Who Am I? – Celebrating a Mystery Person
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Mahalia Jackson (B
Mahalia Jackson (b. 10/26/11, d. 1/27/72) was born Mahala Jackson in the Uptown neighborhood of New Orleans, Louisiana, and began singing at the Mount Mariah Baptist Church there at the age of 4. She grew up in a very poor household, which contained thirteen people and a dog in a three-room dwelling. Her stage name “Mahalia” stems from her childhood nickname “Halie”. In 1927, at the age of 16 she moved to Chicago, Illinois in the midst of the Great Migration. She intended to study nursing, but after joining a local church she became a member of the Johnson Gospel Singers. She performed with the group for a number of years. She then started working with Thomas A. Dorsey, the gospel composer of “Precious Lord, Take My Hand”, and the two performed around the U.S., which helped tremendously in cultivating a future audience for her. While she made some recordings in the 1930’s, her first major success came with “Move On Up A Little Higher” in 1947, which sold millions of copies and became the highest selling gospel single in history. Her career blossomed, and on October 4, 1950 she became the first gospel singer to perform at Carnegie Hall, and she did so to a racially integrated audience. Also in the 1950’s she became an international star, being especially popular in France and Norway. Back at home, she made her debut on The Ed Sullivan Show in 1956, and appeared with Duke Ellington and his Orchestra at the Newport Jazz Festival in 1958. -
FOR SHORE the LPGA Tournament Now Known As the ANA Inspiration Has a Rich History Rooted in Celebrity, Major Golf Milestones, and One Special Leap
DRIVING AMBITION In the inaugural tournament bearing her name, Dinah Shore was reportedly more concerned about her “golfing look” than her golfing score. Opposite: In 1986, the City of Rancho Mirage honored the entertainer by naming a street after her. Dinah’s Place, FOR SHORE The LPGA tournament now known as the ANA Inspiration has a rich history rooted in celebrity, major golf milestones, and one special leap. by ROBERT KAUFMAN photography from the PALM SPRINGS LIFE ARCHIVES NE OF THE MOST SERENDIPITOUS Palmolive. Already a mastermind at selling toothpaste and soaps, Foster moments in the history of women’s professional recognized women’s golf as a platform ripe for promoting sponsors — but if golf stems from the day Frances Rose “Dinah” the calculating businessman were to roll the dice, the strategy must provide Shore entered the world. In a twist of fate just a handsome return on the investment. over a half century following leap day, Feb. 29, During this era, famous entertainers, including Bob Hope, Bing Crosby, 1916, the future singer, actress, and television Andy Williams, and Danny Thomas, to name a few, were already marquee personality would emerge as a major force names on PGA Tour events. Without any Hollywood influence on the LPGA behind the women’s sport, leaping into a Tour, Foster enlisted his A-list celebrity, Dinah Shore, whose daytime talk higher stratosphere with the birth of the Colgate-Dinah Shore Winner’s show “Dinah’s Place” was sponsored by Colgate-Palmolive, Circle Oin 1972. to be his hostess. The top-charting female vocalist While it may have taken 13 tenacious female golfers — the likes of Babe of the 1940s agreed. -
The Caravan Playlist 181 Friday, December 2, 2016 Hour 1 Artist
