhibitor has to submit their application along with their bio data /about their organization and exhibition in detail along with minimum recent 5 photographs of the proposed exhibits. 7. Applicants who have applied earlier are requested to apply afresh for the booking of Galleries.
    [Show full text]
  • To Art Organisations Rules 2015
    LALIT KALA AKADEMI RABINDRA BHAVAN NEW DELHI Title Financial Assistance to Art Organisations Rules 2015 Eligibility ‘Art Organisation’ includes organisations which are constituted or controlled by Government, associations of artists, voluntary organisations, NGOs, faculties of fine art in universities, art colleges and schools, art galleries, which promote, support and provide a platform to foster excellence in various dimensions of visual art of any type/form. Scope of works for which financial assistance will be given For organizing following art promotional programmes, the Lalit Kala Akademi will be giving financial assistance to the art organisations as per the prescribed eligibility criteria form: 1. Camps 2. Workshops 3. Residency programmes 4. Seminars 5. Exhibitions 6. International art and cultural exchanges including solo exhibitions Quantum of Assistance The Lalit Kala Akademi may sanction assistance to art organisations up to Rs. 5 lacs for the mentioned art promotional programmes. The amount of Rs. 5 lacs could be enhanced up to Rs. 10 lacs in exceptional cases and in case of international events it could be higher depending on the total budget. However, the sanctioned amount by the Lalit Kala Akademi will not exceed 75% of the total project cost. (90% in case of North east art organisations) Procedure for application i. The Lalit Kala Akademi will award assistance only to those registered organisations that have been active for over three years. ii. The organisations will have to submit a copy of their Registration Certificate and Memorandum of Association along with the detailed proposal inclusive of expenditure details of the programme for which they are requesting the Lalit Kala Akademi to release financial assistance.
    [Show full text]
  • Santhana Krishnan
    SANTHANA KRISHNAN EDUCATION 1998 Bachelor of Fine Arts, Bharathidasan University, Government College of Arts & Crafts, Kumbakonam 2000 Master of Fine Arts, Madras University, Government College of Arts & Crafts, Chennai SELECT SOLO SHOWS 2008 Open Doors, Artsmart Gallery, Thiruvananthapuram 2008 Beyond the Threshold, Lalit Kala Akademi, Chennai 2006 The Doors, Focus Art Gallery, Chennai 2002 Doors of India, Manasthala Art Gallery, Chennai SELECT TWO-PERSON SHOWS 2008 Travel India, Shrishti Art Gallery, Hyderabad 2004 Art Expressions, Karnataka Chitrakala Parishath, Bengaluru 2003 Visions of India, Palazzo Art Gallery, Chennai GROUP SHOWS 2009 ARTsmart Collection, Travancore Art Gallery, Delhi 2009 Capital Art Gallery, Taipei, Taiwan 2009 Madras Week Celebration, Dakshinachitra Art Gallery, Chennai 2009 Miles Apart, Point of View Art Gallery, Mumbai 2008 JSL Auction, Taipei, Taiwan 2008 Capital Art Gallery, Taipei, Taiwan 2008 Enduring Images, Athreyaa Art Gallery, Chennai 2007 Hues of South, Karnataka Chitrakala Parishath, Bengaluru 2007 Hues of South, Vinyasa Art Gallery, Chennai 2007 Museum Gallery, Mumbai 2006 Hues of South, Museum Gallery, Mumbai 2002 Manasthala Art Gallery, Chennai 2000 Russian Cultural Centre, Chennai 1999 Chitram Art Gallery, Cochin 1999 MFA Student Show, Lalit Kala Akademi, Chennai 1998 Thuriga - I, Kumbakonam 1998 Thuriga - II, Karnataka Chitrakala Parishath, Bengaluru 1997 Futurist, Karnataka Chitrakala Parishath, Bengaluru 2008 GEMS 2008 Art Auction, Park Sheraton, Chennai 2000-2004 Vinyasa Art Gallery, Chennai
    [Show full text]