The Predicaments of People Whose Suicide Was Captured on Film
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Look Up, America! La Vita All'ombra Di Wall Street
Look up, America! La vita all’ombra di Wall Street Published on iItaly.org (http://www.iitaly.org) Look up, America! La vita all’ombra di Wall Street Francesca Di Folco (November 17, 2012) Il teatro dell’Orologio, a due passi da Largo Argentina, nel cuore nella Capitale ospita il monologo sulla storia di un ex top-manager che, folgorato dalla traversata del funambolo francese Philippe Petit 27 anni prima tra le Twin Towers, decide di cambiare vita. i-Italy ha intervistato l’attore Ugo Dighero e il regista Marco Melloni che ci hanno regalato il loro personali punti di vista sull’opera Page 1 of 10 Look up, America! La vita all’ombra di Wall Street Published on iItaly.org (http://www.iitaly.org) Buio screziato di luce fioca, sul palco cartoni e newspaper sparsi qua e là, per sfondo uno schermo sul quale scorrono spaccati di vita newyorkese... Su tutto, giochi di colori e fari iridescenti inquadrano un manichino vestito dell’eloquente scritta “One song, one dollar” e, coricato a terra, un clochard avvolto in una tenda di cartone. C’è questo e molto altro a far da cornice ad una piccola produzione teatrale indipendente, capace di accendere gli animi... E’ la serata del 6 novembre, ricca di emozioni, forecasting, ed exit poll rivolti all’altro capo dell’oceano per le elezioni presidenziali americane, quando, varcando la soglia del teatro dell’Orologio, su Corso Vittorio Emanuele a Roma, assistiamo a Look up, America!, monologo per la regia di Marco Melloni, recitato da un eccelso Ugo Dighero [2], dove sono entrambi autori. -
Shock Rhetoric
The University of Southern Mississippi The Aquila Digital Community Dissertations Fall 12-2010 Shock Rhetoric David Robert Nelson University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Critical and Cultural Studies Commons, Journalism Studies Commons, Organizational Communication Commons, Social Influence and oliticalP Communication Commons, and the Speech and Rhetorical Studies Commons Recommended Citation Nelson, David Robert, "Shock Rhetoric" (2010). Dissertations. 500. https://aquila.usm.edu/dissertations/500 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi SHOCK RHETORIC by David Robert Nelson Abstract of a Dissertation Submitted to the Graduate School of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 2010 ABSTRACT SHOCK RHETORIC by David Robert Nelson December 2010 Social movements create a public perception of themselves through rhetorical messages and demonstrations. In order to gain the public’s attention, some radical groups use any rhetorical means necessary, including offensive remarks and conduct. Groups, such as the Westboro Baptist Church and Bash Back!, rhetorically challenge the boundaries of prudence. The purpose of this study is to identify, depict, and provide insight regarding shock rhetoric. This study will compare protest methods, visual imagery, and language choices used by Bash Back! and the Westboro Baptist Church. This dissertation helps illuminate why and how groups or individuals use shock rhetoric. -
Dying in Full Detail: Mortality and Digital Documentary
DYING IN FULL DETAIL This page intentionally left blank DYING IN FULL DETAIL mortality and digital documentary Jennifer Malkowski Duke University Press • Durham and London • 2017 © 2017 duke university press All rights reserved Printed in the United States of America on acid-free paper ∞ Text designed by Courtney Leigh Baker Typeset in Whitman and Futura by Graphic Composition, Inc., Bogart, GA Library of Congress Cataloging-in-Publication Data Names: Malkowski, Jennifer, [date]– author. Title: Dying in full detail : mortality and digital documentary / Jennifer Malkowski. Description: Durham : Duke University Press, 2017. | Includes bibliographical references and index. Identifiers: lccn 2016034893 isbn 9780822363002 (hardcover : alk. paper) isbn 9780822363156 (pbk. : alk. paper) isbn 9780822373414 (ebook) Subjects: lcsh: Documentary films—Production and direction—Moral and ethical