DOCSLIB.ORG

CODEX CELTARUM Celtic Adventure in Faery

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
CODEX CELTARUM Celtic Adventure in Faery CODEX CELTARUM Celtic Adventure in Faery BY BRIAN N. YOUNG EDITOR: ALICIA STANLEY & TIM BURNS ART: PETER BRADLEY, JASON WALTON ART DIRECTION//LAYOUT/: PETER BRADLEY CARTOGRAPHY: PETER BRADLEY 1818 North Taylor, #143, Little Rock, AR, 72207 email: [email protected] website: www.trolllord.com or www.castlesandcrusades.com Interested in Castles & Crusades ® the role playing game? Want to learn more? There is a large online community of gamers who post home brewed rules, adventure discussion and help incoming players disgest the game and it’s potential. Please visit our online forums at the web address mentioned above and get involved. All are welcome!!! © 2013 Troll Lord Games. All Rights Reserved. Castles & Crusades ® is a Registered Trademark of Troll Lord Games. All Rights Reserved. C&C, Castle Keeper, SEIGE engine, Troll Lord Games, and the Castles & Crusades, SEIGE engine, and Troll Lord Games logos are Trademark of Troll Lord Games. All Rights Reserved. Art, artwork, cover art, cartography is copyright Peter Bradley of Ravenchilde Illustrations, 2013 or Troll Lord Games. All Rights Reserved. All text is copy- right Brian Young. All other content copyright 2013 Troll Lord Games. All Rights Reserved. Castles & Crusades, C&C, Castle Keeper, Troll Lord Games, and the Castles & Crusades and Troll Lord Games logos, and products published by Troll Lord Games are Trademarks of Troll Lord Games. All Rights Reserved. Printed in the United States of America Sample file GWASTRAWT AFWYN BRENHINES Tom Tullis, Ron "Bubba Ho-Tep" Purvi, Julian G Hicks, Matt Hurd SWYDDWR Y LLYS Sebastian Dietz, Marzio Spairani, The Great and Powerful Alpha Wolf Troy Schwaller, Raymond M. S. Quignon, Keith Davies, "Lord Karick", Jeremy Clifford, Shawn Lamb, Bill Centinaro, E. Michael Rupert, Joe Maccarrone, Tom Williams, Mike Welham, Damian Hupfeld, W. Schaeffer Tolliver, Can Sungur, Jayson C. Block, "Wooly Rupert", Christopher Anderson, Bad Baboon, Bill Dodds, Kevin Donovan, Redbeard, Dustin "Design Zombie" Cooper, Keith E Brandt, Catprog, Dokkalfar, Rasmus Durban Jahr, DrLight, Che Webster, "Wine Guy" Morgan Boehringer, Tom Hudson, Jordi Rabionet Her- nandez, "Steven D Warble", "Pat "Silverhand" Andrews", R. A. Mc Reynolds, Peter "Zeus" Mette, Seth "Justicar" Corbett MEDYD Michael Ramsey, Andrew Gelbman, Matthias Weeks, Christopher Dawson, Jeffrey Osthoff, Kyle Decker, Sarah Devier, Rian McMurtry, Patrick Seymour, Warren Michael Goodman, Todd Leback, Ryan Percival, Kevin Kentner, Jonathan Woodward, Brent Walters, David Cinabro, John Canales, Dan- iel Dimitroff, Robert Miller,Brad Everman, Aaron Atwood, Matthew Cook, Bill De Franza, John Appel, Mark Martin, Todd Showalter, Christopher Child, Nathanael Terrien, Greg Kramer, Gus J. Badnell, Jerry Aldridge II, Bruce Wiggins, Jeffrey Tadlock, Kurtis Evans, Anthony Roberson TRULLYAT Mark Clodi, Johnathan L Bingham, David DeRocha, Trampas Whiteman, Lloyd Rasmussen, Niels Adair, Kathleen Harbinger, Daniel Bayerdorffer aka "Seljuck Graylock", Great DruidPaul Munson, Jai Mather, Timothy S. Brannan, Haylea Hamous, Christina Stiles, Vincent DiPaula, James M. Yager, Dan- iel J. Corwin, Curtis 'Wolfson' Lyon, S Penrod, Steven Vest, Ed Moretti,Doug Palmer, M. Sean Molley, Terry Buckingham, Karl The Good, Philip J. Hudson, Jay Hypes, Bill Willy Rat Currie, Seorus Lockkerry DRYSSAWR NEUAD Kem Templeton, Jorden J. McNally, Rich Canino, Derek W. White BARDD TEULU Kevin Fitzgerald, Patrick Odell, Petr Engebos, Rowan Harbinger, Eric Falk, Thomas Woodall, Ryan Peel, Daniel and Johanna Pack, Jake Parker, Bret P. Smith, Jason Paul McCartan, Calvin Shafer, Mi- chael Tapia, Daniel Colwell, Lukie Fuge, Brett Easterbrook, Kent D Taylor, Michael Ferdie, John R. Woollard, Dave Ellingwood, Garth Elliott, Adam Fink, Kevin M. McDaniel, Blake