SPRING 2013 Volume 20, No. 1
Historians of
Nineteenth-Century Art
Newsletter
Founded in 1993
AHNCA WELCOMES NEW PRESIDENT, PETER TRIPPI
By Caterina Y. Pierre
The Association of Historians of Nineteenth-Century Art is pleased to welcome Mr. Peter Trippi, a long-time member and supporter, as the organization’s fifth president. Peter was elected at the AHNCA Business Meeting on February 14th, 2013. He has contributed greatly to AHNCA over the past fourteen years, formerly serving as AHNCA’s treasurer and as one of the executive editors on the organization’s online journal, Nineteenth-Century Art Worldwide. More recently, Peter served as an at-large board member for AHNCA and just completed a two-year term as the president of the Historians of British Art (HBA). Based in New York City, Peter is currently the editor of Fine Art Connoisseur, a leading bimonthly magazine for collectors of representational historic and contemporary art.
I had the pleasure of enjoying high tea with Peter in New York City at the lovely tearoom Alice’s Tea Cup, inspired by Lewis Carroll’s 1865 novel, on East 64th Street, after the AHNCA elections. Peter discussed with me his plans to support and expand AHNCA over the next two years (see the article “Greetings from the President” in this issue). We also discussed how he developed his passion for nineteenth-century art, and the origins of his early connections with AHNCA.
Peter grew up in Washington, DC, where the great art insti- tutions there were his formative playground. His mother, Rose Trippi, worked as an administrator at the Smithsonian Institution, and he has fond, early memories of visiting Adolf Cluss’s Victorian-style Arts and Industries Building (completed in 1881) on the National Mall between the Castle Peter Trippi, AHNCA President. Photo ©Francis Hills. and the Hirshhorn Museum, which made a deep impres- the Graduate Student Symposium, and the College Art sion on him at the tender age of ten. While his parents Association panels, and that the organization has continued were museum-goers, and he retained a fondness for art and to grow and transform as the field has evolved to include museums, the political culture of Washington was also influ- more global perspectives. He acknowledges, however, that ential. Peter began college focusing his studies on history we can do even more to magnify the organization through and government, with an eye on working in some aspect expanded regional events, additional benefits for members, of government or nonprofit administration. As a student at and a greater online presence. As Peter noted during our the College of William and Mary in Williamsburg, Virginia conversation, while it is imperative to have an online pres- (where some of the oldest academic buildings in the United ence with an excellent website and links to social media for States still reside and impress) he minored in art history, newer, computer-oriented members, the organization will but a chance to study in the Joint Degree Programme with also benefit from additional community events that “bring the University of St. Andrews in Scotland led him to a life- real people together to look at, and talk about, art in person changing opportunity to study British Art. At St. Andrews, in a cultural setting.” AHNCA, he said, has “developed into Peter recalls being electrified by Robin Spencer’s lectures on a wonderful community of scholars and we now need to give Pre-Raphaelitism, a subject not addressed in most U.S.-based this community more opportunities to gather and interact.” curricula or museums in the mid-1980s. “I realized then,” Indeed, as the former chairperson of the Courtauld Institute he says, “that 19th-century art contains many different, often of Art’s United States Alumni program (2008-2011), Peter surprising, stories, ones that most American museum-goers regularly organized social events where alums could enjoy art, still never get to hear.” conversation and intellectual exchange.
Once Peter gave himself over fully to the field of art history, Peter’s experience and vivacity will no doubt energize AHNCA, and British Art specifically, he received a Bachelor’s degree and he is very open to ideas from the membership. He welcomes in history and art history from William and Mary; a Master’s all of us to send ideas and suggestions to [email protected]. in visual arts administration from New York University; and a Master’s in art history from the Courtauld Institute of Art, London (where he wrote on the second-generation Pre-Raphaelite John Roddam Spencer Stanhope under the supervision of John House and Caroline Arscott). His 250-page biography of the third-generation Pre-Raphaelite J.W. Waterhouse, RA (1849-1917) was published by Phaidon in 2002 and remains in print. Ultimately that volume led Peter to co-curate a major Waterhouse retrospective, which visited the Groninger Museum (Netherlands), Royal Academy of Arts (London), and Montreal Museum of Fine Arts between 2008 and 2010.
While working for the Baltimore Museum of Art in the mid- 1990s, Peter discovered AHNCA through its Newsletter when IN THIS ISSUE: it crossed his desk. He quickly joined, and then became more active, serving in the varied capacities noted above, and also p.03 / Greetings from the President supporting the organization through his later role as the direc- p.04 / Minutes tor of the Dahesh Museum of Art (from 2003 to 2006), which p.06 / AHNCA News has long sustained the AHNCA Graduate Student Symposium. p.09 / New Resources Peter has especially happy memories of collaborating with p.11 / Symposia, Lectures, and Conferences AHNCA colleagues to organize a 2002 study event at the p.18 / Grants and Fellowships Brooklyn Museum (where he worked at the time) around the p.28 / U.S. Exhibitions Tate’s touring exhibition, Exposed: The Victorian Nude. p.34 / International Exhibitions p.37 /New Books Peter noted that he has always admired the work that AHNCA has accomplished in the past through the Newsletter,
2 Spring 2013 / AHNCA Newsletter GREETINGS FROM THE PRESIDENT
Dear Fellow AHNCA Members, hosts have been all around the country, and I have no reason to think AHNCA’s friends would be any different. In my I am honored to have been elected president of AHNCA, and current role as editor of a national magazine targeted at I congratulate my predecessor, Elizabeth Mansfield, on the collectors, I am also in a reasonably good position to identify completion of her successful four-year tenure. I am sure that projects that would fit neatly into this initiative. you join me in wishing her all the best in her future activities, and we look forward to seeing her regularly through her Finally, I believe that Nineteenth-Century Art Worldwide must be ongoing membership in AHNCA. In addition, I would like secured in perpetuity through an endowment that will cover to acknowledge the longstanding membership of Alison its operating costs. Much progress has been made, but now McQueen, who was also nominated for the presidency, and we need to finish the job so that access will always remain free who very kindly contacted me immediately after the election to all. Back in 1999, Petra Chu and Gabe Weisberg foresaw to convey her congratulations. that scholarly articles about 19th-century art must be available online rather than paper, and that vision has recently been I believe that AHNCA, through the various activities described further validated by a meaningful grant from the Andrew elsewhere in this impressive Newsletter, has helped broaden W. Mellon Foundation. Now we must leverage the prestige the horizons of scholarship in 19th-century art, offering a of that grant to fully endow NCAW. This is easier said than more global perspective, explorations of less fashionable done, of course, but I look forward to helping AHNCA reach terrain, and stronger links to colleagues who work on the 18th that goal. and 20th centuries. There is always more to do, however, and one area to be addressed soon by myself and Programs Chair In all our areas of activity, this must be a team effort, and I Pat Mainardi will be the feasibility of increasing the number of eagerly look forward to collaborating with every member of 19th-century sessions at CAA’s annual conferences. Moreover, the AHNCA board as we move forward. Indeed, I want to Alison McQueen’s ideas about enhanced usage of social media thank every board member for their hard work to date, and are right on target and will be pursued energetically. also to welcome our four new members as we enter this next phase of the organization’s life. This should be exciting and I also want to try and bring members together more regularly enjoyable, and all AHNCA members—not just those on the apart from CAA—specifically by organizing very inexpensive board—are welcome to participate and make suggestions gatherings around North America focused on 19th-century along the way. museum exhibitions, gallery shows, auctions, and private collections of interest to both current and prospective Thank you again for this meaningful honor. members, especially students. As useful and collegial as listservs and Facebook pages undoubtedly are, there is Peter nothing quite like meeting and conversing with colleagues face to face. CAA tends to rush by in a blur, which is why Peter Trippi focused events at other times of year appeal to me.
This model has worked reasonably well during my two-year presidency of another CAA-affiliated society, Historians of REMINDER: PLEASE KEEP YOUR British Art (HBA). A useful example came last May, when 21 MEMBERSHIP ACTIVE people joined me at the California Palace of the Legion of Membership renewals for the calendar year 2014 are Honor to see the Aesthetic Movement show with its curator, due on or before November 30, 2013. Please use the Dr. Lynn Federle Orr, and then the fascinating collection of back page of this Newsletter to renew, or renew on line HBA member Prof. Peter Stansky. Even if only half a dozen at www.ahnca.org. members show up at an event, however, it’s still a success We would also appreciate your help in encouraging your because friendships always come out of it, and because the students and colleagues to join AHNCA. Thank you! financial cost to the organization is negligible. I have been particularly struck by how hospitable and enthusiastic our
Spring 2013 / AHNCA Newsletter 3 MINUTES OF THE ANNUAL BUSINESS MEETING
The Minutes were recorded by Caterina Y. Pierre, AHNCA Yvonne Weisberg, our Treasurer, reported that total monies Newsletter Editor on behalf of Ting Chang, Secretary. received in 2012 totaled $50,598.39. Expenses for the year 2012 were in line with what was spent in the previous Membership Coordinator and board member Karen Pope year. AHNCA spent the same amount on the Newsletter opened the annual meeting of AHNCA at the College Art ($4,312.81); expenses on the Student Symposium ($2,632.20) Association Annual Conference on February 14, 2013 at 5:30 were up from last year by $600.00. Expenditures for NCAW pm. The board meeting was facilitated by Karen on behalf were much higher in 2012 ($30,265.00) than in 2011 of Elisabeth Mansfield, outgoing president. The minutes ($19,524.00), but the extra costs were paid from the Mellon of AHNCA’s previous business meeting, which was held on Grant account and not the regular AHNCA account. Legal February 23, 2012, were approved. and bank fees in 2012 totaled $916.64. Total expenses in 2012 were $38,110.03. Different in 2012 was a slight decrease in Karen reported that the AHNCA membership database income from membership dues, and a decrease in income contains 478 total names as of February 1, 2013, which from several individuals and institutions who has given represents a gain of 38 names since last year. Of those names, generously in the past. The AHNCA regular checking account 226 people are currently active and paid members. There had a balance of $12,399.80 as of December 31, 2012; this is were 11 new members in 2012; however, 71 memberships down significantly from this time last year. The endowment expired in 2012. We can also acknowledge 96 members at account had a balance of $43,945.28 as of December 31, 2012, the Patron, Benefactor and Supporter levels (up slightly from with $209.38 in interest income received in 2012. A detailed 2012). Online membership and renewal is not completely free treasurer’s report is available upon request. of occasional glitches (especially for international members), but about 200 transactions have been made since February 1, Patricia Mainardi, Program Chair, reported that the AHNCA 2012. We hope that, with the addition of an official webmaster, Graduate Student Symposium will be held on March 22, difficulties can be resolved quickly, and, possibly, new features 2013 at New York University. The Dahesh Museum of Art can be added. was publicly thanked for their continued support of AHNCA and the Graduate Student Symposium. She noted that the Karen encouraged discussion of possible actions we might symposium committee received an impressive 53 proposals take in the face of declining membership, including: from graduate students. Pat raised concerns, however, about possible renewals of lapsed memberships from previous the dwindling number of nineteenth-century based sessions years; organizing a plea to non-renewed members; giving at CAA, and suggested that AHNCA collectively voice their membership higher visibility; creating and offering additional concerns to CAA formally. James Rubin noted that CAA in benefits to members; and mounting a membership campaign recent years has focused more on theme-based sessions over in 2013. period-centric sessions. Nineteenth-century papers are being presented at CAA but they are “buried” and difficult to find A fruitful discussion on how to gain new members ensued. within theme-based sessions, without the physical abstract James Rubin suggested the possibility of a co-membership booklet and/or because of their sometimes esoteric titles. category (e.g. a dual membership). Jeanne-Marie Musto suggested a gift membership category be made (nice for a Caterina Pierre, Newsletter Editor, reminded the membership colleague or a student). Other suggestions included: asking that the AHNCA Newsletter is always looking for cover stories members to ask their libraries and/or departments to join either in the form of brief articles, exhibition reviews, book at the Institutional level ($135.00); developing relationships reviews, or any topic that may be of interest to the membership. with international colleagues; and making more connections As AHNCA now has over half of the membership receiving with CAA-affiliated groups (and non-affiliated groups) with their Newsletter via e-mail, Caterina proposed ceasing which we would have intellectual links. It was suggested that hardcopy publication and mailing of the Newsletter as of the we develop a survey of the membership, possibly through the spring 2013 issue (volume 20, number 1). Caterina noted that listserv, regarding why people allowed their memberships to approximately $2,100.00 could be saved annually through lapse. the discontinuation of the hardcopy printing and mailing. She also noted that digital-only Newsletters would allow for
4 Spring 2013 / AHNCA Newsletter MINUTES OF THE ANNUAL BUSINESS MEETING more information, and less out-of-date information, to be another called for the introduction of the position of Vice covered in the Newsletter. This proposal was put to a vote, President. The latter has been suggested by more than one and was approved by the membership by an overwhelming member as a way of preparing the way for a smooth leadership majority of the membership in attendance. transition. Many organizations like ours have one or two Vice Presidents, with the stipulation that the First Vice President Karen began the voting process for elections. This year is essentially a president-designate. The following change to AHNCA voted on the offices of President, Program Chair, and the by-laws was suggested: “Section V. a. 2. A Vice-President At-Large Members. Candidates for President were Mr. Peter shall perform such duties and exercise such authority as may Trippi and Dr. Alison McQueen; candidates for Program be assigned by the President. Should the President of the Chair were Patricia Mainardi and James Rubin. As all four Board resign, be removed from office, become incapacitated at-large members could be accommodated because three or be unable to fulfill his/her duties that authority will fall to terms were expiring and four people were running to fill the Vice-President who shall become the Acting President.” those positions, and because we could accommodate an extra Both of these changes to the by-laws were accepted. at-large member, all four new at-large members were elected en bloc by acclimation. The four new at-large members are It was suggested that letters to our outgoing president, Marilyn Brown, André Dombrowski, Marc Gotlieb and John Elizabeth Mansfield, with regard to our appreciation for her Housefield. service, be drafted by the board. Additionally, the writing of a letter to CAA that would discuss our concerns over the Karen began the election for AHNCA President and Program visibility of nineteenth-century papers and panels at the Chair. Both presidential candidates’ statements were read annual conference should also be considered. Other new aloud to the membership, and Patricia Mainardi and James ideas included the possibility of creating a NCAW prize for Rubin were given an opportunity to discuss their candidacy. best article of the year, and creating an e-book series that In-person voting was counted and added to the proxy votes would be separate from NCAW but that would give us a venue that were sent in to the board prior to the meeting. Caterina to publish more additional recent research in nineteenth- Pierre and Isabel Taube counted the votes and announced century art. that Mr. Peter Trippi was selected. The same ballot contained the candidates for Program Chair, and it was announced that With no further business, Karen Pope declared the meeting Patricia Mainardi was selected. closed. Members moved on to enjoy a wine reception to celebrate AHNCA’s 20th anniversary year. Changes to the by-laws were also put to a vote. One proposed change to bylaws called for the approval of online voting, and
ABOUT THIS ISSUE
The Newsletter of the Association of DEPARTMENT EDITORS: U.S. Exhibitions: Historians of Nineteenth-Century Symposia Lectures and Conferences: Jeanne-Marie Musto Art is published twice a year, in April Brian E. Hack [email protected] and October. The submission deadline [email protected] for the Fall 2013 issue is September 1st. New Books: Submissions may be sent to: Grants and Fellowships: Karen Leader Prizes and Awards: [email protected] Caterina Y. Pierre Leanne Zalewski AHNCA Newsletter Editor [email protected] ADVERTISING RATES: [email protected] full page: $300; half-page: $150 Museum News and International (horizontal); quarter page: $100. Exhibitions: Reduced rates are available for Alison Hokanson insertions in two issues: [email protected] full page: $400; half-page: $225; and quarter page: $150.
Spring 2013 / AHNCA Newsletter 5 AHNCA NEWS
NCAW Author is ARIAH Prize Winner for her willingness to embrace the interests of students, for AHNCA is pleased to congratulate Dr. Jacqueline Marie modeling a commitment to the spirit of inquiry, and for her Musacchio on winning the 2012 ARIAH Online Publishing dedication to assisting developing scholars and undergradu- Prize for her essay “Infesting the Galleries of Europe: The ate students alike. Copyist Emma Conant Church in Paris and Rome,” which appeared in Nineteenth-Century Art Worldwide (Autumn In addition to this recognition for her teaching, Hargrove 2011, 10:2). ARIAH, the Association for Research Institutes recently received new accolades for her scholarship. In in Art History, seeks to encourage and promote high scholarly December 2012, France bestowed the Chevalier de l’Ordre des standards in online publishing in all fields of art history. The Arts et Lettres on the Maryland professor. The honor acknowl- prize is awarded annually to the author(s) of a distinguished edges Hargrove’s significant contributions to the knowledge article or essay published online in the past three years in the and cultural heritage of France, encompassing her studies of form of an e-journal or other short-form e-publication which Parisian sculpture, war monuments, the art of Paul Gauguin, advances the study of art history and visual culture. To read and more. A passionate Francophile, Hargrove’s support of the prize-winning essay, go to: http://www.19thc-artworld- inquiry into the nation’s patrimony also includes her position wide.org/index.php/autumn11/infesting-the-galleries-of- on the editorial boards and scientific committees of a number europe-the-copyist-emma-conant-church-in-paris-and-rome of French journals.
AHNCA Congratulates Dr. June Hargrove on CAA While both the CAA honor and the Chevalier de l’Ordre des Arts Distinguished Teaching Recognition et Lettres recognize an already distinguished career, there is no At its annual conference in February, the College Art sign that Hargrove is slowing down. She is currently prepar- Association honored Dr. June Hargrove with the 2013 ing new courses for the 2013-14 academic year, writing the Distinguished Teaching of Art History Award. Hargrove, catalog for the exhibition Albert Carrier-Belleuse: the Master of professor of nineteenth-century art at the University of Rodin (opening May 2014 at the Palace of Compiègne), and Maryland in College Park, earned the award for her exem- continuing work on a book that reconsiders the painting and plary enthusiasm for teaching and scholarship and her sculpture of Paul Gauguin’s final years in the Marquesas keen ability to nurture and educate generations of students. Islands. Throughout her career, which began at Cleveland State University, Hargrove has developed innovative courses – at AHNCA Graduate Student Symposium a Huge Success both the undergraduate and graduate levels – that challenge The Tenth Annual Graduate Student Symposium in students to consider art in interdisciplinary and cultural Nineteenth-Century Art was held on Friday, March 22, 2013 contexts. A caring teacher and a mentor, she is respected from 10:00 AM to 4:30PM at Silver Center 301, New York University, 100 Washington Square East, New York City. The papers were given as follows:
Jeff Richmond-Moll (University of Delaware), “Ideal Companions: Horatio Greenough’s Busts of Christ and Lucifer”
*Sarah Schaefer (Columbia University), “‘With the Smallest Fragment’: The Archeology of the Doré Bible”
* Winner: Dahesh Museum of Art Prize for Best Paper
Peggy Moorhead Seas (Graduate Center, City University of New York), “‘On Your Head Delacroix!’: The Reception of Renoir”
Dr. June Hargrove (center, seated) with her students at Gettysburg, PA.
6 Spring 2013 / AHNCA Newsletter Heather Read (Washington University, St. Louis), “Gauguin’s Avcıog˘lu, Petra ten-Doesschate Chu, Marilyn Satin Kushner, Tupapa’u as ‘Primitive’ Phantasmagoria” Patricia Mainardi, James Rubin and Peter Trippi. The 2013 symposium committee included Caterina Pierre, Margaret Steven Lauritano (Yale University), “Schinkel, Spolia and Samu and Mary Frances Zawadzki. Caryatids that Travel” Special thanks to the Dahesh Museum of Art for the Dahesh Nina E. Harkrader (Institute of Fine Arts), New York Museum of Art Prize for the Best Paper, AHNCA Graduate University, “Building for ‘the Other’: The Spatial Embodiment Student Symposium 2013, as a gift in honor of Mrs. Mervat of Poverty in Victorian England, 1850-1914” Zahid on behalf of the Board of Trustees.