The Caravan Playlist 181 Friday, December 2, 2016 Hour 1 Artist Track CD/Source Label Neil Young Comes a Time Comes a Time Reprise - c 1978 3 Penny Acre Cowbird Rag and Bone 2 Penny Acre - c 2013 Steve Gillette & Cindy Mangsen Cornstalk Pony Live at Leu Gardens Steve Gillette - c 2007 Nitty Gritty Dirt Band Falling Down Slow Dirt Silver and Gold BGO Records - C 1976 The Honey Dewdrops Hills of My Home Silver Lining The Honey Dewdrops - c 2012 3 Penny Acre Mackinaw Rag and Bone 2 Penny Acre - c 2013 Rick Adams Blue Just Looks Black No Cover At The Door Rick Adams - c 2013 Rick Adams No Cover At The Door No Cover At The Door Rick Adams - c 2013 John Wakefield Carolina in My Mind Live at The Alexandria Museum Red River Radio Recording John Wakefield No One Brings Me Down Like You Live at The Alexandria Museum Red River Radio Recording John Wakefield Hold Me Still Live at The Alexandria Museum Red River Radio Recording John Wakefield Back To Broke Live at The Alexandria Museum Red River Radio Recording John Wakefield Take it Real Slow Live at The Alexandria Museum Red River Radio Recording John Wakefield Baby, Baby, Baby Live at The Alexandria Museum Red River Radio Recording Hour 2 Artist Track Concert Source Buddy Flett Mississippi Sea Live at The Alexandria Museum Red River Radio Recording Buddy Flett Tenaha Live at The Alexandria Museum Red River Radio Recording Buddy Flett & Josh Hyde Ain't No More Cane On The Brazos Live at The Alexandria Museum Red River Radio Recording Josh Hyde & Buddy Flett Dark Side Live at The Alexandria Museum -
Transcription of LGBT Oral History 060: Colin Kreitzer
LGBT History Project of the LGBT Center of Central PA Located at Dickinson College Archives & Special Collections http://archives.dickinson.edu/ Documents Online Title: LGBT Oral History: Colin Kreitzer Date: February 16, 2017 Location: LGBT Oral History – Kreitzer, Colin – 060 Contact: LGBT History Project Archives & Special Collections Waidner-Spahr Library Dickinson College P.O. Box 1773 Carlisle, PA 17013 717-245-1399 [email protected] Interviewee: Colin Kreitzer Interviewer: Barry Loveland Videographer: Catherine McCormick Date: Thursday, February 16, 2017 Place: Colin’s home in Harrisburg Transcriber: Amanda Donoghue Proofreader: VJ Kopacki Finalized by Mary Libertin (July 2020) Abstract: Colin Kreitzer was born in 1947 in Enola, Pennsylvania, and grew up in Wormleysburg, Pennsylvania with his parents and his younger sister. He attended West Chester College and moved to Harrisburg in 1977, where he began getting involved in the gay community through activism and social activities. In this interview Colin reviews his involvement in the Gay and Lesbian Switchboard of Harrisburg, Dignity, Metropolitan Community Church, and volleyball. He also talks about the stigma of growing up as a closeted gay man, the bullying he experienced in primary and secondary school, and how he came to accept his sexuality and come out when he was in college. He discusses his past relationships and the struggles that he has experienced trying to forge healthy, emotional connections with others. Colin is also involved in Alcoholics Anonymous, he and explains the values he has gained from the organization and the changes in his own character and behavior. CM: So we are recording. BL: Okay, my name’s Barry Loveland, and I’m here with Catherine McCormick who’s our videographer, and we’re here on behalf of the LGBT Center of Central Pennsylvania History Project. -
Hits from the 1940S
Hits from the 1940s ¯ Boogie Woogie Bugle Boy – Andrews Sisters ¯ Chattanooga Choo Choo – Glenn Miller ¯ Cool Water – Sons of the Pioneers ¯ Don’t Fence Me In – Bing Crosby/Andrews Sisters ¯ Don’t Get Around Much Anymore – Ink Spots/Duke Ellington ¯ Don’t Sit Under the Apple Tree – Glenn Miller/Andrews Sisters ¯ I Love You (For Sentimental Reasons) – Nat King Cole/Dinah Shore ¯ I’ll Be Seeing You – Bing Crosby/Liberace ¯ I’m Looking Over a Four Leaf Clover – Art Mooney ¯ Jingle Jangle Jingle – Kay Kysor/Gene Autry ¯ Peg O’ My Heart – Harmonicats ¯ Sentimental Journey – Doris Day/Les Brown ¯ Star Dust – Artie Shaw ¯ Stormy Weather – Lena Horne ¯ Swinging on a Star – Bing Crosby ¯ Take the “A” Train – Duke Ellington ¯ The White Cliffs of Dover – Vera Lynn/Kay Kysor/Glenn Miller ¯ This Land is Your Land – Woody Guthrie ¯ When You Wish Upon a Star – Cliff Edwards/Glenn Miller/Guy Lombardo ¯ You Are My Sunshine – Gene Autry/Bing Crosby/Lawrence Welk You may find the original versions of many of these songs on You Tube. Many are also available to purchase through ITunes. Most artists referenced here had multiple hits. So once you start searching for the songs listed here you will no doubt find many others to enjoy. For lyrics try AZLyrics.com or songlyrics.com where you can copy and paste lyrics for your personal use only. www.SingingHeartToHeart.com Mary Sue Wilkinson . -
