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Ludwig-Musser 2010 Concert Percussion Catalog AV8084 2010
Welcome to the world of Ludwig/Musser Concert Percussion. The instruments in this catalog represent the finest quality and sound in percussion instruments today from a company that has been making instruments and accessories in the USA for decades. Ludwig is “The Most famous Name in Drums” since 1909 and Musser is “First in Class” for mallet percussion since 1948. Ludwig & Musser aren’t just brand names, they are men’s names. William F. Ludwig Sr. & William F. Ludwig II were gifted percussionists and astute businessmen who were innovators in the world of percussion. Clair Omar Musser was also a visionary mallet percussionist, composer, designer, engineer and leader who founded the Musser Company to be the American leader in mallet instruments. Both companies originated in the Chicago area. They joined forces in the 1960’s and originated the concept of “Total Percussion.” With our experience as a manufacturer, we have a dedicated staff of craftsmen and marketing professionals that are sensitive to the needs of the percussionist. Several on our staff are active percussionists today and have that same passion for excellence in design, quality and performance as did our founders. We are proud to be an American company competing in a global economy. Musser Marimbas, Xylophones, Chimes, Bells, & Vibraphones are available in a wide range of sizes and models to completely satisfy the needs of beginners, schools, universities and professionals. With a choice of hammered copper, smooth copper or fiberglass bowls, Ludwig Timpani always deliver the full rich sound that generations of timpanists have come to expect from Ludwig. -
Joanne Droppers Collection Biography Joanne Was Born In
Joanne Droppers Collection Biography Joanne was born in Ithaca, NY, on March, 29, 1932, the youngest child of Walter C. and Minnie W. Muenscher. She graduated from Cornell University in 1953 with a bachelor’s degree in music. It was at Cornell that she met and dated Garrett Droppers, who sang in the choir she directed. They were married in August 1953. She originally came to Alfred in 1961, when Garrett was appointed a professor of history at Alfred University. The couple had lived in Madison, WI, and Orono, ME, before settling in Alfred. In addition to being a housewife and mother to their three children, Joanne was employed periodically as an administrative assistant. Joanne loved playing piano and singing with her family. She was organist for several Episcopal congregations, a hand bell ringer, and played violin in local community orchestras. In 1976, she became a member of the American Guild of Carillonneurs and in 1977 she was appointed carillonneur for Alfred University, a position she held for 17 years. As Alfred University carillonneur, Joanne toured the United States and Canada, performing on many North American carillons. She also composed and arranged a number of songs for carillon, including Bach’s Suite #11 for Lute and Tubular Bells. One of her favorite tunes was the Oscar Meyer Weiner jingle, which she arranged for carillon and played at Alfred’s annual Hot Dog Day celebration. Garrett Droppers predeceased Joanne in 1986, and after her retirement in 1994, she moved to Arlington, VA, to be near her grandsons. While in Virginia, she continued her musical pursuits by playing carillons in the area. -
Cathedral Chimestm
32 Cathedral ChimesTM A fresh approach to organ chimes Patented striker design is quiet, efficient, and virtually maintenance free. Dampers lift off tubes for as long as a key is held. Solid state relay with fixed strike pulse timing is included. Very easy to install in most organs. Custom keying cables are available to further simplify installation. Beautiful brushed brass tubes or aluminum chime bars. Also available as an “action only” for use with older chime tubes. Some years ago, Peterson set out to see what could Beautiful satin-finished brass chime tubes or silver be done to modernize and improve the traditional colored anodized aluminum bars are precision tuned tubular chimes that have been part of fine organs for with Peterson stroboscopic tuning instruments and decades. It was quickly realized that chimes and chime engineered for optimal harmonic development. A actions were still being made the same way they had Peterson chime rail and relay may also be provided been made 40 years earlier. They still had the same as an “action only” to replace an old, defective action problems with imprecise tuning; uneven and difficult to while utilizing original tubes having diameters up to adjust actions; heavy and hard-to-install cables; sparking 1-1/2 inches. contacts; and a host of other pitfalls all too well known The Cathedral Chimes system’s easy connection to organbuilders and service technicians. A subsequent to almost any pipe organ requires only a small cable, two-year development program was begun to address making it practical to display chimes and to better and overcome these concerns, and ultimately the TM capitalize on their beautiful appearance. -
