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Journal of Arts & Humanities Volume 10, Issue 02, 2021: 28-50 Article Received: 02-02-2021 Accepted: 22-02-2021 Available Online: 28-02-2021 ISSN: 2167-9045 (Print), 2167-9053 (Online) DOI: https://doi.org/10.18533/jah.v10i2.2053 The Enthroned Virgin and Child with Six Saints from Santo Stefano Castle, Apulia, Italy Dr. Patrice Foutakis1 ABSTRACT A seven-panel work entitled The Monopoli Altarpiece is displayed at the Museum of Fine Arts in Boston, Massachusetts. It is considered to be a Cretan-Venetian creation from the early fifteenth century. This article discusses the accounts of what has been written on this topic, and endeavors to bring field-changing evidence about its stylistic and iconographic aspects, the date, the artists who created it, the place it originally came from, and the person who had the idea of mounting an altarpiece. To do so, a comparative study on Byzantine and early-Renaissance painting is carried out, along with more attention paid to the history of Santo Stefano castle. As a result, it appears that the artist of the central panel comes from the Mystras painting school between 1360 and 1380, the author of the other six panels is Lorenzo Veneziano around 1360, and the altarpiece was not a single commission, but the mounting of panels coming from separate artworks. The officer Frà Domenico d’Alemagna, commander of Santo Stefano castle, had the idea of mounting different paintings into a seven-panel altarpiece between 1390 and 1410. The aim is to shed more light on a piece of art which stands as a witness from the twilight of the Middle Ages and the dawn of Renaissance; as a messenger from the Catholic and Orthodox pictorial traditions and collaboration; finally as a fosterer of the triple Byzantine, Gothic, Renaissance expression. -
Paleochora: Wie Das Dorf Zu Seinem Namen Kam
Paleochora: Wie das Dorf zu seinem Namen kam. Gute Quelle: Das Buch „Paleochora (Ein Rückblick in die Vergangenheit)“, von Nikolaos Pyrovolakis. Seit der venezianischen Epoche hieß das Gebiet des heutigen Paleochoras „Selino Kastelli“ – und zwar aufgrund des venezianischen Kastells, das sich oberhalb des heutigen Hafens befindet. Die Bezeichnung dieses Kastells gab dem ganzen Bezirk, der zuvor „Orima“ (= „in den Bergen liegend“) hieß, den Namen Selino. Ein schönes Buch. Gibt es nur im Buchladen von Paleochora. 1834 besichtigte der englische Reisende Robert Pashley* die venezianische Festung und berichtete, dass er um diese herum nur auf Ruinen gestoßen und der Ort vollkommen unbewohnt gewesen sei. Es gab nur ein Gebäude (Lager), in dem man Getreide aufbewahrte, das hauptsächlich aus Chania kam. Dieses Getreide diente der Versorgung der Bewohner von Selino und Sfakia. Während seines Besuches im heutigen Paleochora 1834 weist er auf die Überreste einer alten Stadt hin und wird wörtlich wie folgt zitiert: „Nachdem wir um Viertel nach Neun von Selino Kastelli weggegangen waren, überquerten wir den Fluss, der eine halbe Meile östlich liegt. Der Boden rundum ist von Tonscherben bedeckt. Das einzige Material, das auf die Existenz einer antiken Stadt hindeutet.“ Es gibt auch verschiedene Hinweise darauf, dass alte Bewohner Paleochoras an dieser Stelle beim Pflügen auf verschiedene Münzen gestoßen sind. Der Reisende Paul Faure* geht ganz klar davon aus, dass die Ortschaft wahrscheinlich auf den Trümmern der antiken Stadt „Kalamidi“ erbaut worden ist. Da also Paleochora in der Nähe einer antiken, zerfallenen Stadt wiedererbaut wurde, wurde ihm dieser Ortsname gegeben. Es stellt sich jetzt die Frage, welche von den 40 Städten, die Plinius niedergeschrieben hat, es ist. -
Table of Contents 1
