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DUES for 2017 WERE DUE in JANUARY (Please Use the Form at the End of the Newsletter)
Southwest Florida Archaeological Society (SWFAS) February 2017 Newsletter PRESIDENT’S CORNER by John Furey KORESHAN STATE HISTORIC SITE All of us are aware of the tragic end of the Branch Davidian cult in Waco, Texas and its leader David Koresh. Well Estero, Florida had a religious cult and a Koresh in 1894 long before Waco, Texas. Most of us have heard of Koreshan State Historic Site, driven past the signs to it location in Estero, Florida; but how many of us have visited the site and know the background and story behind its founding and significance. Again, Koreshan State Historic Site, like many of the archaeological sites I have recently spotlighted in the SWFAS Newsletters, is a local attraction that has a unique historical narrative. Koreshan is the story of Cyrus Teed, a physician and the founder of a religious cult, who in 1869, after a serious electric shock claimed divine inspiration and became a religious leader and messiah. Originally founded in New York, he eventually moved his commune to Estero, FL and founded the Koreshan Unity as his “New Jerusalem”. I have included a number of articles about Teed and his movement in this Newsletter to acquaint you with this local landmark and its history. I Hope you find it interesting. I wonder what was happening in New York in the 1800’s to create so many cult-like religious movements. It must have been fertile ground in those isolated Central and Western New York rural farming communities prior to the Civil War. Cyrus Teed formed the Koreshans. Mother Ann founded the Shakers (Shaking Quakers) that began their movement in England but moved to New Lebanon, New York in 1861. -
In the Art Worldintheartworld.Com May 2011
M M Pablo Picasso Femme aux mains jointes, January 8, 1938. Oiland wax crayon on canvas, 32 x 24 inches (81 x 60 cm). Collection of Mr. and Mrs. J. Tomilson Hill. © 2011 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo by Béatrice Hatala. Courtesy Gagosian Gallery. in the art world intheArtworld.com May 2011 GEPPY PISANELLI “SUSPENDED LANDSCAPES” BILL HODGES GALLERY MAY 26 - JUNE 15, 2011 Glenn Ligon, Stranger Drawing #7, 2004 Norman Lewis, American Totem, 1960 Coal Dust, Oil and Pencil on Paper Mounted on Aluminum, 60 x 40 in. Oil on Canvas, 74 x 45 in. THIS and THAT April 28, 2011 - May 28, 2011 Glenn Ligon Norman Lewis Julie Mehretu Lyle Ashton Harris Lorna Simpson and others 24 West 57th Street, #607 New York, NY 10019 Tel: 212-333-2640 Fax: 212-333-2644 [email protected] billhodgesgallery.com 511 West 25th Street New York, NY 10001 Phone 212 242 4215 www.kipsgallery.com Suite 206 Gallery Hours: Tuesday to Friday, 10am-6pm Saturday, 12:30pm-5:30pm EUN KYUNG BAE 1$66(5 &R MAY 12 - 26, 2011 3UH3XQXN(VNLPRVKDUSRRQFRXQWHUZHLJKW $' $2$1<ZHHN0D\WKWRWK 1DVVHU &RZLOOKRVWWKH6FKRIIHO9DOOXHWJDOOHU\ 3DULV 9LVLWZZZDRDQ\FRPIRUGHWDLOV 2SHQLQJUHFHSWLRQRQ0D\WK IURPDPWRSP 511 West 25th Street New York, NY 10001 Phone 212 242 4215 www.kipsgallery.com Suite 206 1DVVHU &R3ULPLWLYH$UW (DVWWK6WUHHW LQIR#QDVVHUWULEDODUWFRP tarting this season, you have probably noticed the Subiquious art maps appearing everywhere in New York —MDowntown, Uptown, Chelsea . Totalling 45,000 bi-monthly copies and distributed to the city’s M major art districts and top hotels, they’re hard to miss. -
Kiwanis Club Agaift Council Hears of J1:Lly Fireworks
- - .... • ".-~.. ~~".1 --• " • l'" • J' . , . ". " ,.,,';"';' '._.. ,.: ~ '..~ H "'~.'r. '.".~~, .•~!.":'O •. " ~',> ~.' •.,;.' ..,; '.'" U"'lU~:1~~.y ..... ~:. :.~':-c:'):'".~,.~" ,"";;-: '..: I'(.r.r; ..•. :-~. ,'~.; ~:;'.~::',~:~;'...;-;':'; 1J.-; i!'ff,~ 1'; ,-; ••...•;-:.I.' ..