Papers of Beatrice Mary Blackwood (1889–1975) Pitt Rivers Museum, University of Oxford

Total Page:16

File Type:pdf, Size:1020Kb

Papers of Beatrice Mary Blackwood (1889–1975) Pitt Rivers Museum, University of Oxford PAPERS OF BEATRICE MARY BLACKWOOD (1889–1975) PITT RIVERS MUSEUM, UNIVERSITY OF OXFORD Compiled by B. Asbury and M. Peckett, 2013-15 Box 1 Correspondence A-D Envelope A (Box 1) 1. Letter from TH Ainsworth of the City Museum, Vancouver, Canada, to Beatrice Blackwood, 20 May 1955. Summary: Acknowledging receipt of the Pitt Rivers Report for 1954. “The Museum as an institution seems beset with more difficulties than any other.” Giving details of the developing organisation of the Vancouver Museum and its index card system. Asking for a copy of Mr Bradford’s BBC talk on the “Lost Continent of Atlantis”. Notification that Mr Menzies’ health has meant he cannot return to work at the Museum. 2pp. 2. Letter from TH Ainsworth of the City Museum, Vancouver, Canada, to Beatrice Blackwood, 20 July 1955. Summary: Thanks for the “Lost Continent of Atlantis” information. The two Museums have similar indexing problems. Excavations have been resumed at the Great Fraser Midden at Marpole under Dr Borden, who has dated the site to 50 AD using Carbon-14 samples. 2pp. 3. Letter from TH Ainsworth of the City Museum, Vancouver, Canada, to Beatrice Blackwood, 12 June 1957. Summary: Acknowledging the Pitt Rivers Museum Annual Report. News of Mr Menzies and his health. The Vancouver Museum is expanding into enlarged premises. “Until now, the City Museum has truly been a cultural orphan.” 1pp. 4. Letter from TH Ainsworth of the City Museum, Vancouver, Canada, to Beatrice Blackwood, 16 June 1959. Summary: Acknowledging the Pitt Rivers Museum Annual Report. News of Vancouver Museum developments. News of Mr Menzies. 1pp. 5. Letter from TH Ainsworth of the City Museum, Vancouver, Canada, to Beatrice Blackwood, 8 April 1960. Summary: Comments on the news of Beatrice Blackwood’s official retirement. Mr Ainsworth quotes a poem about old age. Comments on Beatrice Blackwood’s plan for a trip across Canada and news of Mr Menzies. 2pp. 6. Letter from TH Ainsworth of the City Museum, Vancouver, Canada, to Beatrice Blackwood, 19 September 1961. Summary: Acknowledging the Pitt Rivers Museum Annual Report for 1959-60. Discussion about the activities of retirement. “This has been a busy year” for the Vancouver Museum. Another poem is enclosed, this time by Ainsworth himself. 2pp. 7. Letter from TH Ainsworth, previously of the City Museum, Vancouver, Canada, to Beatrice Blackwood, 15 August 1963. Summary: Acknowledging a letter and the Pitt Rivers Museum Annual Report. Ainsworth has had a serious heart attack. A possibly unsatisfactory American successor to him has been appointed, but he still hopes Beatrice Blackwood will visit Vancouver one day. 1pp. 8. Letter from TH Ainsworth, previously of the City Museum, Vancouver, Canada, to Beatrice Blackwood, 19 June 1968. Summary: Acknowledging the Pitt Rivers Museum Annual Report. Ainsworth’s bad health. A new museum is being brought into existence, but it may have difficulties in building itself a reputation in comparison to those in the Old World. Ainsworth hopes to counteract this with displays of “native Indian culture”. 2pp. 9. Letter from TH Ainsworth, previously of the City Museum, Vancouver, Canada, to Beatrice Blackwood, 28 September 1969. Summary: Acknowledging the Pitt Rivers Museum Annual Report and pleased that “you are still going strong regardless of the shortage of staff”. Ainsworth’s health is bad and other personal news, but he has been able to visit the new Vancouver Centennial Museum, which is all that he had hoped for. Dr B Reynolds has been promoted to the position of Chief Ethnologist at the Museum of Man in Ottawa. 