thomas, Thomas Biskup, Pat Bellavance, Steve Dodge, Wendy Napier DISTAIN BRENHINES Tim Rudolph, Chad Drummond, Caninicus, David Williams, Zappophalian, Thomas G Treptow, Frost Holli- man PENKYNYD Jim Kitchen, Morgan Hazel, Mario M. Butter, Ben and Nateal Erickson, Derrick "Omote" Landwehr, David Donohoo, Benisha Abe, J. Quincy Sperber, Steven Sullivan, Sir Izzy, Gael Imad'Eddine, Doug- las Meserve, Drew Wood, Mark 'Isamill' Liddle, John Craft, Jason 'Hierax' Verbitsky PENTEULU SampleRob Stone, Gateway Games & More, Noble Knight Games, Paul Coulter, Kell's Crusaders, Richardfile Kurtin CODEX CELTARUM - CELTIC ADVENTURE IN FAERY his World book has been a little over twenty years in the making, with two university degrees and as many years play-testing before it came together in the manner it did. It evolved out of a purely fan- T tasy based setting that was inspired by some of the greatest fantasy movies of the early 1980’s (The Dark Crystal, Legend, The Black Cauldron, Dragonslayer and Excalibur) and found its way into my pedigree along slightly eccentric and genetic paths. The background of this world alone is enough to make a thick academic study, and someday that might be a possibility. No decision behind this World setting was chosen lightly, but was instead weighed against ancient Celtic ethos, mythologies and his- tory. Where there was an answer lacking, a creative substitute was put in place by a combination of Celtic idiom and fantasy analogs. The hope is this will become an iconic setting where gamers can have endless adventures and memories that will be personal and as good as any found in fantasy gaming. One advantage of designing this complex and unique world set- ting is the acquisition of Celtic languages along the way. Sadly, in gaming history these areas are poorly represented, but that is righted in this book. Unlike the majority of Fantasy world settings, this one does not cater to the usual clichés of role-playing games. Wealth abounds in Faery but ironically has little value among the Faery-folk ex- cept for the Neutral and Dark alignments. Another unique as- pect is that adventure is everywhere, but not in the same man- ner that most gamers are used to experiencing. Every adventure story in Faery is epic – every one. There are no simple adven- tures that require only that the characters hunt simple bandits or ruffians, for example, unless they are in the Mortal world. Any adventure will be grand, regardless of its meager beginning. Each chapter is arranged to follow a slightly mischievous and very Faery logic from start to finish. Due to the enormity of the setting, the lands and worlds covered are given as detailed a scope as possible with hopes that each can be further embellished later with additional books or editions. Over a hundred and fifty Faery abilities and pow- ers are included, broken into the three alignments that the Universe has split between them. Humans, and Humanoid races as found in Aihrde, function differently in regards to their alignments than the Fey, and this will be explained. Derived from Celtic primary sources are Druidic spells and com- bat Adjuncts, with the added rare opportunity to transform the Faery character (gradually, over time) into a demi-god. Faery- folk also can be born, or cursed, with the unusual maladies and quirks of being an Immortal. These can definitely increase the pressure and tension in the campaign and make things as dif- ficult as the CK desires. This setting can be adapted to any ex- isting campaign, and taken from and/or added to along the way as needed, but if left as-is leaves a wondrous realm of magic and Sampleepic adventure that most gamers have never experienced file or imagined. Sticking to the Castle & Crusades idea, this is light on rules but gives just enough in the way of game mechanics to play out a compelling and fun story. CELTIC ADVENTURE IN FAERY 3 A plethora of Celtic language is used in