~.. ",:...; !;. '"';:j .:' ,'1 f'j ',;', ~ <~ ,'j'., "" '.j:':' ~',".l~ All The News Of All rosse The Pointes ews Every Thursday Morning COfJlplete News Coverage All, the'P~intes I L.I -1 VOLUME IS-NO. 25 of eo Per Coll~ 113.00Per YeAJ GROSSE 'POINTE, MICHIGAN, JULY I, 1954- Entered al Second Class Matter , • I at the Por. OWee .. Detroit, "heh. Fully Paid Circulation Kiwanis Club Agaift Council Hears • ' Veiled Threat As Compiled by lb. G,oss. Point6 News Sponsorlng Fourth Of Law Suit Thursday, June 21 Plumbers' Association Repre- BOTH the Guatemalan Govern. Of J1:lly Fireworks sentative Sees Possibility nlcnt and the anti-Communist of Court Action ".Liberat'lon Army" are making ,- statements that do not jibe. The Gigantic Display on Parcells School Grounds Expected to A veiled threat of a law suit rebels claim the advance of their Attract Crowd of More Than :forces have bogged down be. 15,000 against the City of Grosse cause of seasonlil rain; the Gov. Monday Night Pointe Woods cropped up ernment claims to have broken during a special Woods coun- the rebels' main offensive. Later, The Grosse Pointe Kiwanis Club is again planning to the Government issued a com- give the Pointe residents a big bang this fourth of July week. cil meeting on Monday, June munique, stating. that Guatemala end. According to Charles O'Hanisain, publicity chairman, :28, while a discussion was is being attacked by air, by land plans are nearing completion for the Club's 12th Annual Fire carried on concerning the and by sea. -
Annual Report 1995
19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p. -
READ ME FIRST Here Are Some Tips on How to Best Navigate, find and Read the Articles You Want in This Issue
READ ME FIRST Here are some tips on how to best navigate, find and read the articles you want in this issue. Down the side of your screen you will see thumbnails of all the pages in this issue. Click on any of the pages and you’ll see a full-size enlargement of the double page spread. Contents Page The Table of Contents has the links to the opening pages of all the articles in this issue. Click on any of the articles listed on the Contents Page and it will take you directly to the opening spread of that article. Click on the ‘down’ arrow on the bottom right of your screen to see all the following spreads. You can return to the Contents Page by clicking on the link at the bottom of the left hand page of each spread. Direct links to the websites you want All the websites mentioned in the magazine are linked. Roll over and click any website address and it will take you directly to the gallery’s website. Keep and fi le the issues on your desktop All the issue downloads are labeled with the issue number and current date. Once you have downloaded the issue you’ll be able to keep it and refer back to all the articles. Print out any article or Advertisement Print out any part of the magazine but only in low resolution. Subscriber Security We value your business and understand you have paid money to receive the virtual magazine as part of your subscription. Consequently only you can access the content of any issue. -
In the Art World Intheartworld .Com Summer 2011
M Clifford Ross Harmonium VIII, 2008 © Clifford Ross. Courtesy: Sonnabend Gallery, New York and Clifford Ross Studio. in the art world intheArtworld .com Summer 2011 THROCKMORTON FINE ART GEORGE PLATT LYNES June 9th - September 10th, 2011 Book available: GEORGE PLATT LYNES: THE MALE NUDES: $60.00 Image: George Platt Lynes, Orpheus and Eros, 1939, Gelatin silver print, Vintage 145 EAST 57TH ST, 3RD FL, NY, NY, 10022 tel 212. 223. 1059 fax 212. 223. 1937 www.throckmorton-nyc.com [email protected] tarting this season, you have probably noticed the Subiquious M art maps appearing everywhere in M New York — Downtown, Uptown, Chelsea . Totalling 45,000 bi-monthly copies and distributed to the city’s major art districts and top hotels, they’re hard to miss. EDITORIAL As the original M magazine has evolved over the years, from a local art guide into a highly regarded art journal with increasing international content, 12 Clifford Ross gallery owners and art patrons have expressed the at Sonnabend Gallery need for a simple guide that visitors can pick up in By Camille Hong Xin galleries and hotels and walk around with, take notes 20 Qin Feng on, stick in their pocket. at Ethan Cohen Fine Arts By Chiara Di Lello Indeed, this was the premise of M from its inception in 1998, when we were the first art publication to herald the importance of what was then an emerging art district called Chelsea. Our listings policy is simple: We print the name (not just the reference number) of important galleries and art institutions directly on our easy-to-use neighborhood art map for free. -