Maria Hnaraki, 1 Ph.D. Mentor & Cultural Advisor Drexel University (Philadelphia-U.S.A.) Associate Teaching Professor Official Representative of the World Council of Cretans Kids Love Greece Scientific & Educational Consultant Tel: (+) 30-6932-050-446 E-mail: [email protected]; [email protected] Table of Contents 1. FORMAL EDUCATION ....................................................................................................................................................................... 2 2. ADDITIONAL EDUCATION .............................................................................................................................................................. 2 3. EMPLOYMENT RECORD ................................................................................................................................................................... 2 3.1. Current Status (2015-…) ................................................................................................................................................................. 2 3.2. Employment History ....................................................................................................................................................................... 3 3.2.1. Teaching Experience ................................................................................................................................................................ 3 3.2.2. Research Projects .................................................................................................................................................................... -
Vol. Xii. 2014. Full Text
SERIES BYZANTINA Virgin Mary; glassware decoration, from catacombs in Rome, 4th c. AD; N. P. Kondakov, Ikonografi a Bogomateri, St. Petersburg 1914, p. 77 SERIES BYZANTINA Studies on Byzantine and Post -Byzantine Art VOLUME XII POLISH INSTITUTE OF WORLD ART STUDIES CARDINAL STEFAN WYSZYŃSKI UNIVERSITY Warsaw 2014 EDITOR: Waldemar Deluga EDITORIAL BOARD: Anca Bratuleanu, Bucharest Viktoria Bulgakova, Berlin Ana Dumitran, Alba Iulia Mat Immerzeel, Amsterdam Michał Janocha (chairman), Warsaw Catherine Jolivet-Levy, Paris Alina Kondratjuk, Kiev Magdalena Łaptaś, Warsaw Jerzy Malinowski, Warsaw Márta Nagy, Debrecen Daniela Rywikova, Ostrava Athanassios Semoglou, Thessaloniki Tania Tribe, London Natasha Tryfanava, Minsk ADMINISTRATOR: Dominika Macios WEBMASTER: Rafał Zapłata EDITORIAL ADDRESS: Institut of History of Art Cardinal Stefan Wyszyński University ul. Wóycickiego 1/3 PL 01-938 Warszawa [email protected] Revised by Nicholas Barber, Anette and Denis Morin Cover design, typhographic project, illustrations editing and typesetting by Paweł Wróblewski Continuation of the series published by the NERITON Publishing House The issue subsidized by the Ministry of Science and Higher Education (Program „Index Plus”) © Copyright by Waldemar Deluga ISSN 1733–5787 Printed by Sowa - Druk na Życzenie www.sowadruk.pl tel. (48 22) 431 81 40 Edition of 400 copies Contents Introduction (Waldemar Deluga).................................................................................................7 Agnieszka Gronek, Eschatological elements in the schemes of -
Ferals, My Little «Ἀγρίμια Κι΄Ἀγριμάκια Μου ΄Λάφια Μου ΄Μερωμένα Πεστέ
Greek Song No5 – Agrimia Ki Agrimakia Mou https://www.youtube.com/watch?v=jiNrWFUKdho The music of Crete (Greek: Κρητική μουσική), also called kritika (Greek: κρητικά), refers to traditional forms of Greek folk music prevalent on the island of Crete in Greece. Cretan music is the eldest music in Greece and generally, in Europe. Since ancient times, music held a special place in Crete and this is proved by the archaeological excavations, the ancient texts and paintings that are preserved in the Archaeological Museum of Heraklion. Most paintings represent the lyre player playing in the middle and the dancers dancing around in circle. There are also images of flutes, conches, trumpets and the ancient lyre. Lyra is the basic instrument of Cretan music. It is in three types: “Lyraki” (small lyre), the common lyre and “Vrontolyra”. They have three metallic chords, which, in the past were made of intestine. They differ in size, the sound they produce and their use. Cretan traditional music includes instrumental music (generally also involving singing), a capella songs known as the rizitika, "Erotokritos," Cretan urban songs (tabachaniotika), as well as other miscellaneous songs and folk genres (lullabies, ritual laments, etc.). “Rizitika” is a category of Cretan songs, named from the Greek word “riza” which means “root”. Therefore these songs date back many centuries ago in Cretan music. Cretans don’t dance these particular songs. The singer usually sings them and the chorus repeats the lyrics. One of the most famous Rizitika song is “ Agrimia Ki Agrimakia Mou” (Ferals, my little ferals) and especially its version by the mst famous Cretan singers of all time Nikos Xyloyris. -