Kelly C. Tang (University of Oxford), “Sex, Drugs, and Dahesh Museum of Art Exhibitions at Christie’s and Yale Reclining Women in 19th -Century Chinese Photography” Peabody Museum AHNCA is pleased to announce and highlight two exhibitions Rashmi Viswanatan (Institute of Fine Arts, New York organized by the Dahesh Museum of Art. The exhibition University), “Selling Science: Packaging the Art of Balthazar Encountering the Orient: Masterworks from the Dahesh Museum Solvyns” of Art will be on view at Christie’s New York, 20 Rockefeller Center, from March 27 through April 15, 2013. This is the first Beth Fadeley (University of Georgia), “Object Lessons: time the Dahesh Museum is partnering with an auction house Francis Davis Millet and the Politics of Domestic Orientalism” to present an exhibition. The shared goal is to provide loyal constituencies and new audiences of museumgoers, collec- The symposium is co-sponsored by the Association of tors, specialists and scholars with a fresh, more nuanced view Historians of Nineteenth-Century Art (AHNCA) and New of Orientalism, based on recent scholarship that re-frames York University. This year’s jury was composed of Nebahat the 19th-century encounter between the East and West.
WHAT’S NEW IN NINETEENTH-CENTURY ART WORLDWIDE Volume 12, No. 1/ Spring 2013 Table of Contents
ARTICLES REVIEWS EXHIBITION REVIEWS Il était une fois...l’impressionisme: “In the Park”: Lewis Miller’s Klimt Year in Vienna: Part Two Henry Ossawa Tanner: Modern Spirit Chefs d’œuvre de la peinture Chronicle of American Landscape Reviewed by Jane Van Nimmen Reviewed by Theresa Leininger- française du Clark / Once Upon a at Mid-Century by Therese Miller Time...Impressionism: Great French O’Malley and Kathryn Barush, BOOK REVIEWS Paintings from the Clark with Emily Pugh and Jessica Ruse David to Delacroix: The Rise of Impressions of Interiors: Gilded Age Reviewed by Alison McQueen Romantic Mythology by Dorothy Paintings by Walter Gay.Reviewed Modernism and the Nude in Johnson by Janet Whitmore Max Klinger – le théâtre de l’étrange, Colombian Art by Maya Jiménez Reviewed by Elizabeth Mansfield les suites gravées, 1879–1915 Inventing the Modern World: Reviewed by Sarah Schaefer Enigmatic Bodies: Dolls and the Jacques-Emile Blanche by Jane Decorative Arts at the World’s Fairs, Making of Japanese Modernity Roberts 1851–1939. Reviewed by Janet Author’s Response to Cheryl by Marguerite V. Hodge Reviewed by Gabriel P. Weisberg Whitmore Snay’s review of The Diary of J. J. Grandville and the Missouri Album: From “Les types populaires” to American Painters on Technique: The Hammershøi and Europe The Life of an Opposition Caricaturist “Los tipos populares”: Nineteenth- Colonial Period to 1860 by Lance Reviewed by Jane Van Nimmen and Romantic Book Illustrator in Century Mexican Costumbrismo Mayer and Gay Myers. Paris under the July Monarchy by by Mey-Yen Moriuchi Reviewed by Christina Michelon Misia: Queen of Paris Clive F. Getty Reviewed by Debra J. DeWitte Imaging and Imagining the Alfred Jarry: A Pataphysical Life by French Peasant: Gustave Courbet Alastair Brotchie. Vincent: The Van Gogh Museum in and Rural Physiologies by Lauren Reviewed by Gabriel P. Weisberg the Hermitage Amsterdam Weingarden Reviewed by Rachel Esner Henry Ossawa Tanner: Modern Spirit The Immaculate Conception edited by Anna O. Marley Breaking the Mold: The Legacy of Window in Santa Croce and the Reviewed by Jennifer Jane the Noah L. and Muriel S. Butkin Catholic Revival in Nineteenth- Marshall Collection of Nineteenth-Century Century Florence by Nancy M. French Art Thompson Reviewed by Marjorie Schreiber Kinsey
Spring 2013 / AHNCA Newsletter 7 Drawn from the Dahesh Museum of Art’s collection, it features that flourished thousands of years ago has impacted our own 30 paintings, sculptures, and illustrated books by well- world. Echoes of ancient Egypt appear in art, architecture, known artists, such as Rudolf Ernst, Ludwig Deutsch, Gustav and literature around the world from ancient Africa to medi- Bauernfeind and Frederick Arthur Bridgman, and lesser eval Europe and the Middle East, to modern North America.” known masters such as José Tapiró y Baró. Themes include: To learn more about the Dahesh Museum of Art’s collabora- Western fascination with ancient Egypt, Islamic architecture tions with other museums and institutions, visit: http://www. and design, ethnography, biblical history, and scenes from daheshmuseum.org/collaborations/ daily life, real and imagined, including the harem. For more information please visit: http://www.daheshmuseum.org/ Caricature Show at NYU Maison Française programs-and-events/dahesh-at-christies/ We are pleased to highlight the exhibition “Pears, Pastimes and People: Caricatures by Daumier and His Contemporaries” The Dahesh Museum will also loan five works from the curated by Patricia Mainardi and her students at New York collection to the Yale Peabody Museum of Natural History University. The exhibition will be held at the NYU Maison in New Haven, Conneticut for the exhibition Echoes of Egypt: Française, from April 11 to May 31, 2013. La Maison Française, Conjuring the Land of the Pharaohs, which will be on view from 16 Washington Mews at University Place, New York, NY April 13, 2013 through January 4, 2014. According to the Yale 10003 Tel: (212) 998-8750. Peabody’s Website, “this exhibition will take you on a jour- ney through two thousand years of fascination with ancient Egypt, the land of the pharaohs. Visitors will enter through a reproduction of the Egyptianizing gateway that is the entrance to New Haven’s Grove Street Cemetery (designed by Henry Austin in 1839), and then discover how a culture
Karl Wilhelm Gentz (German, 1822-1890), The Snake Charmer. 1872. Oil on canvas. 23 ½ inches x 36 ½ inches (59.7 x 92.7 cm). The Dahesh Museum of Art, New York. Accession number 1995.54. Image courtesy of the Dahesh Museum of Art.
8 Spring 2013 / AHNCA Newsletter NEW RESOURCES
“Dreyfus Affair” Documents released online online teaching and web resources for art historians. The As published in the New York Times of March 6, 2013, the open-access blog is found at: historical department of the French Ministry of Defense http://arthistoryteacher.wordpress.com/blog/ has released all of the documents used to wrongly convict Alfred Dreyfus of spying in 1894. The files, which were never Guggenheim Museum Full-Text Resources released to Dreyfus himself or his legal team, are available The Guggenheim Library Catalog now has links to access free online and contain over 470 documents. The documents over 244 full text resources including 213 digitized publi- are available online at: cations from the Hilla Rebay Library. URLs are found in http://www.servicehistorique.defense.gouv.fr/ the item’s catalog record under Online Access. An example http://www.affairedreyfus.com/p/dossier-secret.html#!/p/ is highlighted in the first item record in the screen shot dossier-secret.html below. Publications with full text versions can be freely read online from any computer or downloaded to any e-reader. Digital Collections from the Metropolitan Museum of Art A complete list of full text resources currently in the library The primary mission of the Watson Library Digitization catalog can be found by searching “eca: full text”. URLs to Initiative is to expand access to the Library’s rare and unique digitized Guggenheim exhibition publications are expected materials by developing, supporting, and promoting a distinc- to be added into the catalog within the next month. Many tive digital collection of these items. The initiative will target items cover the early 20th-century (especially 1900-1918, of materials that fall outside the parameters of other major digi- interest to our members). tization efforts, such as Google Books or the Internet Archive, http://library.guggenheim.org/ and make them accessible to support the scholarly endeav- ors of Metropolitan Museum of Art staff and an international community of research. http://libmma.contentdm.oclc.org/cdm/
Now online: Wiener Jahrbuch für Kunstgeschichte The WIENER JAHRBUCH FÜR KUNSTGESCHICHTE (Viennese Annual of Art History) is henceforth accessible YOU HELPED AHNCA GO GREEN! in digital form, at no cost, at the website of the University of Vienna’s Department of Art History: On February 14, 2013, the AHNCA membership voted to http://kunstgeschichte.univie.ac.at/institut/jahrbuch eliminate the paper copy of the AHNCA Newsletter. Now everyone will:
The annual was founded in 1921 as a joint publication of the ✜ receive their copy of the Newsletter 2-3 Department of Art History and the Austrian Federal weeks earlier than in the past Monuments Office (Bundesdenkmalamt), supplanting media ✜ receive their copy of the Newsletter on the published by either institution under various names since same day 1856. Volume LIX (2010) is already accessible online and is soon to be followed by volumes LX/LXI (2011/2), a special ✜ help AHNCA save over $2,000.00 in annual issue on female patrons of Byzantine architecture, and LXII printing and mailing costs (2013). For editorial matters, please contact Prof. Michael ✜ save their Newsletters as pdf documents Schwarz ([email protected]). ✜ be able to read the Newsletter on your devices Art History Teaching Resources Blog (phone, iPad, Kindle, Nook, etc.) Art History Teaching Resources (AHTR) is a streamlined, ✜ save the Earth by using less paper and peer-populated teaching resources site sharing Art History creating less waste Survey teaching materials between teachers. It was founded Thank you all for making this possible! in 2011 by art historians Michelle Jubin, Saisha Grayson and Karen Shelby. The AHTR Blog includes reflections on digital/
Spring 2013 / AHNCA Newsletter 9 SYMPOSIA, LECTURES, AND CONFERENCES
CALLS FOR PAPERS (SYMPOSIA), TO APPLY: integration. This session therefore raises the central research question how the integrating European art market of the long Art Crossing Borders: The Birth of an Integrated Art nineteenth century (1780-1914) simultaneously countered Market in the Age of Nation States (Europe, ca. 1780-1914), and constructed the notion of national painterly “schools”, October 16 - 18, 2013, Radboud University Nijmegen (The along the crucial axes of nationalism and internationalism. It Netherlands) thus also addresses the decisive challenge that Europe still During the long nineteenth century continuing improve- faces today: how to harmonize disharmonious local, national ments in the road and transportation infrastructure ensured and transnational voices. that the local art markets in Europe became connected like never before, both in the proverbial and literal sense of the Please send proposals (max. 400 words) for a 20 minute paper word. Ever more paintings, art lovers and artistic informa- for this session to Jan Dirk Baetens ([email protected]) tion crossed regional and national boundaries, culminating and/or Dries Lyna ([email protected]) by April 20, 2013. For in a truly integrated European art market. Paintings increas- more information, see http://www.ru.nl/europeanditsworlds/ ingly found new destinations in foreign private and public conference/introduction or contact the session convenors. collections, while more and more artists, art lovers and art dealers could freely roam the European continent in their Alternate Currents: Re-Examining L’art Pompier and New never-ending pursuit of aesthetic pleasure and/or commer- Technologies, October 30-November 2, 2013, Southeastern cial benefit. Information networks equally tightened, allow- College Art Conference (SECAC), Greensboro, NC ing dealers and collectors to easily communicate across wide The relationship between Nineteenth-Century academic distances and at the same time stay close to the pulse of art painters trained at the École des Beaux-Arts and new forms scenes abroad. of media such as photography, prints, etc. is a potentially rich field for researchers. This session is seeking out papers that The increasing internationalisation of the European art examine alternate currents in l’art Pompier, particularly those world was closely intertwined with a growing importance of that present new methodologies and approaches address- the very conceptual categories that this integration seemed to ing the complex relationship between the avant-garde, the question: artistic and commercial labels referring to nation- academy, and new technology. The overarching goal of this ality, most conspicuously articulated in the division of art panel is to produce a dialogue that leads to a more nuanced production into separate national “schools” in (popular) art understanding of l’art Pompier and its reaction to rapidly historical literature, art criticism, early museum catalogues shifting technology and society. The panel is open to papers and, most importantly in this context, auction catalogues discussing a range of topics and methodological approaches. and catalogues of contemporary art exhibitions and commer- Abstracts are due no later than midnight, (EDT), April 20, cial galleries. Thus, major art dealers imported thousands 2013. Session chair: Emily Wehby, Independent Scholar. of paintings from abroad, but often pitched them as typical Contact: [email protected]. examples of a national “school”; universal exhibitions intro- duced foreign artists to local markets, but were also based Close Connections: The Detail in Nineteenth-century Art on a logic of emulative competition along national lines; and and Literature, October 30-November 2, 2013, Southeastern artists often sought patronage abroad, but usually preferred College Art Conference (SECAC), Greensboro, NC nurturing the taste for the foreign in other countries to adapt- References to literature in art and art in literature often ing their own work to foreign taste. occur in specific imagery or descriptive passages, both reli- ant on details. The detail, a passage or image representing Many of these developments are often glossed over rather precise aspects that correspond to elements in the alterna- quickly, because most histories of the art market, like most tive portrayal, connected these different media and trans- histories of art itself, are still written along national lines. ferred elements of the experiences of viewing and reading The aim of this panel is to tackle this deficit head-on and to into another realm. Details assisted in the complex task of contribute in this way to the writing of a global history of conveying the narrative, temporal, or symbolic qualities of the art market, while not losing out of sight the historical texts in a single image and the transference of visual expe- impact of the national paradigm that paralleled the market’s rience in texts. While detailed representations created a
10 Spring 2013 / AHNCA Newsletter correspondence of art and text, the alternate rendering of a the imagined unknown shaped the representation of “the real” subject could experience an extended presence. For example, in the nineteenth century. Through this lens, we will examine the Pre-Raphaelites created realistic paintings that illustrated how fiction helped define the unknown, operating as a tool popular British literature, but their works functioned inde- for the invention of history, identity, and the augmentation pendently of literature by providing a visual manifestation of reality. Of specific interest will be the nineteenth-century of literary detail. This panel invites papers that investigate legacies of territorial expansion, scientific invention, and the the correspondence of literature and art in the long nine- formulation of nations, utopias, and “the other.” By returning teenth century. We are especially interested in papers that to the era that formalized history into a field of study, we will explore the place of detail in fostering a relationship between also reconsider the role of fiction in the making of history and nineteenth-century art and literature. Proposals that utilize what a contemporary structure for history making, both for interdisciplinary approaches to the study of art are encour- the past and present, could be. Although this panel is strongly aged, and topics on art of all mediums are welcome. Session rooted in the tradition of art history, it is our intention to facil- chairs: Emily Davis, Viriginia Commonwealth University, itate a dialogue between art historians and research-driven and Carolyn Phinizy, Virginia Commonwealth University. studio practices. As a result, we strongly encourage proposals Contact: [email protected]. Abstracts are due no later than from both historians and artists alike. Session chairs: Emily midnight, (EDT), April 20, 2013. Brink, Stanford University, and Michael Bianco, University of Michigan. Contact: [email protected]. Abstracts are due Collaboration and Conflict: Nineteenth Century Artists’ no later than midnight, (EDT), April 20, 2013. Groups, Pairs, and Colonies, October 30-November 2, 2013, Southeastern College Art Conference (SECAC), Greensboro, NC Seeing Double: Alter Egos and Mirror Images in Western This session will focus on artists’ groups, alliances, and Art 1800-1900, October 30-November 2, 2013, Southeastern brotherhoods, considering their widely-varying goals, theo- College Art Conference (SECAC), Greensboro, NC ries, and leadership models. The term artists’ group can be This session seeks to provide a variation of the similar, very broadly-defined, encompassing tightly-knit collaborative successful panel on “doubles” that ran at SECAC in 2012 circles, broader-based exhibition groups, artists’ colonies, in Durham. Thus, rather than focus on Western art of the short-lived groups, and groups with and without a strong 20th century, it will emphasize that of the 19th. From litera- founder or leader, such as the Barbus, the Nazarenes, the ture comes the concept of the split personality portrayed Barbizon School, the Pre-Raphaelites, the Salons of the Rose most dramatically in Robert Louis Stevenson’s Strange Case + Croix, the Nabis, artists’ ateliers, etc. Papers can focus on of Dr. Jekyll and Mr. Hyde (1886), soon thereafter illustrated the dynamics of specific groups,on questions of individual- in 19th-century posters. The simple alter ego is explored ity versus group identity, or on anti-establishment brother- by Maurice Guibert in his photomontage, Monsieur Toulouse hoods compared to moretraditional ateliers. Possible topics Paints Monsieur Lautrec-Monfa (1890). Augustus Egg may include the perceived benefits and drawbacks of group have intended to represent the same concept in his Travelling identification inexhibition groups such as the Salon des Companions (1862.) Greek mythology gives us Narcissus who Indépendants, the shared development of specific close- is enamored with his own reflection, another kind of double. knit groups, orthe interaction among members in organized Adolf Joseph Grass portrayed Narcissus by his pool in 1867, groups with a strong leadership model.Session chair: Mary as did Waterhouse in 1903. Lady Clementina Hawarden Slavkin, The Graduate Center, CUNY. Contact: mlslavkin@ employed photography in the Victorian period to record gc.cuny.edu. Abstracts are due no later than midnight, dreamy images of her children gazing at themselves in mirrors, (EDT), April 20, 2013. NB: This panel will be held in thereby providing pictorial parallels to female introspection active dialogue with “Collaboration: Art and Artists” chaired found in British novels of her era. This session will explore by Heather Holian. Proposals submitted to either session and interpret the idea of similar doubles in painting, sculp- will be shared between the chairs and considered for both. ture, photography and other media in Western art between 1800 and 1900. Session chair: Mary Douglas Edwards, Pratt (Re)imagining the Unknown: Contemporary Perspectives on Institute. Contact: [email protected]. Abstracts are due Expansion, Invention, and Representation in the Nineteenth no later than midnight, (EDT), April 20, 2013. For more Century, October 30-November 2, 2013, Southeastern information, visit the SECAC website: https://secac.member- College Art Conference (SECAC), Greensboro, NC clicks.net/assets/documents/secac/conference/secac_2013_call_ Inspired by the scholarship of Benedict Anderson and Hayden for_papers.pdf White, this panel reconsiders how imagined communities and