aspects. | Documentary mass media. | Death in motion pictures. | Digital cinematography—Technique. Classification: lcc pn1995.9.d6 m33 2017 | ddc 070.1/ 8—dc23 lc record available at https:// lccn.loc .gov/ 2016034893 Cover art: ap Photo/Richard Drew FOR JOY, my grandmother, who died a good death This page intentionally left blank contents Acknowledgments • ix Introduction • 1 1 3 CAPTURING THE “MOMENT” “A NEGATIVE PLEASURE” photography, film, and suicide’s digital death’s elusive duration sublimity 23 109 2 4 THE ART OF DYING, ON VIDEO STREAMING DEATH deathbed the politics of dying documentaries on youtube 67 155 Conclusion The Nearest Cameras Can Go • 201 Notes • 207 Bibliography • 231 Index • 241 This page intentionally left blank acknowledgments Many people have supported me through my writing of this project, starting in its infancy at Oberlin College, where Geoff Pingree and Pat Day supervised my honors thesis on death in documentary film and gave me the confidence to pursue an academic career. -
The Persistence of Observational Documentary in the Age of Post
Graduate Journal for the Study of Culture // No. 1 - 2nd Series // Issue Suspicion // July 2019 Rehabilitating Observation: The Persistence of Observational Documentary in the Age of Post-Truth Politics Nanna Rebekka Jensen University of Copenhagen / Independent e-mail: [email protected] Abstract | With the postmodernist realignment of our epistemological foundations, contemporary documentary has come to be marked by the idea that problematizing the relationship with the real is inherently good and progressive, and that the core quality of contemporary documentary has come to be its suspicion towards its own relationship to the real (Steyerl 2011; Rangan 2014; Takahashi 2015). In a time, which the assertion of the indiscernibility between fact and fiction has been appropriated by discourses of power I will argue that the facticity of reality needs our attention and care more than our suspicion. Thus, following philosophical proposals for a new empiricism (Latour 2004; Haraway 1988), and a Bazinian ontologization of cinema (Bazin 2005a, 2005b), I will argue for the persistence of observational documentary and a new critical realism set in the vein of contemporary observational documentary practises like Lucien Castaing-Taylor and Véréna Paravel’s Leviathan (2012) and Kevin Jerome Everson’s Tonsler Park (2017). Keywords | documentary theory, truth production, observational documentary, new empiricism, situated knowledges, reflexivity, lens-based capture, representation Diffractions Nanna Rebekka Jensen Rehabilitating Observation 4 - 1 (36) Graduate Journal for the Study of Culture // No. 1 - 2nd Series // Issue Suspicion // July 2019 Documentary cinema is characterized by an unsurpassed frequency with which it reflects on its relationship to truth (Nichols 1991; Balsom 2017b). -
Narrativas Midiáticas Contemporâneas
Organizadores Demétrio de Azeredo Soster Fabiana Piccinin Narrativas Midiáticas Contemporâneas Sujeitos, Corpos e Lugares Santa Cruz do Sul 2019 Editora Catarse Ltda Rua Oswaldo Aranha, 444 Bairro Santo Inácio Santa Cruz do Sul/RS CEP 96820-150 www.editoracatarse.com.br facebook.com/editoracatarse Copyright© dos autores N234 Narrativas midiáticas contemporâneas: sujeitos, corpos e lugares [recurso eletrônico] / Organizadores Demétrio de Azeredo Soster, Fabiana Piccinin - Santa Cruz do Sul: Catarse, 2019. 296 p. : il. Texto eletrônico. Modo de acesso: World Wide Web. 1.Narrativa (Retórica). 2. Jornalismo. 3. Comunicação de massa. 4. Jornalismo – Aspectos políticos. 5. Mídia social. I. Soster, Demétrio de Azeredo. II. Piccinin, Fabiana. III. Rede de Pesquisa Narrativas Midiáticas Contemporâneas. ISBN: 978-85-69563-40-2 CDD: 808 Bibliotecária responsável: Fabiana Lorenzon Prates - CRB 10/1406 Capa, projeto gráfico e diagramação: Mirian Flesch de Oliveira Revisão: Nexus Acadêmico Edição: Demétrio de Azeredo Soster CONSELHO EDITORIAL Ada Cristina Machado Silveira (UFSM) Ana Paula da Rosa (Unisinos) Antonio Fausto Neto (Unisinos) Demétrio de Azeredo Soster (Unisc) Ernesto Söhnle Jr. (Unisc) Eugenia Barichello (UFSM) Eunice Piazza Gai (Unisc) Fabiana Piccinin (Unisc) Fernando Resende (UFF) Gastón Cingolani (Universidad Nacional de las Artes – UNA – Argentina) Jairo Getúlio Ferreira (Unisinos) Jesús Gallindo Cáceres (Benemérita Universidad Autónoma de Puebla – México) João Canavilhas (Universidade de Beira Interior – Portugal) Jorge Pedro de -
