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The State and Cultural Dynamics of Canadian Inter-War Anthropology Andrew Nurse
Document généré le 28 sept. 2021 17:02 Scientia Canadensis Canadian Journal of the History of Science, Technology and Medicine Revue canadienne d'histoire des sciences, des techniques et de la médecine The Ambiguities of Disciplinary Professionalization: The State and Cultural Dynamics of Canadian Inter-war Anthropology Andrew Nurse Volume 30, numéro 2, 2007 Résumé de l'article La professionnalisation de l’anthropologie canadienne dans la première moitié URI : https://id.erudit.org/iderudit/800546ar du 20e siècle fut étroitement liée à la matrice de l’État fédéral, tout d’abord par DOI : https://doi.org/10.7202/800546ar l’entremise de la division anthropologique de la Comission géologique du Canada, et ensuite par le biais du Musée national. Les anthropologues de l’État Aller au sommaire du numéro possèdent alors un statut professionnel ambigu à la fois comme fonctionnaires et comme anthropologues dévoués aux impératifs méthodologiques et disciplinaires de la science sociale moderne, mais limités et guidés par les Éditeur(s) exigences du service civil. Leur position au sein de l’État a favorisé le développement de la discipline, mais a également compromis l’autonomie CSTHA/AHSTC disciplinaire. Pour faire face aux limites imposées par l’État au soutien de leur discipline, les anthropologues de la fonction publique ont entretenu différents ISSN réseaux culturels, intellectuels, et comercialement-orientés qui ont servi à soutenir les nouveaux développements de leur champ, particulièrement dans 0829-2507 (imprimé) l’étude du folklore. Le présent essai examine ces dynamiques et suggère que le 1918-7750 (numérique) développement disciplinaire de l’anthropologie ne crée pas de dislocations entre la recherche professionnelle et la société civile. -
The State and Cultural Dynamics of Canadian Inter-War Anthropology Andrew Nurse
Document generated on 09/30/2021 5:47 p.m. Scientia Canadensis Canadian Journal of the History of Science, Technology and Medicine Revue canadienne d'histoire des sciences, des techniques et de la médecine The Ambiguities of Disciplinary Professionalization: The State and Cultural Dynamics of Canadian Inter-war Anthropology Andrew Nurse Volume 30, Number 2, 2007 Article abstract The professionalization of Canadian anthropology in the first half of the URI: https://id.erudit.org/iderudit/800546ar twentieth century was tied closely to the matrix of the federal state, first DOI: https://doi.org/10.7202/800546ar though the Anthropology Division of the Geological Survey of Canada and then the National Museum. State anthropologists occupied an ambiguous See table of contents professional status as both civil servants and anthropologists committed to the methodological and disciplinary imperatives of modern social science but bounded and guided by the operation of the civil service. Their position within Publisher(s) the state served to both advance disciplinary development but also compromised disciplinary autonomy. To address the boundaries the state CSTHA/AHSTC imposed on its support for anthropology, state anthropologists cultivated cultural, intellectual, and commercially-oriented networks that served to ISSN sustain new developments in their field, particularly in folklore. This essay examines these dynamics and suggests that anthropology's disciplinary 0829-2507 (print) development did not create a disjunctive between professionalized scholarship 1918-7750 (digital) and civil society. Explore this journal Cite this article Nurse, A. (2007). The Ambiguities of Disciplinary Professionalization: The State and Cultural Dynamics of Canadian Inter-war Anthropology. Scientia Canadensis, 30(2), 37–53. -
Diamond Jenness (1886-1969)
Diamond Jenness (1886-1969) HENRY B. COLLINS and WILLIAM E. TAYLOR Jr. Canada’smost distinguished anthropologist, Dr. Diamond Jenness, formerly Chiefof the Division of Anthropology, National Museums of Canada, and Honorary Associate of the Arctic Institute of North America, died peacefully at his home in the Gatineau Hills near Ottawa on 29 November, 1969. He was one of that rapidly-vanishing, virtually extinct kind - the all round anthropolo- gist, who, working seriously, turned out first-class publications in all four major branches of the discipline : ethnology, linguistics, archaeology, and physical anthropology. One must also add a fifth: applied anthropology, a fitting designa- tion for theseries of monographs on Eskimo administration in Alaska, Canada, and Greenland which he wrote after his retirement and which were published by the Arctic Institute between 1962 and 1968. Diamond Jennesswas born in Wellington,New Zealand, on 10 February 1886, and attended Victoria University College, one of the four branches of the University ofNew Zealand, wherehe graduated withfirst class honours in classics in 1908. Later he studied at Balliol College, Oxford, under one of the outstanding ethnologists of the time, Professor R. R. Marett. He received both a B.A. in Lit. Hum. and a diploma in Anthropology at Oxford in 1911. In 191 1-12 he was designated Oxford Scholar in Papua and was sent by the Uni- versity to make anthropological studies among the Northern d’Entrecasteaux, a primitive tribe dwelling on the islands of the D’Entrecasteaux Archipelago off the east coast of New Guinea. The results of this first field-work were published by Oxford University (1 920a). -