The Largely Unsung History of Malta's Bells
14 Baroque Routes - 2014 / 15 The Largely Unsung History of Malta’s Bells By Noel Grima It was a lecture but then it was also an object fixed beam and are rung by moving the clapper lesson. as is typical in southern Sicily from where the tradition seems to have curiously derived. As the audience settled down to listen to the lecture on the bells of Malta in the hall that The more prevalent type of ringing in western forms part of the Birkirkara Collegiate Church, Europe is the swinging method which means the sonorous Birkirkara bells on top of us the bell is fixed to a beam which rotates on its began to solemnly peal the traditional ‘Mota tal- axle thus the actual bell is swung on its fittings Hamis’ which can be heard at around 7pm on hitting its clapper freely to produce a particular Thursdays in the mostly traditionalist parishes, sound effect. Malta can only boast of four along with the tolling of bells at three pm on swinging bells one of which is ironically the Fridays to commemorate the Last Supper and largest bell in Malta. Another three are to be the death of Christ respectively. found on Gozo. The International Institute for Baroque Studies The oldest bell in Malta was cast in Venice at the University of Malta held a public lecture in 1370 and until a few years ago it was still on ‘Maltese Bells and Bell Ringing in the in service at Mdina Cathedral. The bell was Baroque Age’ delivered by Kenneth Cauchi. -
A New History of the Carillon
A New History of the Carillon TIFFANY K. NG Rombouts, Luc. Singing Bronze: A History of Carillon Music. Translated by Com- municationwise. Leuven: Leuven University Press, 2014, 368 pp. HE CARILLON IS HIDDEN IN plain sight: the instrument and its players cannot be found performing in concert halls, yet while carillonneurs and Tkeyboards are invisible, their towers provide a musical soundscape and focal point for over six hundred cities, neighborhoods, campuses, and parks in Europe, North America, and beyond. The carillon, a keyboard instrument of at least two octaves of precisely tuned bronze bells, played from a mechanical- action keyboard and pedalboard, and usually concealed in a tower, has not received a comprehensive historical treatment since André Lehr’s The Art of the Carillon in the Low Countries (1991). A Dutch bellfounder and campanologist, Lehr contributed a positivist history that was far-ranging and thorough. In 1998, Alain Corbin’s important study Village Bells: Sound and Meaning in the Nineteenth-Century French Countryside (translated from the 1994 French original) approached the broader field of campanology as a history of the senses.1 Belgian carillonneur and musicologist Luc Rombouts has now compiled his extensive knowledge of carillon history in the Netherlands, Belgium, and the United States, as well as of less visible carillon cultures from Curaçao to Japan, into Singing Bronze: A History of Carillon Music, the most valuable scholarly account of the instrument to date. Rombouts’s original Dutch book, Zingend Brons (Leuven: Davidsfonds, 2010), is the more comprehensive version of the two, directed at a general readership in the Low Countries familiar with carillon music, and at carillonneurs and music scholars. -
Change Ringing
G. L. van der Sluijs Change ringing Bachelor thesis, June 7, 2016 Supervisor: dr. M. J. Bright Mathematisch Instituut, Universiteit Leiden Contents Introduction 3 1 Preliminaries 4 1.1 Change ringing terminology . 4 1.2 Words.................................. 7 2 The existence of an extent 8 2.1 Plain changes . 8 2.2 The Cayley graph . 8 2.3 Existence of an extent using only three changes . 10 3 Grandsire Triples 12 3.1 Description and basic properties . 12 3.2 Thompson’s proof . 14 3.3 The largest possible touch . 16 4 Rankin’s campanological theorem 18 4.1 Rankin’s theorem . 18 4.2 Application to Grandsire Triples . 18 4.3 Application to Double Norwich Court Bob Major . 19 5 The existence and construction of extents 21 5.1 Extent existence theorems . 21 5.2 Existence of Plain Bob Major extent with special bob leads . 23 5.3 Extent construction of Plain Bob Doubles . 23 References 26 2 Introduction This bachelor thesis will be concerned with the old English art of ringing church bells called change ringing. The development of change ringing in the early 17th century was mainly due to the invention of the full-circle wheel on which the bells were mounted. By pulling a rope, a bell would make a rotation of almost 360 degrees with a period of approximately two seconds. The time between two strikes of the same bell could be controlled rather accurately, which made it possible to ring a certain number of bells all after each other and keep repeating this in the same order. -
S'pring Carill-O'n Festival 1996