this book obviously, and The book in your hands has seen over two decades of change, to make it less difficult for those not fluent, the more modern evolution and constant improvement until has been stream- orthographies have been chosen in place of their ancient coun- lined and is ready to go. Dive into the magical realm of Faery terparts at times. Primitive/Old Welsh and Primitive/Old Irish are and don’t look back; this is truly another world rarely seen or commonly used throughout with some Cornish and Breton sprin- experienced by Man. Oh come away with me, Human Child… kled where necessary. The orthography is a little scattered due to the many sources referencing Celtic gods and Faery-folk, but this This book’s chapters are arranged in a very Fey manner to help is left so to make the understanding of much of this diverse (but the reader find their way by memory wherever they have to go: related) material for new people. 1. Once Upon a Time (History section) Often separate but related Celtic languages are side-by-side in 2. In Lands Far Away (Covers the World Setting) the place names in Faery, and that is because of shared multiple traditions concerning the concepts and ideas out of essentially 3. There Lived a People (Faery races and monsters) the same myth and faery-lore. The remaining languages today are used as more of a filter to which this magical realm exists 4. Great of Magic and Power (Magical abilities, items and spells) in, or once existed in ancient belief. So it would seem odd that Gaelic and Cornish speakers, for example, were adjacent but in 5. Strong of Feats and Deeds (Combat and warfare). reality, during the Post-Roman and early medieval eras this was 6. With Great Gods and Lords (The Deities and the many truly the case. powerful lords that rule over Faery). The Celtic Gods, whose pantheon is widely misunderstood 7. Who have Mighty Names and Feats (CK information) among modern Pagans and recreationists, are given a semi- fantastical ambiance and character throughout to aid in the In this song given to Oisín mac Finn by the Faery princess Fantasy nature of role-playing gaming.
Load more

Recommended publications
  • Article Fairy Marriages in Tolkien’S Works GIOVANNI C
    article Fairy marriages in Tolkien’s works GIOVANNI C. COSTABILE Both in its Celtic and non-Celtic declinations, the motif the daughter of the King of Faerie, who bestows on him a of the fairy mistress has an ancient tradition stretching magical source of wealth, and will visit him whenever he throughout different areas, ages, genres, media and cul- wants, so long as he never tells anybody about her.5 Going tures. Tolkien was always fascinated by the motif, and used further back, the nymph Calypso, who keeps Odysseus on it throughout his works, conceiving the romances of Beren her island Ogygia on an attempt to make him her immortal and Lúthien, and Aragorn and Arwen. In this article I wish husband,6 can be taken as a further (and older) version of to point out some minor expressions of the same motif in the same motif. Tolkien’s major works, as well as to reflect on some over- But more pertinent is the idea of someone’s ancestor being looked aspects in the stories of those couples, in the light of considered as having married a fairy. Here we can turn to the often neglected influence of Celtic and romance cultures the legend of Sir Gawain, as Jessie Weston and John R. Hul- on Tolkien. The reader should also be aware that I am going bert interpret Gawain’s story in Sir Gawain and the Green to reference much outdated scholarship, that being my pre- Knight as a late, Christianised version of what once was a cise intent, though, at least since this sort of background fairy-mistress tale in which the hero had to prove his worth may conveniently help us in better understanding Tolkien’s through the undertaking of the Beheading Test in order to reading of both his theoretical and actual sources.