2pp. 10. Letter from TH Ainsworth, previously of the City Museum, Vancouver, Canada, to Beatrice Blackwood, 6 November 1970. Summary: Acknowledging the Pitt Rivers Museum Annual Report. Ainsworth’s health is still bad. In a separate mailing, he is donating to the Pitt Rivers Museum a series of photographs of stone figures with a description. He asks for “enlightenment”. Attached to this letter is a copy of Beatrice Blackwood’s reply, dated 11 December 1970, giving good feedback on a book of Ainsworth’s poems and some photographs of British Colombia. She looks forward to receiving the photographs of the stone figures, but is doubtful that anyone in Oxford will be able to help him with them. 2pp. 11. Letter from Mrs Barbara Aitken (formerly Miss Freire Marecco) in Stockbridge, Hampshire, to Beatrice Blackwood, 20 January 1948. Summary: She is sending a copy of Mena’s book for Beatrice Blackwood to borrow. Her theory that people from the northern Pueblos “were always patrilineal” and Spanish administration has been a major cause of change. (See also Box 18, Envelope 5, item 2, Envelope 8, item 4, Envelope 9, item 5, and Box 25, Envelope 2, item 8.) 1pp. 12. Postcard from Mrs Barbara Aitken, postmarked in Winchester, to Beatrice Blackwood, 2 June 1948. Summary: Thanks for a book and recommendations of two others on Navajo textiles and silverwork with suggestions of how to get copies. Her work on Spanish influence on pueblo culture and desire for Beatrice Blackwood to trace the executors of Mrs RB Townshend in order to acquire a Navajo dress. 1pc. 13. Letter from Mrs Barbara Aitken in Broughton, Stockbridge, to Beatrice Blackwood, 4 June (no year). Summary: Thanks for a reprinted paper and the Pitt Rivers Annual Report. She has had to give up working on a paper for the Folklore Society due to ill health. Her husband, Robert Aitken, is trying to source some agricultural equipment. (There is also a pencilled note in different handwriting with references to articles about playing cards.) 1pp. 14. Letter from Mrs Barbara Aitken in Stockbridge, Hampshire, to Beatrice Blackwood, 14 July (no year). Summary: An enquiry about “the date of the transition from head- hunting to scalp-taking in the Pueblo country” and for clarifications in her understanding of a book illustration. Some advice on a forthcoming trip to Spain. 1pp. 15. Letter from Mrs Barbara Aitken in Broughton, Stockbridge, to Beatrice Blackwood, 8 October (no year). Summary: Thanks for a letter and pleasure to know that Beatrice Blackwood transferred to the Pitt Rivers Museum in 1935. Apologies for not finishing the article about the “Pueblo Indian protest” and an update about her health. 1pp. 16. Letter from Mrs Barbara Aitken in Broughton, Stockbridge, to Beatrice Blackwood, 18 October (no year). Summary: Thanks for a letter and looking forward to meeting TK Penniman one day. Willingness for the Denver Art Museum to have “the catalogue notes” and a discussion of her research into weaving and Spanish influence. 1pp. 17. Postcard from Mrs Barbara Aitken, postmarked in Broughton, Stockbridge, to Beatrice Blackwood, 25 April 1954. Summary: Thanks for the Report and encouragement to make a photographic record before moving to the “new building”. 1pc. 18. Postcard from Mrs Barbara Aitken, postmarked in Winchester, to Beatrice Blackwood (date illegible). Summary: Thanks for the Report, which she will send on to New Mexico, USA. 1pc. 19. Letter from Mrs Barbara Aitken in Broughton, Stockbridge, to Beatrice Blackwood, 9 June (no year). Summary: Best wishes for Beatrice Blackwood’s retirement and thanks for the Report. Encouragement to claim some of the Navajo items she and her husband, Robert, have collected when they die. 1pp. 20. Letter from Robert Aitken in Broughton, Stockbridge, to Beatrice Blackwood, 13 August 1962. Summary: Sending papers on basketwork. References to materials on ploughs and agricultural implements, and queries whether anyone at the Pitt Rivers Museum has ever researched methods of carrying loads. Asks for recommendations of good typists. 