SMITHSONIAN INSTITUTION Music of the Indians of British Columbia by FRANCES DENSMORE
SMITHSONIAN INSTITUTION Bureau of American Ethnology Bulletin 136 Anthropological Papers, No. 27 Music of the Indians of British Columbia By FRANCES DENSMORE FOREWORD Many tribes and locations are represented in the present work, differing from the writer's former books,^ which have generally con- sidered the music of only one tribe. This material from widely sep- arated regions was available at Chilliwack, British Columbia, during the season of hop-picking, the Indians being employed in the fields. The work was made possible by the courtesy of Canadian officials. Grateful acknowledgment is made to Dr. Duncan Campbell Scott, Deputy Superintendent General, Department of Indian Affairs at Ot- tawa, who provided a letter of credential, and to Mr. C. C. Perry, In- dian agent at Vancouver, and Indian Commissioner A. O. N. Daunt, Indian agent at New Westminster, who extended assistance and co- operation. Acknowledgment is also made of the courtesy of Walter Withers, corporal (later sergeant). Royal Canadian Mounted Police, who acted as escort between Chilliwack and the hop camp, and as- sisted the work in many ways. Courtesies were also extended by municipal officers in Chilliwack and by the executive office of the Columbia Hop Co., in whose camp the work was conducted. This is the writer's first musical work in Canada and the results are important as a basis of comparison between the songs of Canad- ian Indians and those of Indians residing in the United States. On this trip the writer had the helpful companionship of her sis- ter, Margaret Densmore. iSee bibliography (Densmore, 1910, 1913, 1918, 1922, 1923, 1926, 1928, 1929, 1929 a, 1929 b, 1932, 1932 a, 1936, 1937, 1938, 1939, 1942). -
A. L. Kroeber Papers, 1869-1972
http://oac.cdlib.org/findaid/ark:/13030/tf3d5n99tn No online items Guide to the A. L. Kroeber Papers, 1869-1972 Processed by Xiuzhi Zhou Jane Bassett Lauren Lassleben Claora Styron; machine-readable finding aid created by James Lake The Bancroft Library. University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu © 1998 The Regents of the University of California. All rights reserved. Note History --History, University of California --History, UC BerkeleyGeographical (by Place) --University of California --University of California BerkeleySocial Sciences --AnthropologySocial Sciences --Area and Interdisciplinary Studies --Native American Studies Guide to the A. L. Kroeber BANC FILM 2049 BANC MSS C-B 925 1 Papers, 1869-1972 Guide to the A. L. Kroeber Papers, 1869-1972 Collection number: BANC FILM 2049 BANC MSS C-B 925 The Bancroft Library University of California, Berkeley Berkeley, California Contact Information: The Bancroft Library. University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu Processed by: Xiuzhi Zhou Jane Bassett Lauren Lassleben Claora Styron Date Completed: 1997 Encoded by: James Lake © 1998 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: A. L. Kroeber Papers, Date (inclusive): 1869-1972 Collection Number: BANC FILM 2049 BANC MSS C-B 925 Creator: Kroeber, A. L. (Alfred Louis), 1876-1960 Extent: Originals: 40 boxes, 21 cartons, 14 volumes, 9 oversize folders (circa 45 linear feet)Copies: 187 microfilm reels: negative (Rich. -
Linton, Ralph
ANTHROPOLOGY THOUGHT JUNE 2019 Linton, Ralph Ralph Linton (1893–1953), American cultural anthropologist, was one of the major contributors to the reconstruction of anthropology during the second quarter of the twentieth century. Trained in the traditions of the North American “historical school” of anthropology, Lin ton remained loyal throughout his career to the broad interests and general principles established by Franz Boas and other American anthropologists. But with the publication in 1936 of The Study of Man, which was quickly recognized by social scientists all over the world as a pioneering study of human behavior, he embarked on a series of creative and stimulating studies which provided new conceptions of social structure and cultural organization. He related these conceptions in a clear if somewhat simple manner to the biological individual and his personality and utilized them in his analyses of the processes of cultural change. Linton belonged to the “third generation” of American academic anthropologists, succeeding such second-generation students of Putnam and Boas as Wissler, Dixon, Kroeber, Goldenweiser, Lowie, Sapir, and Radin. These academicians, together with a number of outstanding journeymen and masters involved more in field research than in teaching, had created a distinctive variety of anthropology. Like Tylor in England, they had a holistic approach to human studies which is still, thanks in part to Linton, a mark of American anthropology. In the Americas much more than in Europe almost all anthropological study and training had been nurtured by experience in the field and disciplined by the empiricism required by field work on specific problems treating the temporal and spatial dimensions of culture. -
