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Gamer Symphony Orchestra Spring 2010
About the Gamer Symphony Orchestra The University of Maryland’s In the fall of 2005, Michelle Eng decided she wanted to be in Gamer Symphony Orchestra an orchestral group that played video game music. With four others http://umd.gamersymphony.org/ from the University of Maryland Repertoire Orchestra, she founded GSO to achieve that dream. By the time of the ensemble’s first public performance in the spring of 2006, its size had quadrupled. Today, GSO provides a musical and social outlet to over 100 members. It is the world’s first college-level ensemble solely dedicated to video game music as an emerging art form. Aside from its concerts, the orchestra also runs “Deathmatch for Charity,” a video game tournament in the spring. All proceeds benefit Children’s National Medical Center in Washington, D.C., via the “Child’s Play” charity (www.childsplay.org). --------------------------------------------------------------------------------- We love getting feedback from our fans! Please feel free to fill out this form and drop it in the “Question Block” on your way out, or e-mail us at [email protected]. If you need more room, use the space provided on the back of this page. Spring 2010 How did you hear about the Gamer Symphony Orchestra? University of Maryland Memorial Chapel Saturday, Dec. 12, 3 p.m. What arrangements would you like to hear from GSO? Other Conductors comments? Anna Costello Kira Levitzky Peter Fontana (Choral) Please write down your e-mail address if you would like to receive messages about future GSO concerts and events. Level Select Oh-Buta Mask Original Composer: Shogo Sakai Mother 3 (2006) Arranger: Christopher Lee and Description: Oh, Buta-Mask, "Buta" meaning "Pig" in Japanese, is composed of two battle themes from Mother 3. -
MAD SCIENCE! Ab Science Inc
MAD SCIENCE! aB Science Inc. PROGRAM GUIDEBOOK “Leaders in Industry” WARNING! MAY CONTAIN: Vv Highly Evil Violations of Volatile Sentient :D Space-Time Materials Robots Laws FOOT table of contents 3 Letters from the Co-Chairs 4 Guests of Honor 10 Events 15 Video Programming 18 Panels & Workshops 28 Artists’ Alley 32 Dealers Room 34 Room Directory 35 Maps 41 Where to Eat 48 Tipping Guide 49 Getting Around 50 Rules 55 Volunteering 58 Staff 61 Sponsors 62 Fun & Games 64 Autographs APRIL 2-4, 2O1O 1 IN MEMORY OF TODD MACDONALD “We will miss and love you always, Todd. Thank you so much for being a friend, a staffer, and for the support you’ve always offered, selflessly and without hesitation.” —Andrea Finnin LETTERS FROM THE CO-CHAIRS Anime Boston has given me unique growth Hello everyone, welcome to Anime Boston! opportunities, and I have become closer to people I already knew outside of the convention. I hope you all had a good year, though I know most of us had a pretty bad year, what with the economy, increasing healthcare This strengthening of bonds brought me back each year, but 2010 costs and natural disasters (donate to Haiti!). At Anime Boston, is different. In the summer of 2009, Anime Boston lost a dear I hope we can provide you with at least a little enjoyment. friend and veteran staffer when Todd MacDonald passed away. We’ve been working long and hard to get composer Nobuo When Todd joined staff in 2002, it was only because I begged. Uematsu, most famous for scoring most of the music for the Few on staff imagined that our three-day convention was going Final Fantasy games as well as other Square Enix games such to be such an amazing success. -
Mitchell/Giurgola's Liberty Bell Pavilion
University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 2001 Creation and Destruction: Mitchell/Giurgola's Liberty Bell Pavilion Bradley David Roeder University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons Roeder, Bradley David, "Creation and Destruction: Mitchell/Giurgola's Liberty Bell Pavilion" (2001). Theses (Historic Preservation). 322. https://repository.upenn.edu/hp_theses/322 Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: Roeder, Bradley David (2002). Creation and Destruction: Mitchell/Giurgola's Liberty Bell Pavilion. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/322 For more information, please contact [email protected]. Creation and Destruction: Mitchell/Giurgola's Liberty Bell Pavilion Disciplines Historic Preservation and Conservation Comments Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: Roeder, Bradley David (2002). Creation and Destruction: Mitchell/Giurgola's Liberty Bell Pavilion. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This thesis or dissertation is available at ScholarlyCommons: https://repository.upenn.edu/hp_theses/322 uNivERsmy PENNSYLVANIA. UBKARIES CREATION AND DESTRUCTION: MITCHELL/GIURGOLA'S LIBERTY BELL PAVILION Bradley David Roeder A THESIS In Historic Preservation Presented to the Faculties of the University of Pennsylvania in Partial Fulfillment of the Requirement for the Degree of MASTER OF SCIENCE 2002 Advisor Reader David G. DeLong Samuel Y. Harris Professor of Architecture Adjunct Professor of Architecture I^UOAjA/t? Graduate Group Chair i Erank G. -