Spring 2013 / AHNCA Newsletter 11 The Olympiad: Celebrating the 150th Anniversary of field of interdisciplinary studies. Therefore, the need arises Manet’s Olympia, September 21, 2013, Yale University to outline the specific contribution of the study of images 2013 marks the 150th anniversary of the painting of Édouard (and architectural spaces, words and sounds) to understand Manet’s Olympia and Déjeuner sur l’herbe, as well as the latter’s the complex phenomenon of landscape and territory. exhibition at the Salon des Réfusés. Both of these works and the Salon des Réfusés itself have been considered touchstones This colloquium seeks to organize the debate about land- in histories of European modernism, championed by critics scape throughout the Americas, taking on board the diversity from Émile Zola to Clement Greenberg and André Malraux. of theoretical positions on the topic, but also the plurality of The Yale departments of the History of Art and French and practices in the interventions on territory, the representation the Yale School of Art are organizing a graduate student of non-existent or utopian landscapes, the invention of meth- conference on the complex legacies of this historical moment. ods of representation or even the devastation and ultimate The conference will be timed to coincide with an exhibition destruction of large visible areas. In the theoretical field, of 20th century artistic responses to the Olympia and the art proposals abound: from the analysis of the landscape as a of 1863, and another of current student work done in the mechanism of “total art” with encodings of artistic vanguards, same vein. While this moment has been extensively theorized to the search for landscapes beyond visuality (“psychic land- and documented in the history of art, it has typically been scape,” “mental landscape,” “audible landscape”). explored only within the dominant frameworks of the histori- Furthermore, landscape itself has frequently become a meta- cal avant-garde. We are looking for papers which revisit phor of visuality, transforming the object of study into a kind Olympia, Déjeuner sur l’herbe, and/or the institutional structure of emblem of the paradoxes that give meaning to art history. of the Salon des Réfusés and other major paintings exhib- The panels will address the following topics: The Construction ited there from new vantage points, calling into question the of Landscape: Alternative Perspectives, Experimental standard teleological narrative of modernism. Submissions Phenomenologies; Interventions on Landscape: could address the art historiography of this moment as well Transformations and Strategies; Landscape Encodings: as the artworks themselves. Possible topics include but are Political, Social and Cultural; and The Consumption of not limited to: reevaluating the legacies of the Parisian avant- Landscape: Means for Visual, Literary and Sound garde after the interventions of feminist and social art history; Representations and Their Audiences. Abstracts should be calling into question the notion of the modernist master- submitted no later than April 30, 2013 to Instituto de piece and its role historical discourse; critically examining Investigaciones Estéticas, UNAM, Circuito Mario de la Cueva the institutionalization of the avant-garde, as for example s/n, Zona Cultural, Ciudad Universitaria, Coyoacán, 04510, in the Salon des Réfusés; providing new interpretations of México, D.F. For submission guidelines please visit http:// major paintings from 1863, especially Olympia and Déjeuner www.esteticas.unam.mx/sites/default/files/files/actividades_ sur l’herbe; and papers addressing the later artistic reinterpre- colo_xxxvii_eng.pdf tations of Olympia and Déjeuner sur l’herbe, which could range, for example, from Cézanne’s A Modern Olympia (1873-74) to Midwest Women Artists, 1840-1940: Discovering Their Jean-Michel Basquiat’s Maid from Olympia (1982). Work, Telling Their Stories, Learning from the Past, November 7-8, 2013, Bradley University, Peoria, Illinois Please submit an abstract of no more than 250 words to Izabel This interdisciplinary conference explores the art, experi- Gass ([email protected]) by April 29, 2013. ences and legacies of women artists working in the Midwest (Illinois, Indiana, Iowa, Kansas, Michigan, Minnesota, The Aesthetics of Landscape in the Americas, XXXVII Missouri, Nebraska, North Dakota, Ohio, South Dakota, and Coloquio Internacional de Historia del Arte, October 6-10, Wisconsin) between 1840 and 1940. Wanda Corn will give 2013, Morelia, México the Keynote Address. Papers considering the art, experi- The reflection on the American territory and its visual, liter- ences and legacies, as well as those that deal with aspects of ary and acoustic representations has a long tradition in the collecting, exhibiting and publishing the work of these humanities. In Mexico, one of the pillars of those studies is women, are welcome. Presentation papers will be considered the detailed analysis of maps and travelogues. Meanwhile, for publication in an upcoming book. Please submit a 300 the current debates in our discipline—art history —call into word abstract for a 15-20 minute paper by May 1, 2013. question most of the theoretical and epistemological assump- Proposals should include the title of the paper, presenter’s tions that affect the representation of space. In fact, aesthetic name, institutional and departmental affiliation (if applica- researches on the notion of landscape form part of a diverse ble), CV and any technology requests. Submit copies of the
12 Spring 2013 / AHNCA Newsletter above information to both of the organizers , Channy Lyons, were they bold proposals for new artistic avenues? Papers Director of the Illinois Women Artists Project, addressing these and other related issues from an interna- [email protected] and Sarah Glover, tional perspective are welcome. Please send abstract and Associate Professor of Art History, Bradley University, accompanying materials to both Brian E. Hack and Caterina [email protected]. Y. Pierre, Kingsborough Community College, CUNY, at [email protected] and [email protected] The Image of 19th-Century Money, College Art Association, by May 6, 2013. College Art Association Annual Conference, AHNCA Session, February 12-15, 2014, Chicago, IL Fourth Annual Feminist Art History Conference, November Does nineteenth-century money have a period-specific look? 8-10, 2013, American University, Washington DC Can we speak of a nineteenth-century “visual psychology” of This fourth annual conference continues to build on the money or an “imagination” of money? How did monetary legacy of feminist art-historical scholarship and pedagogy imagery aid in fostering trust in the abstract quality of early initiated by Norma Broude and Mary D. Garrard at American capitalism, in the emergence of new (paper) currencies and the University. To further the inclusive spirit of their ground- expanding reach of financial institutions? Papers are sought breaking anthologies, we invite papers on subjects spanning that engage directly with depictions of money: the design of the chronological spectrum, from the ancient world through bills, coins, insurance policies, bond or stock certificates; the the present, to foster a broad dialogue on feminist art-histori- material changes to the face of money under regime-change; cal practice. Papers may address such topics as: artists, move- representations of transactions in pawn shops, casinos, stock ments, and works of art and architecture; cultural institutions exchanges and other market places. On a more figurative and critical discourses; practices of collecting, patronage, and level, the panel invites discussions of the relationship between display; the gendering of objects, spaces, and media; the taste and “new wealth”; the shifting prices of the period’s art reception of images; and issues of power, agency, gender, and and the vagaries of artists’ pay; or the imagery inspired by sexuality within visual cultures. Submissions on under-repre- Marx’s Capital or Simmel’s Philosophy of Money. There are no sented art-historical fields, geographic areas, national tradi- restrictions placed on medium or geography, as long as the tions, and issues of race and ethnicity are encouraged. topic falls within the long nineteenth-century. Please send To be considered for participation, please provide a single abstract and accompanying materials to André Dombrowski, document in Microsoft Word (title the document [last name]- University of Pennsylvania, at [email protected] by May proposal.doc or .docx) comprising a one-page, single-spaced 6, 2013. proposal of no more than 500 words for a 20-minute presenta- tion, followed by a curriculum vita of up to two pages. Submit Ephemeral Permanence: The Lasting Legacy of Temporary materials by May 15, 2013 via the file-sharing service Dropbox: Public Sculpture, College Art Association, College Art https://www.dropbox.com/sh/6o2lj5neaygmnlg/QtMeEn7aDf Association Annual Conference February 12-15, 2014, Accepted proposals will be notified by July 1, 2013. Please Chicago, IL direct inquiries to: [email protected]. International expositions, World’s Fairs and other forms of nineteenth- and twentieth-century public pageantry provided New Thoughts on Old Things: Four Centuries of an unprecedented opportunity for sculptors to explore Furnishing the Northeast, A conference for emerging and expand the formal and conceptual possibilities of their scholars co-sponsored by the Museum of Fine Arts, Boston; medium in ways otherwise unfathomable under the aesthetic the Massachusetts Historical Society; and the Colonial and financial constraints of traditional monument commis- Society of Massachusetts, October 4th 2013, Museum of sions. Contemporary criticism and exposition guidebooks Fine Arts, Boston provided extensive descriptions and analyses of such works, Over the last fifty years, the study of furniture and domes- reflecting the seriousness with which they were considered; tic interiors has extended into a broad range of disciplines most, however, were destroyed following their public display. and embraced a wide variety of theoretical and method- This panel examines the ways in which temporal sculpture ological approaches. The Four Centuries of Massachusetts created for expositions, parades, rallies, protests or other Furniture Initiative-a collaborative of eleven institutions events helped to define the look, scale and scope of more celebrating furniture and furniture-making in Massachusetts permanent public monuments. How do ethereal or non- through an extensive series of exhibitions and programs, extant works fit into the canon? Are temporary sculptures as well as an educational website (www.fourcenturies.org)- merely the imaginative remnants of grandiose spectacles, or will feature advances in the field, while encouraging new
Spring 2013 / AHNCA Newsletter 13 perspectives and ideas. This conference will bring together Urbanism and Urbanity, March 20-22, 2014, 35th Annual staff and patrons from Massachusetts institutions and emerg- Conference of the Nineteenth Century Studies Association, ing scholars, affording a unique opportunity to highlight Chicago, IL dynamic new scholarship on the history of furnishings and How did city dwellers in the nineteenth century interact with interiors in the Northeast region of North America. The the built environment? How were urban spaces represented geographic and chronological scope of the symposium is in the literature, art, music and theater of the nineteenth intentionally broad-the Northeast region of North America century? What were the unique experiences—cultural/physi- from approximately 1600-2000-in order to attract as wide a cal/psychological/social—of living and working in nineteenth- variety of subjects and approaches as possible. century cities? The organizers seek papers and panels that investigate elements of urbanism and urbanity during the The conference organizers seek proposals for 30-minute long nineteenth century, such as: urbanites (the flaneur, the papers that address any aspect of the design, production, prostitute, the detective, the criminal, etc.); urbanites and the and circulation of furnishings; the creation and modifica- rise of consumer culture; immigrants and urban communi- tion of domestic interiors; the social and cultural meaning ties; urban domesticity in literature and culture; architec- imposed on or embodied in these objects and the spaces ture, urban design, and city planning; urban spaces and the they occupied, or the role of furniture and interiors in the gothic imagination; mobilities and forms of urban transport; creation and maintenance of family, community, or political iden- the politics of urban space; the city and the natural environ- tities. Papers can be historical, critical, or theoretical in nature. ment; urban cartographies; urban crime and violence; urban spaces and urban peripheries (suburbs, ghettos, wastelands, Please submit a 250-word proposal and a C.V. via electronic industrial zones, dumps and other hybrid spaces); urbanism mail to Nonie Gadsden at [email protected]. Proposals and public health; animals and urban environments; concert should include the title of the paper and the presenter’s halls, opera houses, and other urban entertainment venues; name. You may also attach 2-3 relevant images. Priority will restaurants; cafés, and urban eating and drinking; leisure and be given to emerging scholars. Final papers should be urbanism; city/country divides; and the anti-urban tradition in approximately 30 minutes long. The symposium offers a art and literature. The conference organizers welcome other travel stipend. For further information, please contact Nonie interpretations of the conference theme as well. Please email Gadsden at [email protected]. The deadline for submis- abstracts (250 words) for 20-minute papers that include the sions is June 3, 2013. author’s name, institutional affiliation, and paper title in the heading, as well as a one-page CV, by September 30, 2013 to: Thirty-First Annual Art History Graduate Symposium, Maria K. Bachman and Maria Gindhart, Program Co-Chairs, October 18 & 19, 2013, Florida State University [email protected]. Please see the NCSA website for The Art History faculty and graduate students of The submission requirements: http://www.ncsaweb.net/. Florida State University invite students working toward an MA or a PhD to submit abstracts of papers for presentation SYMPOSIA TO ATTEND: at the Thirty-First Annual Art History Graduate Student Symposium. Paper sessions will begin on Friday afternoon, Public Art and Art’s Public, April 13, 2013, Annual Art October 18, and continue through Saturday, October 19, with History Association Symposium, San José State University, each paper followed by critical discussion. Symposium papers San José, CA may come from any area of the history of art and architec- In light of the increasing interest in public art and related ture. Papers will then be considered for inclusion in Athanor, problems of defining publicness and public space, we would an internationally-distributed journal published by the like to explore the relationship, both between art and its Department of Art History and the FSU College of Visual Arts, publics and between contemporary spaces and public art. Theatre & Dance. The deadline for receipt of abstracts (maxi- Each type of interaction, broadly considered, may serve to mum 500 words) is August 1, 2013. Please include the title of deepen a discussion as to how art functions and circulates the talk, graduate level, and whether the subject originated in in contemporary society, or how it has done so in previous thesis or dissertation research. Send the abstract by email to periods and cultures. This symposium will address both the Dr. Lynn Jones, Symposium Coordinator, at [email protected]. current and historical expectations regarding the efficacy of artworks in the public realm, as well as assumptions as to who these publics are or how they might be shaped.
14 Spring 2013 / AHNCA Newsletter Uneasy Alliances: Boundaries and Bargains in Nineteenth- Art History as Modernism: Intersections between Modern Century Art, European Society for Nineteenth-Century Art and Theory in Fin-de-Siècle Germany and Austria, Art, Dutch Research School in Art History, May 23, 2013, German Studies Association Conference, October 3-6, Amsterdam Denver, Colorado This one-day symposium will explore ways in which nine- While the work of late nineteenth- and early twentieth-century teenth-century European art gave expression to the tensions, German and Austrian art historians helped to set the course possibilities, and limitations attaching to the formation and of the development of art history as a discipline, the impact of breaking of alliances. Having regard to family relations, artis- this body of thought did not remain confined within its disci- tic encounters, commercial exchanges, and the shaping of plinary boundaries. It extended beyond the scholarly realm geo-political boundaries, the symposium seeks to explore the to reach artists, critics, and the reading public at large. Indeed, nineteenth-century artworld as a space of personal, pictorial, this work was shaped by contemporaneous developments in and political bargaining. Regard will be given to ways in which art, experimental psychology, and other fields. This session is alliances (or their rupture) were depicted in, or symbolized by, concerned with the circulation of art historical theories and the content, production, and transfer of art objects. Whether the role that the intersections between art history, art theory, a reinforcement of strength or an imposition of boundaries, and art-making played in the development and reception of the combining of interests is examined as a fertile terrain for modernism in late nineteenth- and early twentieth-century aesthetic and social negotiation. Participants are also invited German-speaking contexts. to reflect on recent methodological and disciplinary ‘alliances’ that shape our reading or re-reading of nineteenth-century The Louvre Before the Louvre, July 5, 2013, The Wallace art history, its art markets, and exhibition practices. For infor- Collection, London mation on the symposium email Kathryn Brown (k.j.brown@ Now one of the world’s best-known museums, the Louvre tilburguniversity.edu) and Alba Campo Rosillo (alba@alba- was once a vast artistic and cultural centre of a different kind. campo.com). ‘The Louvre before the Louvre’ will delve into the fascinating but little known period of the Louvre’s history from 1643 to Sculptural Mobilities: Tracing the Flows of Sculptural 1793, exploring the role this space played in the histories of Artworks Between the Nordic Countries and Europe from art production and artistic sociability in early modern Paris. the Early Modern Period to the Present Day, June 12, 2013, University College London, Bloomsbury, London Even before Louis XIV moved the Court from the Louvre to “Sculptural Mobilities: Tracing the Flows of Sculptural Versailles in 1682, the Louvre had already become the centre Artworks between the Nordic Countries and Europe from of artistic, creative, and intellectual energy in Paris. Artists the Early Modern Period to the Present Day,” is a one-day and artisans of all trades – from watch-makers to history symposium organised collaboratively by University College painters – were given lodgings and studio space in the same London’s Department of Scandinavian Studies, and Kingston wings and corridors that accommodated cultural organs like University’s Visual and Material Culture Research Centre. the Menus Plaisirs du Roi (responsible for state festivities and This symposium is funded by the Henry Moore Foundation. spectacles), the royal printing press, and the royal academies (Painting and Sculpture, Architecture, Inscriptions, Science, The interdisciplinary symposium will investigate the cultural and the Académie Française). As the palace expanded over mobility of sculptural artworks. Positioning the Nordic the next two centuries, the Louvre complex (the building and Countries as a contact zone of sculptural exchange, the proj- surrounding streets) came to be dominated by this growing ect will trace the flows of artworks to and from the Nordic community of artists, artisans, men of letters, and their aristo- Countries and Europe and examine the impacts these flows cratic patrons, inhabiting this space and living out their daily generate on both local/regional contexts of display and the lives together. nature of the sculptural artwork itself. Histories of sculpture within the Nordic region are arguably under-studied and the ‘The Louvre before the Louvre’ will reconstruct and re-evalu- region’s influence upon and translation of influences from ate this space of artistic sociability. As dust billowed and paint the wider Europe remain insufficiently traced. Our sympo- dripped in artists’ studios, theoretical debates were thrashed sium will seek to emphasise the Nordic Countries’ important out in the academies, and groundbreaking technologies were role as an interstice between the East, West and the North, designed in artisans’ workshops, the Louvre became a fertile and to bring to light individual histories of sculptural mobility ground for collaboration, the results of which are evident in from the early modern period onwards. many objects (e.g. by Boulle, Oppenordt, Oeben, Boucher,
Spring 2013 / AHNCA Newsletter 15 Oudry, Girardon, Coysevox, to name a few) now in the expeditions at the hemispheric level. These ostensibly scien- Wallace Collection where this conference will take place. tific expeditions, which charted territories often in support of nation building projects, produced vast amounts of visual Poignant Prospects: Landscape and the Environment in and artistic materials. This symposium will focus on this American Visual Culture, 1750-1890 November 1-2, 2013, visual material addressing such questions as: What kinds American Antiquarian Society, Worcester, Massachusetts of 19th-century visual practices and technologies of seeing Organized by The Center for Historic American Visual do these materials engage? How does scientific knowl- Culture (CHAViC) at the American Antiquarian Society, this edge get translated into the visual and disseminated to the conference will explore how visual representations of both public? Can looking at mapping hemispherically challenge natural and built environments have changed over time, and a distinction between North American and South/Central/ how those changing narratives helped shape American atti- Latin American methodologies or practices of exploration? tudes toward nature and the environment. The Keynote Speaker will be Aaron Sachs (Cornell University), author With a French Accent: American Lithography to 1860, of Arcadian America: The Death and Life of an Environmental Octber 11, 2013, Musée Goupil, Bordeaux, France Tradition (Yale University Press, 2013). Opening on September 13, 2013, at the Musée Goupil in Bordeaux, France, is With a French Accent: American Lithography American Art in Dialogue with Africa and the African to 1860. Originally mounted at the Davis Museum, Wellesley Diaspora, October 4-5, 2013, Smithsonian American Art College in Wellesley, Massachusetts(2012), this exhibi- Museum, Washington, D.C. tion (created by the American Antiquarian Society, a research Since the beginning of the transatlantic slave trade, Africa library in Worcester, Massachusetts) is being brought to has played an important---albeit shifting, contested, and France by the Terra Foundation, sponsor of this one day often unseen---role in the history of art of the United States. symposium. American artists of diverse racial and ethnic backgrounds with various agendas have imagined and depicted Africa and Victorian Modernities, November 14-16, 2013, Victorian African peoples in their work or turned to African cultures Interdisciplinary Studies of the Western United States, and art objects for inspiration. Anthropologists and art histo- Portland, Oregon. rians have scrutinized African American visual production VISAWUS 2013 explores the Victorians’ enthusiasm and in search of cultural retentions, while many modern and apprehension regarding modern progress and innovation. contemporary black and Latino artists have alternately high- Keynote speaker: Joseph Bristow (English, UCLA), author lighted or occluded reference to Africa or African Diasporic and editor of numerous works on Victorian and modern liter- cultures in their work. Artists from the U.S. who have trav- ature and theories and histories of sexuality. For information eled to the continent or engaged firsthand with international on the conference, visit http://visawus.org/. African Diasporic communities have often found themselves and their work altered by these experiences in significant and unexpected ways. More recently, globalization and the growth of international biennial exhibitions have facilitated multi-directional exchange and brought contemporary artists from Africa and the Diaspora increasingly into contact with the mainstream U.S. art scene. The conference will inves- tigate heretofore unexamined aspects of this transatlantic dialogue, from the visual culture of slavery and abolitionism to American modernism; from the Black Arts Movement to the contemporary art world.
