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Article Fairy Marriages in Tolkien’S Works GIOVANNI C
article Fairy marriages in Tolkien’s works GIOVANNI C. COSTABILE Both in its Celtic and non-Celtic declinations, the motif the daughter of the King of Faerie, who bestows on him a of the fairy mistress has an ancient tradition stretching magical source of wealth, and will visit him whenever he throughout different areas, ages, genres, media and cul- wants, so long as he never tells anybody about her.5 Going tures. Tolkien was always fascinated by the motif, and used further back, the nymph Calypso, who keeps Odysseus on it throughout his works, conceiving the romances of Beren her island Ogygia on an attempt to make him her immortal and Lúthien, and Aragorn and Arwen. In this article I wish husband,6 can be taken as a further (and older) version of to point out some minor expressions of the same motif in the same motif. Tolkien’s major works, as well as to reflect on some over- But more pertinent is the idea of someone’s ancestor being looked aspects in the stories of those couples, in the light of considered as having married a fairy. Here we can turn to the often neglected influence of Celtic and romance cultures the legend of Sir Gawain, as Jessie Weston and John R. Hul- on Tolkien. The reader should also be aware that I am going bert interpret Gawain’s story in Sir Gawain and the Green to reference much outdated scholarship, that being my pre- Knight as a late, Christianised version of what once was a cise intent, though, at least since this sort of background fairy-mistress tale in which the hero had to prove his worth may conveniently help us in better understanding Tolkien’s through the undertaking of the Beheading Test in order to reading of both his theoretical and actual sources. -
FWLLC-Sponsors-2008.Pdf
Called “mythically magical... transformational… German bands, Estampie and Qntal (who delivered a one-of-a-kind, otherworldly event,” Faerieworlds show-stopping performances at FaerieCon in 2007!) is the premiere family faerie event on the West Coast, as well as the Faerieworlds premiere of Zilla, lead by featuring international best-selling and award-winning Michael Travis, formerly of String Cheese Incident, plus artists, writers, craftspeople, storytellers, performance Telesma, the psychedelic, electro-acoustic world music artists and world renowned musicians. band from Baltimore, MD and the return of Faerieworlds perennial favorite mythic band, Woodland. Skyrocketing Attendance - Now THREE Days! Faerieworlds achieved an astonishing 98% growth Musicians featured at Faerieworlds events past & present: from 2006 to 2007, with last year’s attendance topping Brother • Kevin Burke • Karan Casey 8000. This year, Faerieworlds expands to three days with over 150 vendor’s booths and an expected Johnny Cunningham • Phil Cunningham attendance of over 10,000. Estampie • Gaia Consort Priscilla Hernandez* • Scott Huckabay Magical Artists: Kan’Nal • Susan McKeown • Casey Neill Jessica Galbreth is Guest of Honor Faerieworlds is proud to welcome internationally Omnia* • Qntal • Rasputina celebrated faerie artist Jessica Galbreth as 2008 Guest John Renbourn • Solas • Telesma* of Honor. Jessica will attend all three days and will be Trillian Green • Wake the Dead available for book and print signings. Woodland • Zilla* *appearing for the first time in -
Test Your Faerie Knowledge
