The Historymakers: a New Primary Source for Scholars
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Arts and Culture in Columbus Creating Competitive Advantage and Community Benefit Columbus Cultural Leadership Consortium Member Organizations
A COMMUNITY DISCUSSION PAPER presented by: COLUMBUS CULTURAL LEADERSHIP CONSORTIUM SEPTEMBER 21, 2006 Arts and Culture in Columbus Creating Competitive Advantage and Community Benefit Columbus Cultural Leadership Consortium Member Organizations BalletMet Center of Science and Industry (COSI) Columbus Association for the Performing Arts (CAPA) Columbus Children’s Theatre Columbus Museum of Art Columbus Symphony Orchestra Contemporary American Theatre Company (CATCO) Franklin Park Conservatory Greater Columbus Arts Council (GCAC) Jazz Arts Group The King Arts Complex Opera Columbus Phoenix Theatre ProMusica Chamber Orchestra Thurber House Wexner Center for the Arts COLUMBUS CULTURAL LEADERSHIP CONSORTIUM Table of Contents Executive Summary . 2 Introduction . 4 Purpose . 4 State of the Arts . 5 Quality Proposition . 5 Finances at a Glance . 9 Partnerships as Leverage . 11 Public Value and Community Advantage . 13 Education and Outreach . 14 Economic Development . 17 Community Building . 21 Marketing . 23 Imagining Enhanced Community Benefit . 24 Vision and Desired Outcomes . 24 Strategic Timeline for Reaching Our Vision . 28 “The Crossroads” Conclusion . 28 Table 1: CCLC Member Organization Key Products and Services . 29 Table 2: CCLC Member Organization Summary Information . 31 Table 3: CCLC Member Organization Offerings at a Glance . 34 Endnotes . 35 Bibliography . 37 Issued September 21, 2006 1 COLUMBUS CULTURAL LEADERSHIP CONSORTIUM Executive Summary Desired Outcomes Comprised of 16 organizations, the Columbus 1. Culture and arts will form a significant Cultural Leadership Consortium (CCLC, or “the differentiator for our city and contribute to its consortium”) was created early in 2006 to bring overall economic development. organization and voice to the city’s major cultural and artistic “anchor” institutions, with a focus on It is sobering to see the results of a 2005 study policy and strategy in both the short term and over conducted by the Columbus Chamber, indicating the long haul. -
Pearl Cleage
March 17 – April 12, 2015, on the IRT Upperstage STUDY GUIDE edited by Richard J Roberts & Milicent Wright with contributions by Janet Allen, Lou Bellamy Vicki Smith, Matthew J. LeFebvre, Don Darnutzer Indiana Repertory Theatre 140 West Washington Street • Indianapolis, Indiana 46204 Janet Allen, Executive Artistic Director Suzanne Sweeney, Managing Director www.irtlive.com YOUTH AUDIENCE & SEASON SPONSOR ASSOCIATE SPONSOR MATINEE PROGRAMS 2014-2015 SPONSOR 2 INDIANA REPERTORY THEATRE What I Learned in Paris by Pearl Cleage 1973 Atlanta. The politics of race, class, and gender are rapidly transforming as the city elects its first black mayor. What better time to begin a romantic escapade? As our lovers make history, old flames rekindle and new ones ignite in this masterfully funny play by one of the country’s leading African-American writers. Estimated length: 2 hours, 20 minutes, including 1 intermission Recommended for students in grades 9 through 12. Themes, Issues, & Topics The Civil Rights movement coming of age The Feminist movement The changing political structure of the old South The change in American politics brought about by vocal African Americans Upward mobility of African Americans Student Matinees at 10:00 A.M. on April 8 & 10 Contents Pl;aywright 3 Artistic Director’s Note 4 Director’s Note 5 Designer Notes 6 Maynard Jackson 8 The World in 1973 10 Interactive Civil Rights Timeline 12 Indiana Academic Standards 15 Resources 16 Before Seeing the Play 18 Education Sales Questions, Writing Prompts, Activities 18 Randy Pease • 317-916-4842 Vocabulary 22 [email protected] Works of Art – Kyle Ragsdale 28 Going to the Theatre 29 Pat Bebee • 317-916-4841 [email protected] Outreach Programs Milicent Wright • 317-916-4843 [email protected] INDIANA REPERTORY THEATRE 3 Pearl Cleage • Playwright “The purpose of my writing, often, is to express the point where racism and sexism meet.” Pearl Cleage was born in 1948 in Springfield, Massachusetts, and grew up in Detroit, Michigan. -