Encyklopédia Kresťanského Umenia
Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day -
Park Fire Has Interesting Circumstances by Jim Stickford Furtaw, Park Public Safety Offi
The Grosse Po1Ote Contestants are asked If you don't have a trIpod, News staff IS 10 the hoh- to mall or drop off by 5 !>etyour camera on some- day spirit, and we're look- p.m on Wednesday, Dec thmg steady. Better yet, 10gfor the best decorated 18, a photograph of the find a friend who's a shut- Let there be houses 10the Po1Otesthis exteriOr decoratmg of terbug and get him or her season their homes. The first. to take the pIctures for place w1Oner's picture you I Jio/H light for the Furthermore, gIft cer. will be run on the front of tlficates from our adver- the Dec. 26 Issue, and the Send or drop off pIC- the staff tisers wIll be awarded to other pictures wIll be run tures to. EdItor, Hohday those deemed to be the mSlde Contest, Grosse Pomte at the holidays first-, second- and thIrd- Here's a h10t Take New!>, 96 Kercheval, place finishers m the hol- your picture after dark to Grosse Pomte Farms, MI Grosse Pointe Iday contest. capture the colorful glow. 48236 Ne\vs "Inn l')40 ~ws 'nl. :;; • :\0. -IB • 4R pages Grosse Pointe. :'tJirhigan Home Delivery G(j( • :\('wssrand 7,')(' Nowmber 28. HH}fj Park fire has interesting circumstances By Jim Stickford Furtaw, Park public safety offi. StaffWnler cers discovered that the A fire that destroyed a home woman who called in the fire Photo by Thea 1.. Walker In the 1100 block of Maryland was not the owner. The real & Just south of Kercheval m owner of the dwelling IS stay- Concert tea Grosse Pointe Park turned out ing in a nursing home. -
Koreshanity Is Antichrist"
The Cellular Cosmogony Index http://www.sacred-texts.com/earth/cc/ Sacred Texts Earth Mysteries The Cellular Cosmogony by Koresh [pseud. Cyrus Reed Teed] [1922] Contents Start Reading We start our series of etexts of alternative theories of the shape of the earth with this masterpiece of pseudoscience by Cyrus Teed. Why Teed was so adamant about our entire universe being inside an 'inside-out' sphere is unknown. Martin Gardner, in Fads and Fallacies , has suggested that it was based on a desire to return to the womb, and that this psychological aspect was key in recruiting new members to Teed's belief system. Teed, born in 1839 in upstate New York, served with the Union Army, and later became a herbalist and studied alchemy. In 1869 Teed had a vision in his laboratory, in which a beautiful woman spoke to him and revealed that he was to become a messiah, and reveal the true cosmogony to the world. Teed took the name Koresh (not to be confused with David Koresh of Waco). He preached that belief in the concavity of the Earth is equivalent to godliness. He proclaimed, "All that is opposed to Koreshanity is antichrist". After touring widely preaching Koreshanity, he settled in Chicago, and started a communal society, as well as a periodical, The Flaming Sword . Koreshanity, at its height, had a few thousand followers. In the 1890s Teed founded the town of Estero, Florida, near Ft. Meyers, and declared it the coming capital of the world. His followers prepared for eight million believers to show up. -
2002-10-13 Po
9 223 S M a m Sueet McCotter, Kelley face off - Local news, A3 Plymouth, Mich 48170 Your hometown newspaper serving Plymouth and Plymouth Township for 117 years All the scores and \ highlights. Cl \ \ V October 13,2002 75 cents V o l u m e 117 N u m b e r 14 www.observerandeccentnc.com © 2 0 0 2 H o m e t o w n C ommunications N et w o r k Planners OK special use for Massey land BY BRAD KADRICH complex there Granting of the special- for nearly tw o hours as Jim A nulew icz, Jack grocery store The parties have been STAFF WRITER use designation was part of the deal the township’s director of municipal serv negotiating for some time on exactly before M assey and th e tow nship could ices, laid out the plan both for the town what the commercial