BOB NOLL 14443 East Carroll Blvd. University Heights, OH 44118 [email protected] Cell: 440.220.2819
BOB NOLL 14443 East Carroll Blvd. University Heights, OH 44118 [email protected] Cell: 440.220.2819 College Teacher/Playwright/TV & Film Producer/Writer/PR & Marketing Director Teaching Experience John Carroll University 1993-present. Professional Teaching Staff; Advisor to the student newspaper, The Carroll News; Supervisor, Electronic Journalism lab; co- coordinator with National Association of Black Journalists annual Urban Journalism Program; Adviser to Communication Majors and First Year students Cuyahoga Community College Summer 2003, screenwriting instructor Cleveland School of the Arts Fall 2000. Artist in residence, screenwriting instructor for junior and senior high school students. Cleveland Film Society 1999-2002. Teach introduction and advance Screenwriting courses. Cleveland Play House 1987-2006. Teach Playwriting, Screen and Television writing in their Adult Education Program. Also teach workshops. John Carroll University 1993-1996. Visiting Communications Instructor. John Carroll University 1992-1993. Adjunct Assistant Professor Instructor, Adviser, The Carroll News. Cleveland State University 1990-1991. Adjunct Professor of Theatre Arts. Cuyahoga Community College 1982-1987. Adjunct Theatre Arts Professor. Ursuline College 1981-1984. Adjunct Professor of Theatre Arts, Communications, Journalism, Marketing. Kenley Players 1976-1979. Taught Equity apprentice candidates acting, box office, stage management, house management, publicity and advertising. Guest lecturer: -Broadcast Promotion Manager’s Seminar in Chicago, Illinois on Marketing Children’s Programs. -Rock and Roll Hall of Fame International Education Seminar in Cleveland, Ohio. -Midwest Independent Filmmakers Conference and Digital Cinema Expo in Cleveland, Ohio. -Public Relations Society of America’s PR Workshop in Cleveland, Ohio. -Cleveland 4-H Club Media Program. -National Association of Black Journalists Workshop. -Plain Dealer High School Journalism Workshop. -
View the Program Book for How I Got Over
A conversation with Judith Casselberry, Charrise Barron, Mellonee Burnim, Joyce Marie Jackson, Randal Jacobs, and Matthew D. Morrison Performances by Marcelle Davies-Lashley, Jhetti, and Samuel Guillaume Sunday, December 10, 2017 3:00 p.m. Apollo Theater Front Cover: Mahalia Jackson; March on Washington for Jobs and Freedom 1957 LIVE WIRE: HOW I GOT OVER - THE SPIRIT OF GOSPEL MUSIC In 1963, when Mahalia Jackson sang “How I Got Over” before 250,000 protesters at the March on Washington for Jobs and Freedom, she epitomized the sound and sentiment of Black Americans one hundred years after Emancipation. To sing of looking back to see “how I got over,” while protesting racial violence and social, civic, economic, and political oppression, both celebrated victories won and allowed all to envision current struggles in the past tense. Gospel is the good news. Look how far God has brought us. Look at where God will take us. On its face, the gospel song composed by Clara Ward in 1951, spoke to personal trials and tribulations overcome by the power of Jesus Christ. Black gospel music, however, has always occupied a space between the push to individualistic Christian salvation and community liberation in the context of an unjust society— a declaration of faith by the communal “I”. From its incubation at the turn of the 20th century to its emergence as a genre in the 1930s, gospel was the sound of Black people on the move. People with purpose, vision, and a spirit of experimentation— clear on what they left behind, unsure of what lay ahead. -
OF CROSSINGS and CROWDS: RE/SOUNDING SUBJECT FORMATIONS by Devon R. Kehler a Dissertation Submitted T