A Cultural View of Music Therapy: Music and Beliefs of Teton Sioux Shamans, with Reference to the Work of Frances Densmore
Butler University Digital Commons @ Butler University Graduate Thesis Collection Graduate Scholarship 5-1999 A Cultural View of Music Therapy: Music and Beliefs of Teton Sioux Shamans, with Reference to the Work of Frances Densmore Stephanie B. Thorne Butler University Follow this and additional works at: https://digitalcommons.butler.edu/grtheses Part of the Anthropology Commons, and the Music Commons Recommended Citation Thorne, Stephanie B., "A Cultural View of Music Therapy: Music and Beliefs of Teton Sioux Shamans, with Reference to the Work of Frances Densmore" (1999). Graduate Thesis Collection. 253. https://digitalcommons.butler.edu/grtheses/253 This Thesis is brought to you for free and open access by the Graduate Scholarship at Digital Commons @ Butler University. It has been accepted for inclusion in Graduate Thesis Collection by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. -- CERTIFICATE FORM Name of Candidate: Stephanie B. Thome Oral Examination Date: ___W=e",dn",e",s",d""aYz."",J",un",-e"--"2"-3,~1,,,,9 ,,,,9,,,9,---________ COmmUtteeChaUpe~on: __~D~r~.~P~enn~y~D~Urun~~i~c~k ______________________ Committee Members: Dr. Sue Kenyon, Dr. Tim Brimmer, Dr. Wayne Wentzel, Mr. Henry Leck Thesis Title: A Cultural View of Music Therapy: Music and Beliefs of Teton Shamans, with Reference to the Work of Frances Densmore Thesis approved in final fonn: """"" Date: ____________:::::~ _________ Major professor: __----'D"'r"' . ..!.P-"e"'nn"'y.L...!.D"'im!!.!!.m""'ic"'k~ ___________________________ II • A CULTURAL VIEW OF MUSIC THERAPY: MUSIC AND BELIEFS OF TETON SIOUX SHAMANS, WITH REFERENCE TO THE WORK OF FRANCES DENSMORE by Stephanie B. -
Clyde Kluckhohn
NATIONAL ACADEMY OF SCIENCES C LYDE KAY MA B E N K LUCKHOHN 1905—1960 A Biographical Memoir by MELVILLE J. H ERSKOVITS Any opinions expressed in this memoir are those of the author(s) and do not necessarily reflect the views of the National Academy of Sciences. Biographical Memoir COPYRIGHT 1964 NATIONAL ACADEMY OF SCIENCES WASHINGTON D.C. CLYDE KAY MABEN KLUCKHOHN January n, igo^—July 28, ig6o BY MELVILLE J. HERSKOVITS HEN CLYDE KLUCKHOHN was seventeen years old ill health W caused him to spend two years in New Mexico and Arizona, on what he later described as "the fringes of the Indian Country." This experience was to be decisive in shaping his subsequent career as an anthropologist. It brought into focus what, in his own words, was "the fact that I grew up in an English settlement in Iowa and early perceived, however dimly, a cross-cultural situation." It was this perception, steadily sharpened by continuous field research, omnivorous reading, and constant probing for theoretical implica- tion, that brought him to the point of achievement and reputa- tion he had attained when a coronary thrombosis abruptly ended his life in the very Indian country where he had worked, and which he so greatly loved. During all his scientific career he consistently followed both mi- croethnographic and macroethnographic lines of anthropological in- terest. There are, in various parts of die world, those who are dis- tinguished because of the skill with which they have probed ever more deeply into particular cultures, but it is difficult to name one who is as deeply concerned with theoretical significance as with ethnographic fact. -
Creating a Roadmap for the Future of Music at the Smithsonian
Creating a Roadmap for the Future of Music at the Smithsonian A summary of the main discussion points generated at a two-day conference organized by the Smithsonian Music group, a pan- Institutional committee, with the support of Grand Challenges Consortia Level One funding June 2012 Produced by the Office of Policy and Analysis (OP&A) Contents Acknowledgements .................................................................................................................................. 3 Introduction ................................................................................................................................................ 4 Background ............................................................................................................................................ 4 Conference Participants ..................................................................................................................... 5 Report Structure and Other Conference Records ............................................................................ 7 Key Takeaway ........................................................................................................................................... 8 Smithsonian Music: Locus of Leadership and an Integrated Approach .............................. 8 Conference Proceedings ...................................................................................................................... 10 Remarks from SI Leadership ........................................................................................................ -