1pp. 21. Postcard from Violet Alford in Summertown, Oxford, to Beatrice Blackwood, 2 December 1942. Summary: Thanks for a letter to the Smithsonian Institution and promising to send the Secretary’s letter back shortly. 1pc. 22. Letter from Elisabeth Allard, Pinner, Middlesex (now Harrow), to Beatrice Blackwood, 2 November 1941. Summary: Thanks for a letter, apologies for not visiting last time she was in Oxford, but she has handed in her thesis and got a job in Bombay. (See also Box 21, Envelope 1, item 5.) 1pp. 23. Letter from Maude Rex Allen in Berkeley, California, USA, to Beatrice Blackwood (no date). Summary: Thanks for the Report and a note. Details of where she has moved to in California and reminiscences of Oxford. References to her “chosen subject”, chapters of her book and Prof and Mrs Cohn. 3pp. 24. Letter from Maude Rex Allen in Berkeley, California, USA, to Beatrice Blackwood, 10 June (no year). Summary: Thanks for a letter and Report. Personal news and the death of Mary Wheelwright of the Navajo Museum. A reference to Dr Cohn at Oxford and praise of the Pitt Rivers Museum. 2pp. 25. Letter from Anita (no surname) in Hardwicke, Gloucestershire, to Beatrice Blackwood, 26 December 1942. Summary: A personal letter, describing hitchhiking to get home for Christmas and someone’s controversial prosthetic nose. 1pp. 26. Letter from Anita (no surname) in Baruton, Midlothian, to Beatrice Blackwood, 21 June 1946. Summary: Asking for help and careers advice now that she has moved to Scotland. 2pp. 27. Letter from Anita (no surname) in Horsham, Sussex, to Beatrice Blackwood, 16 October 1946. Summary: Thanks for a letter, and an update about her movements and recent holiday. 1pp. Envelope B (Box 1) 1. Letter from Thomas H Bagshawe in Cambridge, to Beatrice Blackwood, 19 June 1951. Summary: Thanks for an article and Report, and update of his family’s health. 1pp. 2. Letter from Thomas H Bagshawe in Bletchley, Buckinghamshire, to Beatrice Blackwood, 28 June 1953. Summary: Thanks for a letter and Report. An update on his move to a very old house and his diminishing hopes of establishing the “English Museum”.
Recommended publications
  • The State and Cultural Dynamics of Canadian Inter-War Anthropology Andrew Nurse
    Document généré le 28 sept. 2021 17:02 Scientia Canadensis Canadian Journal of the History of Science, Technology and Medicine Revue canadienne d'histoire des sciences, des techniques et de la médecine The Ambiguities of Disciplinary Professionalization: The State and Cultural Dynamics of Canadian Inter-war Anthropology Andrew Nurse Volume 30, numéro 2, 2007 Résumé de l'article La professionnalisation de l’anthropologie canadienne dans la première moitié URI : https://id.erudit.org/iderudit/800546ar du 20e siècle fut étroitement liée à la matrice de l’État fédéral, tout d’abord par DOI : https://doi.org/10.7202/800546ar l’entremise de la division anthropologique de la Comission géologique du Canada, et ensuite par le biais du Musée national. Les anthropologues de l’État Aller au sommaire du numéro possèdent alors un statut professionnel ambigu à la fois comme fonctionnaires et comme anthropologues dévoués aux impératifs méthodologiques et disciplinaires de la science sociale moderne, mais limités et guidés par les Éditeur(s) exigences du service civil. Leur position au sein de l’État a favorisé le développement de la discipline, mais a également compromis l’autonomie CSTHA/AHSTC disciplinaire. Pour faire face aux limites imposées par l’État au soutien de leur discipline, les anthropologues de la fonction publique ont entretenu différents ISSN réseaux culturels, intellectuels, et comercialement-orientés qui ont servi à soutenir les nouveaux développements de leur champ, particulièrement dans 0829-2507 (imprimé) l’étude du folklore. Le présent essai examine ces dynamiques et suggère que le 1918-7750 (numérique) développement disciplinaire de l’anthropologie ne crée pas de dislocations entre la recherche professionnelle et la société civile.