    [Show full text]
  • Canadian Guiding Badges and Insignia Brownie Six/Circle Emblems
    Canadian Guiding Badges And Insignia Brownie Six/Circle Emblems Following the introduction of the Brownie program to provide Guiding for younger girls, and after the decision to base the new program on The Brownie Story, a further decision was made in 1919 to subdivide a Brownie Pack into smaller groups consisting of six girls. These smaller groups within the Pack were known as Sixes and were identified by a Six emblem bearing the name of some mythical fairy- like person from folklore. [Reference: POR (British, 1919)] The original Six emblems were brown felt; later versions were brown cotton with the edges bound in brown. In 1995, the term “Sixes” was replaced by the term “Circles”, and the shape of the emblems was changed as well. In 1972, three of the original twelve Six emblems were retired and in 1995 four new ones were added. Page 1 V.2 Canadian Guiding Badges And Insignia Brownie Six/Circle Emblems SC0001 SC0002 Bwbachod Badge Discontinued 1919- 19? 19? - 1972 SC0003 SC0004 Djinn Introduced 1994 1995-2004 1994 SC0005 SC0006 Dryad Introduced 1994 1995- 1994 Page 2 V.2 Canadian Guiding Badges And Insignia Brownie Six/Circle Emblems SC0007 SC0008 SC0009 Elf 1919-19? 19? - 1995 1995- SC0010 SC0011 SC0012 Fairy 1919-19? 19? - 1995 1995- SC0013 SC0014 Ghillie Dhu Badge Discontinued 1919-19? 19? - 1972 Page 3 V.2 Canadian Guiding Badges And Insignia Brownie Six/Circle Emblems SC0015 SC0016 SC0017 Gnome 1995- 1919-19? 19? - 1995 SC0018 SC0019 Imp Badge Discontinued 1919-19? 19? - 1995 SC0020 SC0021 SC0022 Kelpie (formerly called Scottish
    [Show full text]
  • Notes on the Folk-Lore of the Northern Counties of England and The
    S*N DIEGO) atitty, ESTABLISHED IN . THE YEAK MDCCCLXXVIII Alter et Idem. PUBLICATIONS OF THE FOLK-LOKE SOCIETY. II. LONDON: PRINTED BY NICHOLS AND SONS, STREET. 25, PARLIAMENT FOLK-LORE OP THE NORTHERN COUNTIES OF ENGLAND AND THE BORDERS. A NEW EDITION WITH MANY ADDITIONAL NOTES. BY WILLIAM HENDERSON, AUTHOR OF " MY LIFE AS AN ANGLER." " Our mothers' maids in our childhood . have so frayed us with hullbeggars, spirits, witches, urchins, elves, hags, fairies, satyrs, pans, faunes, sylvans.kit-with-the-candlestick (will-o'-the-wisp), tritons (kelpies), centaurs, dwarfs, giants, imps, calcars (assy-pods), conjurors, nymphs, changelings, incubus, Rohin-Goodfellow (Brownies), the spoorey, the man in the oak, the hellwain, the firedrake (dead light), the Puckle, Tom Thumb, Hobgoblin, Tom Tumbler, Bouclus, and such other bug- bears, that we are afraid of our own shadows." REGINALD SCOTT. LONDON: PUBLISHED FOR THE FOLK-LORE SOCIETY BY W. SATCHELL, PEYTON AND CO., 12, TAVISTOCK STREET, COVENT GARDEN. W.C. 1879. TO THE MOST HONOURABLE THE MARQUESS OF LONDONDERRY, IN EEMEMBRANCE OF MUCH KINDNESS AND OF MANY PLEASANT HOURS SPENT TOGETHER, THIS VOLUME IS, BY PERMISSION, INSCRIBED WITH EVERY SENTIMENT OE RESPECT AND ESTEEM BY HIS LORDSHIP'S ATTACHED FRIEND, WILLIAM HENDERSON. VI The Council of the Folk-Lore Society, in issuing this work as one of the publications for the year 1879, desire to point out to the Members 'that it is chiefly owing to the generous proposal of Mr. Henderson they arc enabled to produce in the second year of the Society's existence a book so much appreciated by the Folk-Lore student.