Spiderwick Tes t Your Activity Sheet Faerie Knowledge It wasn’t all that long ago that faeries were regarded as the substance of the imagination. Boggarts, Elves, Dragons, Ogres . mankind scoffed at the idea that such fantastical beings could exist at all, much less inhabit the world around us. Of course, that was before Simon & Schuster published Arthur Spiderwick’s Field Guide to the Fantastical World Around You. Now, we all know that faeries truly do exist. They’re out there, occasionally helping an unwary human, but more often causing mischief and playing tricks. How much do you know about the Invisible World? Have you studied up on your faerie facts? Put your faerie knowledge to the test and see how well you do in the following activities.When you’re finished, total up your score and see how much you really know. SCORING: 1-10 POINTS: Keep studying. In the meantime, you should probably steer clear of faeries of any kind. 11-20 POINTS: Pretty good! You might be able to trick a pixie, but you couldn’t fool a phooka. 21-30 POINTS: Wow, You’re almost ready to tangle with a troll! 31-39 POINTS: Impressive! You seem to know a lot about the faerie world —perhaps you’re a changeling... 40 POINTS: Arthur Spiderwick? Is that you? MY SCORE: REPRODUCIBLE SHEET Page 1 of 4 ILLUSTRATIONS © 2003, 2004, 2005 BY TONY DITERLIZZI Spiderwick Tes t Your Activity Sheet Faerie Knowledge part 1 At any moment, you could stumble across a fantastical creature of the faerie world. -
Fairy and Folk Tales of the Irish Peasantry, by 1
Fairy and Folk Tales of the Irish Peasantry, by 1 Fairy and Folk Tales of the Irish Peasantry, by William Butler Yeats This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Fairy and Folk Tales of the Irish Peasantry Author: William Butler Yeats Editor: William Butler Yeats Release Date: October 28, 2010 [EBook #33887] Language: English Fairy and Folk Tales of the Irish Peasantry, by 2 Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK FAIRY AND FOLK TALES *** Produced by Larry B. Harrison, Brian Foley and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) FAIRY AND FOLK TALES OF THE IRISH PEASANTRY. EDITED AND SELECTED BY W. B. YEATS. THE WALTER SCOTT PUBLISHING CO., LTD. LONDON AND FELLING-ON-TYNE. NEW YORK: 3 EAST 14TH STREET. INSCRIBED TO MY MYSTICAL FRIEND, G. R. CONTENTS. THE TROOPING FAIRIES-- PAGE The Fairies 3 Frank Martin and the Fairies 5 The Priest's Supper 9 The Fairy Well of Lagnanay 13 Teig O'Kane and the Corpse 16 Paddy Corcoran's Wife 31 Cusheen Loo 33 The White Trout; A Legend of Cong 35 The Fairy Thorn 38 The Legend of Knockgrafton 40 A Donegal Fairy 46 CHANGELINGS-- The Brewery of Egg-shells 48 The Fairy Nurse 51 Jamie Freel and the Young Lady 52 The Stolen Child 59 THE MERROW-- -
Working Introduction
University of Pardubice Faculty of Humanities Department of English and American Studies The Influence of the Irish Folk Tales on the Notion of Irishness Thesis Author: Bc. Soň a Šamalíková Supervisor: Mgr. Olga Zderadič ková, M. Litt 2002 Univerzita Pardubice Fakulta humanitních studií Katedra anglistiky a amerikanistiky Vliv irských lidových příběhů na irství Diplomová práce Autor: Bc. Soň a Šamalíková Vedoucí: Mgr. Olga Zderadič ková, M. Litt 2002 Contents Introduction 1 Irishness 3 History 6 Folk tales and the oral tradition in Ireland 15 Fairy tale, myth, legend 17 Irish myths 19 Some Irish myths in detail 23 Irish legends 37 Irish fairy tales 43 Irish folk tales and nationalism 46 Folk tales and Irishness outside Ireland 53 Conclusion 57 Résumé (in Czech) 59 Bibliography 64 Introduction The Irish of the twentieth century are a complex, scattered nation, living not only in Ireland, but also in a part of the United Kingdom--Northern Ireland, as well as in the rest of the country. In large numbers, they can be found in many 0 other countries of the world, mostly the United States of America. The Irish have a long history. Originally a specific Celtic people with a distinctive culture, for many centuries they were exposed to the cultures of numerous invaders, for many centuries they suffered oppression--most painfully under the English overrule. As Professor Falaky Nagy comments, the Irish are ”a people who, for centuries, have been told that their language, their culture, and their religion were worthless and that they should try to be more like the English” [Tay]. -