Pictures from an Expedition: Aesthetics of 19th-century Cartographic Exploration in the Americas, June 20-21, 2013, Newberry Library Symposium, Chicago, IL This symposium will consider the aesthetics and visual culture of 19th-century cartographic exploration in the Americas. The nineteenth century represented a high point in mapping
16 Spring 2013 / AHNCA Newsletter GRANTS AND FELLOWSHIPS
FELLOWSHIPS & GRANTS FOR PRE- AND in the undergraduate general education program. To qual- POST-DOCTORAL CANDIDATES ify, applicants must have received the Ph.D. between 1 The Amon Carter Museum seeks applications for the January 2011 and 1 July 2013. Deadline: [October— date to Davidson Family Fellowship. Established in 1997, the fellow- be posted in June] For further information and application ship provides support for scholars working toward the Ph.D. materials, write: The Director, Society of Fellows in the or at the postdoctoral level to research topics in the history of Humanities, Heyman Center, Mail Code 5700, 2960 American art and culture that relate to objects in the muse- Broadway, New York, NY 10027. Web: www.columbia.edu/cu/ um’s permanent collections. The museum collections cover societyoffellows/. the period between 1835 to 1950 in painting, sculpture, drawings and prints, photography from its beginnings to the The German Center for Art History in Paris, offers approx- present, and rare books. Proposals from qualified individu- imately six fellowships a year for students (any nationality) als in related disciplines are also welcome. The deadline for to pursue their research in the arts and the humanities of receipt of applications is April 15, 2013. The stipend is Germany and France in the context of a pre-determined $12,500 for a four-month period of full-time research at the theme. Recipients are expected to be in residence for the museum conducted at the museum before December. More duration of the fellowship and to participate in the activi- information, please email; application form is available at: http:// ties of the Center. Deadline not yet posted. For information, www.cartermuseum.org/library davidson-family-fellowship. contact: Deutsches Forum für Kunstgeschichte/Centre alle- mand d’histoire de l’art, 10 place des Victoires, F-75002 Paris. The Center for Advanced Study in the Visual Arts (CASVA) Web: http://www.dt-forum.org/bourses.html E-Mail: gwede- offers an extensive program of fellowships at all levels and [email protected] Tel.: 01.55.35.02.33. disciplines. Application for a predoctoral fellowship may be made only through nomination by the chair of a graduate The German Historical Institute awards short-term fellow- department of art history or other appropriate department. ships of one to six months to German and American doctoral To be eligible, the nominee must have completed all depart- students and postdoctoral scholars in the fields of German mental requirements, including course work, residency, and history. These fellowships are also available to German general and preliminary examinations, before November 15. doctoral students and postdoctoral scholars/Habilitanden in Certification in two languages other than English is required. the field of American history. For postdoctoral applications, Candidates must be either United States citizens or enrolled the GHI will give priority to post-doc projects that are in a university in the United States. The stipend for all pred- designed for the “second book.” Research projects must draw octoral fellowships is $20,000 per year. http://www.nga.gov/ upon source materials located in the United States. The casva/casvapre.htm. monthly stipend is Euro 1,600.for doctoral students and Euro 2,800.for postdoctoral scholars. Deadline: April 15, 2013. The Center for the History of Business, Technology, and Contact: German Historical Institute, Doctoral/Postdoctoral Society at the Hagley Museum and Library offers grants-in- Fellowships, 1607 New Hampshire Ave., NW, Washington, aid to assist short-term visiting scholars with travel and living DC 20009-2562. Web: http://www.ghi-dc.org/scholarship/ expenses while using the research collections.. For Henry grants/doc.html. Belin du Pont Dissertation Fellowships (residential terms of four months, $6,000) contact: Dr. Roger Horowitz, Center for Middlebury College Language Schools: Kress Fellowships History of Business, Technology, and Society, PO Box 3630, for language study, made possible by a generous gift from the Wilmington, DE 19807-0630, E-mail: [email protected], Samuel H. Kress Foundation. Five fellowships are offered in http://www.hagley.lib.de.us/grants.html. Deadline: November summer 2012 for art history graduate students to attend the 15, 2013. Middlebury summer Language Schools, in French, German, Italian, Portuguese, or Spanish. These fellowships are intended The Columbia University Society of Fellows in the Humanities for graduate students in art history with a proposed focus on will appoint a number of postdoctoral fellows in the humani- European Art History. Preference will be given to graduate ties for the academic year 2012-2013. The $59,000 stipend is students who have recently been accepted or are currently awarded half for independent research and half for teaching enrolled in the requisite program at a Ph.D.-granting
Spring 2013 / AHNCA Newsletter 17 institution in the United States. In exceptional cases advanced tenure track appointments within liberal arts or comprehen- undergraduates in Art History who are preparing for gradu- sive colleges/universities. The Fellowship in Art History will ate study in the same field may also be considered. Fellowships support a doctoral student in one or more of the following cover the comprehensive fee (tuition, room, and board) at the areas: Latin American Art, Latino Art, the Arts of Africa or Middlebury summer Language Schools. They are merit-based the Arts of the African diaspora. Qualifications: Enrollment and intended for exceptionally qualified individuals. For more in an accredited program leading to a Ph.D. degree at a U.S. information about the Fellowships, please visit http://www. educational institution and commitment to a career in teach- middlebury.edu/ls/finaid/fellowships/kress. For more informa- ing at the college or university level are required. Prior to tion about the language programs, including specific dates August 15, 2012, the fellow must be advanced to candidacy and site for each language, please visit http://www.middlebury. at his or her home institution with an approved dissertation edu/ls. The deadline is April 1, 2013. proposal. This fellowship is for the academic year August 15, 2012 to May 31, 2013 and is non-renewable. The fellow will Henry Moore Foundation Post-doctoral Research receive a $20,000 stipend, housing or a housing allowance Fellowships will support a small number of two-year post- of $8000, $5000 in research support, office space, and access doctoral research fellowships in the field of sculpture studies to Ithaca College and Cornell University libraries. Interested at a British university. Managed by the Henry Moore Institute, individuals should apply online at http://www.ithaca.edu/hs/ these Fellowships assist scholars who have recently completed diversityfellowship/. Questions should be directed to the doctoral studies to prepare a substantial publication or similar Office of Human Resources at (607) 274-1207. research output. The Foundation will award a grant of up to £21,000 per annum towards the fellowship. Applicants must Barra Postdoctoral Fellowship, 2013-2015 at the McNeil have an affiliation with a university department who will act Center for Early American Studies will appoint a recent as the host to the Fellow. Fellows will be expected to present recipient of the PhD as a Postdoctoral Fellow for a two-year the development of their work every six months to the Henry term beginning 1 July 2014. The fellow will receive a starting Moore Institute, a centre for the study of sculpture based in stipend of at least $43,000; health insurance; private office Leeds. The Fellowships run for two years, however if the space in the Center’s building at the northeastern gateway Fellow does not fulfill his/her obligations to the University in to the University of Pennsylvania’s historic campus; library, the first year, the second year’s funding could at the computer, and other privileges at the university; and access Foundation’s discretion be revoked. Deadline not yet posted. to the Philadelphia area’s magnificent manuscript, rare book Contact: Kirstie Gregory (Research Programme Assistant), and museum collections. Modest funds for travel and research Henry Moore Institute, 74 The Headrow, Leeds LS1 3AH, are available. During the two-year term of appointment, the [email protected]. For more information and full fellow will teach two courses in an appropriate department application details visit www.henry-moore.org/hmi/research. at the University of Pennsylvania. All McNeil Center fellows are expected to be in residence during the academic year and Four Ph.D. Fellowships in Communication, Psychology, to participate in the Center’s program of seminars and other Art History, and Computer Science at the interdisciplin- activities. The remainder of the fellow’s time will be devoted ary Research Center Visual Communication and Expertise to research and writing. While this fellowship is particularly (VisComX), Jacobs University Bremen, Germany. Fellowships appropriate for projects designed to turn a doctoral disserta- cover living expenses and tuition fees and will initially be tion into a publishable monograph, any project dealing with awarded for 1 year with the possibility of performance based the histories and cultures of North America in the Atlantic extension for up to 3 years in total. Please address your world before 1850 will be considered. Proposals dependent on application to: Prof. Dr. Marion G. Müller, Director Research the use of Philadelphia-area archives and libraries are parti- Center VisComX at Jacobs University Bremen. Deadlines cularly welcome. Applicants must have earned the PhD no for applications are: May 1, 2013 and June 15, 2013(upon earlier than 2008 in American History, American Literature, special recommendation only). Applications will be consid- American Studies, or a closely allied field and must have ered immediately, and until the positions are filled. Electronic completed all requirements for the degree when the term admission application form on the graduate admission of appointment commences. Candidates who have received website www.jacobs-university.de/graduate-admission. McNeil Center funding for a related project at the pre-doctoral The Pre-Doctoral Diversity Fellowship program at Ithaca stage will not be considered. Sawyer Postdoctoral Fellowship, College supports promising scholars who are committed to 2013–2014 The McNeil Center for Early American Studies diversity in the academy in order to better prepare them for and the University of Pennsylvania have received a generous
18 Spring 2013 / AHNCA Newsletter grant from the Andrew W. Mellon Foundation to conduct six- or twelve-month periods, normally funded between a year-long John E. Sawyer Seminar on the Comparative EUR 2,100 and EUR 3,000 monthly. Scholars may be in any Study of Cultures. TThe Sawyer program will make possible academic field and come from any country except Germany. a twelve-month postdoctoral fellowship open to a broad Applications may be submitted any time; the selection interdisciplinary range of young scholars working on the era committee meets three times a year to consider applica- of Atlantic revolutions, 1750-1850. No teaching responsibi- tions. Contact: Alexander von Humboldt Foundation, Jean- lities are associated with this fellowship; all other terms are Paul-Strasse 12, 53173 Bonn, Germany. ph: (49) 0228-833-0. equivalent to those of the Barra Postdoctoral Fellowship. E-mail: [email protected] web: www.avh.de/en/ Submit all materials to: McNeil Center for Early American programme/index.htm. Studies, University of Pennsylvania, 3355 Woodland Walk, Philadelphia, PA 19104-4531. The postmark deadline not yet The American Council of Learned Societies offers Burkhardt posted (November 2013). http://www.mceas.org/postdoctoral- Residential Fellowships for Recently Tenured Scholars, fellowships.shtml. which support long-term, unusually ambitious projects in the humanities and related social sciences. Proposals in interdis- Trinity College, Ann Plato Fellowship. The sponsor invites ciplinary and cross-disciplinary studies are welcome, as are applications for a one-year pre-doctoral or post-doctoral proposals focused on any geographic region or on any fellowship to promote diversity at their nationally recognized cultural or linguistic group. The fellowship carries a stipend liberal arts college in Hartford, Connecticut. Ann Plato of $75,000. Burkhardt Fellowships are intended to support Fellows will join the faculty in one of the college’s 30 academic an academic year of residence at any one of nine national departments or interdisciplinary programs, interact regu- residential research centers: The National Humanities larly with colleagues and students on campus, and work on Center (Research Triangle Park, NC); the Center for their own research. Pre-doctoral fellows will teach one course Advanced Study in the Behavioral Sciences (Palo Alto); the during the year; post-doctoral fellows will teach two courses. Institute for Advanced Study, Schools of Historical Studies Deadline: The sponsor will review of applications beginning and Social Science (Princeton); the American Antiquarian November 15th, and will continue until the position is filled. Society, the Folger Shakespeare Library, the Newberry Link to full program description: http://www.infoed.org/new_ Library, the Huntington Library; the American Academy in spin/spin_prog.asp?23210. E-mail: Nancy.Horton@trincoll. Rome, and Villa I Tatti (Florence). Deadline: October 15. edu. Program URL: http://www.trincoll.edu/Academics/dean/ Contact: Office of Fellowships and Grants, ACLS, 633 3rd Ave., positions/Pages/Ann.aspx. New York, NY 10017-6795; E-mail: [email protected]; web: http://www.acls.org/programs/burkhardt/. Applications must The Society for the History of Technology offers the Brooke be submitted through the ACLS Online Fellowship Hindle Post-Doctoral Fellowship. The award is for $10,000 Application system www.ofa.acls.org. and may be used for any purpose connected with research or writing in the history of technology for a period of not less The American Council of Learned Societies, together with than four months period of not less than four months during the Social Science Research Council and the National the year following the award. Applicants must hold a doctor- Endowment for the Humanities, fund approximately eight ate in the history of technology or a related field, normally ACLS/SSRC/NEH International and Area Studies awarded within the preceding four years or expect to have Fellowships. Scholars who are at least two years beyond the graduated by time of award. Deadline not yet posted (April Ph.D. may apply for 6-12 month fellowships to pursue 15?). For information: Amy Bix, SHOT Secretary, 603 Ross research and writing on the societies and cultures of Asia, Hall, History Dept., Iowa State University, Ames, IA 5011, Africa, the Near and Middle East, Latin America, East Tel. (515) 294-8469 or [email protected]. http://www.histo- Europe and the former Soviet Union. The Fellowship stipend ryoftechnology.org/awards/hindle.html is set at three levels based on assistant, associate, or full professor rank, funded at $30,000, $40,000, and $50,000. FELLOWSHIPS & GRANTS – ALL CAREER STAGES Approximately 20 fellowships will be available at each level. Deadline: September [date to be posted in June]. Contact: The Alexander von Humboldt Foundation supports schol- Office of Fellowships and Grants, ACLS, 633 3rd Ave., New arly research and study in Germany. It offers as many as York, NY 10017-6795; E-mail: [email protected]; http://www. 500 Humboldt Research Fellowships annually to post- acls.org/programs/acls/. doctoral scholars under age 40 to support research for
Spring 2013 / AHNCA Newsletter 19 The American Philosophical Society offers the Franklin all levels, in all fields. The Center also offers the Henry Belin Research Grant to support research in all areas of scholarly du Pont Fellowship to enable scholars to pursue research for knowledge except those in which government or corporate periods of two to six months and participate in the inter- enterprise is more appropriate. The program does not accept change of ideas among the Center’s scholars. Tenure must be proposals in the areas of journalistic or other writing for the continuous and last from two to six months. Stipends are no general readership; the preparation of textbooks, casebooks, more than $1,600 per month. Applications for all fellowships anthologies or other teaching aids. Award is up to $6,000 for are reviewed three times per year. Deadlines: March 31, one year. Deadline: received October 1, December 1. The June 30, October 31. For information and application materi- Society also offers a Sabbatical Fellowships in the Humanities als for Hagley-Winterthur Fellowship in Arts and Industries and Social Sciences for mid-career faculty of universities contact: Dr. Philip Scranton, Center for the History of and 4-year colleges in the United States who have been Business, Technology, and Society, P.O. Box 3630, granted a sabbatical/research year, but for whom financial Wilmington, DE 19807-0630. Tel: 302-658-2400. E-mail: support from the parent institution is available for only part
20 Spring 2013 / AHNCA Newsletter research. The fellowships support work in one of the five research stay at the Institute in Mainz, for research in the archives in New York City including the Gilder Lehrman field of German and European history since the 16th century. Collection at the New York Historical Society, the Columbia The selection is made by the department’s fellowship commis- University Rare Book and Manuscript Collection, the Library sion, which meets three times a year, in March, July and of the New York Historical Society, New York Public Library, November. Consult website for stipend amounts and dead- and the Schomburg Center. Ten Gilder Lehrman Fellowships lines. Contact: Professor Dr. Heinz Duchhardt, Institut fuer of $3,000 each will be awarded. Fellowships are awarded Europaeische Geschichte. Abteilung Universalgeschichte twice a year. Deadlines (postmarked): December 1st and Alte Universitaetsstr. 19 D-55116 Mainz, GERMANY web: May 1st. Contact The Gilder Lehrman Institute of American http://www.inst-euro-history.uni-mainz.de. History, 19 W. 44th St., Ste. 500, New York, NY 10036-5902; (646) 366-9666; email: [email protected], web: http://www. The Jacob M. Price Visiting Research Fellowships facilitate gilderlehrman.org/historians/scholar4.html. research at the William L. Clements Library, located on the central campus of the University of Michigan. The Clements IFK Internationales Forschungszentrum Kulturwissenschaften Library specializes in American history and culture from the offers Visiting Fellowships to internationally recognized schol- 16th through the 19th centuries. Several grants of $1000 are ars who would like to pursue their own research and are inter- available for graduate students and junior faculty whose work ested to cooperate with Austrian colleagues. Applications will would benefit from use of the library’s resources. Fellows must be peer-reviewed by IFK’s International Academic Advisory spend at least one week at the Clements Library. Applications Board. For deadlines, consult website. Contact: IFK accepted between October 1 and January 15 each year. Internationales Forschungszentrum Kulturwissenschaften, Contact: Price Fellowship Coordinator, William L. Clements Reichsratsstraße 17, 1010 Wien, Austria, Tel.: (+43-1) 504 11 Library, The University of Michigan, 909 S. University Ave. 26 E-Mail: [email protected]; http://www.ifk.ac.at/contact.html. Ann Arbor, MI. 48109-1190. Ph: (734) 764-2347; E-mail: [email protected]. Web: http://www.clements.umich.edu/ The Institute for Advanced Study’s School of Historical fellowship.php. Studies supports scholarships in all forms of historical research (see website for specific details). Qualified candi- The James Marston Fitch Charitable Foundation will award dates of any nationality are invited to apply. Application may a $25,000 research grant to a mid-career professional who be made for one term or two terms for $30,000 each term has an advanced or professional degree and at least 10 years (September –December or Jan.-April ). Deadline (receipt): experience in historic preservation or related fields, includ- November 1, 2013. Web: http://www.hs.ias.edu/. Through the ing landscape architecture, architectural conservation, urban Andrew W. Mellon Foundation, the Institute has established design, architectural history, and the decorative arts. The a program of one-year memberships for the academic year grant supports projects of original research or creative design for assistant professors at universities and colleges in the U.S. that advance the practice of historic preservation in the U.S. and Canada. These awards will match the salary and benefits There are also smaller grants of up to $10,000 that are of the home institutions. Deadline (receipt): November 1, provided at the discretion of the trustees. Deadline: Sept. 15, 2013. Contact Marian Zelazny, School of Historical Studies, 2013. Contact: ph: 212-252-6809; fax: 212-471-9987. 232 Einstein Drive, Princeton, NJ 08540, (609) 734-8300, e-mail East 11th St., New York, NY 10003. Web: www.fitchfounda- [email protected]. Web: www.hs.ias.edu. The Institute for tion.org. E-mail: [email protected]. Advanced Study will again join with the American Council of Learned Societies in sponsoring the Frederick Burkhardt The John Simon Guggenheim Memorial Foundation offers Fellowships for Recently Tenured Scholars. Nine fellow- fellowships to further the development of scholars and artists ships of $75,000 each will be awarded. Application and full by assisting them with research in any field of knowledge and information on the web: http://www.acls.org/grants/Single. creation in any of the arts, under the least restrictive condi- aspx?id=352; e-mail: [email protected], or ACLS Fellowships tions and irrespective of race, color or creed. The fellowships Office, 633 Third Avenue, 8th Floor, New York, N.Y. 10017- are awarded to men and women who have already demon- 6795. Deadline: not yet posted for online application submit- strated exceptional capacity for productive scholarship or ted to the ACLS at http://www.acls.org/programs/overview/. exceptional creative ability in the arts. Approximately 220 Fellowships are awarded each year. Deadline: October 1, 2013. The Institute of European History, Department of General Awards: $40,211 (average amount). Contact: John Simon History, awards ten fellowships for a six- to twelve-month Guggenheim Memorial Foundation, 90 Park Ave., New York,