    [Show full text]
  • Celtic Solar Goddesses: from Goddess of the Sun to Queen of Heaven
    CELTIC SOLAR GODDESSES: FROM GODDESS OF THE SUN TO QUEEN OF HEAVEN by Hayley J. Arrington A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Women’s Spirituality Institute of Transpersonal Psychology Palo Alto, California June 8, 2012 I certify that I have read and approved the content and presentation of this thesis: ________________________________________________ __________________ Judy Grahn, Ph.D., Committee Chairperson Date ________________________________________________ __________________ Marguerite Rigoglioso, Ph.D., Committee Member Date Copyright © Hayley Jane Arrington 2012 All Rights Reserved Formatted according to the Publication Manual of the American Psychological Association, 6th Edition ii Abstract Celtic Solar Goddesses: From Goddess of the Sun to Queen of Heaven by Hayley J. Arrington Utilizing a feminist hermeneutical inquiry, my research through three Celtic goddesses—Aine, Grian, and Brigit—shows that the sun was revered as feminine in Celtic tradition. Additionally, I argue that through the introduction and assimilation of Christianity into the British Isles, the Virgin Mary assumed the same characteristics as the earlier Celtic solar deities. The lands generally referred to as Celtic lands include Cornwall in Britain, Scotland, Ireland, Wales, and Brittany in France; however, I will be limiting my research to the British Isles. I am examining these three goddesses in particular, in relation to their status as solar deities, using the etymologies of their names to link them to the sun and its manifestation on earth: fire. Given that they share the same attributes, I illustrate how solar goddesses can be equated with goddesses of sovereignty. Furthermore, I examine the figure of St.
    [Show full text]
  • Pilgrimage Stories: the Farmer Fairy's Stone
    PILGRIMAGE STORIES: THE FARMER FAIRY’S STONE By Betty Lou Chaika One of the primary intentions of our recent six-week pilgrimage, first to Scotland and then to Ireland, was to visit EarthSpirit sanctuaries in these ensouled landscapes. We hoped to find portals to the Otherworld in order to contact renewing, healing, transformative energies for us all, and especially for some friends with cancer. I wanted to learn how to enter the field of divinity, the aliveness of the EarthSpirit world’s interpenetrating energies, with awareness and respect. Interested in both geology and in our ancestors’ spiritual relationship with Rock, I knew this quest would involve a deeper meeting with rock beings in their many forms. When we arrived at a stone circle in southwest Ireland (whose Gaelic name means Edges of the Field) we were moved by the familiar experience of seeing that the circle overlooks a vast, beautiful landscape. Most stone circles seem to be in places of expansive power, part of a whole sacred landscape. To the north were the lovely Paps of Anu, the pair of breast-shaped hills, both over 2,000 feet high, named after Anu/Aine, the primary local fertility goddess of the region, or after Anu/Danu, ancient mother goddess of the supernatural beings, the Tuatha De Danann. The summits of both hills have Neolithic cairns, which look exactly like erect nipples. This c. 1500 BC stone circle would have drawn upon the power of the still-pervasive earlier mythology of the land as the Mother’s body. But today the tops of the hills were veiled in low, milky clouds, and we could only long for them to be revealed.