    [Show full text]
  • The State and Cultural Dynamics of Canadian Inter-War Anthropology Andrew Nurse
    Document generated on 09/30/2021 5:47 p.m. Scientia Canadensis Canadian Journal of the History of Science, Technology and Medicine Revue canadienne d'histoire des sciences, des techniques et de la médecine The Ambiguities of Disciplinary Professionalization: The State and Cultural Dynamics of Canadian Inter-war Anthropology Andrew Nurse Volume 30, Number 2, 2007 Article abstract The professionalization of Canadian anthropology in the first half of the URI: https://id.erudit.org/iderudit/800546ar twentieth century was tied closely to the matrix of the federal state, first DOI: https://doi.org/10.7202/800546ar though the Anthropology Division of the Geological Survey of Canada and then the National Museum. State anthropologists occupied an ambiguous See table of contents professional status as both civil servants and anthropologists committed to the methodological and disciplinary imperatives of modern social science but bounded and guided by the operation of the civil service. Their position within Publisher(s) the state served to both advance disciplinary development but also compromised disciplinary autonomy. To address the boundaries the state CSTHA/AHSTC imposed on its support for anthropology, state anthropologists cultivated cultural, intellectual, and commercially-oriented networks that served to ISSN sustain new developments in their field, particularly in folklore. This essay examines these dynamics and suggests that anthropology's disciplinary 0829-2507 (print) development did not create a disjunctive between professionalized scholarship 1918-7750 (digital) and civil society. Explore this journal Cite this article Nurse, A. (2007). The Ambiguities of Disciplinary Professionalization: The State and Cultural Dynamics of Canadian Inter-war Anthropology. Scientia Canadensis, 30(2), 37–53.
    [Show full text]
  • Diamond Jenness (1886-1969)
    Diamond Jenness (1886-1969) HENRY B. COLLINS and WILLIAM E. TAYLOR Jr. Canada’smost distinguished anthropologist, Dr. Diamond Jenness, formerly Chiefof the Division of Anthropology, National Museums of Canada, and Honorary Associate of the Arctic Institute of North America, died peacefully at his home in the Gatineau Hills near Ottawa on 29 November, 1969. He was one of that rapidly-vanishing, virtually extinct kind - the all round anthropolo- gist, who, working seriously, turned out first-class publications in all four major branches of the discipline : ethnology, linguistics, archaeology, and physical anthropology. One must also add a fifth: applied anthropology, a fitting designa- tion for theseries of monographs on Eskimo administration in Alaska, Canada, and Greenland which he wrote after his retirement and which were published by the Arctic Institute between 1962 and 1968. Diamond Jennesswas born in Wellington,New Zealand, on 10 February 1886, and attended Victoria University College, one of the four branches of the University ofNew Zealand, wherehe graduated withfirst class honours in classics in 1908. Later he studied at Balliol College, Oxford, under one of the outstanding ethnologists of the time, Professor R. R. Marett. He received both a B.A. in Lit. Hum. and a diploma in Anthropology at Oxford in 1911. In 191 1-12 he was designated Oxford Scholar in Papua and was sent by the Uni- versity to make anthropological studies among the Northern d’Entrecasteaux, a primitive tribe dwelling on the islands of the D’Entrecasteaux Archipelago off the east coast of New Guinea. The results of this first field-work were published by Oxford University (1 920a).