Nature Park of Sitia Is on the Easternmost Edge of Crete, in the Municipality of Sitia
This publication was designed by the Natural History Museum of Crete for the Municipal- ity of Sitia, due to the implementation of the action 2.3.1 “Development of an Ecotouristic guide” of the project “Geotourism and local development (GEOTOPIA)”, funded 80% by the European Union and by 20% by national funds from Greece and Cyprus, through the Greece-Cyprus 2007 - 2013 cross-border cooperation programme. “GEOTOPIA” refers to the collaboration of two mountainous and insular areas, the Munici- pality of Sitia in Crete and the mountain Troodos in Cyprus, which are characterized by their wealthy natural, geological and cultural environment, by underdevelopment and depopu- lation of the hinterland, and by the depreciation of their landscape, aiming to promote their natural and cultural environment, to develop geotouristic activities and finally, establish a geopark. Museum Scientific Coordinator: Dr Charalampos Fassoulas Authors: Fassoulas C. – Dr geologist, Staridas S. – Msc geologist, Perakis N. – environmentalist, Mavroudi N. – archaeologist, Trichas A. – Dr biologist, Avramakis M. – botanist, Perakis V. – botanist, Mavrokosta C. – speleologist. Map design: Staridas S. Graphics design: Harkoutsis G. Text compilation: Dr Fassoulas C. Text correction: Mavroudi N. Translation in English: Interpretation and Translation Center. Jeni Kantarti Loutsa & collaborators, Thessaloniki Copyright: Natural History Museum of Crete / University of Crete, Sitia Nature Park Copyright of pictures and illustrations: Natural History Museum of Crete / Uni. of -
University Profile
The 12th Annual Journey to Greece 2017 Summer Program June 24 – July 22, 2017 Summer of 2017, study at a fully accredited US University in Greece; learn about modern and ancient Greece. Leave your myth in Greece; see and experience the beauty of the country and its people and earn transferable University credits Building on the solid foundation of the highly successful Journey to Greece programs that have been offered in every year since 2006, AHEPA and Webster University are once again offering an unforgettable learning experience for new and returning college age students. The Journey to Greece program, which is sponsored by AHEPA, has been specially designed to immerse young students in a wonderful learning experience celebrating Greek society and culture. New courses, exciting excursions and special arrangements make the Journey especially attractive to returning students. AHEPA adult advisors will help supervise the students while they attend the program. About Webster University History Webster University, founded in 1915 with its home campus based in St. Louis, Missouri, USA, is the only Tier 1, private, nonprofit university with campus locations around the world including metropolitan, military, online and corporate, as well as American-style traditional campuses in North America, Europe and Asia. With over 160,000 Alumni and 22,000 students from 50 States and 148 Countries Webster is defining global education for the future. Small, highly interactive classes encourage innovation, collaboration, and self-expression. Students have all the advantages of a student-centered university that supports personalized learning and gives every student an opportunity to excel. Webster University Study Abroad programs are ranked in the top 2 percent by U.S. -
Thehotel.Gr Travel Agency, +30 2821090760, Chania – Crete, Guide of Crete