    [Show full text]
  • Camelot -.: Carton Collector
    Mitos y Leyendas - Camelot (236) cartoncollector.cl 001 UR Draig Goch 081 R Levantar Muerto 161 V Paiste 002 UR Clídna 082 R Vampiro de Almas 162 V Dragón del Monte 003 UR Morgause 083 R Alas del Murciélago 163 V Blue Ben 004 UR Arthur Pendragón 084 R Regresar la Espada 164 V Serpopardo 005 UR Duelo de Dragón 085 R Coronación 165 V Glatisant 006 UR Seducción 086 R Excalibur Liberada 166 V Gwiber 007 UR Invocar Corrupción 087 R Torneo 167 V Rhydderch 008 UR Garra de Cristal 088 R Letanía del Rayo 168 V Tlachtga 009 MR Dragón Blanco 089 R Aura Bendita 169 V Ceasg 010 MR Gwyn ap Nudd 090 R Llamar a los Antiguos 170 V Lady Blanchefleur 011 MR Fuath 091 R Licántropos Rampantes 171 V Bugul Noz 012 MR Balin dos Espadas 092 R Yelmo Montadragón 172 V Gancanagh 013 MR Bridei I 093 R Hacha de los Bosques 173 V Guinevak 014 MR Incinerar 094 R Clarent 174 V John de la Costa 015 MR Relámpago Faérico 095 R Primera Excalibur 175 V Korrigan 016 MR Bendición de Armas 096 R Cementerio Dragón 176 V Addanc 017 MR Cortamundos 097 R Isla de Avalón 177 V Wight 018 MR Nido de Uolot 098 R Cementerio Impuro 178 V Cu Sith 019 M Dragón Inferno 099 R Guardia Gozosa 179 V Palamades 020 M Merlín Ambrosius 100 C Cockatriz 180 V Agravain 021 M Sir Perceval 101 C Wyvern Negro 181 V Gaheris 022 M Auberón 102 C Ave Boobrie 182 V Lucán 023 M Oilliphéist 103 C Stollenwurm 183 V Sir Héctor 024 M Lancelot del Lago 104 C Vouivre 184 V Mark de Cornwall 025 M Morgana de la Sombra 105 C Dragón de Dalry 185 V Olwen 026 M Claíomh Solais 106 C Roba Almas 186 V Pellinore 027 M Dullahan
    [Show full text]
  • The Theosophical Path
    THE THEOSOPHICAL PATH KATHERINE TINGLEY, EDITOR VOL. XXXV, NO. 2 AUGUST 1928 "BY combining science with religion, the existence of God and immortality of man's spirit may be demonstrated like a problem of Euclid."- H. P. BLAVATSKY THEOSOPHY AND MODERN SCIENCE G. v. PUR1JCKER, M. A., D. LITT. (Stenographic report of the twelfth of a series of Lectures on the above subject. These were delivered at the request of Katherine Tingley the Theosophical Leader and Teach­ er, in the Temple of Peace, International Theosophical Headquarters, Point Loma, California, at the regular Sunday afternoon services. Others will be printed in THE THEOSOPHICAL PATH in due course. The following was delivered on September 11, 1927, and broadcast, by remote control, through station KFSD San Diego-680-440.9) ��RIQ� ENDS: During the But now, this afternoon, we are ,,,,,,,� course of our series of going to take up the purely Theo­ W� � lectures, entitled 'Theo- sophical line of thought, turning to ' ��l sophy and Modern Sci­ higher and nobler themes than those ence,' we promised on a number of with which we have been dealing. occasions more specifically to bring We have chosen, of course, those out certain Theosophical teachings, Theosophical doctrines which are explanations of the scientific facts, explanatory of what we have been rather, which we have been dealing speaking about to you on the Sun­ with up to the present; and on each days preceding today. occasion, on each Sunday, when we We promised first to explain to attempted to bring out these Theo­ you what the Theosophist believes sophical explanations, we found so as regards the origin of the Primates, many side-issues of thought neces­ that is, the apes and the monkeys, sary to consider, and each one im­ from which creatures, as you know, portant in its way, that we were in the orthodox scientist derives the consequence impelled to deal with human stock in rectilinear descent, these side-issues before the others.