Where Shapes Come from Diy Hologram Workshop
BOX OFFICE 0116 242 2800 AR 2017 phoenix.org.uk M CINEMA / art / caFÉ BAR New films — THE LOVE WITCH Fri 10 – Sun 12 Mar VICEROY’S HOUSE FREE FIRE THE LOST CITY OF Z IT’S ONLY THE END OF THE WORLD THIS MONTH — WHERE SHAPES COME FROM Explore how science translates nature, on an atomic scale DIY HOLOGRAM WORKSHOP Free weekend drop-in activity for families MARCH HIGHLIGHTS Box Office242 2800 0116 — FILM / FENCES StagE ON SCREEN / HEDDA GABLER Book Online — www.phoenix.org.uk art / VISIBLE BITS AUDIBLE BYTES EVENT / ZIGGY STARDUST FESTIvaL / SENTIENT FAMILY / LEGO BATMAN COMING NEXT MONTH Available as Silver Screenings – see p7 3 THE SENSE OF AN ENDING THEIR FINEST ELLE 2 – WELCOME An old Phoenix proverb states that when the golden daffodils are resplendent and the golden statuettes GET MORE OUT have been won, spring is just around the corner. March may mean the end of the awards season, but OF PHOENIX WITH an abundance of incredible cinema still abounds. MEMBERSHIP & We’ve crammed an incredible 43 films into our LOYALTY programme this month! Highlights include Gurinder Chadha’s historical drama Viceroy’s House (p10), set in 1947 during the partition of India and starring MY PHOENIX MEMBERS Hugh Bonneville as Lord Mountbatten, the last Viceroy; Hidden Figures (p11), which tells the & FRIENDS GET: inspirational story of the women behind America’s space programme in the 1960s; and The Lost City of Z (p13), a spectacular biopic of intrepid Amazon • 2 free tickets explorer Percy Fawcett. • £1 off cinema and Stage on World cinema fans should look out for The Salesman (p13), from award winning Iranian director Screen tickets Asghar Farhadi. -
24Th HAMPTONS INTERNATIONAL FILM FESTIVAL ANNOUNCES SPOTLIGHT FILMS, WORLD CINEMA, VIEWS from LONG ISLAND, and SHORTS PROGRAM
24th HAMPTONS INTERNATIONAL FILM FESTIVAL ANNOUNCES SPOTLIGHT FILMS, WORLD CINEMA, VIEWS FROM LONG ISLAND, AND SHORTS PROGRAM SPOTLIGHT FILMS TO INCLUDE LA LA LAND, LION AND MOONLIGHT East Hampton, NY (September 20, 2016) - The Hamptons International Film Festival (HIFF) announced today its Spotlight Films, World Cinema, Shorts programs, Views from Long Island, and Special Screenings, to complete the 2016 festival lineup. The 24th edition will take place October 6 – 10, Columbus Day Weekend, with 68 features and 58 shorts representing a total of 32 countries across the globe. “Over Columbus Day Weekend in a spectacular setting, we offer five full days of films for our impassioned audience, including dozens of premieres as well as the breakout hits and award winners from the Sundance, Berlin, Cannes, and Toronto Film Festivals. From the dazzling choreography of LA LA LAND, the quiet beauty of MOONLIGHT, to the belly laughs of TONI ERDMANN, our audiences will see the films that are sure to be counted amongst the most celebrated films of the year,” said HIFF Artistic Director David Nugent. “Additionally this year, we're thrilled to present a Focus on Norwegian Cinema, highlighting one of the most dynamic regions of film production in the world.” This year’s Spotlight Films include the U.S. Premiere of BURN YOUR MAPS and LION; East Coast Premiere of BLEED FOR THIS, CHRISTINE, LA LA LAND and UNA. The Spotlight Films will also feature JULIETA, MOONLIGHT, THE TICKET, and WAKEFIELD. Spotlight Films are presented by Fresh Direct. This year’s World Cinema Documentary titles include the World Premiere of DAVI’S WAY, SCORE: A MUSICAL DOCUMENTARY, SUPERGIRL, and HBO Documentary Films MARATHON: THE PATRIOTS DAY BOMBING; North American Premiere of FRANCA: CHAOS AND CREATION and SANTOALLA; U.S. -
Famous Ohio State Alumni, Former Students, And