Spring 2013 / AHNCA Newsletter 21 NY 10016, (212) 687-4470, Fax: (212) 697-3248; website: historical materials, but other types of work, such as the edit- http://www.gf.org/about-the-foundation/the-fellowship/. ing of musical notation, are also eligible. Awards are made for one to three years and range from $50,000 to $100,000 per Kluge Center Fellowships, offered through the Library of year. Deadline: November 1, 2013. Guidelines posted online, Congress, support post-doctoral research in all disciplines of summer, 2008. Contact: (202) 606-8200 or e-mail: editions@ the humanities and humanities-related social sciences using neh.gov or write Scholarly Editions, Division of Research the foreign language collections of the Library of Congress. Programs, Room 318, NEH, 1100 Pennsylvania Avenue, Applicants must have received the Ph.D. within the past seven N.W., Washington, D.C. 20506. Web: www.neh.gov/grants/ years. Fellowships up to 12 months carry a stipend of $4,000 guidelines/editions.html. per month. During the fellowship period, scholars are expected to be engaged in full-time research in the Library. The National Humanities Center offers 40 residential Deadline: postmarked July 15, 2013. Contact: American fellowships for advanced study in the humanities during the Council of Learned Societies, 228 E. 45th St., New York, academic year, September through May. Applicants must hold NY 10017-3398; 212-697-1505; email
22 Spring 2013 / AHNCA Newsletter Kress Senior Fellowships are intended primarily to support Fellowship Program, National Humanities Center, 7 research on European art before the early nineteenth century. Alexander Drive, P.O. Box 12256, Research Triangle Park, The Frese Senior Fellowship is intended for study in the NC 27709-2256. Tel: 919-549-0661; email: [email protected]. history, theory and criticism of sculpture, prints and drawings, http://www.nhc.rtp.nc.us/fellowships/appltoc.htm. or decorative arts of any geographical area and of any period. Stipend amount: $50,000 (plus housing). Consult website The Radcliffe Institute for Advanced Study is a scholarly for eligibility and application information. http://www.nga. community where individuals pursue advanced work across a gov/resources/casvasen.shtm#application. Contact National wide range of academic disciplines, professions, or creative Gallery of Art, Center for Advanced Study in the Visual Arts, arts. Radcliffe Institute fellowships are designed to support 2000B South Club Drive, Landover, Maryland 20785. Tel. scholars, scientists, artists, and writers of exceptional prom- (202) 842.6482. Email: [email protected]. ise and demonstrated accomplishment. In recognition of Radcliffe’s historic mission, the Radcliffe Institute sustains a The Research Fellowships Program of the National Gallery continuing commitment to the study of women, gender, and of Canada encourages and supports advanced research. The society. Women and men from across the United States and fellowships emphasize the use and investigation of the collec- throughout the world, including developing countries, are tions of the National Gallery of Canada, including those of encouraged to apply. Residence in the Boston area and the Gallery’s Library and Archives. Competitive fellowships participation in the Institute community are required during are offered in the field of Canadian Art; Indigenous Art; the fellowship year. Stipends are funded up to $70,000 for and the History of Photography. Applications are welcomed one year with additional funds for project expenses. Deadline: from art historians, curators, critics, independent researchers, Applications for 2013-2014, deadline t.b.a. Contact: conservators, conservation scientists and other professionals Radcliffe Fellowship Program, 8 Garden Street, Byerly Hall, in the visual arts, museology and related disciplines in the Cambridge, MA 02138. Tel: 617-496-1324; email fellow- humanities and social sciences, who have a graduate degree [email protected], or http://www.radcliffe.edu/fellowship_ or equivalent publication history. The fellowships are open program.aspx. to international competition. Fellowships are tenable only at the National Gallery of Canada. The term of full-time resi- The Sterling & Francine Clark Art Institute offers 15-20 dency must fall within the period 1 September 2012 to 31 Clark Fellowships each year. Tenure = less than a month August 2013. Awards can be up to $5,000 a month, including to ten months (year runs July 1-June 30) with generous expenses and stipend, to a maximum of $30,000. Deadline: stipends, dependent on salary and sabbatical replacement April 30, 2013. For application procedures, please consult needs. Housing is provided. National and international the website: www.gallery.ca or contact: Jonathan Franklin, scholars, critics, and museum professionals are encouraged to Chief, Library, Archives and Research Fellowships Program, apply. Fellows are given access to the Institution’s collections National Gallery of Canada, P.O. Box 427, Station A, Ottawa, and library, all located together with the Williams College Ontario, K1N 9N4, Canada, telephone (613) 990-0590; fax Graduate Program in the History of Art. The Beinecke (613) 990-6190. Fellowship is endowed by the devoted chair of the Research and Academic Program Trustee Committee, Frederick W. The National Humanities Center in Research Triangle Park, Beinecke, and is awarded to a noted senior scholar for one NC, offers fellowships for advanced study in all fields of the semester. The Clark/Oakley Humanities Fellowship, offered humanities. Fellows are assisted in finding suitable housing by the Clark in conjunction with the Oakley Center for and must be in residence for the academic year (September- the Humanities and Social Sciences at Williams College, is May). Resources include the libraries at Duke University, the intended for a scholar in the humanities whose work takes an University of North Carolina at Chapel Hill, and North interdisciplinary approach to some aspect of the visual. The Carolina State University, and the Center maintains a refer- Clark/Centre Allemand Fellowship is awarded for a project ence collection. Senior and younger scholars are eligible; centered on French art and culture. All deadlines (receipt): younger scholars should be engaged in research well beyond November 1, 2013. All applicants must complete an appli- their dissertations. Terms: Fellowships up to $50,000 are cation form, available on this website. For more information, individually determined, depending upon the needs of the call 413 458 0469, or e-mail Research and Academic Program Fellow and the ability of the Center to meet them. Fellowships (online form). Web: http://www.clarkart.edu/research/content. are intended to maintain scholars at full salary during their cfm?ID=42. year of research. Deadline: postmarked October 15. Contact:
Spring 2013 / AHNCA Newsletter 23 The University of Delaware Library and the Delaware Art Museum announce a joint Fellowship in Pre-Raphaelite studies. This short-term, one-month, residential Fellowship (stipend = up to $2,500) is intended for scholars conduct- ing significant research in the lives and works of the PRIZES AND AWARDS Pre-Raphaelites and their friends, associates, and follow- ers. The Fellowship is open to those who hold a Ph.D. or can demonstrate equivalent professional or academic expe- The American Academy in Rome announces its Rome Prize rience. . Deadline: October 15, 2013. For more informa- competition. Each year, through a national competition, the tion write to Pre-Raphaelite Studies Fellowship Committee, Rome Prize is awarded to 15 emerging artists and 15 schol- Delaware Art Museum, 2301 Kentmere Parkway, Wilmington, ars (working in Ancient, Medieval, Renaissance and early DE 19806 USA, or visit http://www.delart.org/education/ Modern, or Modern Italian Studies). Rome Prize winners fellowships.html receive room and board and a study or studio. Six- and 11-month fellowships are awarded, carrying stipends Winners University of Delaware/Delaware Art Museum 2013 of 6-month and 11-month fellowships receive stipends of Fellowship in Pre-Raphaelite Studies. This short-term, one- $14,000 and $26,000,respectively. The Academy community month Fellowship, awarded annually, is intended for schol- also includes invited Residents and international Affiliated ars conducting significant research in the lives and works of Fellows. Deadline: November 1. To determine eligibility, etc., the Pre-Raphaelites and their friends, associates, and follow- visit www.aarome.org or contact the American Academy ers. The recipient will be expected to be in residence and to in Rome, 7 East 60th Street, New York, NY 10022, Attn: make use of the resources of both the Delaware Art Museum Programs Department. T: (212) 751-7200; F: (212) 751-7220; and the University of Delaware Library. The recipient may email: [email protected]. also take advantage of these institutions’ proximity to other collections, such as the Winterthur Museum and Library, The American Historical Association offers several book the Philadelphia Museum of Art, the Princeton University prizes for outstanding works in the field of history. The Library, and the Bryn Mawr College Library. Each recipi- Herbert Baxter Adams Prize for a work in the field of ent is expected to participate in an informal colloquium European history from 1815 through the 20th century; the on the subject of his or her research during the course of James A. Rawley Prize in Atlantic History for historical writ- Fellowship residence. Up to $3,000 is available for the one- ing that explores the integration of Atlantic worlds before the month Fellowship. The Fellowship is intended for those who twentieth century; the J. Russell Major Prize for the best work hold a Ph.D. or can demonstrate equivalent professional or in English on any aspect of French history and the George academic experience. The deadline is October 15, 2013. Web: Louis Beer Prize in European international history since http://www.delart.org/education/fellowships.html/. 1895 century. The Albert J. Beveridge Award in American history recognizes a distinguished book on the history of the The William T. Grant Scholars Program supports promising United States, Latin America, or Canada, from 1492 to the early career researchers from diverse disciplines. Each fellow present. Deadline for all submissions: May 15. For complete receives $300,000 distributed over a 5-yr period. Investigators competition guidelines, contact: Book Prize Administrator, in any discipline, at all non-profit institutions worldwide, are American Historical Association, 400 A St., SE Washington, eligible. Applicants should be pre-tenure or in a similar early D.C. 20003-3889. Te. (202) 544.2422, Email: jfolmer@histo- career status if in a non-tenure track position. The award may rians.org Web: www.historians.org/prizes/index.cfm. not be used as a post-doctoral fellowship. Applicants must be within seven years of receipt of their terminal degree at the Historians of British Art Travel Award designated for a grad- time of application. Awards are made to the applicant’s insti- uate student member of HBA who will be presenting a paper tution, providing support of $60,000 per year. The William on British art or visual culture at an academic conference in T. Grant Scholars Award must not replace the institution’s 2013. The award of $750 is intended to offset travel costs. To current support of the applicant’s research. Nominations for apply, send a letter of request, a copy of the letter of accep- 2013 due July 6. Contact: William T. Grant Scholars Program, tance from the organizer of the conference session, an abstract 570 Lexington Ave., 18th Floor, New York, NY 10022-6837, of the paper to be presented, a budget of estimated expenses 212/752-0071. Web: http://www.wtgrantfoundation.org/. (noting what items may be covered by other resources), and a CV to Renate Dohmen, Prize Committee Chair, HBA,
24 Spring 2013 / AHNCA Newsletter [email protected]. The deadline is September 15, 2013 titles for this prize; send one copy to EACH of the committee The Dactyl Foundation offers a $1,000 award for essays on members. Deadline for receipt of books is April 15. Contact literary, aesthetic, or cultural theory. Essays may be submit- committee chair: Edmund Russell, STS Dept., Univ. of ted by the author or nominated by another individual. Length Virginia, Thornton Hall, Charlottesville, VA, 22904-4744. open. Published or unpublished, no deadline. Send via regu- The Sally Hacker Prize is awarded to the best popular book lar mail to Victoria N. Alexander, 64 Grand Street, New York, published during the period 2006-2008. The prize of $2,000 NY 10013. Web: www.dactyl.org; email: [email protected]. recognizes books in the history of technology that are directed to a broad audience, including students and the The Rudolf Jahns Prize (10,000 Euros) is given every two interested public. Publishers and authors are invited to years to art historians, journalists and curators/exhibition nominate titles; Deadline for receipt of books is April 15. organizers early in their careers who are engaged in proj- Contact committee chair: Emily Thompson, 232 E. Market ects related to Rudolf Jahns and/or his period. Both already St., Venice, CA 90291. The Levinson Prize of $400 and a completed and planned projects are eligible. No deadline is certificate is awarded to a graduate student for an unpub- given. Contact: Staatliche Museen zu Berlin, Kunstbibliothek, lished paper that explicitly examines a technology or device/ Matthäikirchplatz 6, D-10785 Berlin, or: Rudolf Jahns- process within the framework of social or intellectual history. Stiftung, (Attn: Rudolf Jahns Preis 2004), Leopold Zunz Weg 9, Deadline for nominations: April 15. Contact committee D-32756 Detmold. Web: http://www.rudolf-jahns-stiftung.de/ chair: Gerard Fitzgerald, Chemical Heritage Foundation, 315 Chestnut St., Philadelphia, PA 19106. E-mail: gfitzger- The Phi Beta Kappa Society has been granted the opportu- [email protected]. For more information about these nity to foster continuing education through two foreign study and other SHOT programs and prizes, contact: contact the fellowships. The Mary Isabel Sibley Fellowship ($20,000) is secretary at: SHOT, Department of History, 603 Ross Hall, awarded annually to young women who wish to study Greek Iowa State University, Ames, IA 50011, ph: 515.294.8469. or French language and literature. The Walter J. Jensen Web: http://shot.press.jhu.edu;e-mail: [email protected]. Fellowship ($10,000) aimed to help educators and research- ers improve the study of French in the U.S., is awarded annu- Please check websites to verify deadlines and application ally for six months of study in France. Phi Beta Kappa also procedures. recognizes those who work to preserve and promote the liberal arts and sciences. The Sidney Hook Award ($7,500) recognizes national distinction by a single scholar in each of three endeavors scholarship, undergraduate teaching and leadership in the cause of liberal arts education. The Award for Distinguished Service to the Humanities is given to recog- nized individuals who have made significant contributions in the field of the humanities. The Fellows Award honors an individual who has demonstrated scholarly achievement and excellence in his or her chosen field and who, by work and life, has exemplified the goals and ideals of Phi Beta Kappa. Phi Beta Kappa Society, 1606 New Hampshire Ave. NW, Washington, DC 2009. Tel. (202) 265-3808. Email: [email protected]. For deadline and application informa- tion, consult website: http://staging.pbk.org/AM/Template. cfm?Section=Scholarships_and_Awards.
The Society for the History of Technology offers prizes for outstanding work in the history of technology, broadly defined. The Edelstein Prize of $3,500 is awarded to the outstanding book published in the history of technology during the period 2006-2008. Non-English language books are eligible for three years following the date of their English translation. Publishers and authors are invited to nominate
Spring 2013 / AHNCA Newsletter 25 U.S. EXHIBITIONS
Pomona. American Museum of Ceramic Art Friendship Forged in Fire: British Ceramics in America. 9 February – 4 May 2013: http:// www.amoca.org/exhibitions/upcoming- exhibitions
COLORADO The Denver Art Museum Rocky Mountain Majesty: The Paintings of Charles Partridge Adams. 16 December 2012 – 8 September 2013: http://www. denverartmuseum.org/exhibitions/rocky- mountain-majesty
CONNECTICUT Greenwich Historical Society The New Spirit and the Cos Cob Art Colony: Before and After The Armory Show. 9 October 2013 – 14 January 2014: http:// www.hstg.org/upcoming.php
Old Lyme. Florence Griswold Museum Arthur Heming: Chronicler of the North. 8 February – 2 June 2013: http://www.flogris. org/exhibitions_13Heming.php
DELAWARE Newark. Old College Gallery, University of Delaware Gertrude Käsebier: The Complexity of Light and Shade. February 6 – June 28, 2013: http://www.udel.edu/ihrc/projects/ 2013/2013-renewing-museums.html Goya’s War: Los Desastres de la Guerra. Fall, 2013: http://www.udel.edu/ihrc/projects/ 2013/2013-renewing-museums.html
Wilmington. Delaware Art Museum Henri Fantin-Latour (French, 1836-1904), Édouard Manet. 1867. Oil on canvas. 46 5/16 x 35 7/16 inches (117.5 x 90 cm). The Art Institute of Chicago. Stickney Fund. On view: Impression, Fashion and Modernity at the Metropolitan Gertrude Käsebier’s Photographs of the Eight: Museum of Art, New York. Portraits for Promotion. 23 February – 7 July 2013: http://www.delart.org/ ALABAMA CALIFORNIA exhibitions/upcoming/index.html Montgomery Museum of Fine Art Los Angeles. The Huntington Library, Art Francisco Jose de Goya y Lucientes: Spain’s Collections, and Botanical Gardens Winterthur Museum, Garden and Library Old Master (and Modern) Printmaker. 6 July Useful Hours: Needlework and Painted Common Destinations: Maps in the American – 25 August 2013: http://www.mmfa.org/ Textiles from Southern California Collections. Experience. 20 April 2013 – 5 January 2014: exhibitlist.aspx 1 June – 3 September 2013: http:// http://www.winterthur.org/ huntington.org/huntingtonlibrary_02. commondestinations. James Abbott McNeill Whistler: The Thames aspx?id=11540 Set. 31 August – 20 October 2013: http:// FLORIDA www.mmfa.org/exhibitlist.aspx Illuminated Palaces: Extra-Illustrated Books Orlando. Charles Hosmer Morse Museum from the Huntington Library. 22 July – 21 of American Art October 2013: http://huntington.org/ Watercolors by Otto Heinigke—A Glass huntingtonlibrary_02.aspx?id=11542 Artist’s Palette. 14 February 2012 – 29