    [Show full text]
  • Chaotic Descriptor Table
    Castle Oldskull Supplement CDT1: Chaotic Descriptor Table These ideas would require a few hours’ the players back to the temple of the more development to become truly useful, serpent people, I decide that she has some but I like the direction that things are going backstory. She’s an old jester-bard so I’d probably run with it. Maybe I’d even treasure hunter who got to the island by redesign dungeon level 4 to feature some magical means. This is simply because old gnome vaults and some deep gnome she’s so far from land and trade routes that lore too. I might even tie the whole it’s hard to justify any other reason for her situation to the gnome caves of C. S. Lewis, to be marooned here. She was captured by or the Nome King from L. Frank Baum’s the serpent people, who treated her as Ozma of Oz. Who knows? chattel, but she barely escaped. She’s delirious, trying to keep herself fed while she struggles to remember the command Example #13: word for her magical carpet. Malamhin of the Smooth Brow has some NPC in the Wilderness magical treasures, including a carpet of flying, a sword, some protection from serpents thingies (scrolls, amulets?) and a The PCs land on a deadly magical island of few other cool things. Talking to the PCs the serpent people, which they were meant and seeing their map will slowly bring her to explore years ago and the GM promptly back to her senses … and she wants forgot about it.
    [Show full text]
  • The Fates of the Princes of Dyfed Cenydd Morus (Kenneth Morris) Illustrations by Reginald Machell
    Theosophical University Press Online Edition The Fates of the Princes of Dyfed Cenydd Morus (Kenneth Morris) Illustrations by Reginald Machell Copyright © 1914 by Katherine Tingley; originally published at Point Loma, California. Electronic edition 2000 by Theosophical University Press ISBN 1- 55700-157-x. This edition may be downloaded for off-line viewing without charge. For ease of searching, no diacritical marks appear in the electronic version of the text. To Katherine Tingley: Leader and Official Head of the Universal Brotherhood and Theosophical Society, whose whole life has been devoted to the cause of Peace and Universal Brotherhood, this book is respectfully dedicated Contents Preface The Three Branches of the Bringing-in of it, namely: The Sovereignty of Annwn I. The Council of the Immortals II. The Hunt in Glyn Cuch III. The Slaying of Hafgan The Story of Pwyll and Rhianon, or The Book of the Three Trials The First Branch of it, called: The Coming of Rhianon Ren Ferch Hefeydd I. The Making-known of Gorsedd Arberth, and the Wonderful Riding of Rhianon II. The First of the Wedding-Feasts at the Court of Hefeydd, and the Coming of Gwawl ab Clud The Second Branch of it, namely: The Basket of Gwaeddfyd Newynog, and Gwaeddfyd Newynog Himself I. The Anger of Pendaran Dyfed, and the Putting of Firing in the Basket II. The Over-Eagerness of Ceredig Cwmteifi after Knowledge, and the Putting of Bulrush-Heads in the Basket III. The Circumspection of Pwyll Pen Annwn, and the Filling of the Basket at Last The First Branch of it again: III.
    [Show full text]
  • What Lies Beyond an Extended Bestiary for Beyond the Wall and Other Adventures by Colin Chapman
    WHAT LIES BEYOND AN EXTENDED BESTIARY FOR BEYOND THE WAll AND OTHER ADVENTURES BY COLIN CHAPMAN Amphisbaena for cruelty and a curious nature. Though not physically A venomous desert-dwelling reptile, the amphisbaena strong, their bites are paralyzing, and small bands of is a large serpent with a head at each end of its sinuous these beings delight in observing and tormenting all body, allowing it to swiftly move in either direction or they encounter. attack with a pair of bites. Its lambent green eyes attract insects to it during the hours of darkness, these being Hit Dice: 1d6 (4 HP) its preferred prey, though it will aggressively protect AC: 15 itself from anything it deems a threat. Attack: +1 to hit, 1d4 damage + poison (bite) Alignment: Chaotic Hit Dice: 2d4 (5 HP) XP: 15 AC: 13 Notes: Poisonous (anyone bitten by a attorcroppe Attack: +2 to hit, 1d6 damage + poison (bite) must make a saving throw versus poison or be para- Alignment: Neutral lyzed for 1d4 hours), True Name (attorcroppes have XP: 60 true names which give their foes power over them), Notes: Poisonous (anyone bitten by an amphisbaena Vulnerable to Iron (attorcroppes take double damage must make a saving throw versus poison or suffer an from iron) immediate extra 2 damage), Two-Headed (the amphis- baena may make two bite attacks per round) Black Dog Large faerie hounds with coats the color of coal and Animated Statue eyes that glimmer red, black dogs silently prowl the Animated via sorcerous means, statues serve as the night, haunting old roads and pathways, running with ideal guardians, ever-vigilant, unmoving, and unrecog- the Wild Hunt, and howling at stormy skies.