    [Show full text]
  • SEAN LYNCH a BLOW by BLOW ACCOUNT of STONE CARVING in OXFORD 12 April – 8 June This Exhibition Presents the Varied Practice of Artist Sean Lynch (B
    MODERN ART OXFORD SEAN LYNCH A BLOW BY BLOW ACCOUNT OF STONE CARVING IN OXFORD 12 April – 8 June This exhibition presents the varied practice of artist Sean Lynch (b. Kerry, Ireland, 1978) through a range of works including sculpture, photographs and a slide projection located in Modern Art Oxford’s yard, shop, Project Space and cafe. Lynch is interested in recovering moments in history which have thus far eluded popular consciousness. Adopting an ethnographic approach to his research, he reassembles lost artefacts, fragments and narratives to present an alternative perspective on the past. For this exhibition, Lynch concentrates primarily on the legacy of the O’Shea brothers, stone carvers from Ireland whose handiwork can be seen in Oxford today. Known for their skilled carvings adorning significant Victorian buildings in Dublin created during the 1850s, the O’Sheas were invited by the University of Oxford to work on the new Museum of Natural History. Lynch’s slide projection, presented in the Project Space, explores a controversy that arose after the O’Sheas carved a series of monkeys into the facade of the Natural History Museum. Construed as a reference to Darwin’s then contentious theory of evolution; the brothers were dismissed, only to attempt a final rebellious carving of parrots and owls over the doorway of the museum, intended to caricature the authorities of the University. Lynch carefully weaves this tale into the documented history of The Ark, the UK’s first public museum located in Lambeth, London and founded in the 1630s by John Tradescant, whose collection later formed the basis of the Ashmolean Museum.
    [Show full text]
  • Marine-Oriented Sama-Bajao People and Their Search for Human Rights
    Marine-Oriented Sama-Bajao People and Their Search for Human Rights AURORA ROXAS-LIM* Abstract This research focuses on the ongoing socioeconomic transformation of the sea-oriented Sama-Bajao whose sad plight caught the attention of the government authorities due to the outbreak of violent hostilities between the armed Bangsa Moro rebels and the Armed Forces of the Philippines in the 1970s. Among hundreds of refugees who were resettled on land, the Sama- Bajao, who avoid conflicts and do not engage in battles, were displaced and driven further out to sea. Many sought refuge in neighboring islands mainly to Sabah, Borneo, where they have relatives, trading partners, and allies. Massive displacements of the civilian populations in Mindanao, Sulu, and Tawi- Tawi that spilled over to outlying Malaysia and Indonesia forced the central government to take action. This research is an offshoot of my findings as a volunteer field researcher of the Commission on Human Rights (CHR) and the National Commission on Indigenous People (NCIP) to monitor the implementation of the Indigenous People’s Rights to their Ancestral Domain (IPRA Law RA 8371 of 1997). Keywords: inter-ethnic relations, Sama-Bajao, Taosug, nomadism, demarcation of national boundaries, identity and citizenship, human rights of indigenous peoples * Email: [email protected] V olum e 18 (2017) Roxas-Lim Introduction 1 The Sama-Bajao people are among the sea-oriented populations in the Philippines and Southeast Asia. Sama-Bajao are mentioned together and are often indistinguishable from each other since they speak the same Samal language, live in close proximity with each other, and intermarry.
    [Show full text]
  • Collections Development Policy
    Collections Development Policy Acquisition and disposal of collections Contents 1 Relationship to other relevant policies/plans of the organisation ......................................... 3 2 History of the collections ...................................................................................................... 4 3 An overview of the current collections.................................................................................. 4 4 Themes and priorities for future collecting ........................................................................... 7 5 Themes and priorities for rationalisation and disposal ........................................................... 8 6 Legal and ethical framework for acquisition and disposal of items ........................................ 9 7 Collecting policies of other museums ................................................................................... 9 8 Archival holdings .................................................................................................................. 9 9 Acquisition .......................................................................................................................... 10 10 Human Remains ................................................................................................................ 11 11 Biological and geological material ...................................................................................... 11 12 Archaeological material ....................................................................................................