CHLA 2017 Annual Report
Children’s Hospital Los Angeles Annual Report 2017 About Us The mission of Children’s Hospital Los Angeles is to create hope and build healthier futures. Founded in 1901, CHLA is the top-ranked children’s hospital in California and among the top 10 in the nation, according to the prestigious U.S. News & World Report Honor Roll of children’s hospitals for 2017-18. The hospital is home to The Saban Research Institute and is one of the few freestanding pediatric hospitals where scientific inquiry is combined with clinical care devoted exclusively to children. Children’s Hospital Los Angeles is a premier teaching hospital and has been affiliated with the Keck School of Medicine of the University of Southern California since 1932. Table of Contents 2 4 6 8 A Message From the Year in Review Patient Care: Education: President and CEO ‘Unprecedented’ The Next Generation 10 12 14 16 Research: Legislative Action: Innovation: The Jimmy Figures of Speech Protecting the The CHLA Kimmel Effect Vulnerable Health Network 18 20 21 81 Donors Transforming Children’s Miracle CHLA Honor Roll Financial Summary Care: The Steven & Network Hospitals of Donors Alexandra Cohen Honor Roll of Friends Foundation 82 83 84 85 Statistical Report Community Board of Trustees Hospital Leadership Benefit Impact Annual Report 2017 | 1 This year, we continued to shine. 2 | A Message From the President and CEO A Message From the President and CEO Every year at Children’s Hospital Los Angeles is by turning attention to the hospital’s patients, and characterized by extraordinary enthusiasm directed leveraging our skills in the arena of national advocacy. -
CLEAGE, PEARL. Pearl Cleage Papers, 1949-2011
CLEAGE, PEARL. Pearl Cleage papers, 1949-2011 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: Cleage, Pearl. Title: Pearl Cleage papers, 1949-2011 Call Number: Manuscript Collection No. 1223 Extent: 74.75 linear feet (156 boxes), 12 oversized papers boxes (OP), 4 extra- oversized papers (XOP), 1 oversized bound volume (OBV), AV Masters: 6 linear feet (6 boxes), and 1.41 GB born digital materials (564 files) Abstract: Personal papers of African American novelist and playwright Pearl Cleage including correspondence, manuscript and typescript writings, subject files, professional papers, printed material, photographs, writings by others, and audiovisual material. Language: Materials entirely in English. Administrative Information Restrictions on Access Special restrictions apply: Series 1: Personal journals are closed to researchers until December 2037. Series 2: Due to privacy concerns, some material has been redacted. Series 3: Due to privacy concerns, some material has been redacted. Series 4: Professional papers are closed to researchers until December 2037. Collection stored off-site. Researchers must contact the Rose Library in advance to access this collection. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. Pearl Cleage papers, 1949-2011 Manuscript Collection No. -
Roma Sightings/News Page
H o m e An Chéad Fhocal For anyone wanting to follow Roma Downey on Twitter, she has started tweeting just recently, yes it's really her! @realromadowney If you would like to follow me, Anna Kasper, the webmaster of Roma's Official site: @LadyAnnaKasper T o u c h e d B y A n g e l S e a s o n 3 - V o l. 2 - D V D T o u c h e d B y A n A n g e l S e a s o n 1 - D V D T o u c h e d B y A n A n g e l S e a s o n 2 - D V D T o u c h e d B y A n g e l S e a s o n 3 - V o l. I - D V D T o u c h e d B y A n A n g e l Touched By An Angel DVD 3 Pack Please visit the Little Angels website. A n I r i s h H o l i d a y Also, please check out the Official Facebook Little Angels page. R o m a I t e m s open in browser PRO version Are you a developer? Try out the HTML to PDF API pdfcrowd.com R o m a I t e m s F o r S a l e Roma was in Atlanta recently at the ICRS -(Christian Retail Marketing) launching her pre-school DVDs Little Angels. -
A Textual Analysis of the Closer and Saving Grace: Feminist and Genre Theory in 21St Century Television
