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Essays on Monkey: a Classic Chinese Novel Isabelle Ping-I Mao University of Massachusetts Boston
University of Massachusetts Boston ScholarWorks at UMass Boston Critical and Creative Thinking Capstones Critical and Creative Thinking Program Collection 9-1997 Essays on Monkey: A Classic Chinese Novel Isabelle Ping-I Mao University of Massachusetts Boston Follow this and additional works at: http://scholarworks.umb.edu/cct_capstone Recommended Citation Ping-I Mao, Isabelle, "Essays on Monkey: A Classic Chinese Novel" (1997). Critical and Creative Thinking Capstones Collection. 238. http://scholarworks.umb.edu/cct_capstone/238 This is brought to you for free and open access by the Critical and Creative Thinking Program at ScholarWorks at UMass Boston. It has been accepted for inclusion in Critical and Creative Thinking Capstones Collection by an authorized administrator of ScholarWorks at UMass Boston. For more information, please contact [email protected]. ESSAYS ON MONKEY: A CLASSIC . CHINESE NOVEL A THESIS PRESENTED by ISABELLE PING-I MAO Submitted to the Office of Graduate Studies, University of Massachusetts Boston, in partial fulfillment of the requirements for the degree of MASTER OF ARTS September 1997 Critical and Creative Thinking Program © 1997 by Isabelle Ping-I Mao All rights reserved ESSAYS ON MONKEY: A CLASSIC CHINESE NOVEL A Thesis Presented by ISABELLE PING-I MAO Approved as to style and content by: Delores Gallo, As ciate Professor Chairperson of Committee Member Delores Gallo, Program Director Critical and Creative Thinking Program ABSTRACT ESSAYS ON MONKEY: A CLASSIC CHINESE NOVEL September 1997 Isabelle Ping-I Mao, B.A., National Taiwan University M.A., University of Massachusetts Boston Directed by Professor Delores Gallo Monkey is one of the masterpieces in the genre of the classic Chinese novel. -
Contributors
CONTRIBUTORS Lisa Badner has published poems in TriQuarterly, Mudlark, Fourteen Hills and forthcoming in The Cape Rock. She studies with Phillip Schultz in the NYC Master Class of The Writers Studio. She cycles everywhere and lives in Brooklyn with her kid and partner. Martine Bellen’s most recent books are Ghosts! and 2X(squared). The Wabac Machine (Furniture Press Books) is forthcoming in 2013. Lucy Biederman is doctoral student in English Literature at the University of Louisiana in Lafayette. She is the author of a chapbook, The Other World (Danc- ing Girl Press). Her poems have recently appeared or are forthcoming in ILK, Shampoo, Gargoyle, and Many Mountains Moving. Richard Brautigan (1935-1984) was an American writer popular during the late 1960s and early 1970s and is often noted for using humor and emotion to pro- pel a unique vision of hope and imagination throughout his body of work which includes ten books of poetry, eleven novels, one collection of short stories, and miscellaneous non-fiction pieces. His easy-to-read yet idiosyncratic prose style is seen as the best characterization of the cultural electricity prevalent in San Fran- cisco, Brautigan’s home, during the ebbing of the Beat Generation and the emer- gence of the counterculture movement. Brautigan’s best-known works include his novel, Trout Fishing in America (1967), his collection of poetry, The Pill versus The Springhill Mine Disaster (1968), and his collection of stories, Revenge of the Lawn (1971). Stephen Campiglio’s poems have recently appeared in Marco Polo Arts Maga- zine, Off the Coast, New England Jazz History Database, and the anthology, New Hungers for Old: One-Hundred Years of Italian American Poetry. -
2 “Nothing Is More Real Than Nothing” a Reading of Beckett's