26 Spring 2013 / AHNCA Newsletter September 2013: http://www. detail/54/Inventing-the-Modern-World- thewalters.org/eventscalendar/eventdetails. morsemuseum.org/on-exhibit/watercolors- Decorative-Arts-at-the-Worlds-Fairs aspx?e=2565 by-otto-heinigke. Reinventing Nature: Art from the School of Book Bindings from the Gilded Age. 27 Fontainebleau. Through 19 May 2013: October 2013 – 19 January 2014: http:// GEORGIA http://noma.org/exhibitions/detail/64/ thewalters.org/eventscalendar/eventdetails. Savannah. Telfair Museums, Jespson Reinventing-Nature-Art-from-the-School- aspx?e=2738 Center of-Fontainebleau The Scottish Colourists. 15 June 1913 – 31 Spanish Sojourns: Robert Henri and the The Bayou School: 19th Century Louisiana August 31, 2014: http://thewalters.org/ Spirit of Spain. Spain held a particular fas- Landscapes of Clague, Buck, and Smith. On eventscalendar/eventdetails.aspx?e=2735 cination for Henri, who was attracted to view through 12 May 2013: http://noma. the nation’s sunny climate, ancient cul- org/exhibitions/detail/62/The-Bayou- MASSACHUSETTS ture, and spirited citizens. He first visited School Andover. Addison Gallery of American Spain in 1900, and returned six times be- Art tween 1906 and 1926. 18 October 2013 – 4 MAINE Whistler’s Bridge: Battersea Bridge in the Art May 2014: http://telfair.org/upcoming-ex- Portland Museum of Art of Whistler. 1 February – 13 April 2014: hibitions/spanish-sojourns- Winslow Homer’s Civil War. 7 September – http://www.andover.edu/Museums/ robert-henri-and-the-spirit-of-spain/. 8 December 2013: http://www. Addison/Exhibitions/Upcoming/ Sitting in Savannah: Telfair Chairs and Sofas. portlandmuseum.org/about/homerstudio/ WhistlersBridge/Pages/default.aspx At Telfair Academy & Owens-Thomas exhibition.php. House, 9 March – 7 October 2013: http:// Boston Athenaeum telfair.org/upcoming-exhibitions/sitting- Saco Museum Brilliant Beginnings: The Athenæum and the in-savannah-telfair-chairs-and-sofas/ John Haley’s Civil War. 5 May – 10 Museum in Boston. 13 February – 3 August November 2013: http://www.sacomuseum. 2013: http://www.bostonathenaeum.org/ Columbus Museum org/mus_upcoming_exhibits_temp. node/1586 Homer in America. 2 March – 10 June 2013: shtml?id=EFkuylZEZZdFIrWaki. http://www.columbusmuseum.com/ Boston. Isabella Stuart Gardner Museum exhibitions/current.html MARYLAND Anders Zorn: a European Artist Seduces Baltimore Museum of Art America. Through 13 May 2013: http:// ILLINOIS Max Weber: Bringing Paris to New York. The www.gardnermuseum.org/collection/ Art Institute of Chicago BMA presents the first exhibition to exhibitions/current_exhibitions/anders_ Impressionism, Fashion, and Modernity. 26 extensively explore American artist Max zorn June – 22 September 2013: http://www. Weber’s formative years in Paris from fall artic.edu/exhibition/impressionism- 1905 to December 1908, when he Boston. Massachusetts Historical Society fashion-and-modernity transformed his painting style from “Proclaim Liberty Throughout All the Land”: classical representations of figures to bold Boston Abolitionists, 1831-1865. 22 February INDIANA interpretations of cubism and futurism. 1 – 24 May 2013: http://www.masshist.org/ Indianapolis Museum of Art March – 23 June 2013: http://www.artbma. exhibitions Timeless Beauty. This exhibition looks at org/exhibitions/ the Japanese genre called bijinga, or Boston. Museum of Fine Arts pictures of female beauties, using prints Baltimore. Homewood Museum, Johns Art of the White Mountains. Examines the from the last three decades of the 18th Hopkins University allure of the area for artists for over a century through modern times. 11 Portrait of a City: Views of Early Baltimore. 4 century and a half through oil paintings, January – 5 May 2013: http://www. December 2012 – 26 May 2013: http:// drawings, prints, watercolors, sketchbooks, imamuseum.org/exhibition/musha-e- www.museums.jhu.edu/calendar. photographs, and rare books. 14 July warrior-prints php?type=exhibitions 2012 – 7 July 2013: http://www.mfa.org/ exhibitions/art-white-mountains University of Notre Dame. Snite Museum Baltimore. Walters Art Museum Visiting Masterpieces: Cézanne’s The Large of Art New Eyes on America: The Genius of Richard Bathers. 2 February 2013 – 12 May 2013: José Guadalupe Posada and His Legacy. 25 Caton Woodville. Painter of iconic works of http://www.mfa.org/exhibitions/visiting- August – 13 October 2013: http:// American genre, Richard Caton masterpieces sniteartmuseum.nd.edu/exhibits/ Woodville (1825–55) led a life of paradox. Art in the Street: European Posters. 15 indexupcomingexhibitions.html Born and raised in Baltimore, he December 2012 – 21 July 2013: http://www. produced most of his paintings in Europe, mfa.org/exhibitions/art-street LOUISIANA where he died at 30. Although he left Luxury on Paper: The Art of Surimono. 9 New Orleans Musem of Art behind fewer than 20 paintings, his March – 1 December 2013: http://www. Inventing The Modern World: Decorative Arts images were widely known in his time mfa.org/exhibitions/luxury-paper At The World’s Fairs. 12 April– 21 July through reproduction as premium prints. John Singer Sargent Watercolors. 13 October 2013: http://noma.org/exhibitions/ 10 March 2013 – 2 June 2013: http:// 2013 – 20 January 2014: http://www.mfa.org/
Spring 2013 / AHNCA Newsletter 27 exhibitions/john-singer-sargent-watercolors NEW HAMPSHIRE New York City. The American Folk Art John James Audubon Birds. 27 July 2013 – Hanover. Hood Museum of Art, Museum 11 May 2014: http://www.mfa.org/ Dartmouth College Artist and Visionary: William Matthew Prior exhibitions/john-james-audubon-birds The Women of Shin Hanga: The Judith and Revealed. More than 40 oil paintings Joseph Barker Collection of Early-Twentieth- spanning Prior’s career from 1824 to 1856. Cambridge. Houghton Library, Harvard Century Japanese Prints. 6 April – 28 July Through his pragmatic marketing strategy, University 2013: http://hoodmuseum.dartmouth.edu/ Prior was able to document the faces of A Fair to Remember: Mapping International exhibitions/upcoming.html middle-class Americans throughout his Expositions. 12 December 2012 – 14 May lifetime. 24 January – 26 May 2013: 2013: http://hcl.harvard.edu/info/ NEW JERSEY http://www.folkartmuseum.org/prior exhibitions/index.cfm#current_exhibitions Montclair Museum of Art Boston’s Crusade Against Slavery. 1 May – 23 The New Spirit: American Art in the Armory New York City. The Brooklyn Museum August 2013: http://hcl.harvard.edu/info/ Show, 1913. 17 February – 16 June 2013: Aesthetic Ambitions: Edward Lycett and exhibitions/index.cfm http://www.montclair-art.com/exhibitions- Brooklyn’s Faience Manufacturing Company. details.php?id=31 Highlights the nearly fifty-year career of Fitchburg Art Museum ceramicist Edward Lycett (American, American Scenery: Different Views in Hudson New Brunswick. Jane Voorhees Zimmerli 1833–1910), creative director of the River School Painting. 23 September 2012 – Art Museum, Rutgers University Faience Manufacturing Company from 2 June 2013: http://www. Henri-Gabriel Ibels. Henri-Gabriel Ibels 1884 to 1890. 3 May 2012 – 16 June 2013: fitchburgartmuseum.org/Current- (1867-1936) worked in Paris as a http://www.brooklynmuseum.org/ Exhibitions.php printmaker, illustrator, and poster exhibitions/aesthetic_ambitions/ designer. 2 March – 8 September, 2013: Fine Lines: American Drawings from the Worcester Art Museum http://www.zimmerlimuseum.rutgers.edu/ Brooklyn Museum. 8 March – 26 May 2013: Bostonians in Miniature: Portraits and Lives, european-galleries/henri-gabriel-ibels#. http://www.brooklynmuseum.org/ 1810-1835. December 2012 – May 2013: UT4B-47akVk exhibitions/fine_lines/ http://www.worcesterart.org/Exhibitions/ “Workt by Hand”: Hidden Labor and bostonians-in-miniature/ Princeton University Art Museum Historical Quilts. 15 March – 15 September 1913: The Year of Modernism. 23 March – 23 2013: http://www.brooklynmuseum.org/ MICHIGAN June 2013: http://www. exhibitions/quilts/ Detroit Institute of Art princetonartmuseum.org/art/ John Singer Sargent Watercolors. 5 April – Guest of Honor: Van Gogh’s Bedroom in exhibitions/1519 28 July 2013: http://www. Arles.19 February – 28 May 2013: http:// brooklynmuseum.org/exhibitions/sargent_ www.dia.org/calendar/exhibition. NEW YORK watercolors/ aspx?id=3661&iid= Albany Institute of History and Art Behind Closed Doors: Art in the Spanish The Legacy Of Currier & Ives: Shaping the American Home, 1492–1898. 20 MISSISSIPPI American Spirit. 9 February – 15 June September 2013 – 12 January 2014: http:// Laurel. Lauren Rogers Museum of Art 2013: http://www.albanyinstitute.org/the- www.brooklynmuseum.org/exhibitions/ Civil War Era Drawings from the Becker legacy-of-currier-and-ives.html behind_closed_doors/ Collection. 6 September – 15 November The Making of the Hudson River School: 2015: http://lrma.org/exhibitions/future- More than the Eye Beholds. 26 January – 18 New York City. The Frick Collection exhibitions/ August 2013: http://www.albanyinstitute. The Impressionist Line from Degas to org/the-making-of-the-hudson-river- Toulouse-Lautrec: Drawings and Prints from MONTANA school.html the Clark. 13 March 2013 – 16 June 2013: Missoula. Montana Museum of Art and Robert Hewson Pruyn: An Albanian in Japan, http://www.frick.org/exhibitions/clark/index. Culture 1862–1865. 21 November 2012 –ongoing: htm A Hundred Years Later: Julius Seyler Among http://www.albanyinstitute.org/robert- Precision and Splendor: Clocks and Watches the Blackfeet. 2 May – 3 August 2013: http:// hewson-pruyn-an-albanian-in- at the Frick Collection. Illustrates the www.umt.edu/montanamuseum/ japan-18621865.html stylistic and technical developments of exeventsschedule/futureexhibitions.aspx timepieces from 1500 to 1830. 23 January Cooperstown. Fenimore Art Museum – 23 July 2013: http://www.frick.org/ NEBRASKA American Masters: Thomas Cole to Grandma exhibitions/clocks/index.htm Omaha. Joslyn Art Museum Moses. 30 March – 2 June and 19 October – David d’Angers (1788–1856): Making the Renoir to Chagall: Paris and the Allure of 29 December 2013: http://www. Modern Monument. 17 September – 8 Color. Features important works by fenimoreartmuseum.org/node/2207. December 2013: http://www.frick.org// Impressionists and Post-Impressionists. 8 The Hudson River School: Nature and exhibitions/d_angers June 2013 – 1 September 2013: http://www. the American Vision. 29 June 29 – 29 joslyn.org/collections-and-exhibitions/ September 2013: http://www. New York City. Grolier Club temporary-exhibitions/upcoming/ fenimoreartmuseum.org/node/2563 American Little Magazines of the 1890s: A
28 Spring 2013 / AHNCA Newsletter Revolution in Print. 20 February – 27 April from the 19th and 20th centuries, they New York City. Pierpont Morgan Library 2013: http://www.grolierclub.org/Default. often reflect the experiences of the and Museum aspx?p=DynamicModule&pageid=28991 Middle Passage and slavery, which left Degas’s Miss La La and the Cirque Fernando. 4&ssid=169184&vnf=1 their indelible mark on the artistic Through 12 May 2013: http://www. Scientist, Scholar & Scoundrel: A consciousness of the African-American themorgan.org/exhibitions/exhibition. Bibliographical Investigation of the Life and community. 15 February – 26 May 2013: asp?id=68 Exploits of Count Guglielmo Libri, from the http://mobia.org/exhibitions/ashe-to- Collection of Jeremy Norman. 28 March – 24 amen#slideshow1 Memorial Art Gallery of the University of May 2013: http://www.grolierclub.org/ Rochester Default.aspx?p=DynamicModule&pageid New York City. The Museum of Modern Art Becoming Modern: Armory Show Artists at =289914&ssid=169184&vnf=1 Edvard Munch: The Scream. Through 29 MAG. 25 January – 12 May 2013: http:// April 2013: http://www.moma.org/visit/ mag.rochester.edu/exhibitions/21512-2/ New York City. Japan Society calendar/exhibitions/1330 Edo Pop: The Graphic Impact Of Japanese NORTH CAROLINA Prints. 9 March – 9 June 2013: http://www. New York City. Neue Galerie Charlotte. Mint Museum japansociety.org/page/programs/gallery. German and Austrian Decorative Arts From European Art, 1750-1900. Mint Museum Jugendstil To The Bauhaus: The Harry C. Randolph, 17 November 2012 – 13 May New York City. The Metropolitan Sigman Gift. 7 February – 22 April 2013: 2013: http://www.mintmuseum.org/art/ Museum of Art http://www.neuegalerie.org/content/ exhibitions/detail/european-art-1750-1900 Bashford Dean and the Creation of the Arms german-austrian-decorative-arts- American Ceramics, 1825 – 1875. Mint and Armor Department. Dr. Bashford Dean jugendstil-to-bauhaus Museum Randolph, opening 14 July 2012: (1867–1928), the department’s founding German Expressionism 1900-1930: http://www.mintmuseum.org/art/ curator, was a zoologist by training, and Masterpieces from the Neue Galerie Collection. exhibitions/detail/american- for a time simultaneously served as a full 7 February – 22 April 2013: http://www. ceramics-1825-1875 professor at Columbia University, Curator neuegalerie.org/content/german- Classically Inspired: European Ceramics of Fishes at the American Museum of expressionism-1900-1930-masterpieces- Circa 1800. Mint Museum Randolph, Natural History, and Curator of Arms neue-galerie-collection-1 opening 14 July 2012: http://www. and Armor at the Metropolitan Museum. Koloman Moser. 23 May – 2 September mintmuseum.org/art/exhibitions/detail/ 2 October 2012 – 29 September 2013: 2013: http://www.neuegalerie.org/content/ classically-inspired-european-ceramics- http://www.metmuseum.org/exhibitions/ koloman-moser circa-1800 listings/2012/arms-and-armor Kandinsky and the Total Work of Art: The American Art Tile, 1880-1940. Mint Impressionism, Fashion, and Modernity. From Blaue Reiter to Bauhaus. 3 October Museum Randolph, 7 April – 29 Through 27 May 2013: http://www. 2013 – 10 February 2014: http://www. December 2013: http://www.mintmuseum. metmuseum.org/exhibitions/listings/2013/ neuegalerie.org/content/kandinsky-and- org/art/exhibitions/detail/the-american- impressionism-fashion-modernity total-work-art-blaue-reiter-bauhaus art-tile-1880-1940 “A Sport for Every Girl”: Women and Sports in New Eyes On America: The Genius Of the Collection of Jefferson R. Burdick. New York City. The New-York Historical Richard Caton Woodville. Over a Beginning in the late 1870s, tobacco Society remarkably short career that lasted just a producers used inventive imagery of Audubon’s Aviary: Part I of the Complete decade due to his untimely death at age actresses, athletes, politicians, animals, Flock. 8 March – 19 May 2013: http://www. thirty, Richard Caton Woodville (1825- flags, and world capitals—to name only a nyhistory.org/exhibitions/audubons-aviary 1855) created a small but important body few of the hundreds of categories—to Beauty’s Legacy: Gilded Age Portraits in of work that engaged with the major advertise their brands. 18 December 2012 America. 27 September 2013 – 9 March issues dominating American society in the – 7 July 2013: http://www.metmuseum.org/ 2014: http://www.nyhistory.org/ years leading up to the Civil War. Mint exhibitions/listings/2012/burdick- exhibitions/beauty’s-legacy-gilded-age- Museum Randolph, 29 June – 3 collection-winter-rotation portraits-america November 2013: http://www.mintmuseum. Photography and the American Civil War. 2 The Armory Show at 100. 11 October 2013 – org/art/exhibitions/detail/new-eyes-on- April – 2 September 2013: http://www. 23 February 2014: http://www.nyhistory. america-the-genius-of-richard-caton- metmuseum.org/exhibitions/listings/2013/ org/exhibitions/armory-show-at-100 woodville photography-and-the-american-civil-war Inventing The Modern World: Decorative Arts The Civil War and American Art. 27 May – 2 New York Public Library At The World’s Fairs. 21 September 2013 – September 2013: http://www.metmuseum. Daring Methods: The Prints of Mary Cassatt. 19 January 2014: http://www.mintmuseum. org/exhibitions/listings/2013/civil-war Stephen A. Schwarzman Building, org/art/exhibitions/detail/inventing-the- through 23 June 2013: http://www.nypl. modern-world-decorative-arts-at-the- New York City. The Museum of Biblical Art org/events/exhibitions/daring-methods- world-s-fairs-1851-1939 Ashé to Amen: African-Americans and prints-mary-cassatt Biblical Imagery. Although the majority of the works included in the exhibition date
Spring 2013 / AHNCA Newsletter 29 OHIO January - July 2015: http://www.pafa.org/ TEXAS Cincinnati Art Museum museum/Exhibitions/Upcoming- Dallas. Meadows Museum of Art Eternal Summer: The Art of Edward Henry Exhibitions/The-Impressionist-Garden- Impressions of Europe: Nineteenth Century Potthast. Cincinnati native Edward Henry American-Artists-and-the-Garden- Vistas by Martín Rico. Martín Rico y Potthast (1857 – 1927 ) is celebrated for Movement-1887-1920/1426/ Ortega (1833-1908) was one of the most his sun-filled paintings of Americans at World War I and American Art. November important Spanish artists of the second the shore. 8 June 2013 – 8 September 2016 – April 2017: http://www.pafa.org/ half of the nineteenth century, and 2013: http://www.cincinnatiartmuseum. wwi/ enjoyed wide international recognition as org/explore/exhibitions/upcoming- well, especially in France and the United exhibitions/details/186-eternal-summer- Philadelphia Museum of Art States. 10 March – 7 July 2013: http://smu. the-art-of-edward-henry-potthast The Art of Golf. The Golfers (1847), an edu/meadowsmuseum/about_Rico.htm New Acquisitions: Tiffany Windows. 12 May iconic work by Scottish painter Charles Sorolla and America. 8 December 8 2013 – 2012 – 10 May 2014: http://www. Lees (1800–1880), is the centerpiece of 20 April 2014: http://smu.edu/ cincinnatiartmuseum.org/explore/ The Art of Golf, an exhibition celebrating meadowsmuseum/about_Sorolla.htm exhibitions/current-exhibitions/ what has been called “a game of details/135-new-acquisitions-tiffany- considerable passion” on the occasion of VERMONT windows the U.S. Open Championships, which will Shelburne Museum be played in June at the Merion Golf Club, Something Old, Something New: Continuity Cincinnati. Taft Museum of Art in Ardmore, Pennsylvania. 16 March – 7 And Change In American Fine Furnishings Local Exposures: Daguerreotypes from July 2013: http://www.philamuseum.org/ From 1700 – 1820. 13 May – 28 October Cincinnati Collections. 19 April – 21 July exhibitions/782.html 2013: http://shelburnemuseum.org/ 2013: http://www.taftmuseum.org/?page_ Photogravure: Master Prints from the exhibitions/something-old-something- id=56 Collection. 11 May – 11 August 2013: http:// new-continuity-and-change-in-american- Photographic Wonders: American www.philamuseum.org/exhibitions/789. fine-furnishings-from-1700-–-1820/ Daguerreotypes from The Nelson-Atkins html Museum of Art. 24 May – 25 August 2013: The Enchanted World of German Romantic VIRGINIA http://www.taftmuseum.org/?page_id=56 Prints 1770–1850. Fall 2013: http://www. Charlotte. University of Virginia Art Telling Tales: Stories and Legends in 19th- philamuseum.org/exhibitions/781.html Museum Century American Art. 20 September 2013 – Corot to Cézanne: French Drawings from the 12 January 2014: http://www.taftmuseum. Pittsburgh. Carnegie Museum of Art Collection of Mr. and Mrs. Paul Mellon at the org/?page_id=56 “Japan is the Key…”: Collecting Prints and Virginia Museum of Fine Arts. 25 January – Ivories, 1900–1920. 30 March – 21 July 2 June 2013: http://www.virginia.edu/ Cleveland Museum of Art 2013: http://web.cmoa.org/?page_id=7702 artmuseum/exhibition/corot-to-cezanne/ Picasso and the Mysteries of Life: La Vie. 13 Becoming the Butterfly: Portraits of James December 2012 – 21 April 2013: http:// RHODE ISLAND McNeill Whistler. 30 April – 4 August 2013: www.clevelandart.org/events/exhibitions/ Newport. National Museum of American http://www.virginia.edu/artmuseum/ picasso-and-mysteries-life-la-vie Illustration exhibition/becoming-the-butterfly/ Maxfield Parrish: the Retrospective. From Alaska to the Mountain Peaks of Columbus Museum of Art Through Fall 2013: http://www. Central Mexico: Depicting Native American Toulouse-Lautrec and La Vie Modern: Paris americanillustration.org/ Life in the Late Nineteenth Century. 7 June – 1880 – 1910. Opening February 2014: Howard Pyle and the Brandywine School. 4 August 2013: http://www.virginia.edu/ http://www.columbusmuseum.org/ Dates not provided: http://www. artmuseum/exhibition/from-alaska-to- exhibitions/future-exhibitions/ americanillustration.org/ mexico/ http://www.taubmanmuseum.org/main/ PENNSYLVANIA Providence. Rhode Island School of exhibitions/current Allentown Art Museum Design Museum. Toulouse-Lautrec and His World. 2 June – 1 Grisogorious Places: Edward Lear’s Travels. Williamsburg. Abby Aldrich Rockefeller September 2013: http://www. 14 September 2012 – 19 May 2013: http:// Folk Art Museum allentownartmuseum.org/exhibition/ www.risdmuseum.org/exhibition. Quilts in the Baltimore Manner. Nineteenth- fabric-life-pennsylvania-german-textiles aspx?type=current&id=8589934599 century quilts, including appliquéd album quilts. Through 11 May, 2014: http://www. Philadelphia. The Pennsylvania Academy history.org/history/museums/abby_art_ of the Fine Arts TENNESSEE current.cfm A New Look: Samuel F. B. Morse’s Gallery of Memphis Brooks Museum of Art Paper Trail: Documenting Rites of Passage in the Louvre. 4 August 2012 – 25 August Angels and Tomboys: Girlhood in American German-Speaking America. These hand- 2013: http://www.pafa.org/morse/ Art. Through 12 May 2013: http://www. drawn and colored documents are visually The Impressionist Garden: American Artists brooksmuseum.org/ appealing records of nineteenth-century and the Garden Movement, 1887-1920. currentexhibitions?edl=all individuals. Opening 29 June 2013: http://