S'PRING CARILL-O'N FESTIVAL 1996 Margo Halsted has been the University Carillonneur and Assistant Professor of Campanology at the University of Friday, April 26 ~;::t:;:;:==~ Michigan School of Music since September 1987. For the 5 years 1977-87 she was Lecturer in Music and Carillon 5:00p.m. Carillon Recital neur at the University of California Riverside. Her Tin-shi Tam, ISU Carillonneur degrees are from Stanford University in Music and Education and the University of California, River side, in Music. In 1981 she earned a diploma from the Netherlands Carillon School. f=.===t~====~t=~ As a carillon recitalist, Halsted has performed Saturday, April 27 r extensively in the United States and Europe. Interested in early carillon music, she has dis covered, researched and published articles on 2:00 p.m. Seminar two historic manuscripts from Antwerp, and "The Carillon of Yesterday and she is currently working on publishing some Today" of the oldest carillon music found to date. Five Margo Halsted, guest carillonneur of her carillon compositions have been published. Music Hall, Room 130 Margo Halsted is an active participant in the Guild of Caril t=t====~ lonneurs in North America. She has been the consultant 3:00p.m. Carillon Recital for five chime and carillon installations. In 1995, the Margo Halsted, guest carillonneur GCNA presented her with a certificate for "Exceptional Service." 4:00 p.m. Campanile Tour Halsted was awarded the Berkeley Medal from the University of California, Berkeley, is an Honorary Member of the Belgian Carillon School and is listed in Who's Who in American Music. -
Bellfounders.Pdf
| ============================================================== | ============================================================== | | | | | | TERMS OF USE | | | | | CARILLONS OF THE WORLD | The PDF files which constitute the online edition of this | | --------- -- --- ----- | publication are subject to the following terms of use: | | | (1) Only the copy of each file which is resident on the | | | GCNA Website is sharable. That copy is subject to revision | | Privately published on behalf of the | at any time without prior notice to anyone. | | World Carillon Federation and its member societies | (2) A visitor to the GCNA Website may download any of the | | | available PDF files to that individual's personal computer | | by | via a Web browser solely for viewing and optionally for | | | printing at most one copy of each page. | | Carl Scott Zimmerman | (3) A file copy so downloaded may not be further repro- | | Chairman of the former | duced or distributed in any manner, except as incidental to | | Special Committee on Tower and Carillon Statistics, | the course of regularly scheduled backups of the disk on | | The Guild of Carillonneurs in North America | which it temporarily resides. In particular, it may not be | | | subject to file sharing over a network. | | ------------------------------------------------------- | (4) A print copy so made may not be further reproduced. | | | | | Online Edition (a set of Portable Document Format files) | | | | CONTENTS | | Copyright November 2007 by Carl Scott Zimmerman | | | | The main purpose of this publication is to identify and | | All rights reserved. No part of this publication may | describe all of the traditional carillons in the world. But | | be reproduced, stored in a retrieval system, or trans- | it also covers electrified carillons, chimes, rings, zvons | | mitted, in any form other than its original, or by any | and other instruments or collections of 8 or more tower bells | | means (electronic, photographic, xerographic, recording | (even if not in a tower), and other significant tower bells. -
Bell Ringers' Bruises and Broken Bones: Capers and Crises in Campanology
necrosis of one rectus abdominis, a comparatively two out of 12 patients survived2). The lesson for today small weight of muscle, and from this the patient died is that many of these dialyses for traumatic anuria of uraemia a few days later. Compartmental muscle are avoidable by adequate first aid hydration and necrosis may have a similar outcome."9 alkalinisation as well as by an adequate dietary regimen The most important finding of this work in New- during recovery. castle, however, was the very high incidence of Finally, tribute should be paid to the Medical BMJ: first published as 10.1136/bmj.301.6766.1415 on 22 December 1990. Downloaded from death and of uraemia after resuscitation in patients Research Council, its scientific workers, and the with fractures of the pelvis. Many muscle fibres (as enthusiastic physicians, surgeons, pathologists, and contrasted with muscle tendons) are attached to nurses of the emergency medical service and of the the pelvis, and traumatic ruptures of muscle bellies armed forces during the war years-they contributed produce considerable ischaemic muscle necrosis due so much to our knowledge of this subject. mostly to damage to small blood vessels. Erasmus Barlow and I thought that such cases should be given 1 Bywaters EGL, Beall D. Crush injuries and renal function. BM7 1941;i: 427-32. adequate alkaline fluid on admission, both by mouth 2 Bywaters EGL. Ischaemic muscle necrosis. JAMA 1944;124:1103-9. and by vein. 3 Richards NT, Tattersall J, McCann M, Samson A, Mathias P, Johnson A. Dialysis for acute renal failure due to crush injuries after the Armenian By early 1945 we were back in London, then under earthquake. -