ML 4080 the Seal Woman in Its Irish and International Context
Mar Gur Dream Sí Iad Atá Ag Mairiúint Fén Bhfarraige: ML 4080 the Seal Woman in Its Irish and International Context The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Darwin, Gregory R. 2019. Mar Gur Dream Sí Iad Atá Ag Mairiúint Fén Bhfarraige: ML 4080 the Seal Woman in Its Irish and International Context. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42029623 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Mar gur dream Sí iad atá ag mairiúint fén bhfarraige: ML 4080 The Seal Woman in its Irish and International Context A dissertation presented by Gregory Dar!in to The Department of Celti# Literatures and Languages in partial fulfillment of the re%$irements for the degree of octor of Philosophy in the subje#t of Celti# Languages and Literatures (arvard University Cambridge+ Massa#husetts April 2019 / 2019 Gregory Darwin All rights reserved iii issertation Advisor: Professor Joseph Falaky Nagy Gregory Dar!in Mar gur dream Sí iad atá ag mairiúint fén bhfarraige: ML 4080 The Seal Woman in its Irish and International Context4 Abstract This dissertation is a study of the migratory supernatural legend ML 4080 “The Mermaid Legend” The story is first attested at the end of the eighteenth century+ and hundreds of versions of the legend have been colle#ted throughout the nineteenth and t!entieth centuries in Ireland, S#otland, the Isle of Man, Iceland, the Faroe Islands, Norway, S!eden, and Denmark. -
Fairy Gardens.Pub
FairiesandFairyGardens ĐĐŽƌĚŝŶŐƚŽƌŝĂŶ&ƌŽƵĚ͕ ĂƵƚŚŽƌŽĨƚŚĞďĞĂƵƟĨƵůŬ͞ ' ŽŽĚ&ĂĞƌŝĞƐͬ ĂĚ&ĂĞƌŝĞƐ͟ ͗ &ĂĞƌŝĞƐ͞ ĂƌĞůƵŵŝŶŽƵƐ͘ ͘ ͘ ĐƌĞĂƚƵƌĞƐǁ ŚŽĚĂŶĐĞďLJƚŚĞůŝŐŚƚŽĨƚŚĞŵŽŽŶ͕ ďĞĂƵƟĨƵůĂƐƚŚĞ ŵƵƐŝĐŝƚƐĞůĨ͕ ƚƌĂŝůŝŶŐƉĂƩ ĞƌŶƐŽĨĐŽůŽƌĂŶĚŵŝƐƚŝŶƚŚĞŝƌǁ ĂŬĞ͘ &ĂĞƌŝĞƐŽŌĞŶĚĂŶĐĞŝŶĐŝƌͲ ĐůĞƐ͕ ůĞĂǀ ŝŶŐƌŝŶŐƐŽĨŇĂƩ ĞŶĞĚŐƌĂƐƐƚŽŵĂƌŬƚŚĞƐŝƚĞƐŽĨƚŚĞŝƌŵŝĚŶŝŐŚƚƌĞǀ ĞůƐ-- or circles of toadstools springing up where faery feet have trod.” “t ŚĞŶǁ ĞĚĂŶĐĞǁ ŝƚŚƚŚĞĨĂĞƌŝĞƐ͕ ǁ ĞĚĂŶĐĞǁ ŝƚŚƚŚĞƌĞŇĞĐƟŽŶƐŽĨŽƵƌƚƌƵĞƐĞůǀ ĞƐĂŶĚ the true inner self of the world.” They are “ŝƌƌĂƟŽŶĂů͕ ƉŽĞƟĐ͕ ĂďƐƵƌĚ͕ ƉĂƌĂĚŽdžŝĐĂů͕ ĂŶĚǀ ĞƌLJ͕ ǀ ĞƌLJǁ ŝƐĞ͘ They bestow the ŐŝŌƐŽĨŝŶƐƉŝƌĂƟŽŶ͕ ƐĞůĨ-healing, and self-ƚƌĂŶƐĨŽƌŵĂƟŽŶ͘ ͘ ͘ ďƵƚƚŚĞLJĂůƐŽĐƌĞĂƚĞƚŚĞŵŝƐͲ ĐŚŝĞĨŝŶŽƵƌůŝǀ ĞƐ͕ ǁ ŝůĚĚŝƐƌƵƉƟŽŶƐ͕ ƟŵĞƐŽĨŚĂǀ ŽĐ͕ ŵĂĚĂďĂŶĚŽŶ͕ ĂŶĚĚƌĂŵĂƟĐĐŚĂŶŐĞ͘ ͘ ͘ ͘ , ĞŚĂƐ͞ ĂƩ ĞŵƉƚĞĚƚŽĚŝǀ ŝĚĞĨĂĞƌŝĞƐŝŶƚŽŐŽŽĚĂŶĚďĂĚ-- a convenient conceit for us hu- mans, but laughable to the faery folk. Faeries insist on being themselves, shape-ƐŚŝŌŝŶŐ endlessly. Good and bad coexist in some degree in all of Faery's creatures.“ They can be helpful or spiteful if you get on their wrong side: so providing a suitable fairy ƐŝnjĞŐĂƌĚĞŶǁ ŝƚŚĂĨĞǁ ĐŚĂƌŵŝŶŐĂŵĞŶŝƟĞƐŵĂLJďĞLJŽƵƌďĞƐƚǁ ĂLJƚŽƐƚĂLJŽŶƚŚĞŐŽŽĚƐŝĚĞ of these magical, mischievous creatures. A Fairy Garden can be self-contained, or nestled into part of your landscape, remembering the ĨŽůůŽǁ ŝŶŐƟƉƐ͗ ŚŽŽƐĞĂĐŽŶƚĂŝŶĞƌŽƌůŽĐĂƟŽŶ͘ ŶLJŵĂƚĞƌŝĂůĐŽŶƚĂŝŶĞƌŝƐĮ ŶĞ͕ ĂůŽǁ ƐŝĚĞĚŽŶĞǁ ŝůůŐŝǀ ĞLJŽƵĂďĞƩ Ğƌ look. WŝĐŬĂƚŚĞŵĞƚŽŬĞĞƉLJŽƵƌĚŝŽƌĂŵĂĨŽĐƵƐĞĚ͗ ǁ ĂƚĞƌĨĂůů͕ ƉĂƟŽ͕ ĨŽƌĞƐƚ͕ ƉŽŶĚ͕ ŇŽǁ ĞƌŐĂƌĚĞŶ͕ ĞƚĐ͘ Choose a fairy or two that would like to be part of your theme. Place your fairies , mark their spot, then remove them so they will not be in the way as you plant. ŚŽŽƐĞLJŽƵƌƉůĂŶƚƐ͗ ŬĞĞƉŝŶŵŝŶĚƐĐĂůĞ;ƉůĂŶƚƐǁ ŝƚŚƐŵĂůůĞƌůĞĂǀ ĞƐĂŶĚďůŽŽŵƐͿ͕ ůŝŐŚƚĐŽŶĚŝƟŽŶƐ͕ and chose a variety of heights to mimic trees, shrubs, and groundcover. Add a few miniature accessories, or find shells, stones, marbles etc. as a real fairy might to furnish their miniature garden. -
Investigating a Contemporay Radical Faerie Manifestation Through