, 2 “Nothing is more Real Than Nothing” A Reading of Beckett’s “Ping” as a Postmodern Text Oya Batum Mentese, Raymond Federman, who was a close friend and mentor of Beckett, in his famous lecture “The Imagery Museum of Samuel Beckett” (2006) delivered following his friend’s death, has said about understanding Beckett that one should not even try, instead one should use one’s sense and imagination to appreciate the imagery of “Sam’s text painting” for adds Federman, Beckett who could have been himself a great painter, became that painter in his work. He painted beautiful tableaux for us with words rather than with paint. (www.poeticinhalation.com/theimagerymuseum ofsamuelbackett.pdf) Federman has asked us to take Beckett at his word, yet as one tries to decipher the structural and linguistic complexity of Beckett 11 “Nothing is more Real Than Nothing” A Reading of Beckett’s “Ping” as a Postmodern Text texts one inevitably or perhaps out of habit or academic curiosity tries to go beyond the technical innovativeness, to his meaning or purpose or at least to discovering the source of his artistic commitment. Practically all Beckett texts have nontraditional narrative structures which quickly create enigmas for the reader; Ping published in 1966, one of the late works, rates among the most enigmatic. The enigma starts with the classification of the text within recognizable genres. What is Ping? Is it fiction or poetry? If fiction, is it a short story? Hugh Kenner has informed us that Ping was the residuum of a novel which Beckett began the year following its publication (176). -
Teaching the Short Story: a Guide to Using Stories from Around the World. INSTITUTION National Council of Teachers of English, Urbana
DOCUMENT RESUME ED 397 453 CS 215 435 AUTHOR Neumann, Bonnie H., Ed.; McDonnell, Helen M., Ed. TITLE Teaching the Short Story: A Guide to Using Stories from around the World. INSTITUTION National Council of Teachers of English, Urbana, REPORT NO ISBN-0-8141-1947-6 PUB DATE 96 NOTE 311p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 19476: $15.95 members, $21.95 nonmembers). PUB 'TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) Collected Works General (020) Books (010) EDRS PRICE MF01/PC13 Plus Postage. DESCRIPTORS Authors; Higher Education; High Schools; *Literary Criticism; Literary Devices; *Literature Appreciation; Multicultural Education; *Short Stories; *World Literature IDENTIFIERS *Comparative Literature; *Literature in Translation; Response to Literature ABSTRACT An innovative and practical resource for teachers looking to move beyond English and American works, this book explores 175 highly teachable short stories from nearly 50 countries, highlighting the work of recognized authors from practically every continent, authors such as Chinua Achebe, Anita Desai, Nadine Gordimer, Milan Kundera, Isak Dinesen, Octavio Paz, Jorge Amado, and Yukio Mishima. The stories in the book were selected and annotated by experienced teachers, and include information about the author, a synopsis of the story, and comparisons to frequently anthologized stories and readily available literary and artistic works. Also provided are six practical indexes, including those'that help teachers select short stories by title, country of origin, English-languag- source, comparison by themes, or comparison by literary devices. The final index, the cross-reference index, summarizes all the comparative material cited within the book,with the titles of annotated books appearing in capital letters. -
Posthuman Beckett English 9169B Winter 2019 the Course Analyzes the Short Prose That Samuel Beckett Produced Prior to and After
Posthuman Beckett English 9169B Winter 2019 The course analyzes the short prose that Samuel Beckett produced prior to and after his monumental The Unnamable (1953), a text that initiated Beckett’s deconstruction of the human subject: The Unnamable is narrated by a subject without a fully-realized body, who inhabits no identifiable space or time, who is, perhaps, dead. In his short prose Beckett continues his exploration of the idea of the posthuman subject: the subject who is beyond the category of the human (the human understood as embodied, as historically and spatially located, as possessing some degree of subjective continuity). What we find in the short prose (our analysis begins with three stories Beckett produced in 1945-6: “The Expelled,” “The Calmative,” “The End”) is Beckett’s sustained fascination with the idea of the possibility of being beyond the human: we will encounter characters who can claim to be dead (“The Calmative,” Texts for Nothing [1950-52]); who inhabit uncanny, perhaps even post-apocalyptic spaces (“All Strange Away” [1963-64], “Imagination Dead Imagine” [1965], Lessness [1969], Fizzles [1973-75]); who are unaccountably trapped in what appears to be some kind of afterlife (“The Lost Ones” [1966; 1970]); who, in fact, may even defy even the philosophical category of the posthuman (Ill Seen Ill Said [1981], Worstward Ho [1983]). And yet despite the radical dismantling of the idea or the human, as such, the being that emerges in these texts is still, perhaps even insistently, spatially, geographically, even ecologically, located. This course which finds its philosophical inspiration in the work of Martin Heidegger, especially his critical analysis of the relation between being and world, and attempts to come to some understanding of what it means for the posthuman to be in the world. -