A TEXTUAL ANALYSIS OF THE CLOSER AND SAVING GRACE: FEMINIST AND GENRE THEORY IN 21ST CENTURY TELEVISION Lelia M. Stone, B.A., M.P.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS December 2013 APPROVED: Harry Benshoff, Committee Chair George Larke-Walsh, Committee Member Sandra Spencer, Committee Member Albert Albarran, Chair of the Department of Radio, Television and Film Art Goven, Dean of the College of Arts and Sciences Mark Wardell, Dean of the Toulouse Graduate School Stone, Lelia M. A Textual Analysis of The Closer and Saving Grace: Feminist and Genre Theory in 21st Century Television. Master of Arts (Radio, Television and Film), December 2013, 89 pp., references 82 titles. Television is a universally popular medium that offers a myriad of choices to viewers around the world. American programs both reflect and influence the culture of the times. Two dramatic series, The Closer and Saving Grace, were presented on the same cable network and shared genre and design. Both featured female police detectives and demonstrated an acute awareness of postmodern feminism. The Closer was very successful, yet Saving Grace, was cancelled midway through the third season. A close study of plot lines and character development in the shows will elucidate their fundamental differences that serve to explain their widely disparate reception by the viewing public. Copyright 2013 by Lelia M. Stone ii TABLE OF CONTENTS Chapters Page 1 INTRODUCTION .............................................................................................. -
1-800-633-4227 Medicare Open Enrollment Closes This Thursday, December 7, 2017
Subscribe / Unsubscribe December 4, 2017 NOW YOU KNOW Remembering Della Reese New Paid Sick Leave Law Begins Actress and Singer January 2018 Born July 6,1931, Deloreese Patricia Early was born in the Black Bottom neighborhood of Detroit, Initiative 1433, approved by Washington voters in Michigan. At the age of six, Reese began singing in fall 2016, contains four primary changes church becoming an avid gospel singer. She was to state law: often chosen as a regular singer for radio programs. Her talent led to her touring with gospel great Mahalia Requires employers to provide paid sick leave to Jackson and her gospel group at just 13 years old. most employees beginning Jan. 1, 2018. Despite her schedule, Reese maintained high grades and graduated high school early. Increases the minimum wage over the next several years. After the death of her mother, she began performing in clubs and shortened her name from “Delloreese Early” to simply “Della Resse.” Winning a contest Ensures tips and service charges are given to the gave Reese her big break—an eight week appropriate staff. engagement at Detroit’s famous Flame Show Bar. She signed with Jubilee Records recording her first Protects employees from retaliation when hit, a romantic ballad entitled “And That Reminds Me,” exercising their rights under the Minimum Wage in 1957. Her biggest hit, “Don’t You Know” - adapted Requirements and Labor Standards Act. This from an aria from the opera La Boheme - reached No. includes filing a complaint for wages owed, using 2 on the Billboard charts in 1959. paid sick leave and other protected rights Soon she made regular appearances on leading Paid sick leave requirements television variety shows. -
'I Had a History As a Black Person' CHICAGO SUN-TIMES Metro & Tri-State.Pdf
suntimes.com Member of the Sun-Times News Group 'I had a history as a black person' HISTORYMAKERS | Digital archives offer sweeping look back Comments March 1, 2009 BY MARY WISNIEWSKI Staff Reporter/[email protected] When Julieanna L. Richardson was growing up, the only black history she heard was "George Washington Carver and the peanuts, and slavery." But as a college student researching the Harlem Renaissance, "I realized there was a whole world I knew nothing about," said Richardson, founder and executive director of "The HistoryMakers." » Click to enlarge image Julieanna Richardson, whose work was honored by Gov. Pat Quinn Saturday, has spent the last 10 years collecting oral histories of African Americans. (Scott Stewart/Sun-Times) "There were lots of people who had come before me. ... I found I had a history as a black person." Richardson, whose work was honored