2017 Fernald Caroline Dissert
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE THE VISUALIZATION OF THE AMERICAN SOUTHWEST: ETHNOGRAPHY, TOURISM, AND AMERICAN INDIAN SOUVENIR ARTS A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By CAROLINE JEAN FERNALD Norman, Oklahoma 2017 THE VISUALIZATION OF THE AMERICAN SOUTHWEST: ETHNOGRAPHY, TOURISM, AND AMERICAN INDIAN SOUVENIR ARTS A DISSERTATION APPROVED FOR THE SCHOOL OF VISUAL ARTS BY ______________________________ Dr. W. Jackson Rushing, III, Chair ______________________________ Mr. B. Byron Price ______________________________ Dr. Alison Fields ______________________________ Dr. Kenneth Haltman ______________________________ Dr. David Wrobel © Copyright by CAROLINE JEAN FERNALD 2017 All Rights Reserved. For James Hagerty Acknowledgements I wish to extend my most sincere appreciation to my dissertation committee. Your influence on my work is, perhaps, apparent, but I am truly grateful for the guidance you have provided over the years. Your patience and support while I balanced the weight of a museum career and the completion of my dissertation meant the world! I would certainly be remiss to not thank the staff, trustees, and volunteers at the Millicent Rogers Museum for bearing with me while I finalized my degree. Your kind words, enthusiasm, and encouragement were greatly appreciated. I know I looked dreadfully tired in the weeks prior to the completion of my dissertation and I thank you for not mentioning it. The Couse Foundation, the University of Oklahoma’s Charles M. Russell Center, and the School of Visual Arts, likewise, deserve a heartfelt thank you for introducing me to the wonderful world of Taos and supporting my research. A very special thank you is needed for Ginnie and Ernie Leavitt, Carl Jones, and Byron Price. -
Examination of Otis T. Mason's Standard of Authenticity| Salvage Ethnography and Indian Baskets at the Smithsonian Institution
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2002 Examination of Otis T. Mason's standard of authenticity| Salvage ethnography and Indian baskets at the Smithsonian Institution Zachary T. Androus The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Androus, Zachary T., "Examination of Otis T. Mason's standard of authenticity| Salvage ethnography and Indian baskets at the Smithsonian Institution" (2002). Graduate Student Theses, Dissertations, & Professional Papers. 2282. https://scholarworks.umt.edu/etd/2282 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike MANSFIELD LIBRARY The University of Montana Permission is granted by the author to reproduce this material in its entirety, provided that this material is used for scholarly purposes and is properly cited in published works and reports. **Please check "Yes" or "No" and provide signature** Yes, I grant permission __ No, I do not grant permission __ Author's Signature; Date: Any copying for commercial purposes or financial gain may be undertaken only with the author's explicit consent. 8/98 An Examination of Otis T. Mason’s Standard of Authenticity; Salvage Ethnography and Indian Baskets at the Smithsonian Institution by Zachary T. -
Permanent War on Peru's Periphery: Frontier Identity
id2653500 pdfMachine by Broadgun Software - a great PDF writer! - a great PDF creator! - http://www.pdfmachine.com http://www.broadgun.com ’S PERIPHERY: FRONT PERMANENT WAR ON PERU IER IDENTITY AND THE POLITICS OF CONFLICT IN 17TH CENTURY CHILE. By Eugene Clark Berger Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in History August, 2006 Nashville, Tennessee Approved: Date: Jane Landers August, 2006 Marshall Eakin August, 2006 Daniel Usner August, 2006 íos Eddie Wright-R August, 2006 áuregui Carlos J August, 2006 id2725625 pdfMachine by Broadgun Software - a great PDF writer! - a great PDF creator! - http://www.pdfmachine.com http://www.broadgun.com HISTORY ’ PERMANENT WAR ON PERU S PERIPHERY: FRONTIER IDENTITY AND THE POLITICS OF CONFLICT IN 17TH-CENTURY CHILE EUGENE CLARK BERGER Dissertation under the direction of Professor Jane Landers This dissertation argues that rather than making a concerted effort to stabilize the Spanish-indigenous frontier in the south of the colony, colonists and indigenous residents of 17th century Chile purposefully perpetuated the conflict to benefit personally from the spoils of war and use to their advantage the resources sent by viceregal authorities to fight it. Using original documents I gathered in research trips to Chile and Spain, I am able to reconstruct the debates that went on both sides of the Atlantic over funds, protection from ’ th pirates, and indigenous slavery that so defined Chile s formative 17 century. While my conclusions are unique, frontier residents from Paraguay to northern New Spain were also dealing with volatile indigenous alliances, threats from European enemies, and questions about how their tiny settlements could get and keep the attention of the crown.