TheHotel.gr Travel Agency, +30 2821090760, Chania – Crete, Guide of Crete TheHotel.gr Travel Agency Chania – Crete – Greece 41-43 Skalidi street, Chania +30 2821090760 [email protected] Guide of Crete http://www.thehotel.gr 0 TheHotel.gr Travel Agency, +30 2821090760, Chania – Crete, Guide of Crete CONTENTS CONTENTS ....................................................................................... 1 1. ABOUT THEHOTEL.GR TRAVEL AGENCY ........................................ 3 2. WHY BOOK WITH US .................................................................... 4 OUR COMPANY ........................................................................................ 4 YOU ARE OUR PRIORITY ......................................................................... 4 PERSONALIZED SERVICE ......................................................................... 4 EMPOWERMENT ....................................................................................... 4 SAVINGS ................................................................................................. 4 BOOK WITH CONFIDENCE AND SECURITY ............................................... 5 3. GREECE ........................................................................................ 6 4. CRETE .......................................................................................... 7 AREAS OF NATURAL BEAUTY ................................................................. 10 1. The White Mountains, Chania area ....................................................... 10 2. -
Modality and Diversity in Cretan Music by Michael Hagleitner
IMS-RASMB, Series Musicologica Balcanica 1.1, 2020. e-ISSN: 2654-248X Modality and Diversity in Cretan Music by Michael Hagleitner DOI: https://doi.org/10.26262/smb.v1i1.7752 ©2020 The Author. This is an open access article under the terms and conditions of the Creative Commons Attribution NonCom- mercial NoDerivatives International 4.0 License https://creativecommons.org/licenses/by-nc-nd/4.0/ (CC BY-NC-ND 4.0), which permits use, distribution and reproduction in any medium, provided that the articles is properly cited, the use is non-commercial and no modifications or adaptations are made. Hagleitner, Modality and Diversity… Modality and Diversity in Cretan Music Michael Hagleitner Abstract: Cretan music is a vibrant and diverse living tradition, with identity-forming significance for the local population. It is a modal music whose modes, unlike in related modal traditions, cannot be described on the basis of characteristic phrases, as the same skopous (basic melodies) can be played in different modes. In this article, after a short introduction to the structure and certain peculiarities of Cretan music, four characteristic families of modes are described. The flexibility and permeability in the usage of modality are demonstrated using examples from the repertoire of kontylies. Such freedom is also found in the variation, embellishment and combination of melodies and the relationship between text and music. Such a high degree of flexibility is essential for Cretan music to fulfil its social function. It supports spontaneity, communication and expression in the context of participatory music- making in the parea (community) as well as the mutual interaction between musicians and dancers in Cretan dance music. -
Top 10 Crete
EYEWITNESS TRAVEL TOP10 CRETE N O ORO ID S U K B O OF M OR I EN 10 5 A UT LIKO MA 2 MA LI Best beaches K Agios E O S OUT PLATIA I Titos AGIOS I TOU ARI ADNI AS TITOS S T S 10 R IO IGI O Must-see museums & ancient sites AY F M I R A B E L O U Battle of Crete O B Loggia AN Museum S 10 O Venetian DHR K Spectacular areas of natural beauty HA M D ZID A K I U Walls IL DOU OG ATO O U S D EO HÍ D 10 K Best traditional tavernas D O Archaeological EDHALOU RA I APOUTIE Museum S THOU IDOMENEO N A 10 D Most exciting festivals 10 Liveliest bars & clubs 10 Best hotels for every budget 10 Most charming villages 10 Fascinating monasteries & churches 10 Insider tips for every visitor YOUR GUIDE TO 10THE 10 BEST OF EVERYTHING TOP 10 CRETE ROBIN GAULDIE EYEWITNESS TRAVEL Left Dolphin fresco, Knosos Right Rethymno harbour Contents Crete’s Top 10 Contents Ancient Knosos 8 Irakleio 12 Produced by Blue Island Publishing Reproduced by Colourscan, Singapore Printed Irakleio Archaeological and bound in China by Leo Paper Products Ltd First American Edition, 2003 Museum 14 11 12 13 14 10 9 8 7 6 5 4 3 2 1 Chania 18 Published in the United States by DK Publishing, 375 Hudson Street, Phaestos 20 New York, New York 10014 Reprinted with revisions Rethymno 22 2005, 2007, 2009, 2011 Gortys 24 Copyright 2003, 2011 © Dorling Kindersley Limited Samaria Gorge 26 All rights reserved. -