30 Spring 2013 / AHNCA Newsletter www.history.org/history/museums/abby_ Charles Marville: Photographer of Paris. The art_upcoming.cfm first retrospective exhibition in the United States, and the only scholarly catalogue WASHINGTON on the renowned 19th-century French Goldendale. Maryhill Museum of Art. photographer Charles Marville (1813– Eanger Irving Couse on the Columbia River. 1879), will present recent groundbreaking Art student Eanger Irving Couse married discoveries informing his art and Virginia Walker in Paris in 1889. Two biography, including the versatility of his years later, the couple spent a season photographic talents and his true identity, living with Virginia’s parents at the background, and family life. 29 Walker Ranch in Klickitat County, where September 2013 – 5 January 2014: http:// Couse first painted Indian subjects. The www.nga.gov/exhibitions/marvilleinfo. couple returned to the area in 1896–1898 shtm and during those years the artist created more works featuring local Indians. The National Portratait Gallery exhibit will showcase approximately 20 Bound for Freedom’s Light: African original paintings and related artifacts Americans and the Civil War. Through 2 and archival material. 8 June – 2 March 2014: http://www.npg.si.edu/ September 2013: http://www. exhibit/exhbound.html maryhillmuseum.org/Exhibits/upcoming. html Smithsonian American Art Museum and the Renwick Gallery WASHINGTON, D.C. The Civil War and American Art. American Freer|Sackler: The Smithsonian’s Art Museum, 16 November 2012 – 28 Museusms of Asian Art April 2013: http://americanart.si.edu/ Whistler’s Neighborhood: Impressions of a exhibitions/archive/2012/art_civil_war/ Changing London. 8 September 2012 – 8 Pictures in the Parlor. American Art September 2013: http://www.asia.si.edu/ Museum, 1 February – 30 June 2013: exhibitions/current/whistlers- http://americanart.si.edu/exhibitions/ neighborhood.asp archive/2013/pp/ The Peacock Room Comes to America. 9 April Thomas Day: Master Craftsman and Free 2011 – December 2015: http://www.asia. Man of Color. Renwick Gallery, 12 April – si.edu/exhibitions/current/PeacockRoom. 28 July 2013: http://americanart.si.edu/ asp exhibitions/archive/2013/day/ Sylvan Sounds: Freer, Dewing, And Japan. 28 May 2013 – 28 May 2014: http://www. WISCONSIN asia.si.edu/exhibitions/future.asp Madison. Chazen Museum of Art Hand-Held: Gerhard Pulverer’s Japanese Gifts of the Ebb Tide: The Sea in Japanese Illustrated Books. Ehon, the Japanese term Prints. A selection of Japanese woodblock for woodblock-printed illustrated books, prints featuring the sea, drawn from the were key sources of knowledge and museum’s notable collection. 8 June - 1 entertainment during the Edo period September 2013: http://www.chazen.wisc. (1615–1868). 6 April – 11 August 2013: edu/visit/events-calendar/event/gifts-of- http://www.asia.si.edu/exhibitions/future. the-ebb-tide/ asp
National Gallery of Art Color, Line, Light: French Drawings, Watercolors, and Pastels from Delacroix to Signac. 27 January – 26 May 2013: http:// www.nga.gov/exhibitions/dyke.shtm Pre-Raphaelites and the Book. 17 February – 19 May 2013: http://www.nga.gov/ exhibitions/preraphaelites.shtm#library Pre-Raphaelites: Victorian Art and Design, 1848-1900. 17 February – 19 May 2013: http://www.nga.gov/exhibitions/ preraphaelites.shtm
Spring 2013 / AHNCA Newsletter 31 INTERNATIONAL EXHIBITIONS
Special notice: The second Normandy London. British Museum. Bubbles and Giverny. Musée des Impressionnismes. Impressionist Festival will take place from Bankruptcy: Financial Crises in Britain since Signac, the Colors of Water. Through April to September 2013, with water as 1700. Through May 5 July 2. Continues at the Musée Fabre, its central theme. Events include concerts, London. Courtauld Gallery. Becoming Montpellier, July 13–Oct. 27 walking tours, festivals, and exhibitions. Picasso. Paris 1901. Reunites major A selection appears in the International paintings from Picasso’s debut exhibition Granville. Musée d’Art moderne Exhibitions listings. For a complete with the influential dealer Ambroise Anacréon. Maurice Denis, Going with the schedule see http://www.normandie- Vollard. Through May 26. Collecting Flow. Explores the different facets of impressionniste.eu/. Gauguin: Samuel Courtauld in the 20s. Denis’s work through the theme of water. Considers Courtauld’s contribution to April 20–Sept. 22 AUSTRALIA developing Gauguin’s reputation in Adelaide. Art Gallery of South Australia. England. June 20–Sept. 9 Honfleur. Musée Eugène Boudin. Women Turner from the Tate: The Making of a and the Sea. 1860–1910. June 29–Sept. 30 Master. Through May 19. Continues at the London. National Gallery. Birth of a National Gallery of Australia, Canberra, Collection: The Barber Institute of Fine Arts Le Havre. Musée André Malraux. Pissarro June 1–Sept. 8 and the National Gallery. Twelve Old Master and the Ports – Rouen, Dieppe, Le Havre. and 19th-century paintings acquired April 27–Sept. 29 Melbourne. National Gallery of Victoria. by Prof. Thomas Bodkin for the Henry Monet’s Garden. In collaboration with the Barber Trust while serving as the first Lille. Palais des Beaux-Arts. Art in the Palm Musée Marmottan, Paris. May 10–Sept. director (1935–52). May 22–Sept. 1 of Your Hand. The Medallion in 19th and 20th 8. Australian Impressionists in France. June Century France. In collaboration with the 15–Oct 6 London. National Portrait Gallery. George Musée d’Orsay, Petit Palais, and Cabinet Catlin: American Indian Portraits. Through des médailles, Paris; and the Musée des AUSTRIA June 23 Beaux-Arts de Lyon. Through July 1 Vienna. Albertina. Matisse and Fauvism. Sept. 20, 2013–Jan. 12, 2014 Manchester. Manchester City Galleries. Lyon. Musée des Beaux-Arts. Art in the Channel Crossings: English and French Palm of Your Hand. The Medallion in 19th Vienna. Österreichische Galerie Belvedere. Impressionism and Post-Impressionism. Works and 20th Century France. In collaboration Decadence. Aspects of Symbolism in Austria. from the collection. Through Dec. 6 with the Musée d’Orsay, Petit Palais, and June 21–Oct. 13 Cabinet des médailles, Paris; and the Sheffield. Millennium Galleries. Force Musée des Beaux-Arts de Lille. Through CZECH REPUBLIC of Nature: Picturing Ruskin’s Landscape. Aug. 31 Prague. Národní Galerie. Masterpieces of Through June 23 19th-Century Austrian and German Painting. Paris. Docks - Cité de la Mode et du Works from the collection. Through May 31 Warwickshire. Compton Verney. Turner Design. Mannequin—The Body of Fashion. and Constable: Sketching from Nature. Works From Portemanteau to Top Model. Organized DENMARK from the Tate Collection. July 13–Sept. 22. by the Musée Galliera. Through May 19 Copenhagen. Ny Carlsberg Glyptotek. Continues at the Turner Contemporary, Degas’s Method. Explores the artist’s Margate, and the Laing Art Gallery, Paris. Hôtel de Ville. Paris Haute approach, across motifs, techniques, and Newcastle, in Fall 2013 Couture. Ensembles by Worth, Doucet, time. June 7–Sept. 1 and Poiret, along with contemporary FRANCE designs. Organized by the Musée Galliera. Copenhagen. Ordrupgaard Collection. Albi. Musée Toulouse-Lautrec. Fantasy and Through July 6 Mary Cassatt. French-American Impressionist Modernity—Alfred Kubin (1877–1959) and on Paper. Through June 9 His Contemporaries. Through June 23 Paris. Les Arts Décoratifs. The Mechanics of Underthings. An Indiscreet History of the ENGLAND Caen. Musée des Beaux-Arts. A Summer at Silhouette. July 4–Nov. 24 Compton. Watts Gallery. A Pre-Raphaelite the Water’s Edge – Leisure and Impressionism. Journey: Eleanor Fortescue-Brickdale. Works April 27–Sept. 29 Paris. Musée Cernuschi. The Shanghai by a late follower of the Pre-Raphaelite School (1840–1920): Painting and aesthetic. Through June 9. Frank Holl: Eu. Musée Louis-Philippe. Gabrielle Morin Calligraphy from the Shanghai Museum. Emerging from the Shadows. The first (1854–1933). Seascapes associated with the Through June 30 retrospective dedicated to the Victorian town of Eu. July 17–Sept. 15 artist, known for his portraits. June 18– Paris. Musée Cognacq-Jay. Dalou: Nov. 3 Regarding the 18th Century. The role of
32 Spring 2013 / AHNCA Newsletter 18th-century sculpture in Dalou’s art; GERMANY Klinger, Karl May. May 16–Sept. 15 complements the exhibition devoted to Berlin. Deutsches Historisches Museum. Dalou at the Petit Palais. April 18–July 13 1813 – On the Battlefield of Leipzig: A Walk Munich. Kunsthalle der Hypo- Through the Painting “Siegesmeldung” by Kulturstiftung. Karl Friedrich Schinkel. Paris. Musée d’Orsay. Art in the Palm of Johann Peter Krafft. Aug. 22–Dec. 15 Architect, Artist, Designer. In collaboration Your Hand. The Medallion in 19th and 20th with the Kupferstichkabinett, Berlin. Century France. Through June 9. The Angel Berlin. Max Liebermann Haus. Daumier Through May 12 of the Odd: Dark Romanticism from Goya to is Tremendous! Organized by the Stiftung Max Ernst. In collaboration with the Städel Brandenburger Tor. Through June 2 Munich. Münchner Stadtmuseum. Museum, Frankfurt. Through June 9. The Germany in Photography in the 19th Century. Marlene and Spencer Hays Collection.19th Berlin. Museum für Fotografie. ‘The Naked The Dietmar Siegert Collection. Through century and early 20th century works Truth and More Besides’. Nude Photography May 20 by French artists, many of which are around 1900. May 3–Aug. 25 returning to France for the first time. Munich. Neue Pinakothek. To Rome! The April 16–August 18 Bremen. Kunsthalle. Landscape Drawings Landscape Painter Johann Christian Reinhart. from the Romantic Era and the Present. Sept. The first major exhibition dedicated Paris. Musée de l’Orangerie. The 7, 2013–Jan. 5, 2014 to the artist. In collaboration with the Macchiaioli 1850–1877. Italian Hamburger Kunsthalle. Through May 26 Impressionists? In collaboration with Cologne. Kölnisches Stadtmuseum. the Musée d’Orsay. April 10–July 22. Cologne/Nile. The Adventurous Orient Stuttgart. Staatsgalerie. Hans Thoma: The Continues at the Fundación Mapfre, Expedition of Franz Christian Gau 1818-1820. Pringsheim-Fries. In Honor of the 200th Madrid, Sept. 20, 2013–Jan. 5, 2014 Featuring Gau’s drawings and watercolors, Birthday of Richard Wagner. April 27–July along with engravings and the earliest 28. Edvard Munch in Stuttgart. From the First Paris. Musée de Montmartre. Around the photographs of the architecture of the Kiss to Death. With an emphasis on graphic Chat Noir: Art and Pleasure in Montmartre Orient. Through May 26 works. July 6–Oct. 6 1880–1900. Extended through June 3 Cologne. Wallraf-Richartz-Museum & HUNGARY Paris. Musée du Louvre. David d’Angers. Fondation Corboud. Face Value. Wilhelm Budapest. Magyar Nemzeti Galéria. Drawings from the Musée des Beaux-Arts Leibl & August Sander. May 17–Aug. 11. János Thorma, the Painter of the Hungarian d’Angers. Through May 20. De l’Allemagne. Klecksography – Between Finger Exercises and Barbizon. Through May 12 German Thought and Painting, from Friedrich Psychology. “Ink blot” drawings and related to Beckmann, 1800–1939. Through June 24 works from the 18th and 19th centuries. ITALY Aug. 9–Oct. 13 Venice. Palazzo Ducale. Manet: Return to Paris. Musée Jacquemart-André. Eugène Venice. Explores Manet’s engagement with Boudin. Through July 22 Dresden. Albertinum. Constable, Delacroix, Italian Renaissance art and with the city Friedrich, Goya. The Shock of the Senses. of Venice. In collaboration with the Musée Paris. Musée Marmottan Monet. Marie Organized by the Galerie Neue Meister. d’Orsay, Paris. April 24–Aug. 18. Venice Laurencin 1883–1956. Through June 30 Curated with the collaboration of Belgian in the Time of Manet. Period photographs. artist Luc Tymans. Through July 14 April 24–Sept. 15 Paris. Musée Rodin. Rodin, Flesh and Marble. Over sixty marble statues and Frankfurt. Städel Museum. Beauty and LIECHTENSTEIN preparatory studies, many of them from Revolution. Neoclassicism 1770–1820. In Liechtenstein. Kunstmuseum. Böcklin, private collections. Through Sept. 1 collaboration with the Liebieghaus Courbet, Spitzweg & Co: The Collection Merz. Skulpturensammlung. Through May 26. Through May 5 Paris. Petit Palais. Félix Ziem. I Dream of Hans Thoma. Beauty. Paintings and Watercolors. Through “The Germans’ Favorite Painter.” July 3–Sept. 29 LUXEMBOURG Aug. 4. The Slovenian Impressionists and Luxembourg. Musée National d’Histoire Their Era, 1890–1920. In collaboration Hamburg. Hamburger Kunsthalle. A Life et d’Art. Painted for the King: Barend with the Narodna Galerija, Ljubljana. for Hamburg. Oscar Troplowitz. Highlighting Cornelis Koekkoek (1803–1862) and the April 18–July 13. Dalou (1838–1902). the businessman’s role as patron of the Luxembourg Landscape. Through June 9 Sculptor of the Republic. Accompanied by a arts, including 19th-century paintings catalogue raisonné of sculptures by Dalou from his collection. Through June 30. THE NETHERLANDS in the collection of the Petit Palais, and Denmark’s Breakthrough to Modernism. The Amsterdam. Van Gogh Museum. Van with a complementary exhibition at the Hirschsprung Collection. Sept. 20, 2013–Jan. Gogh at Work. Retrospective marking Musée Cognacq-Jay. April 18–July 13 12, 2014 the culmination of a long-term research Rouen. Musée des Beaux-Arts. Dazzling project into the artist’s methods and Reflections. Impressionist works showcasing Leipzig. Museum der bildenden Künste. studio practice. May 1, 2013–Jan. 12, 2014 the theme of water. April 29–Sept. 30 Creators of Worlds: Richard Wagner, Max Amsterdam. Hermitage. Gauguin, Bonnard,
Spring 2013 / AHNCA Newsletter 33 Denis: Prophets of the Avant-Garde. Sept. 14, Impressionism and Open-Air Painting. From 2013–Feb. 28, 2014 Corot to Van Gogh. Through May 12. Pissarro. The first monographic exhibition Groningen. Groninger Museum. Nordic in Spain devoted to the artist. June 4– Art: The Modern Breakthrough 1860–1920. Sept. 15. Continues at the CaixaForum, Through May 5. Continues at the Barcelona, in Fall 2013 Kunsthalle der Hypo-Kulturstiftung, Munich, May 30–Oct. 6. The Veendorp Madrid. Prado. Spanish Drawings from Collection. Dutch art from the second half the British Museum: Renaissance to Goya. of the nineteenth and the first decades of Through June 19. Hidden Beauty. Survey the twentieth centuries. Through June 2 of small-scale works from the museum’s collections. May 21–Nov. 10 Haarlem. Teylers Museum. Redouté’s Roses. Works by the botanical artist Pierre-Joseph SWITZERLAND Redouté (1759–1840). Through May 5 Basel. Fondation Beyeler. Ferdinand Hodler. Late work. In collaboration with the Neue The Hague. Gemeentemuseum. Gustave Galerie, New York. Through May 26 Caillebotte: An Impressionist and Photography. The first Dutch retrospective devoted to Basel. Kunstmuseum. The Picassos Are Here! the artist. Through May 20 A Retrospective from Basel Collections. Works from the Kunstmuseum Basel, Fondation Otterlo. Kröller-Müller Museum. Vincent Beyeler, and private owners. Through July 21 is Back Part II: Land of Light. Painting and drawings from the collection, focusing on Lausanne. Fondation de l’Hermitage. Van Gogh’s time in France. April 6–Sept. 22 Windows. From the Renaissance to the Present. In collaboration with the Museo Cantonale SCOTLAND d’Arte, Lugano. Through May 20 Edinburgh. National Galleries of Scotland. Through American Eyes: Frederic Church and Lugano. Museo Cantonale d’Arte. Myths the Landscape Oil Sketch. In collaboration and Mysteries. Symbolism and Swiss Artists. with the National Gallery, London. May Sept. 15, 2013–Jan. 12, 2014 11–Sept. 8. Witches and Wicked Bodies. Five centuries of representations. July 27–Nov. 3 Winterthur. Museum Oskar Reinhart. Anton Graff. Faces of an Epoch. June 22– Edinburgh. Royal Collection, The Queen’s Sept. 29. Continues at the Nationalgalerie, Gallery, Palace of Holyroodhouse. Cairo Berlin, in Fall 2013 to Constantinople: Early Photographs of the Middle East. Through July 21 Zürich. Kunsthaus. Valkyries over Zürich. 150 Years of Wagner Performances in Zürich. SPAIN Photographs and set designs offering an Barcelona. CaixaForum. Seduced by Art: overview of Wagner’s productions in the Photography Past & Present. Mid-19th city. May 24–Aug. 18 century and contemporary photographs, alongside historical painting. In collaboration with the National Gallery, London. Through May 19. Continues at the CaixaForum, Madrid, June 18–Sept. 15 ROBERT ALVIN ADLER Copyeditor Barcelona. Museu Nacional d’Arte de (articles copyeditor for Catalunya. Fortuny: the Battle of Tetuan. Nineteenth-Century Art Worldwide) Through June 30 freelance work accepted. For information and rates, Madrid. Fundación Mapfre. Impressionists and Post-Impressionists: The Birth of Modern please contact: Art. Masterpieces from the Musée d’Orsay. [email protected] Through May 5
Madrid. Museo Thyssen-Bornemisza.
34 Spring 2013 / AHNCA Newsletter NEW BOOKS
Alhadeff, Albert ed. Emile Verhaeren: Essays on the Bernheim, Jean. Edouard Moyse ou la peinture Childs, Elizabeth. Vanishing Paradise: Art and Northern Renaissance. Peter Lang, 2012. 182 pp. israélite (1827-1908). Editions Esthetiques du Exoticism in Colonial Tahiti. Ahmanson-Murphy Hardcover $80.00. divers, 2012. 142 pp. Paperback $62.50. Fine Arts, May 2013. 352 pp. Hardcover $49.95.
Amic, Sylvain and Pablo Jimenez Burillo. Luces Bespín Gracia, Maria Dolores. El pintor Clerbois, Sebastien. L’ésotérisme et le symbolisme de Bohemia. Fundacion MAPFRE, 2013. 240 pp. zaragozano Anselmo Gascon de Gotor. belge-1883-1914. Pandora, 2012. 192 pp. Paperback $95.00. Ayuntamiento de Zaragoza, 2011. 45 pp. Hardcover $75.00. Paperback $10.95. Angiuli, Emanuela and Fernando Mazzocca. De Coenen Snyder, Saskia. Building a Public Judaism: Nittis. Marsilio, 2013. 239 pp. Paperback $68.50. Bocquillon, Marina Ferretti. Radiance: The Neo- Synagogues and Jewish Identity in Nineteenth- Impressionists. National Gallery of Victoria, 2012. Century Europe. Harvard Univ. Press, 2013. 360 Anker, Valentina. Myths and Mysteries: Symbolism 130 pp. Paperback $75.00. pp. Hardcover $49.95. and Swiss Artists. Somogy, May 2013. 352 pp. Hardcover $92.50. Boidard, Veronique et al. David d’Angers: Dessins Coltman, Viccy and Stephen Lloyd eds. Henry des musées d’Angers. Somogy, musée du Louvre, Raeburn: Critical Reception and International Apostolos-Cappadona, Diane and Jane Williams- April 2013. 136 pp. Paperback $54.50. Reputation. Edinburgh Univ. Press, 2012. 388 pp. Hogan. Swedenborg and Five Artists: William Blake, Hardcover $145.00; paperback $50.00. John Flaxman, Hiram Powers, William Page, and Bonnet, Alain and Laurent Tamanini. L’artiste en George Inness. Swenbourg Foundation Press, représentation: images des artistes dans l’art du XIXe Cordier, Sylvain. Bellange ebenistes: une histoire du Summer 2013. 104 pp. Paperback $19.95. siècle. Fage, 2013. 271 pp. Paperback $69.50. gout au XIXe siecle. Mare & Martin, 2012. 671 pp. Hardcover $175.00. Arich, Diego. Angelo Dall’Oca Bianca e l’universo Boon Cuille, Tili and Karyna Szmurlo. Stael’s femminile. Silvana, 2012. 64 pp. Paperback Philosophy of the Passion: Sensibility, Society, and the Cozzolino, Roberto ed. The Female Gaze: Women $27.50. Sister Arts. Bucknell Univ. Press, 2013. 334 pp. Artists Making Their World. Hudson Hills Press, in Hardcover $90.00. association with The Pennsylvania Academy of Aronson, Julie et al. Eternal Summer: The Art of Fine Arts, 2013. 335 pp. Hardcover $60.00. Edward Henry Potthast. Giles in association with Baron, Anne-Marie. Balzac occulte, magnétisme, the Cincinnati Art Museum, June 2013. 230 pp. alchimie, sociétés secrètes. Editions l’Age d’Homme, Craft-Giepmans, Sabine and Annette de Vries. Hardcover $65.00. 2013. 326 pp. Paperback 12,50€. Portret in portret in de Nederlandse kunst 1550-2012. Thoth, 2012. 336 pp. Paperback $57.50. Baarsen, Reinier. Paris 1650-1900: Decorative Arts Bremner, G. A. Imperial Gothic: Religious in the Rijksmuseum. Rijksmuseum, 2013. 608 pp. Architecture and High Anglican Culture in the British Daverio, Philippe. Il museo immaginato: il secolo Hardcover $275.00. Empire, 1840-1870. Paul Mellon Centre for lungo della modernita. Rizzoli, 2012. 544 pp. Studies in British Art, 2013. 364 pp. Hardcover Papberback $75.00. Barringer, Tim, Jason Rosenfeld and Alison $95.00. Smith eds. Pre-Raphaelites: Victorian Art Denenberg, Thomas A. ed. Weatherbeaten: and Design. Tate Publishing, 2013. 256 pp. Brownlee, Peter John. American Encounters: Genre Winslow Homer and Maine. Portland Museum of Hardcover $60.00. Painting and Everyday Life. Marquand Books, Art, 2012. 184 pp. Hardcover $37.50. 2013. 64 pp. Paperback $24.95. Bätschmann, Oskar, Monika Brunner and de Plinval de Guillebon, Régine. Les Biscuits Bernadette Walter. Ferdinand Hödler: Catalogue Calvo Serraler, Francisco et al. El Arte de la de porcelaine de Paris: XVIIIe-XIXe siècles. Faton, raisonné der Gemälde. Band 2: Die Bildnisse. era romantica. Circulo de Lectores, Fundacion 2012. 331 pp. Hardcover $125.00. Scheidegger and Spiess, 2012. 424 pp. Amigos Museo del Prado, 2012. 390 pp. Hardcover $500.00. Hardcover $79.95. De Vito Puglia, Luigina. Edoardo de Martino: Da Ufficiale di Marina a Pittore di Corte. Con-Fine, Cardona Suanzes, Asuncion and Gunda 2013. 160 pp. Paperback $38.50. Luyken. Los espejos del alma: Paisaje alemán en el Romanticismo. Ministerio de Educación y Cultura, Dinius, Marcy J. The Camera and the Press: 2013. 131 pp. Paperback $35.00. American Visual and Print Culture in the Age of the ASHGATE OFFER FOR Daguerreotype. Univ. of Pennsylvania Press, 2012. AHNCA MEMBERS Cate, Phillip Dennis, Daniel Charles and 320 pp. Hardcover $49.95. Christopher Lloyd. Impressionists on the Water. AHNCA members wishing to take Skira Rizzoli, June 2013. 224 pp. Hardcover Döring, Jürgen. Als Kitsch noch Kunst war: advantage of Ashgate’s offer of a 20% $50.00. Farbendruck im 19. Jahrhundert. Deutscher discount off all their books should Kunstverlag, 2013. 128 pp. Paperback $47.50. use promotion code AHNCA20. Cecchetto, Steffano, Rosa Perales and Jesusa Vega. Durero, Rembrandt, Goya. Ibercaja, Dunthorne, Hugh and Michael Wintle eds. Members can begin browsing for books Ayuntamiento de Zaragoza, 2012. 187 pp. T`he Historical Imagination in Nineteenth-Century at www.ashgate.com/AHNCA, where Paperback $47.50. Britain and the Low Countries. Brill, 2012. 268 pp. titles likely to be of particular interest Hardcover $152.00. to scholars of nineteenth-century art are Chevillot, Catherine and Christophe Vital. Félicie featured. The discount may be taken de Fauveau et la Vendée. Somogy, Historial de la Eastberg, John C. and Eric Vogel. Layton’s Vendée, 2013. 80 pp. Paperback $28.95. Legacy: An Historic American Art Collection, 1888– on all Ashgate titles. 2013. Univ. of Wisconsin Press, May 2013. 440 pp. Hardcover $75.00.