THESIS NAVIGATING CONCIOUSNESS TOWARD LIBERATION: INVESTIGATING A CONTEMPORAY RADICAL FAERIE MANIFESTATION THROUGH A DECOLONIAL LENS Submitted by Kyle Andrew Pape Department of Ethnic Studies In partial fulfillment of the requirements For the Degree of Master of Arts Colorado State University Fort Collins, Colorado Summer 2013 Master’s Committee: Advisor: Karina Cespedes Co-Advisor: Roe Bubar Irene Vernon Kathleen Sherman Copyright by Kyle Andrew Pape 2013 All Rights Reserved ABSTRACT NAVIGATING CONCIOUSNESS TOWARD LIBERATION: INVESTIGATING A CONTEMPORAY RADICAL FAERIE MANIFESTATION THROUGH A DECOLONIAL LENS This thesis argues for the necessity of decolonial consciousness within queer thought and activism. The historical acts of cultural appropriation enacted by the LGBTQ subculture radical faeries of indigenous peoples are intended for healing. However by investigating contemporary radical faerie culture in Thailand, it is found that colonial culture fundamentally defeats queer liberatory movements from within. Primary data was collected through cyber-ethnographic methods and consists of a photo archive and several online blogs and associated websites. Analyzes emerged through Visual Grounded Theory methodology. This study provides evidence of globalizing colonial discourse and the resulting ineptitude of radical faerie activism. ii ACKNOWLEDGEMENTS During my eight years at Colorado State University I have become intimately involved with the Department of Ethnic Studies and its faculty. It is commonly reiterated among these scholars that “it takes a community” by which we mean nothing can be achieved without each other. To begin I thank Roe Bubar and Karina Cespedes for working with me so closely while providing me room to grow. I thank you both for the commitment you have shown to me and this work, as it surely has been a process of its own. -
The Significant Other: a Literary History of Elves
1616796596 The Significant Other: a Literary History of Elves By Jenni Bergman Thesis submitted for the degree of Doctor of Philosophy Cardiff School of English, Communication and Philosophy Cardiff University 2011 UMI Number: U516593 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U516593 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DECLARATION This work has not previously been accepted in substance for any degree and is not concurrently submitted on candidature for any degree. Signed .(candidate) Date. STATEMENT 1 This thesis is being submitted in partial fulfilment of the requirements for the degree of PhD. (candidate) Date. STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by explicit references. Signed. (candidate) Date. 3/A W/ STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed (candidate) Date. STATEMENT 4 - BAR ON ACCESS APPROVED I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan after expiry of a bar on accessapproved bv the Graduate Development Committee. -
Faery Lore Leprechauns
Faery Lore: Leprechauns stockings, buckled shoes, and bowler hats. Leprechauns favor clothing in shades of green ranging from the white-green of the inside of an apple to the dark green of pine needles. They often carry walking sticks, called shillelaghs, and speak with Gaelic accents. These faeries practice luck magic, allowing a leprechaun to grant luck to himself or to others. Leprechauns also can conjure gold, either faery gold (which vanishes in time) used to trick foolish mortals, or true gold, which the faery obsessively protects. Leprechauns dwell in shallow caves or hollows under living trees, which these comfort-loving faeries outfit with sturdy furniture, soft carpeting, and warm fireplaces. Leprechauns are generally sedate faeries, preferring to sit by the fire smoking long pipes and sipping drinks than to dance or sport, except when it comes to their gold. Leprechauns hide their precious pots of true gold somewhere near their homes. The next rainbow, however, invariably reveals the location, causing the alarmed leprechaun to spirit the gold away to a new place of concealment. If a mortal manages to steal a leprechaun’s pot of gold, the despondent faery will stop at nothing to get it back, including granting up to three boons to the mortal for its return – but only if he’s first tried trickery, threats, and surreptitiously swapping the stolen gold for faery gold. Despite their love of their own gold, leprechauns are uninterested in other forms of treasure, including “cold gold” -- gold that’s been dug out of the ground or panned out of a river, instead of being created cleanly by magic. -