Abducting a General by PLF – Typed July 2005
! ! ABDUCTING A GENERAL By PATRICK LEIGH FERMOR ! Map reference to War Office Map (1943) 1 : 250,000. GREECE. Sheet G. 19 CANEA and Sheet G. 20 IRAKLION. Note: for the first pages All references quoted are for the G20 IRAKLION sheet, unless otherwise stated ! ! ! F. M. LEIGH FERMOR KARDAMYLI, MESSENIA, GREECE ! Abducting a General By Patrick Leigh Fermor ! The sierras of occupied Crete, familiar from nearly two years of clandestine sojourn and hundreds of exacting marches, looked quite different through the aperture in the converted bomber's floor and the gaps in the clouds below: a chaos of snow- covered, aloof and enormous spikes glittering as white as a flakier in the February moonlight. There, suddenly, on a tiny plateau among the peaks, were the three signal fires twinkling. A few moments later they began expanding fast: freed at last from the noise inside the Liberator the parachute sailed gently down towards the heart of the triangle. Small figures were running in the firelight and in another few moments, snow muffled the impact of landing. There was a scrum of whiskery embracing, a score of Cretan voices, one English one. A perfect landing! The Katharo1 plateau was too small for all four of the passengers to drop in a stick: each jump needed a fresh run-in. So, once safely down I was to signal the all clear with a torch. But the gap I had dripped through closed; our luck, for the moment, had run out. We took turns to signal towards the returning boom of the intermittently visible plane just the other side of the rushing clouds until the noise died away and we knew the plane had turned back to Brindisi. -
Analytical Investigation of the Painting Techniques Used in Icons of the Cretan School of Iconography
CORE Metadata, citation and similar papers at core.ac.uk Provided by CiteSeerX 9th International Conference on NDT of Art, Jerusalem Israel, 25-30 May 2008 For more papers of this publication click: www.ndt.net/search/docs.php3?MainSource=65 ANALYTICAL INVESTIGATION OF THE PAINTING TECHNIQUES USED IN ICONS OF THE CRETAN SCHOOL OF ICONOGRAPHY I. Karapanagiotis1, S. Wei2, Sister Daniilia1, E. Minopoulou1, D. Mantzouris1, E. Rosenberg2, S. Stassinopoulos3 1Ormylia Art Diagnosis Centre, Ormylia, 63071 Chalkidiki, Greece 2Vienna University of Technology, Inst. of Chem. Techn. & Analytics, A-1060 Vienna, Austria 3Benaki Museum, Department of Conservation, 10674 Athens, Greece ABSTRACT The painting techniques used in seven icons (15th – 17th cent.) of the Cretan School of iconography were investigated in detail. Microsamples (<<1mg) were extracted from the artworks, which are linked to some prominent representatives of the Cretan School. The cross section of the microsamples were observed by Optical Microscopy (OM) in the Vis and in the UV light to reveal (i) the existing stratigraphies and (ii) any later interventions that were performed on top of the original colouring layers. Micro-Fourier Transform Infra Red (μFTIR) and μRAMAN spectroscopies were employed primarily for the identification of the inorganic pigments and for the speculation of the origins of the organic materials. The identification of the latter (dyestuffs, binding media and varnishes) was achieved by High Performance Liquid Chromatography coupled to a Photodiode Array Detector (HPLC-PDA) and Gas Chromatography with Mass Spectrometry (GC-MS). The results revealed the rich variety of the materials and the sophisticated painting techniques applied by the painters of the Cretan School.