Saturday by Gov. Quinn, has spent the last 10 years collecting oral histories of African Americans -- from national celebrities like Harry Belafonte to local powers like DuSable Museum founder Margaret Burroughs. "The HistoryMakers" has collected a formidable digital archive of 400 video/audio interviews -- Richardson wants 5,000. The HistoryMakers interviews don't just cover one subject -- like the civil rights movement -- but individual life stories that together reveal the complex reality of black life, Richardson explained. "I wanted to accomplish something comprehensive," she said. "Within each person lies many different stories. ... We believe out of that patchwork will emerge a new and more accurate version of our history, a history that will have a lot more voices, a lot more people, a lot more themes, a lot more understanding, of even the issue of our slave past which this nation has yet to deal with." Housed at 1900 S. -
We're All So Blessed to Live the Lives That We Do. I Realize
Photo by: Kwaku Alston “We’re all so blessed to live the lives that we do. I realize that we didn’t get here alone. So many people have helped pave this road for all of us. I would like to pay tribute and honor some of those who’ve come before and have been a Bridge to Now, all legends in entertainment and civil rights, a prestigious group of women I admire and respect. I would be so happy if you could join me in honoring and celebrating them.” —Oprah Dr. Dorothy Height, civil rights activist Yolanda Adams, singer Iman, model Diana Ross, singer Debbie Allen, actress-dancer Janet Jackson, singer Valerie Simpson, singer-composer Dr. Maya Angelou, author Judith Jamison, dancer-choreographer Naomi Sims, model Ashanti, singer Beverly Johnson, model Anna Deavere Smith, Tyra Banks, model Alicia Keys, singer actress-playwright Angela Bassett, actress Chaka Khan, singer Susan L. Taylor, editorial director, Essence Kathleen Battle, opera singer Coretta Scott King, civil rights activist Tina Turner, singer Halle Berry, actress Gayle King, editor at large, Cicely Tyson, actress Mary J. Blige, singer O, The Oprah Magazine Dionne Warwick, singer Shirley Caesar, singer Gladys Knight, singer Nancy Wilson, singer Naomi Campbell, model Patti LaBelle, singer Oprah Winfrey Mariah Carey, singer Darnell Martin, director-screenwriter Alfre Woodard, actress Diahann Carroll, actress-singer Audra McDonald, actress-singer The Legends Unable to Attend Elizabeth Catlett, artist Terry McMillan, author Melba Moore, actress-singer Katherine Dunham, Pearl Cleage, poet-playwright choreographer-dancer Brandy Norwood, actress-singer Natalie Cole, singer Aretha Franklin, singer Ruby Dee, actress Michelle Obama, community affairs executive Nikki Giovanni, poet Kimberly Elise, actress Suzan-Lori Parks, playwright Lena Horne, actress-singer Missy Elliot, rap artist Suzanne de Passe, producer-writer Toni Morrison, author Roberta Flack, singer Leontyne Price, opera singer Rosa Parks, civil rights activist Pam Grier, actress Phylicia Rashad, actress Alice Walker, author Della Reese, actress-singer. -
Dancing in the Street”--Martha and the Vandellas (1964) Added to the National Registry: 2005 Essay by Cary O’Dell
“Dancing in the Street”--Martha and the Vandellas (1964) Added to the National Registry: 2005 Essay by Cary O’Dell Martha and the Vandellas Erudite music critic Dave Marsh has called it, “As pure a product of its day as anything Dylan or the Beatles ever imagined.” The song is “Dancing in the Street,” written by William Stevenson, Marvin Gaye, and Ivy Jo Hunter and recorded by Martha and the Vandellas in 1964. Since its release in July of ’64 (it would reach #2 on the Billboard pop chart by September), the song has gone on to become one of Gordy/Motown and pop music’s most definitive works and a powerful anthem, sometimes in spite of itself. The Martha of Martha and the Vandellas is Martha Reeves. She was born in Alabama in 1941 and raised in Detroit. She began singing with her friends Annette Beard and Rosalind Ashford, as the Del-Phi’s, while still in high school. They cut their first records in 1960. But stardom was not, at that time, in the cards. Not long after, however, and after Reeves briefly