Of Crossings and Crowds: Re/Sounding Subject Formations Item Type text; Electronic Dissertation Authors Kehler, Devon R. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 04/10/2021 06:11:05 Link to Item http://hdl.handle.net/10150/625373 OF CROSSINGS AND CROWDS: RE/SOUNDING SUBJECT FORMATIONS by Devon R. Kehler __________________________ Copyright © Devon R. Kehler 2017 A Dissertation Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY WITH A MAJOR IN RHETORIC, COMPOSITION AND THE TEACHING OF ENGLISH In the Graduate College THE UNIVERSITY OF ARIZONA 2017 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Devon R. Kehler, titled Of Crossings and Crowds: Re/Sounding Subject Formations and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. ___________________________________________________________ Date: April 14, 2017 Adela C. Licona ____________________________________________________________ Date: April 14, 2017 Maritza Cardenas ____________________________________________________________ Date: April 14, 2017 John Melillo Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement. -
BIG BANDLEADERS’ PRIMARY INSTRUMENT TRIVIA QUIZ NEWSLETTER ★ LETTERS to the EDITOR About STUDIO ORCHESTRAS, SPIKE JONES, HERB JEFFRIES, and Others
IN THIS ISSUE: i f An interview with PEGGY LEE Reviews of BOOKS AND BIG RECORDS to consider about GEORGE WEIN, CRAIG RAYMOND, BAND KAY KYSER and others JUMP ★ A BIG BANDLEADERS’ PRIMARY INSTRUMENT TRIVIA QUIZ NEWSLETTER ★ LETTERS TO THE EDITOR about STUDIO ORCHESTRAS, SPIKE JONES, HERB JEFFRIES, and others BIG BAND JUMP NEWSLETTER FIRST-CLASS MAIL Box 52252 U.S. POSTAGE Atlanta, GA 30355 PAID Atlanta, GA Permit No. 2022 BIG BAND JIMP N EWSLETTER VOLUME LXXXVII_____________________________BIG BAND JUMP NEWSLETTER JULY-AUGUST 2003 lems than most of us experience. Later in life she took PEGGY LEE INTERVIEW engagements while requiring respirator treatments four times a day during ten years of her life. She played sold- out clubs with dangerously-high temperatures when she had to be carried off the stage to a hospital. She underwent open-heart surgery and suffered failing eye sight and a serious fall but continued to perform sitting in a chair until a few years before her death on January 21,2002 The Scene Veteran broadcaster and Big Band expert Fred Hall conducted the interview at Peggy Lee ’ s Bel Air home in the 1970s, at a time when she was still performing and still making records. The first question was about how her job with Goodman came about. BBJ: Did you j oin the Goodman band directly from singing in clubs? The cheerful Lee PL: Yes, I was singing in a club at that time I met him. Before that I had been singing on a radio The Background station in Fargo, North Dakota. -
PLANNER PROJECT 2016... the 60S!
1 PLANNER PROJECT 2016... THE 60s! EDITOR’S NOTE: Listed below are the venues, performers, media, events, and specialty items including automobiles (when possible), highlighting 1961 and 1966 in Planner Project 2016! 1961! 1961 / FEATURED AREA MUSICAL VENUES FROM 1961 / (17) AREA JAZZ / BLUES VENUES / (4) Kornman’s Front Room / Leo’s Casino (4817 Central Ave.) / Theatrical Restaurant / Albert Anthony’s Welcome Inn AREA POP CULTURE VENUES / (13) Herman Pirchner’s Alpine Village / Aragon Ballroom / Cleveland Arena / the Copa (1710 Euclid) / Euclid Beach (hosts Coca-Cola Day) / Four Provinces Ballroom (free records for all attendees) / Hickory Grill / Homestead Ballroom / Keith’s 105th / Music Hall / Sachsenheim Ballroom / Severance Hall / Yorktown Lanes (Teen Age Rock ‘n Bowl’ night) 1961 / FEATURED ARTISTS / MUSICAL GRPS. PERFORMING HERE IN 1961 / [Individuals: (36) / Grps.: (19)] [(-) NO. OF TIMES LISTED] FEATURED JAZZ / BLUES ARTISTS PERFORMING HERE IN 1961 / (12) Gene Ammons / Art Blakely & the Jazz Messengers / John Coltrane / Harry ‘Sweets’ Edison / Ramsey Lewis / Jimmy McPartland / Shirley Scott / Jimmy Smith / Sonny Stitt / Stanley Turrentine / Joe Williams / Teddy Wilson POP CULTURE: FEATURED NORTHEAST OHIO / REGIONAL ARTISTS FROM 1961 / (6) Andrea Carroll / Ellie Frankel trio / Bobby Hanson’s Band / Dennis Warnock’s Combo / West Side Bandstand (with Jack Scott, Tom King & the Starfires) FEATURED NATIONAL ARTISTS PERFORMING HERE IN 1961 / [Individuals: (16) / Groups: (14)] Tony Bennett / Jerry Butler / Cab Calloway (with All-Star -