Spring 2013 / AHNCA Newsletter 35 Eisler, Benita. The Red Man’s Bones: George Catlin, Granuzzo, Elena and Carmelo Occhipinti eds. Kinsman, Jane and Stephane Guegan. Toulouse- Artist and Showman. W.W. Norton, July 2013. 432 Teoria e prassi nell’esegesi vitruviana tra XV e XIX Lautrec: Paris and the Moulin Rouge. Univ. of pp. Hardcover $29.95. secolo. UniversItalia, 2012. 224 pp. Hardcover Washington Press, for National Gallery of $45.00. Australia, 2013. 288 pp. Paperback $49.95. Engelsing, Tobias and Barbara Stark eds. Einfach himmlisch! Die Malerin Marie Ellenrieder Griner, Pascal et al. Peintures et dessins 1500- Klaassen, Alice Anna. Kinderzeit: Kindheit von der 1791-1863. Arnoldsche Verlagsanstalt, 2013. 192 1900: Collection des arts plastiques du Musée d’art Renaissance bis zur Moderne. Imhof, 2013. 208 pp. pp. Hardcover $70.00. et d’histoire de Neuchâtel. Ides et Calendes, 2012. Hardcover $57.50. 444 pp. Paperback $95.00. Ericani, Giuliana and Francesco Leone. Canova: Koella, Rudolf and Katia Poletti. Félix Vallotton Il segno della gloria: disegni, dipinti e sculture. Guzzoni, Mariella. L’infinito specchio: il problema critique d’art. 5 Continents, Fondation Felix Palombi, 2012. 287 pp. Paperback $55.00. della firma e dell’autoritratto in Vincent Van Gogh. Et Vallotton, 2012. 255 pp. Paperback $92.50. Al, 2012. 280 pp. Paperback $47.50. Farese Sperken, Christine, Luisa Martorelli Körte, Arnold. Martin Gropius: Leben und Werk and Francesco Picca. La Patria, l’Arte, la Donna: Hamilton, Alec. Charles Spooner (1862-1938) Arts eines Berliner Architekten (1824–1880). Lukas, Francesco Saverio Altamura e la pittura dell’Ottocento and Crafts Architect. Shaun Tyas, 2012. 306 pp. 2013. 590 pp. Hardcover $132.50. in Italia. Grenzi, 2012. 264 pp. Hardcover Hardcover $95.00. $92.50. Kresser, Katie. The Art and Thought of John la Hanley, Keith and Brian Maidmen. Persistent Farge: Picturing Authenticity in Gilded Age America. Feigenbaum, Gail and Inge Reist. Provenance: An Ruskin: Studies in Influence, Assimilation and Effect. Ashgate, June 2013. 200 pp. Hardcover $99.95. Alternate History of Art. Getty Publications, 2013. Ashgate, 2013. 200 pp. Hardcover $99.95. 223 pp. Paperback $40.00. Lapparent, Anne-Marie de. Louis-Pierre Deseine. Harvey, Eleanor Jones. The Civil War and CTHS, 2012. 575 pp. Paperback $155.00. Fernandez Rivero, Juan Antonio ed. Una imagen American Art. Smithsonian America Art Museum, de Espana: fotografos estereoscopistas franceses, 2012. 352 pp. Hardcover $65.00. Lees, Sarah and Richard Rand. Nineteenth- 1856-1867. Fundacion Mapfre, 2011. 261 pp. Century European Paintings at the Sterling and Paperback $72.50. Held, Birgitta et al. Monsieur Daumier, ihre Francine Clark Art Institute. Yale Univ. Press, for Serie ist reizvoll!: Die Stiftung Kames. Deutscher the Clark Art Institute, 2013. 989 pp. Hardcover Fochessati, Matteo. Art Nouveau between Kunstverlag, 2012. 360 pp. Hardcover $68.50. $350.00. modernism and romantic nationalism. 24 ore cultura, 2012. 120 pp. Hardcover $45.00. Hernandez Martinez, Asuncion. Ricardo Lemonedes, Heather. British Drawings from the Magdalena: Arquitecto municipal de Zaragoza Cleveland Museum of Art. Giles, April 2013. 152 Font-Réaulx, Dominique de. Painting and (1876-1910). Institución Fernando el Católico, pp. Hardcover $44.95. Photography: 1839-1914. Flammarion, 2013. 327 2012. 250 pp. Hardcover $135.00. pp. Hardcover $75.00. Leniaud, Jean-Michel. Napoleon et les Arts. Hirshler, Erica E., Teresa A. Carbone et al. John Citadelles & Mazenod, 2012. 441 pp. Hardcover Foster, Kathleen A. Shipwreck! Winslow Homer Singer Sargent Watercolors. MFA Publications/ $295.00. and ‘The Life Line’. Philadelphia Museum of Art, Brooklyn Museum, 2013. 248 pp. Hardcover 2012. 144 pp. Paperback $22.50. $60.00, paperback $39.95. Lentz, Thierry et al. Chefs-d’œuvre des collections napoléoniennes de la Ville d’Ajaccio. IAC Ceysson, Fratelli, Maria and Francesca Valli. Musei Huhtamo, Erkki. Illusions in Motion: Media 2013. 125 pp. Hardcover $32.50. nell’Ottocento: Alle origini delle collezioni pubbliche Archaeology of the Moving Panorama and Related lombarde. Allemandi, 2012. 496 pp. Paperback Spectacle. The MIT Press, 2013. 456 pp. Lopez-Manzanares, Juan-Angel et al. $67.50. Hardcover $45.00. Impresionismo y aire libre. De Corot a Van Gogh. Fundación Colección Thyssen-Bornemisza, Galpin, Amy, Patrick McCaughey et al. Behold, Humphreys, Richard, Tim Blanning and Kevin 2013. 220 pp. Paperback $85.00. America! Art of the United States from Three San Jacson. Treasure Island: British Art from Holbein to Diego Museums. San Diego Museum of Art, 2012. Hockney. Fundacion Juan March, 2012. 333 pp. Lucas del Ser, Carmelo de. Élites y patrimonio 441 pp. Paperback $60.00. Hardcover $89.50. en León: la Comisión provincial de monumentos históricos y artísticos, 1839-1991. Universidad de Garrison, Laurie et al. Panoramas, 1787–1900: Husslein-Arco, Agnes et al. Emil Jakob Schindler: Valladolid, 2012. 254 pp. Paperback $35.00. Texts and Contexts. Pickering & Chatto, 2012. Poetic Realism. Hirmer, 2013. 128 pp. Hardcover 2000 pp. Hardcover $795.00. $55.00. Lugo-Ortiz, Agnes and Angela Rosenthal eds. Slave Portraiture in the Atlantic World. Cambridge Giró i Roman, Pilar. Paisatges de llum: paisatges Hussl-Hörmann, Marianne ed. Theodor von Univ. Press, 2013. 500 pp. Hardcover $99.00. de somni: de Gauguin a Delvaux: col·lecció Carmen Hörmann (1840–1895) Monographie mit Verzeichnis Thyssen. Ajuntament de Sant Feliu de Guixols, der Gemälde. Brandstätter, June 2013. 370 pp. Maes, Hans and Jerrold Levinson. Art and 2012. 293 pp. Paperback $72.50. Hardcover $132.50. Pornography: Philosophical Essays. Oxford Univ. Press, 2013. 272 pp. Hardcover $65.00. Glendinning, Miles. The Conservation Movement: Jansen, Leo ed. Van Gogh’s Studio Practice. A History of Architectural Preservation: Antiquity Mercatorfonds, 2013. 500 pp. Hardcover $125.00. Major, Judith K. Mariana Griswold Van Rensslaer: to Modernity. Routledge, April 2013. 352 pp. Kaulbach, Hans-Martin and Cornelia Manegold A Landscape in the Gilded Age. Univ. of Virginia Hardcover $165.00, paperback $62.95.. eds. Friedensbilder in Europa 1450-1815: Kunst Press, 2013. 296 pp. Hardcover $45.00. der Diplomatie-Diplomatie der Kunst. Deutscher Gould, Evlyn. Dreyfus and the Literature of the Kunstverlag, April 2013. 216 pp. Paperback Manoeuvre, Laurent. Eugène Boudin: Au fil de Third Republic Secularism and Tolerance in Zola, $48.50. ses voyages. Mercatorfonds, April 2013. 224 pp. Barrès, Lazare and Proust. McFarland and Co., Hardcover $87.50. 2012. 252 pp. Paperback $55.00.
36 Spring 2013 / AHNCA Newsletter Marechal, Dominique and Jean-Philippe Huys. Pirozzini (1852-1938). Pages, 2012. 178 pp. Roberts, Jane. Jacques-Émile Blanche 1861-1942. Gustave Courbet et la Belgique: Réalisme de l’art Paperback $45.00. Gourcuff Gradenigo, 2012. 208 pp. Hardcover vivant à l’art libre. Silvana, May 2013. 128 pp. $49.00. Paperback $38.50. Papetti, Stefano. Fortunato Duranti 1787-1863: Disegni dalle collezioni pubbliche e private della Rosa de Carvalho, Fleur Roos and Marije Martino, Linda and Mariaserena Mormone. provincia di Fermo. Silvana, 2013. 264 pp. Vellekoop. Printmaking in Paris: The Rage for Ottocento a Capodimonte. Arte’m, 2012. 264 pp. Hardcover $75.00. Prints at the Fin de Siècle. Mercatorfonds, April Paperback $94.50. 2013. 184 pp. Hardcover $68.50. Parry, Linda. William Morris Textiles. Victoria & Mascii, Massimo et al. L’ultimo dipinto: Il fienile Albert Museum, April 2013. 304 pp. Hardcover Rosenheim, Jeff. Photography and the American protestante. The Last Painting: The Protestant Barn. $60.00. Civil War. Metropolitan Museum of Art, 2013. Tecnostampa, 2012. 308 pp. Paperback $77.50. 280 pp. Hardcover $50.00. Perroy, Aymeric and Sylvie Patin. Regardez Maspes, Francesco Luigi and Enzo Savoia. Monsieur Monet: Comme la Seine a changé! Somogy, Ruedin, Pascal. L’ecole de Saviese: Une colonie Divisionismo. Da Segantini a Pellizza. Terra Ferma, May 2013. 160 pp. Paperback $55.00. d’artistes au coeur des Alpes vers 1900. 5 2012. 192 pp. Hardcover $58.50. Continents, 2012. 304 pp. Paperback $85.00. Perusini, Giuseppina. Simon Horsin-Déon e il Matsubara, R. and S. Frezzotti. Arte in Giappone restauro in Francia alla metà del XIX secolo. Edifir, Sacchi, Livio. Architectural Heritage in Ethiopia: 1868-1945. Electa, April 2013. 25 pp. Hardcover June 2013. 168 pp. Paperback $38.50. Two Imperial Compounds in Mekele and Addis Ababa. $75.00. Skira, 2012.160 pp. Paperback $45.00. Piola, Erika. Philadelphia on Stone: Commercial Mayer, Lance and Gay Myers. American Painters Lithography in Pahildelphia, 1828-1878. Penn State Sagner, Karin and Max Hollein. Gustave on Technique: 1860-1945. Getty Publications, Press, 2013. 320 pp. Hardcover $49.95. Caillebotte: An Impressionist and Photography. Summer 2013. 276 pp. Hardcover $50.00. Hirmer, 2012. 247 pp. Hardcover $49.95. Plaza Orellana, Rocío. Egron Lundgren: un pintor McConkey, Kenneth. George Clausen and the sueco en Sevilla. Diputacion de Sevilla, 2012. 218 Salmon, Xavier. Hommage à la forêt. Faton, 2012. Picture of English Rural Life. Atelier Books, 2012. pp. Paperback $16.95. 190 pp. Paperback $36.50. 240 pp. Hardcover $75.00. Pointon, Marcia. Portrayal and the Search Sanders, Andrew. In the Olden Time: Victorians Minardi, Joseph. Historic Architecture in Northwest for Identity. Reaktion Books, 2012. 272 pp. and the British Past. Paul Mellon Centre for Philadelphia: 1690 to 1930s. Schiffer, 2012. 272 Hardcover $40.00. Studies in British Art, 2013. 244 pp. Hardcover pp. Hardcover $50.00. $75.00. Poletti, Michel. Jean-Baptiste Carpeaux: l’homme Mondini, Maurizio et al. Dei laghi e dei monti. qui faisait danser les pierres. Gourcuff Gradenigo, Schmidt, Hans-Werner ed. Weltenschöpfer: Il paesaggio lombardo nella pittura dell’Ottocento 2012. 207 pp. Hardcover $75.00. Richard Wagner, Max Klinger, Karl May. Hatje da Piccio a Segantini. Bolis, 2012. 160 pp. Cantz, May Hatje Cantz, 2013. 2013. 224 pp. Hardcover $72.50. Pomarede, Vincent, Valeria Merlini and Daniela Hardcover $77.50. Storti. Cupid and Psyche in Milan: Antonio Canova Mordaunt Cook, J. William Burges and the High - François Gérard. Rubbettino Editore, 2012. 201 Scholl, Christian. Revisionen der Romantik: Zur Victorian Dream. (Revised) Frances Lincoln, 2012. pp. Paperback $55.00. Rezeption der “neudeutschen Malerei” 1817-1906. 432 pp. Hardcover $75.00. Akademie Verlag, 2012. 735 pp. Hardcover Portoghesi, Paolo. Antonio Cipolla: architetto del $225.00. Mozzoni, Loretta and Stefano Santini. Risorgimento. Gangemi, 2012. 199 pp. Paperback Architettura dell’eclettismo: Studi storici, rilievo e $59.95. Seasonwein, Johanna G. Princeton and the restauro, teoria e prassi dell’architettura. Liguori, Gothic Revival 1870-1930. Princeton Univ. Art 2012. 464 pp. Paperback $59.95. Plotek, Ariel. Charles Reiffel: An American Post- Museum, 2012. 128 pp. Paperback $35.00. Impressionist. Univ. of Washington Press, for San Sérullaz, Arlette and Vincent Pomarède. Eugène Musgrave, Lisa Ryan ed. Feminist Aesthetics and Diego Museum of Art, 2013. 190 pp. Hardcover Delacroix: La Liberté guidant le peuple. Musees Philosophy of Art: The Power of Critical Visions and $40.00. nationaux, 2012. 80 pp. Paperback $19.50. Creative Engagement. Springer, April 2013. 290 pp. Hardcover $189.00. Prettejohn, Elizabeth. The Modernity of Ancient Simpson, Marc. Winslow Homer: The Clark Sculpture: Greek Sculpture and Modern Art from Collection. Sterling and Francine Clark Art Nerlich, France and Benedicte Savoy. Pariser Winckelmann to Picasso. I B Tauris, 2012. 288 pp. Institute, 2013. 240 pp. Hardcover $50.00. Lehrjahre: Ein Lexikon zur Ausbildung deutscher Hardcover $92.00. Maler in der französischen Hauptstadt. Bd. I: 1793- Skea, Ralph. Vincent’s Trees: Paintings and 1843. De Gruyter, 2012. 430 pp. Hardocver Prowda, Judith B. Visual Arts and the Law: A Drawings by Vincent Van Gogh. Thames & $210.00. Handbook for Professionals. Lund Humphries, Hudson, May 2013. 112 pp. Paperback $19.95. Nilsen, Micheline. Nineteenth-Century Photographs 2013. 240 pp. Hardcover $60.00. and Architecture: Documenting History, Charting Smith, Anthony D. The Nation Made Real: Art and Progress, and Exploring the World. Ashgate, August Ramazani, Vaheed. Writing in Pain: Literature, National Identity in Western Europe, 1600-1850. 2013. 266 pp. Hardcover $124.95. History, and the Culture of Denial. Palgrave, 2012. Oxford Univ. Press, 2013. 213 pp. Hardcover 208 pp. Hardcover $69.95. $55.00. Nipps, Karen. Lydia Bailey: A Checklist of Her Imprints. Penn State Press, 2012. 328 pp. Rau, Bill. Nineteenth Century European Painting: Sorkin, Molly et al. Joaquín Sorolla & the Glory Hardcover $79.95. From Barbizon to Belle Epoque. Antique Collectors’ of Spanish Dress. Queen Sofía Spanish Institute, Club, 2012. 647 pp. Hardcover $249.00. March, 2013. 151 pp. Hardcover $45.00. Nusbaumer, Philippe. Antoine Chazal: 1793- Stamp, Gavin. Lost Victorian Britain: How the 1854—Vie et oeuvre. Nusbaumer, 2012. 730 pp. Robbe, Emilie and Francois Lagrange. Napoléon Twentieth Century Destroyed the Nineteenth Century’s Paperback $132.50. et l’Europe. Somogy, April 2013. 336 pp. Architectural Masterpieces. Aurum Press, 2013. 192 Ojuel, Maria. La Barcelona prodigiosa de Carles Paperback $74.50. pp. Hardcover $29.95.
Spring 2013 / AHNCA Newsletter 37 Stave, Pari ed. Munch / Warhol and the Multiple White, Nicolas. French Divorce Fiction from the Image. The American-Scandinavian Foundation, Revolution to the First World War. Legenda, April, 2013. 88 pp. Hardcover $45.00. January 2013. Hardcover $89.50.
Sterckx, Marjan, Sisyphus’ Dochters. Vrouwelijke Wilton, Andrew. Frederic Church and the Landscape beeldhouwers en hun werk in de publieke ruimte Oil Sketch. National Gallery Company, 2013. 72 (Parijs, Londen, Brussel, ca. 1770-1953) [Sisyphus’s pp. Paperback $15.00. Daughters. Women Sculptors and their Work in the Public Space (Paris, London, Brussels, c. 1770- Wolk-Simon, Linda. Degas, Miss La La, and 1953)], 2 vols. KVAB Press, 2012. 521 pp. the Cirque Fernando. The Morgan Library & Paperback 50€. Museum, 2013. 97 pp. Paperback $25.00.
Summer, Ann and Greg Smith. In Front of Wrigley, Richard. Roman Fever: Influence, Nature: The European Landscapes of Thomas Infection, and the Image of Rome, 1700-1870. Yale Fearnley. Giles, in association with the Barber Univ. Press, 2013. 270 pp. Hardcover $75.00. Institute of Fine Arts, Univ. of Birmingham, 2012. 120 pp. Paperback $35.00.
Taws, Richard. The Politics of the Provisional: Art and Ephemera in Revolutionary France. Penn State Press, 2013. 288pp. Hardcover $74.95.
Thieblin, Catherine. Diogene Maillart 1840-1926: sa vie, son oeuvre, à Paris, en Ile-de-France et dans le Beauvaisis. Association pour la promotion du patrimoine culturel de l’Oise et du Beauvaisis, 2012. 134 pp. Paperback $42.50.
Thomson, Richard. Art of the Actual: Naturalism and Style in Early Third Republic France, 1880- 1900. Yale Univ. Press, 2013. 376 pp. Hardcover $85.00.
Titeux, Gilbert. Les Chasses de Monsieur Courbet. Les Editions du Sekoya, 2012. 151 pp. Paperback $57.50.
Uglow, Jenny. The Pinecone: The Story of Sarah Losh, Forgotten Romantic Heroine—Antiquarian, Architect, and Visionary. Farrar, Straus and Giroux, 2013. 352 pp. Hardcover $28.00. van Heugten, Sjaar. Avant-gardes, 1870 to the Present: The Collection of the Triton Foundation. Mercatorfonds, 2012. 568 pp. Hardcover $125.00.
Vellekoop, Marije. Van Gogh at Work. Mercatorfonds, 2013. 296 pp. Paperback $55.00.
Voermann, Ilka. Die Kopie als Element fürstlicher Gemäldesammlungen im 19. Jahrhundert. Lukas, 2012. 375 pp. Paperback $68.95.
Vottero, Michael. La peinture de genre en France, après 1850. Presses Universitaires de Rennes, 2012. 392 pp. Paperback $45.00.
Warrell, Ian. Turner’s Secret Sketches. Tate, 2013. 144 pp. Hardcover $24.95.
Weisner, Annette. Großstadtbild und nordische Moderne: Untersuchungen zur Großstadtdarstellung in der skandinavischen Malerei von 1870 bis 1920. Ludwig Verlag, 2012. 312 pp. Hardcover $67.50. Weston-Lewis, Aidan. Expanding Horizons: Giovanni Battista Lusieri and the Panoramic Landscape. National Galleries of Scotland, 2012. 236 pp. Hardcover $49.50.
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