Samuel Beckett: the V Anishing Voice of Fiction
SAMUEL BECKETT: THE V ANISHING VOICE OF FICTION RA YMO D FEDERMA Ncw York Slalc Uni\'crsil\' al Burralo In one of Beekett's earlier stories, "The Calmative" (Stories and Texts lor Nothing), the narrator-hero, at one point, aftcr having wandered aimlessly through the half-deserted streets of an unidentified eity, finds himself standing prceariously on the ledge of the roof of a church, and says to himself: "Into what nightmare thingness am 1 fallen?". This statement not only refers to the protagonist's physical predieament, but also addresscs his puzz lement as a fictional creature made of words, as a being trapped in his own fiction, since he is both the teller and the told of his own story. Admittedly, there is nothing more absurd, more perplcxing, more nightmarish than to write fietion. That is to say, nothing is more laughable than to sit in a room, betwecn four walls, day after day, month after month, year after year, to create an imaginary situation (that "nightmare thingness", as Bcekett ealls it) and fabricate fietitious beings by the mere process of lining up words on pieees of papero Perhaps the only way for the writer to escape thc absurdity, the tedium, and the anguish of sueh a self-imposed torture is to laugh at his own activity. Indeed, it is well known that many writers, even those whose work depicts the most oppressive, the most horrendous, the most pathetic situations (this was the case with Kafka, Céline, Proust even, and many others), eould be heard laughing within the walls of the room whcre fietion was being shaped. -
Collected Shorter Plays of Samuel Beckett Murphy
Collected Shorter Plays Works by Samuel Beckett published by Grove Press Cas cando Mercier and Camier Collected Poems in Molloy English and French More Pricks Than Kicks The Collected Shorter Plays of Samuel Beckett Murphy Company Nohow On (Company, Seen Disjecta Said, Worstward Ho) Endgame Ill Ohio Impromptu Ends and Odds Ill Proust First Love and Other Stories Rockaby Happy Days Stories and Texts How It Is for Nothing I Can't Go On, I'll Go On Three Novels Krapp Last Tape Waiting for Godot The Lost Ones Watt s Malone Dies Worstward Ho Happy Days: Samuel Beckett's Production Notebooks, edited by James Knowlson Samuel Beckett: The Complete Short Prose, 1929-/989, edited and with an introduction and notes by S. E. Gontarski The Theatrical Notebooks of Samuel Beckett: Endgame, edited by S. E. Gontarski The Theatrical Notebooks of Samuel Beckett: Krapp's Last Tape, edited by James Knowlson The Theatrical Notebooks of Samuel Beckett: Waiting for Godot, edited by Dougald McMillan and James Knowlson COLLECTED SHORTER PLAYS SAMUEL BECKETT Grove Press New York Copyright© 1984 by Samuel Beckett All rights reserved. No part of this book may be reproduced,stored in a retrieval system, or transmitted in any form, by any means, including mechanical, electronic, photocopying,recording, or otherwise,without prior written permission of the publisher. Grove Press 841 Broadway New York, NY 10003 All That Fall © Samuel Beckett, 1957; Act Without Words I © Samuel Beckett, 1959; Act Without Words II© Samuel Beckett,1959; Krapp's Last 'Ihpe© Samuel Beckett,1958; Rough for Theatre I © Samuel Beckett, 1976; Rough for Theatre II© Samuel Beckett,1976; Embers © Samuel Beckett,1959; Rough for Radio I© Samuel Beckett,1976; Rough forRadio II© Samuel Beckett, 1976; Words and Music © Samuel Beckett,1962; Cascando© Samuel Beckett, 1963; Play © Samuel Beckett, 1963; Film © Samuel Beckett, 1967; The Old Tune, adapt. -
Bomb Threat Rocks Hullihen, but Fizzles Roselle Hopes Suspect Will Come Forward for Psychiatric Treatment