1457878351568.Pdf
— Credits — Authors: Patrick Sweeney, Sandy Antunes, Christina Stiles, Colin Chapman, and Robin D. Laws Additional Material: Keith Sears, Nancy Berman, and Spike Y Jones Editor: Spike Y Jones Index: Janice M. Sellers Layout and Graphic Design: Hal Mangold Cover Art: Patricia Ann Lewis-MacDougall Interior Art: Janet Chui, Patricia Ann Lewis-MacDougall and Jennifer Meyer Playtesters: Elizabeth, Joey, Kathryn, Lauren, Ivy, Kate, Miranda, Mary, Michele, Jennifer, Rob, Bethany, Jacob, John, Kelly, Mark, Janice, Anne, and Doc Special Thanks To: Mark Arsenault, Elissa Carey, Robert “Doc” Cross, Darin “Woody” Eblom, Larry D. Hols, Robin D. Laws, Nicole Lindroos, David Millians, Rob Miller, Liam Routt, and Chad Underkoffler If you want your children to be intelligent, read them fairy tales. If you want them to be more intelligent, read them more fairy tales. —Albert Einstein Copyright 2007 by Firefly Games. All rights reserved under International Copyright Convention. Faery’s Tale and all characters and their likenesses are trademarks owned by and/or copyrights by Firefly Games. All situations, incidents and persons portrayed within are fictional and any similarity without satiric intent to individuals living or dead is strictly coincidental. Designed and developed by Firefly Games, 4514 Marconi Ave. #3, Sacramento CA 95821 [email protected] Visit our website at www.firefly-games.com. Published by Green Ronin Publishing 3815 S. Othello St. Suite 100, #304, Seattle, WA 98118 [email protected] Visit our website at www.greenronin.com. Table of Contents Preface .........................................................................3 A Sprite’s Tale .......................................................49 A Pixie’s Tale .............................................................4 Faery Princesses & Magic Wands ............51 Introduction ................................................................7 Titles .................................................... -
Fairy & Folk Tales
WILLIAM BUTLER YEATS FAIRY & FOLK TALES OF THE IRISH PEASANTRY FAIRY & FOLK TALES OF THE IRISH PEASANTRY & FOLK TALES FAIRY This is a collection of Fairy and Folk tales. The poet William Butler Yeats col- lected them from around the Western part of Ireland and translated them near the end of the 1800s. | 00 · Introduction | 01 · THE TROOPING FAIRIES | The Fairies | 02 · Frank Martin and The W. B. YEATS W. Fairies | 03 · The Priest’s Supper & The Fairy Well of Lagnanay | 04 · Teig O’Kane and the Corpse | 05 · Paddy Corcoran’s Wife & Cusheen Loo the White Trout: A Legend of Cong | 06 · The Fairy Thorn & The Legend of Knockgrafton & A Donegal Fairy | 07 · CHANGELINGS | The Brewery of Egg-shells & The Fairy Nurse | 08 · Jamie Freel and the Young Lady & The Stolen Child | 09 · THE MERROW | The Soul Cages | 10 · Flory Cantillon’s Funeral | 11 · THE SOLITARY FAIRIES | The Lepracaun; or, Fairy Shoemaker | 12 · Master and Man & Far Darrig in Donegal | 13 · The Piper and the Puca & Daniel O’Rourke | 14 · The Kildare Pooka & How Thomas Connolly met the Banshee | 15 · A Lamanta- tion for the Death of Sir Maurice Fitzgerald & The Banshee of the MacCarthys | 16 · GHOSTS | A Dream | 17 · Grace Conner | 18 · A Legend of Tyrone | 19 · The Black Lamb & Song of the Ghost | 20 · The Radiant Boy & The Fate of Frank M’Kenna | 21 · WITCHES, FAIRY DOCTORS | 22 · Bewitched Butter (Donegal) & A Queen’s County Witch | 23 · The Witch Hare & Bewitched Butter (Queen’s County) | 24 · The Horned Women & The Witches Excursion | 25 · The Confessions of Tom Bourke | 26