pursed a solo career, Reeves became the secretary to Mickey Stevenson, an exec at Detroit’s renowned Motown Records. Legend has it that, one day, label founder Berry Gordy, Jr. needed some backup singers for a session then in progress. Knowing of Reeves’ recording ambitions, he called her and her friends, Beard and Ashford, into the studio. The trio of ladies would end up singing back-up on two Marvin Gaye records, “Stubborn Kind of Fellow” and “Hitch Hike.” Under the moniker Martha and the Vandellas (a hybrid of Detroit’s Van Dyke Street and singer Della Reese’s first name), the revived group also quickly recorded their own single, “I’ll Have to Let Him Go.” Liking the end results, Gordy signed the group to their own contract in September 1962. -
GRAMMY ICONS at WEST in Collaboration the Beverly Hills / Hollywood NAACP and AFTRA, West Hosted “Grammy Icons” on Novem- Ber 17, 2011
GRAMMY ICONS AT WEST In collaboration the Beverly Hills / Hollywood NAACP and AFTRA, West hosted “Grammy Icons” on Novem- ber 17, 2011. A panel of renowned Grammy-winning singers and musicians shared memories of how they got started and stories from their careers and lives with a full theater of students and guests. Panelist were Della Reese, Thelma Houston, Ray Parker, Jr., Joyce & Pam Vincent, and Thomas (T.C.) Campbell of “Cameo.” The moderator was Alvin Cambell. Read more about them on page 2. From left: Alvin Chea of “Take 6;” Ray Parker, Jr.; Joyce Vincent of “Tony Orlando & Dawn;” Thelma Houston; Della Reese; Pam Vincent “Tony Orlando & Dawn;” Thomas (T.C.) Campbell of “Cameo” GRAMMY ICONS AT WEST. continued DELLA REESE is a Grammy and Image Award winning legendary singer, actress, talk show host and ordained minister. Her musical career began in the 1950s. She gained new fans on television’s Touched By An Angel. THELMA HOUSTON is a Grammy Award winning singer, songwriter and actress. With more than 23 albums, she was recently featured on both American Idol and America’s Got Talent. RAY PARKER, JR. is a Grammy Award winning singer, songwriter, guitarist and producer. In 1984, his song Ghostbusters was nominated for an Academy Award for Best Original Song. PAM & JOYCE VINCENT (“Dawn” of Tony Orlando & Dawn) In addition to their success with Tony Orlando, Pam and Joyce Vincent have had accomplished independent careers as pop and R&B singers and arrangers. THOMAS “T.C.” CAMPBELL is an R&B, jazz and gospel music producer, songwriter and key- board artist. -
Library of Congress Magazine September/October 2014
INSIDE Tracing the Music of a Movement Mark Twain & Copyright PLUS Warren Harding's Love Letters Anatomy of a Glass Flute History of an Anthem LIBRARY OF CONGRESS MAGAZINE SEPTEMBER/OCTOBER 2014 DocumentingThe Dance Making of APPALACHIAN SPRING WWW.LOC.GOV In This Issue SEPTEMBER/OCTOBER 2014 LIBRARY OF CONGRESS MAGAZINE FEATURES Library of Congress Magazine Vol. 3 No. 5: September/October 2014 Mission of the Library of Congress Tracing the Music of a Movement 8 From its origins in gospel to its reinvention in folk music, “We Shall The mission of the Library is to support the Overcome” became the anthem of the Civil Rights Movement. Congress in fulfilling its constitutional duties and to further the progress of knowledge and creativity for the benefit of the American people. The Making of “Appalachian Spring” 10 A group of artistic titans collaborated on this archetypical American Library of Congress Magazine is issued ballet, commissioned by and premiered at the Library of Congress. bimonthly by the Office of Communications of the Library of Congress and distributed free of charge to publicly supported libraries and Mark Twain & Copyright research institutions, donors, academic libraries, 4 learned societies and allied organizations in 16 Samuel Clemens fought the good fight for intellectual property rights Glass Flute the United States. Research institutions and that helped protect authors at home and abroad. educational organizations in other countries may arrange to receive Library of Congress Magazine on an exchange basis by applying in writing to the Library’s Director for Acquisitions and Bibliographic Access, 101 Independence Ave. S.E., Washington DC 20540-4100.