An Associated Collegiate Press Four-Star All-American Newspaper FRIDAY September 26, 1997 Volume 124 • THE • Number 7 _ on-Profit Org_ U_S. Postage Paid ewark, DE 83 Permit o. 26 250 Student Center• University of Delaware • Newark, DE 19716 Bomb threat rocks Hullihen, but fizzles Roselle hopes suspect will come forward for psychiatric treatment BY CHARLES DOUGIELLO The employees who work in the call to The Re\ iew was St,lff Rtpoua Hullihen Hall were informed of the probably a up regarding the earlier An anon} mous suspect sent a threat upo n arriving at work e-mai I threat. bomb threat to Pres. David P. Tuesday morning. Ro selle said in a press release Roselle via e-mail at approximate!) Later on Tuesday. at Wednesday th.lt Umvcrsity Police 9 p.m. Monday >tating a bomb approximately I: 15 p.m .. an h:1ve taken every safety precaution. 1-\0ttld explode 111 Hullihen Hall unknown person placed a call to Rose lle also satd he was Wedncsda) night. University The Revic\v restating the bomb concerned for the person or per ons Police said. threat. who made the threat. Un11 ersit) Pol~t.:c. along 1-\ ith a Jen Gartner. office manager for '"We feel sorry that the person in homb tcchntctan. reporte<.JI) The Re1 ie\\. recci\ed the call and que<,tion is in such a confused state searched the building thorough!) said a female asked to speak to the of mind ... he satd ...That indtvtdual late Monday night and found no editor in regard to a bomb placed tn is clearly 111 need of help. -
The Beckett Collection Ruby Cohn Correspondence 1959-1989
The Beckett Collection Ruby Cohn correspondence 1959-1989 Summary description Held at: Beckett International Foundation, University of Reading Title: The Correspondence of Ruby Cohn Dates of creation: 1959 – 1989 Reference: Beckett Collection--Correspondence/COH Extent: 205 letters and postcards from Samuel Beckett to Ruby Cohn 1 telex message from Beckett to Cohn 1 telegram from Beckett to Cohn 1 postcard addressed to Georges Cravenne 5 letters from Cohn to Beckett (which include Beckett’s responses) 1 envelope containing a typescript of third section of Stirrings Still 2 empty envelopes addressed to Cohn Language of material English unless otherwise stated Administrative information Immediate source of acquisition The correspondence was donated to the Beckett International Foundation by Ruby Cohn in 2002. Copyright/Reproduction Permission to quote from, or reproduce, material from this correspondence collection is required from the Samuel Beckett Estate before publication. Preferred Citation Preferred citation: Correspondence of Samuel Beckett and Ruby Cohn, Beckett International Foundation, Reading University Library (RUL MS 5100) Access conditions Photocopies of the original materials are available for use in the Reading Room. Access to the original letters is restricted. Historical Note 1922, 13 Aug. Born Ruby Burman in Columbus, Ohio 1942 Awarded a BA degree from Hunter College of the City of New York 1946 Married Melvin Cohn (they divorced in 1961) 1952 Awarded a doctorate from the University of Paris 1960 Awarded a second doctorate from Washington University (Saint Louis, Mo.) 1961-1968 Professor of English and Comparative Literature at San Francisco State University 1969-1971 Fellow at the California Institute of the Arts 1972-1992 Professor of Comparative Drama at the University of California, Davis 1992-Present Professor Emerita of Comparative Drama at the University of California, Davis Ruby Cohn (née Burman) was born on 13 August 1922 in Columbus, Ohio, where her father, Peter Burman, was a veterinary student. -
Samuel Beckett and Europe
Samuel Beckett and Europe Samuel Beckett and Europe: History, Culture, Tradition Edited by Michela Bariselli, Niamh M. Bowe and William Davies Samuel Beckett and Europe: History, Culture, Tradition Edited by Michela Bariselli, Niamh M. Bowe and William Davies This book first published 2017 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2017 by Michela Bariselli, Niamh M. Bowe, William Davies and contributors and The Estate of Samuel Beckett Excerpts from manuscripts of Samuel Becketts Fin de partie reproduced by kind permission of the Estate of Samuel Beckett c/o Rosica Colin Limited, London. All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-9630-6 ISBN (13): 978-1-4438-9630-6 TABLE OF CONTENTS Acknowledgements ................................................................................... vii Chapter One ................................................................................................. 1 Introduction: Samuel Beckett and the Question of ‘Europe’ William Davies Chapter Two .............................................................................................. 15 “The following precious and illuminating material should -