TC 1-19.30 Percussion Techniques
TC 1-19.30 Percussion Techniques JULY 2018 DISTRIBUTION RESTRICTION: Approved for public release: distribution is unlimited. Headquarters, Department of the Army This publication is available at the Army Publishing Directorate site (https://armypubs.army.mil), and the Central Army Registry site (https://atiam.train.army.mil/catalog/dashboard) *TC 1-19.30 (TC 12-43) Training Circular Headquarters No. 1-19.30 Department of the Army Washington, DC, 25 July 2018 Percussion Techniques Contents Page PREFACE................................................................................................................... vii INTRODUCTION ......................................................................................................... xi Chapter 1 BASIC PRINCIPLES OF PERCUSSION PLAYING ................................................. 1-1 History ........................................................................................................................ 1-1 Definitions .................................................................................................................. 1-1 Total Percussionist .................................................................................................... 1-1 General Rules for Percussion Performance .............................................................. 1-2 Chapter 2 SNARE DRUM .......................................................................................................... 2-1 Snare Drum: Physical Composition and Construction ............................................. -
Campanologist Chronicles
25 24 CAMPANOLOGIST CHRONICLES The Parish Church has an up and coming band of ringers. Not only do they ring the bells for Sunday services and Tuesday practice night’s, but they also help with the ringing the church bells at Albury and Little Hadham. There aren’t as many ringers about as there once were. Bell ringing is something for both young and old. It helps keep you both physi- cally and mentally fit. It is a quite a commitment, week in week out ringing for both Sunday services and practice nights, as well as the occasional wedding and christening. Many of you will remember Charlie Jordan, he was taught to ring when he was 12 years old and was still ringing at 80. The bells at Much Hadham are hung for full circle ringing. This is where a wheel and rope are attached to the side each bell and the bell is swung back and forth on a headstock by a bell ringer through a little more than 360 degrees to get bell over the balance point for setting in a safe position of rest. Learning to ring is a bit like learning to ride bike. Letting go of the rope at the right time so you don’t go up in the air, helps! The ringing that takes place in known as ‘change ringing’ with both call chang- es and method ringing being rung. Due to the full circle ringing each bell can be carefully controlled to ‘strike’ with its clapper once every change. The simplest change is called ‘Rounds’ where the bells are in the order of 12345678, bells can be called to move one place at a time to reach tuneful changes such as ‘Queens’ 13572468 or ‘Whittington’s’ 12753468 “turn again Whittington” as Dick did all those years ago on his way to London. -
Educational Programs Given at ABA Conventions 19662015
Educational Programs Given at ABA Conventions 19662015 2015 – KANSAS CITY, MISSOURI Fostoria Bells Lynda Randolph, Lecturer The Making of the Convention Bell Kathleen Collins, Lecturer Bells: Red, White & Blue Marg Oelrich, Lecturer The Lives & Bells of Curtis & Lenore Hammond Betty Goodson, Lecturer Salamander Bells Ruth Mularcik, Lecturer The Lives & Bells of Dorothy Anthony & Gerry Ballantyne The Sacred Chimes of Asia Betty Goodson, Lecturer Sita Venkataramani, Lecturer Who Lives in a House Like This? Russian Traditions Through Bells Joan Elliott, Lecturer Larissa Franczek, Lecturer Scrubbers – Land of Vishnu, Rikki Tikki Tavi, Small Facts About Big Bells Siddhartha Neil Goeppinger, Lecturer Ed Hendzlik, Lecturer 2013 – ATLANTA, GEORGIA Metal Companion Pieces Alan Burgdorf, Lecturer Georgia Bells A to Z Ossie Parrott, Lecturer A Few Porcelain Things Denny Moore, Lecturer Convention Bell & Bell Foundry on Wheels Verdin Co., Dave Verdin, Lecturer Going, Going, Gone on eBay Marilyn Grismere, Lecturer Blue Bells Jan Martin, Lecturer Bears, Bells & Bear Bells Rhonda Galle and Mary Anderson, Lecturers Bells I Can't Sell Laura Johnson, Lecturer The Making of the Convention Bell Kathleen Collins, Lecturer What is that on my bell? Judy Blake, Lecture Bells of Wood and Rattles Pat Peterson, Lecturer Christmas and Bells, Ringing in the Holidays Roger Cusick, Lecturer 2014 – RICHMOND, VIRGINIA The challenge of making marriage bells Understanding Filigree Art glass Bells Don Murat, Lecturer Virginia Wilson and Tony Toccalino, Lecturers Locomotive