FAMOUS OHIO STATE ALUMNI, FORMER STUDENTS, AND FACULTY The attached list of names includes the name of the person, the reason they are famous, and the graduation date, or year(s) at OSU, or their withdrawal (w) date from the University. The names were compiled from various sources including the Alumni Association, a journalism student, and files in the OSU Archives. FAMOUS OHIO STATE ALUMNI, FORMER STUDENTS, AND FACULTY Abel, Alan Hoaxer: 1950 Amstutz, Daniel Former special envoy for agricultural trade and development: 1954 Bassett, Brian Political Cartoonist: w 1978 Batten, William M. Former president of the New York Stock Exchange: 1932 Bellows, George American Artist: 1901-1903 Bogdonich, Walt 1988 Pulitzer Prize for specialized reporting - writer for the Wall Street Journal: 1976 Bowen, Clotilde Marion (Dent) First black female Colonel, U.S. Army: 1943, 1947 Bremner, Robert H. OSU Faculty (1946 to present); specialist in modern American history: 1939, 1943 Bricker, John W. OSU Trustee (1948-1949); U.S. Senator; Ohio Governor; Ohio Attorney General: 1916, 1920, 1939 (Hon.) Brooks, Ned Cadle NBC newscaster - “Meet the Press” moderator: 1924 Brown, Paul E. OSU and Cleveland Browns coach; founded the Cleveland Browns and the Cincinnati Bengals NFL pro-football teams: 1940 Buck, Jack Baseball Announcer for CBS: 1949 Buck, Paul Herman 1938 Pulitzer Prize in history; faculty member and first provost at Harvard University: 1921, 1922, 1946 (Hon.) Buckner, Jennie Rae VP of news - Knight-Ridder: 1969 Caniff, Milton Cartoonist; creator of “Steve Canyon”: 1930 Cates, Harry Louis, Jr. DuPont researcher, guided development of Delrin, a metal-like plastic: 1951 Charct William Hale Led DuPont research team that developed cellophane: 1921, 1923 Christian, Shirley A. -
Sundance Institute Announces Films in Competition and Next for 2016 Sundance Film Festival
FOR IMMEDIATE RELEASE Media Contacts: December 2, 2015 Casey De La Rosa 310.360.1981 [email protected] Elizabeth Latenser 435.658.3456 [email protected] SUNDANCE INSTITUTE ANNOUNCES FILMS IN COMPETITION AND NEXT FOR 2016 SUNDANCE FILM FESTIVAL Festival Programmers Unveil 65 Inventive, Bold and Illuminating Feature Films from 29 Countries (LR) Morris from America, Credit: Sean McElwee; The Lure, Credit: Robert Palka; The Fits, Credit: Paul Yee. Park City, UT — Offering a first look at the year ahead in independent film, culture and new ideas, Sundance Institute announced today the 65 films selected for the U.S. Competition, World Competition and outofcompetition NEXT category set to premiere at the 2016 Sundance Film Festival, January 2131 in Park City, Salt Lake City, Ogden and Sundance, Utah. Films that have premiered in these sections include Beasts of the Southern Wild, Fruitvale Station, Whiplash, Blackfish, The September Issue, The Cove, An Education, Animal Kingdom, Precious, A Girl Walks Home Alone at Night, Obvious Child, Tangerine and Escape from Tomorrow. The Festival is the centerpiece of the yearround public programs for the Institute, which also hosts 24 residency Labs for independent artists in theatre, film, new media and episodic content and grants more than $2.5 million to independent artists each year. Robert Redford, President and Founder of Sundance Institute, said, “From diverse backgrounds, places and perspectives, these independent artists are united by the power of their stories and vision. Their films will soon launch onto the global stage, beginning their journeys through our culture. A new year in independent film will start right here—on the mountain—in January.” Keri Putnam, Executive Director of Sundance Institute, said, “At a time when bigbudget blockbusters and free online content are ubiquitous, independent filmmakers continue to be extraordinarily creative, artful and inventive. -
Pueden Bajar Este Numero Acá Directamente Desde