Narrative Strategies in Beckett's Post-Trilogy Prose
"ABSENCE SUPREME": NARRATIVE STRATEGIES IN BECKETT'S POST-TRILOGY PROSE. "ABSENCE SUPREME": NARRATIVE STRATEGIES IN BECKETT'S POST-TRILOGY PROSE. By BARBARA ANNE TRIELOFF, M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the degree Doctor of Philosophy McMaster University September 1984. DOCTOR OF PHILOSOPHY (1983) McMASTER UNIVERSITY (English) Hamilton, Ontario. TITLE: "Absence Supreme": Narrative Strategies in Beckett's Post-trilogy Prose. AUTHOR: Barbara Anne Trieloff, B.A. (McMaster University) M.A. (McMaster University) SUPERVISOR: Dr. Linda Hutcheon. NUMBER OF PAGES: vi, 261 ii ACKNOWLEDGEMENTS This thesis would never have been finished were it not for the good offices of several people. My first thanks are reserved for my supervisor, Dr. Linda Hutcheon, whose skilful guidance rescued the thesis from near casuality. My second thanks are for Dr. James King and Dr. Gaby Moyal who offered helpful suggestions, above and beyond the call of duty, and gave generous and gentle criticism. I would also like to demonstrate my appreciation to the following people, past and present, for fostering a congenial working atmosphere: Mr. Lee Deane, Dr. A.W. Trieloff, Dr. Philip Branton, Dr. Denis Shaw and Ms. S. u. P. Evans. My final thanks go to Ms. Virginia Trieloff, who performed the Herculean task of typing the mhesis. iii ABSTRACT This dissertation examines the ways in which Beckett, in his post-trilogy fiction, challenges the "meaning-ful" structures of the traditional novel {character, plot, action) and offers the reader, in their place, new narrative strategies. These strategies {mnemonic, canonic, catechetical, recursive) are an experiment with linguistic and narrative structures and can be seen to "dis-close" what Beckett terms as the chaos and flux behind form. -
The Silencing of the Sphinx Volume Interpreting Samuel Beckett's
Interpreting Samuel Beckett's 'Worstward Ho' Hisgen, Ruud Citation Hisgen, R. (1998, December 9). Interpreting Samuel Beckett's 'Worstward Ho'. Retrieved from https://hdl.handle.net/1887/4924 Version: Corrected Publisher’s Version Licence agreement concerning inclusion of doctoral thesis License: in the Institutional Repository of the University of Leiden Downloaded from: https://hdl.handle.net/1887/4924 Note: To cite this publication please use the final published version (if applicable). The Silencing of the Sphinx Volume Interpreting Samuel Beckett’s Worstward Ho [Frontispiece ] Interpreting Samuel Beckett’s Worstward Ho Proefschrift ter verkrijging van de graad van Doctor aan de Universiteit Leiden, op gezag van de Rector Magnificus, Dr W.A. Wagenaar, hoogleraar in de Faculteit der Sociale Wetenschappen, volgens besluit van het College voor Promoties te verdedigen op woensdag december te klokke . uur door Rudolf Guus Wim Hisgen geboren te ’s Gravenhage in Universiteit Leiden Promotor: Professor Dr. Th.L. D’haen Referent: Professor J. Pilling, University of Reading (G.B.) Promotiecommissie: Professor Dr. B. Westerweel Professor Dr. A.G.H. Anbeek van der Meyden Professor G. Lernout, Universiteit Antwerpen (België) CONTENTS Abbreviations Used . Introduction . Notes to the Introduction . Chapter , “Argument” . Notes to Chapter . Chapter , “Language” . Notes to Chapter . Chapter , “Roots” . Notes to Chapter . Chapter , “Reverberations” . Notes to Chapter . Conclusion . Notes to the Conclusion . Bibliography . Index . Keine Wahrheit ist also gewisser ... als diese, daß Alles, was für die Erkenntniß da ist, also die ganze Welt, nur Objekt in Beziehung auf das Subjekt ist, Anschauung des Anschauenden, mit Einem Wort, Vorstellung. (Arthur Schopenhauer, Die Welt als Wille und Vorstellung) Nichts erschien ..