    [Show full text]
  • Susan Giordano APPPOINTMENTS
    FIRST CLASS LIKE US ON MAIL Paul Z. Martin, Jr. FACEBOOK U.S. POSTAGE PAID Auction Manager & Consultant Ephrata, PA 17522 P.O. Box 99 Permit #171 New Holland, PA 17557 PUBLIC AUCTION [email protected] 717-354-6671 www.martinauctioneers.com of the private collection of Don’t Miss This Auction Susan Giordano PUBLIC starting at 160 Bungay Road - Seymour, CT 06483 9 AM AUCTION th of the private Saturday, July 27 2019 collection of Susan Giordano This is an auction you don’t want to miss. 160 Bungay Road - Seymour, CT 06483 Approximately 45 coaches, carriages & sleighs. Hundreds of fine appointments and antiques. Large collection of Horse Brass. Saturday, July 27th 2019 See inside for We will probably be selling with two auctioneers part of the day. details! APPPOINTMENTS Lot #27 - Road Coach / Park Drag Lot #15 - Restored Brewster Slat Side Break Brewster Lot #18 - Restored Brewster Drop Front Phaeton In New Condition – Imported from serial #18934 Full cut under 5th wheel - Lamps sell separately w/Folding Top Brewster & Co., NY Serial #25312 Germany, Built by Mendyka and Black Body, green wheels & gear, red striping, carries Kuhnle Tags of Germany wheels on rubber, shafts Wicker umbrella basket, has rear hydraulic brakes, pole, leader bars, ladder - Lamps sell separately Coaching Print of Mr. Pickwick English Coaching Print arriving at the Blue Lion Lot #26 - Restored 4 Passenger Albany Cutter Sleigh J C Miller & Son, #3 Size Toe-Board Lamp & Heavy Brass Case w/signed “Cross” – The Thornhurst PA Has pole & yoke Lamp and Case are both signed, Brewster & Co.
    [Show full text]
  • Brass Bands of the World a Historical Directory
    Brass Bands of the World a historical directory Kurow Haka Brass Band, New Zealand, 1901 Gavin Holman January 2019 Introduction Contents Introduction ........................................................................................................................ 6 Angola................................................................................................................................ 12 Australia – Australian Capital Territory ......................................................................... 13 Australia – New South Wales .......................................................................................... 14 Australia – Northern Territory ....................................................................................... 42 Australia – Queensland ................................................................................................... 43 Australia – South Australia ............................................................................................. 58 Australia – Tasmania ....................................................................................................... 68 Australia – Victoria .......................................................................................................... 73 Australia – Western Australia ....................................................................................... 101 Australia – other ............................................................................................................. 105 Austria ............................................................................................................................
    [Show full text]
  • Words of the World: a Global History of the Oxford English Dictionary
    DOWNLOAD CSS Notes, Books, MCQs, Magazines www.thecsspoint.com Download CSS Notes Download CSS Books Download CSS Magazines Download CSS MCQs Download CSS Past Papers The CSS Point, Pakistan’s The Best Online FREE Web source for All CSS Aspirants. Email: [email protected] BUY CSS / PMS / NTS & GENERAL KNOWLEDGE BOOKS ONLINE CASH ON DELIVERY ALL OVER PAKISTAN Visit Now: WWW.CSSBOOKS.NET For Oder & Inquiry Call/SMS/WhatsApp 0333 6042057 – 0726 540316 Words of the World Most people think of the Oxford English Dictionary (OED) as a distinctly British product. Begun in England 150 years ago, it took more than 60 years to complete, and when it was finally finished in 1928, the British prime minister heralded it as a ‘national treasure’. It maintained this image throughout the twentieth century, and in 2006 the English public voted it an ‘Icon of England’, alongside Marmite, Buckingham Palace, and the bowler hat. But this book shows that the dictionary is not as ‘British’ as we all thought. The linguist and lexicographer, Sarah Ogilvie, combines her insider knowledge and experience with impeccable research to show that the OED is in fact an international product in both its content and its making. She examines the policies and practices of the various editors, applies qualitative and quantitative analysis, and finds new OED archival materials in the form of letters, reports, and proofs. She demonstrates that the OED,in its use of readers from all over the world and its coverage of World English, is in fact a global text. sarah ogilvie is Director of the Australian National Dictionary Centre, Reader in Linguistics at the Australian National University, and Chief Editor of Oxford Dictionaries, Australia.