dcp DÉJÀ(RECUE RDOSVU DE UN VERANO) www.disfruteconpoco.cl POR:WERNER FETT Para muchos el verano pasa sin pena ni glo- street art, por que se ve cómodamente en la ria, para otros son momentos inol-vidables, calle. algunos nunca salen de su escritorio y otros Parece ser que estamos rodeados de almas dejan de dormir en su propia cama. El verano renacentistas. Ya no cuesta nada encontrar es ambiguo, todo funciona de manera dispar, pintores-guionistas-músicos, o músicos- el tiempo se detiene entre la flojera y la fiesta grafiteros-escritores, o ingenieros-fotógra- interminable. Después de estos tres meses fos-postedores de algún sitio, y así, muchas de letargo, nos encontramos cara a cara con otras combinaciones de gente hiperquinética nuestra “dura” realidad: Marzo, donde todo que destina gran parte de su energía a comu- vuelve a comenzar y el tiempo retoma sus an- nicar en los diferentes formatos de nuestros danzas, las angustias se vuelven a posicionar, tiempos, y es por esto que creo que nuestra el cansancio vuelve inmediatamente y como misión es dar a conocer a todos estos grandes por arte de magia las ojeras florecen por muy talentos. descansados que vengamos. Debo reconocer a esta altura que yo fuí de los que nunca dejó Mientras a algunos les crecía el estómago, su escritorio, mis ojeras nunca desaparecieron otros simplemente no pararon sus trans- y toda la agustia laboral permaneció donde misiones. Mientras algunos perdieron masa mismo. Y es por esta razón que pude darme encefálica debido a los excesos, otros no supi- cuenta de todo lo anterior, sobre todo en lo eron que hacer con tanta información. -
Hidden Figures March 2017
PROGRAMME HIDDEN FIGURES MARCH 2017 “possibly Britain’s most beautiful cinema..” (BBC) Britain’s Best Cinema – Guardian Film Awards MARCH 2017 • ISSUE 144 www.therexberkhamsted.com 01442 877759 Mon-Sat 10.30-6.30pm Sun 4.30-5.30pm BEST IN MARCH CONTENTS Films At A Glance 16-17 Rants & Pants 25-27 BOX OFFICE: 01442 877759 Mon to Sat 10.30-6.30 Butch Cassidy and The Sundance Kid If we should show it once a year, this 26th March, is this year’s best day. Sun 4.30-5.30 See page 21 SEAT PRICES FILMS OF THE MONTH Circle £9.00 Concessions £7.50 Table £11.00 Concessions £9.50 Royal Box Seat (Seats 6) £13.00 Whole Royal Box £73.00 All matinees £5, £6.50, £10 (box) Disabled and flat access: through the gate on High Street (right of apartments) Denial Christine A tense dangerous true story of A tragic life story, measured Director: James Hannaway clear truth over ugly lies (aren’t all perfectly by the most un-tragic 01442 877999 lies ugly…) See page 8 Rebecca Hall. See page 13 Advertising: Chloe Butler 01442 877999 Artwork: Demiurge Design 01296 668739 The Rex High Street (Three Close Lane) Berkhamsted, Herts HP4 2FG www.therexberkhamsted.com Hidden Figures Fifty Shades Darker Yet another ‘true story’. Three And this is probably the only true “ Unhesitatingly The Rex mathematicians, essential to ‘true story’. Told with certain style is the best cinema I have 1950’s NASA, just happen to be in the ‘eloquent filth’ dept. ever..” (STimes Culture) black and female. -
FOIA Logs for Federal Communications Commission (FCC)
Description of document: FOIA CASE LOGS for: the Federal Communications Commission (FCC), Washington, DC for 2004 - 2007 Requested date: 27-November-2007 Released date: 10-December-2007 Posted date: 11-December-2007 Title of Document FCC FOIA Request Control Log Report - FOIA Calendar Year Report By Date Range Calendar 10101/2004 to 09/30/2005 Calendar 10/01/2005 to 09/30/2006 Calendar 10/01/2006 to 09/30/2007 Calendar 10/01/2007 to 12/10/2007 Date/date range of document: 30-September-2004 – 10-December-2007 Source of document: Federal Communications Commission 445 12th Street, S.W., Room 1-A836 Washington, D.C. 20554 Phone: 202-418-0440 or 202-418-0212 Fax: 202-418-2826 or 202-418-0521 E-mail: [email protected] The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file Federal Communications Commission Washington, D.C. 20554 December 10,2007 Re: FOIA Control No.: 2008-081 This responds to your Freedom of Information Act (FOIA) request which the Federal Communications Commission (Commission) FOIA Office received on November 27, 2007 for an "electronic copy ofthe FOIA Case Logs for the FCC for the time period FY200S and FY2006 and FY2007 to the present." As you have requested, enclosed are the FOIA logs listing all requests received by the Commission pursuant to the Freedom of Information Act during the period from October 1, 2004 to present.