    [Show full text]
  • Heroes, Gods and Monsters of Celtic Mythology Ebook
    HEROES, GODS AND MONSTERS OF CELTIC MYTHOLOGY PDF, EPUB, EBOOK Fiona Macdonald,Eoin Coveney | 192 pages | 01 May 2009 | SALARIYA BOOK COMPANY LTD | 9781905638970 | English | Brighton, United Kingdom Heroes, Gods and Monsters of Celtic Mythology PDF Book This book is not yet featured on Listopia. The pursuit was a long one, and Caorthannach knew St. Danu DAH-noo. Details if other :. Co Kerry icon Fungie the Dolphin spotted after fears he was dead. The pair is said to whip the horses with a human spinal cord. Though the saint was desperately thirsty, he refused to drink from the poisoned wells and prayed for guidance. Scota SKO-tah. Showing The Dullahan rides a headless black horse with flaming eyes, carrying his head under one arm. He is said to have invented the early Irish alphabet called Ogham. Patrick when he banished the snakes out of Ireland. Cancel Reply. One monster, however, managed to escape — Caorthannach, the fire-spitter. Comments Show Comments. Carman is the Celtic goddess of evil magic. Leanan Sidhe would then take her dead lovers back to her lair. Ancient site of Irish Kings and the Tuatha de Danann. Now the Fomori have returned to their waters and transformed into sea monsters who prey on humans. Bay KIL-a. Patrick would need water to quench his thirst along the way, so she spitfire as she fled, and poisoned every well she passed. Several of the digital paintings or renderings for each of the archetypes expressed by various artists. According to Irish folklore, Sluagh are dead sinners that come back as malicious spirits.
    [Show full text]
  • Fairy and Folk Tales of the Irish Peasantry, by 1
    Fairy and Folk Tales of the Irish Peasantry, by 1 Fairy and Folk Tales of the Irish Peasantry, by William Butler Yeats This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Fairy and Folk Tales of the Irish Peasantry Author: William Butler Yeats Editor: William Butler Yeats Release Date: October 28, 2010 [EBook #33887] Language: English Fairy and Folk Tales of the Irish Peasantry, by 2 Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK FAIRY AND FOLK TALES *** Produced by Larry B. Harrison, Brian Foley and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) FAIRY AND FOLK TALES OF THE IRISH PEASANTRY. EDITED AND SELECTED BY W. B. YEATS. THE WALTER SCOTT PUBLISHING CO., LTD. LONDON AND FELLING-ON-TYNE. NEW YORK: 3 EAST 14TH STREET. INSCRIBED TO MY MYSTICAL FRIEND, G. R. CONTENTS. THE TROOPING FAIRIES-- PAGE The Fairies 3 Frank Martin and the Fairies 5 The Priest's Supper 9 The Fairy Well of Lagnanay 13 Teig O'Kane and the Corpse 16 Paddy Corcoran's Wife 31 Cusheen Loo 33 The White Trout; A Legend of Cong 35 The Fairy Thorn 38 The Legend of Knockgrafton 40 A Donegal Fairy 46 CHANGELINGS-- The Brewery of Egg-shells 48 The Fairy Nurse 51 Jamie Freel and the Young Lady 52 The Stolen Child 59 THE MERROW--
    [Show full text]