The Historymakers: a New Primary Source for Scholars
The HistoryMakers: A New Primary Source for Scholars Julieanna L. Richardson Vernon D. Jarrett Senior Fellow Great Cities Institute College of Urban Planning and Public Affairs University of Illinois at Chicago Great Cities Institute Publication Number: GCP-07-08 A Great Cities Institute Working Paper April 2007 The Great Cities Institute The Great Cities Institute is an interdisciplinary, applied urban research unit within the College of Urban Planning and Public Affairs at the University of Illinois at Chicago (UIC). Its mission is to create, disseminate, and apply interdisciplinary knowledge on urban areas. Faculty from UIC and elsewhere work collaboratively on urban issues through interdisciplinary research, outreach and education projects. About the Author Julieanna Richardson is the Vernon D. Jarrett Senior Fellow at The Great Cities Institute of the University of Illinois at Chicago. She is also founder and Executive Director of The HistoryMakers, an oral history archive founded in 1999. She can be reached at [email protected]. Great Cities Institute Publication Number: GCP-07-08 The views expressed in this report represent those of the author(s) and not necessarily those of the Great Cities Institute or the University of Illinois at Chicago. This is a working paper that represents research in progress. Inclusion here does not preclude final preparation for publication elsewhere. Great Cities Institute (MC 107) College of Urban Planning and Public Affairs University of Illinois at Chicago 412 S. Peoria Street, Suite 400 Chicago IL 60607-7067 Phone: 312-996-8700 Fax: 312-996-8933 http://www.uic.edu/cuppa/gci UIC Great Cities Institute The HistoryMakers: A New Primary Source for Scholars Abstract This paper explores the possibilities of increasing the use and accessibility of The HistoryMakers’ video oral history archive. -
Melissa Michaeisen's an Instant Winner
DILLON - Paçe 5 MORNING ’Raiders Of The Seven Seas’ f t FATHER KNOWS BEST 3:00 (MON.,TUE.) I SANFORD ANO SON (WED.) P AFTERNOON (HOGAN'S HEROES WOODY WOODPECKER (® fB ABC NEWS OCDOR v a n ' s h o p e PLAYHOUSE (THUR.,FRI.) MYTHREESONS S 0 FRIENDS (BEVERLY HILLBILLIES 6:00 Q T H A T G iR L One Day At A Time “ > $20,000 PYRAMID « BRADY BUNCH (EX- M .A.S.H . UNDERSTANDING OUR 11:00 (MON.,TUE.,WED.) »TONES O W ED .) (MISTER ROGERS I JO KER'S WILD 1:00 VARIOUS PROGRAM GU N SM O KE ( HOLLYW OOD SQ UARES TLD “ “ »ALL MY CHILDREN «LU CY SHOW LO VE LU C Y KNG SESAME STREET if® MORNING SHOW ) WILD WEST r G EN ERAL CB WHEEL OF FORTUNE 8 4:30 5:30 OOOD MORNING YOUNG AND THE AL 3*30 I MARY TYLER MOORE . I HAPPY DAYS AGAIN AMERICA ËSTLESS MIKE DOUGLAS p SIX MILLION DOLLAR (BOB NEWHART SHOW (A LL IN THE FAMILY f f i PRICE IS RIGHT GUIDING LIGHT MAN (EXC.TUE.) ” ) CBS NEWS “ “ (N EW S Q CAPTAIN KANGAROO 11:30 QS MACNEIL LEHRER 1:30 Bionic Woman (TUE.) SILUGAN'S ISLAND 5Y GRIFFITH SHOW REPORT I HOLLYWOOD SQUARES FLINTSTONES ~) I DREAM OF JEANNIE „ CAROL BURNETT AND AU IN THE FAMILY ® PTLPROGRAM EDUCATIONAL EDUCATIONAL CARTOONS (EX- UENDS KC.MON.) 6:05 »RAMMING (UNTIL 3:00) RAM MING (UNTIL 3:00) ED.) OD CARD SHARKS News (MON.) «NEWS Afterschool Special (WED.) 5:00 C B S NEW S 6:30 2:00 Q POPEYES AFTER O NBC NEWS 8ELECTRIC COMPANY GOMER PYLE (DAYS OF OUR LIVES SCHOOL BREAK § ROMPERROOM AFTERNOON ECTREM AN Q NEWLYWED GAME ED ALLEN SHOW ^ JOGE OF NIGHT (EXC.W ED.) DICK CAVETT SHOW Afterschool Special (WED.) 7:00 12:00 Sirocco' (THUR.), 'Detective n VILLA ALEGRE lT O D A Y NEWS Story' (FRI.), 'Sudden Terror' (SESAME STREET AMILY AFFAIR O N E LIFE TO LIVE (MON.), 'We're No Angels' 4:00 GOOD MORNING E L U C Y (TUE.).