    [Show full text]
  • A British Reflection: the Relationship Between Dante's Comedy and The
    A British Reflection: the Relationship between Dante’s Comedy and the Italian Fascist Movement and Regime during the 1920s and 1930s with references to the Risorgimento. Keon Esky A thesis submitted in fulfilment of requirements for the degree of Doctor of Philosophy, Faculty of Arts and Social Sciences. University of Sydney 2016 KEON ESKY Fig. 1 Raffaello Sanzio, ‘La Disputa’ (detail) 1510-11, Fresco - Stanza della Segnatura, Palazzi Pontifici, Vatican. KEON ESKY ii I dedicate this thesis to my late father who would have wanted me to embark on such a journey, and to my partner who with patience and love has never stopped believing that I could do it. KEON ESKY iii ACKNOWLEDGEMENTS This thesis owes a debt of gratitude to many people in many different countries, and indeed continents. They have all contributed in various measures to the completion of this endeavour. However, this study is deeply indebted first and foremost to my supervisor Dr. Francesco Borghesi. Without his assistance throughout these many years, this thesis would not have been possible. For his support, patience, motivation, and vast knowledge I shall be forever thankful. He truly was my Virgil. Besides my supervisor, I would like to thank the whole Department of Italian Studies at the University of Sydney, who have patiently worked with me and assisted me when I needed it. My sincere thanks go to Dr. Rubino and the rest of the committees that in the years have formed the panel for the Annual Reviews for their insightful comments and encouragement, but equally for their firm questioning, which helped me widening the scope of my research and accept other perspectives.
    [Show full text]
  • Transculturation and Indigenous Amungme Women of Papua
    Transculturation and Indigenous Amungme women of Papua, Indonesia Josina Octovina Wospakrik A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy School of Humanities and Languages Faculty of Arts and Social Sciences April 2019 i ii iii INCLUSION OF PUBLICATIONS STATEMENT UNSW is supportive of candidates publishing their research results during their candidature as detailed in the UNSW Thesis Examination Procedure. Publications can be used in their thesis in lieu of a Chapter if: The student contributed greater than 50% of the content in the publication and is the “primary author”, ie. the student was responsible primarily for the planning, execution and preparation of the work for publication The student has approval to include the publication in their thesis in lieu of a Chapter from their supervisor and Postgraduate Coordinator. The publication is not subject to any obligations or contractual agreements with a third party that would constrain its inclusion in the thesis Please indicate whether this thesis contains published material or not. This thesis contains no publications, either published or submitted for publication ☒ (if this box is checked, you may delete all the material on page 2) Some of the work described in this thesis has been published and it has been documented in the relevant Chapters with acknowledgement (if this box is ☐ checked, you may delete all the material on page 2) This thesis has publications (either published or submitted for publication) ☐ incorporated into it in lieu of a chapter and the details are presented below CANDIDATE’S DECLARATION I declare that: I have complied with the Thesis Examination Procedure where I have used a publication in lieu of a Chapter, the listed publication(s) below meet(s) the requirements to be included in the thesis.
    [Show full text]
  • What Happens When You Die? from the Smallest to the Greatest, from the Richest to the Poorest, Everyone Eventually Dies
    The Real Truth A MAGAZINE RESTORING PLAIN UNDERSTANDING This article was printed from www.realtruth.org. ARTICLE FROM JULY - AUGUST 2006 ISSUE What Happens When You Die? From the smallest to the greatest, from the richest to the poorest, everyone eventually dies. But what happens after death? Can you know for sure? BY KEVIN D. DENEE enjamin Franklin wrote, “In this world nothing can be said to be certain, except death and taxes.” Every minute on earth, B 108 people die. Ultimately, everyone dies. It is not a matter of if, but when. Sadly, and due to a wide variety of reasons and circumstances, some seek death, considering it the only solution. Others try to delay the inevitable through good health. Still others tragically lose their lives through time and chance. Sometimes disease or other illnesses bring a death sentence, leaving the person with nothing to do but wait for the end. Many view the end of their lives with uneasiness. They ponder, “What’s next?”— “Will I live again?”—“Is this it?”—“Will I ever see my loved ones again?”—“Where am I going after this life?” Photo: KRT In contrast, others view death with fear of the unknown. Some fear the process and the suffering that may accompany death. Others, racked with guilt, have a different type of fear—fear that they will burn forever in “hell fire.” Whatever the viewpoint, feelings or circumstances of one’s life—ultimately, life ends. Because of this unavoidable reality, every person at some point in his or her life thinks about the subject of death.
    [Show full text]