development will Plymouth Township planning commis put finishing touches on the purchase of ship complex and the development of the look like, with the township insisting it sioners W ednesday pushed th e tow nship th e land other 17 acres owned by Massey that fit the design parameters of the Ann a baby step closer to a new township hall The action was taken at a public hear front Ann Arbor Road Arbor Road Corridor zoning preferences The planning com m ission voted unan in g before m ore than 5 0 residents at St The joint development is part of the “We didn’t want to see a typical shop imously to approve a special-use for land Kenneth’s Church on Haggerty The com agreement between Massey and the ping center,” Anulewicz said “We had a the township is negotiating to buy from mission moved the -
THE ELEGANT HOME Select Furniture, Silver, Decorative and Fine Arts Monday March 26, 2018 Tuesday March 27, 2018 Los Angeles
THE ELEGANT HOME Select Furniture, Silver, Decorative and Fine Arts Monday March 26, 2018 Tuesday March 27, 2018 Los Angeles THE ELEGANT HOME Select Furniture, Silver, Decorative and Fine Arts Monday March 26, 2018 at 10am Tuesday March 27, 2018 at 10am Los Angeles BONHAMS BIDS INQUIRIES ILLUSTRATIONS 7601 W. Sunset Boulevard +1 (323) 850 7500 European Furniture and Front cover: Lot 242 Los Angeles, California 90046 +1 (323) 850 6090 fax Decorative Arts Back cover: Lot 500 (detail) bonhams.com [email protected] Andrew Jones Session 1: Lot 11 (detail) +1 (323) 436 5432 Session 2: Lot 697 (detail) PREVIEW To bid via the internet please visit [email protected] Inside front cover: Lot 704 (detail) Friday, March 23 12-5pm www.bonhams.com/24797 Inside back cover: Lot 162 (detail) Saturday, March 24 12-5pm American Furniture and Sunday, March 25 12-5pm Please note that telephone bids Decorative Arts must be submitted no later than Brooke Sivo SALE NUMBER: 24797 4pm on the day prior to the +1 (323) 436 5420 Lots 1 - 823 auction. New bidders must also [email protected] provide proof of identity and CATALOG: $35 address when submitting bids. Decorative Arts and Ceramics Jennifer Kurtz Please contact client services +1 (323) 436 5478 with any bidding inquiries. [email protected] Please see pages 304 to 310 Silver and Objects of Vertu for bidder information including Aileen Ward Conditions of Sale, after-sale +1 (323) 436 5463 collection, and shipment. [email protected] Paintings Mark Fisher +1 (323) 436 5488 [email protected] 20th Century Decorative Arts Angela Past +1 (323) 436 5422 [email protected] Bonhams 220 San Bruno Avenue San Francisco, California 94103 © 2017, Bonhams & Butterfields Auctioneers Corp.; All rights reserved. -
Toby Jugs by Melody Amsel-Arieli
Plated Amberina will wow Sugar bowl was sweet at Garth’s at Jaremos event $1.50 National p. 1 National p. 1 AntiqueWeekHE EEKLY N T IQUE A UC T ION & C OLLEC T ING N E W SP A PER T W A C EN T R A L E DI T ION VOL. 52 ISSUE NO. 2625 www.antiqueweek.com JANUARY 20, 2020 A tip of the hat to Toby jugs By Melody Amsel-Arieli Toby jugs are pitchers shaped like historical, fictional, or popular characters — often satirical or caricatured. The first Toby, which resembled a merry old soul holding a foaming jug of ale, evidently originated sometime between 1760 and 1770 in Staffordshire, England. Some say it was inspired by Sir Toby Belch, a cheerful, carousing character in Shakespeare’s Twelfth Night. Some trace it to a local boozer dubbed Toby Philpot, famed for his enormous consumption of home-brewed Yorkshire stingo — strong , bitter beer. Others cite The Brown Jug, a 1761 song celebrating a heavy tippler whose ashes were turned into a Toby: Dear Sir this brown jug, which now foams with mild ale, Out of which I now drink to sweet Kate of the vale, Was once Toby Philpot, a thirsty old soul, As e’er crack’d a bottle or fathom’d a bowl. Yet vessels like these, featuring stylized, human-like characteristics, were known since ancient times. Scores, used for ritual, cooking, or storage, have been found around the Mediterranean Basin, in Africa, and South America. Like Tobies, their materials, shapes, styles, and subjects reflect their lives and times.