An Endangered American Building
An Endangered American Building Drawing courtesy Jason Hart, CUBE design + research, LLC, Boston, MA. The National Park Service plans to remove the historically significant Cyclorama Building at Gettysburg, designed by world-renowned architect Richard Neutra. Preservationists are working world-wide to save the structure. • The Cyclorama Center at Gettysburg National Military Park was designed by the firm of Neutra & Alexander as part of the Park Service’s landmark Mission 66 program, a billion- dollar postwar government initiative aimed at improving America's national parks with the construction of new facilities. • As part of Mission 66, five parks were selected to host flagship projects designed by prominent private architects: o Wright Brothers National Monument, NC o Dinosaur National Monument, UT o Rocky Mountain National Park, CO o Petrified Forest National Park, AZ o Gettysburg National Military Park, PA • The building is among the finest public examples of modern architecture nationwide, retains high integrity, and is eligible for listing in the National Register of Historic Places. It is a rare example of architect Richard Neutra’s institutional designs and is significant within the range of federal buildings commissioned during America’s prosperous mid- twentieth century boom years. • Citing a desire for new facilities, the Park Service recently opened a new visitor’s center at Gettysburg. The Park Service has stopped maintaining the Cyclorama Center, and plans to remove the building. • U.S. District Court for the District of Columbia, Report and Recommendation in Civil Action, Recent Past Preservation Network, et al., Plaintiffs, v. John Latschar, et al., Defendants (abridged, dated 2009), found that “Defendants failed to meet the procedural obligations required of federal agencies under NEPA. -
How Newark's A. J. Hahne Helped Save the Gettysburg Cyclorama By
Scene from the "Battle of Gettysburg" cyclorama. Author's photo by Suzanne Wray oday visitors to the Civil War battlefield of Gettysburg, How Newark’s Pennsylvania can see the Gettysburg Cyclorama, in the new A. J. Hahne TVisitors’ Center. After ascending to a viewing platform, they Helped Save are surrounded by a realistic painting created over 100 years ago, a precursor of the virtual reality we know today. The cyclorama the Gettysburg survives in part due to the efforts of Albert J. Hahne, who purchased Cyclorama the huge painting and displayed it for a time around the atrium of his Newark, NJ department store. Saving the Cyclorama | Suzanne Wray | www.GardenStateLegacy.com Issue 42 December 2018 Virtual reality and immersive environments are familiar concepts to most today, but less familiar are their precursors. These include the panorama, also called “cyclorama.” In the nineteenth century, viewers could immerse themselves in another world—a city, a landscape, a battlefield—by entering a purpose-built building, and climbing a spiral staircase to step onto a circular viewing platform. A circular painting, painted to be as realistic as possible, surrounded them. A three-dimensional foreground (the “faux terrain” or “diorama”) disguised the point at which the painting ended and the foreground began. The viewing platform hid the bottom of the painting, and an umbrella-shaped “vellum” hung from the roof, hiding the top of the painting and the skylights that admitted light to the building. Cut off from any reference to the outside world, viewers were immersed in the scene surrounding them, giving the sensation of “being there.”1 An Irish artist, Robert Barker (1739–1806), conceived the circular painting and patented the new art form on June 18, 1787. -
View Full Program and Program Notes
Sounds of PADEREWSKI Lecture-Recital October 14, 2018 | 7 PM Alfred Newman Recital Hall, USC Independence 2018 PADEREWSKI LECTURE-RECITAL Sounds of Independence: Music by Polish Composers of the Interwar Era Lecture by Dr. Lisa Cooper Vest FEATURING Bradley Bascon & Leonard Chong, violins Sérgio Coelho, clarinet Allan Hon, cello So-Mang Jeagal, piano Stephanie Jones, soprano Yun-Chieh ( Jenny) Sung, viola USC Chamber Singers with Dr. Jo-Michael Scheibe and Andrew Schultz, conductors Sunday, October 14, 2018 | 7:00 p.m. Alfred Newman Recital Hall University of Southern California Los Angeles, California Presented by the Polish Music Center at the USC Th ornton School of Music in celebration of 100 Years of Poland’s Independence Polish Music Center Composing the Nation: Intersections of Modernity and Tradition in Interwar Poland Lecture by Dr. Lisa Cooper Vest, USC Thornton School of Music • • • Ignacy Jan Paderewski (1860-1941) HEJ, ORLE BIAŁY (1917) USC Chamber Singers Andrew Schultz, conductor | So-Mang Jeagal, piano Ludomir Różycki (1883-1953) KRAKOWIAK FROM THE BALLET PAN TWARDOWSKI (1920) ARR. MAREK ZEBROWSKI Bradley Bascon & Leonard Chong, violin Yun-Chieh (Jenny) Sung, viola | Allan Hon, cello Sergio Coelho, clarinet | So-Mang Jeagal, piano Aleksander Tansman (1897-1986) CINQ MÉLODIES (1927) Dans le secret de mon âme Hélas Sommeil Chats de gouttière Bonheur Stephanie Jones, soprano | So-Mang Jeagal, piano Józef Koffl er (1896-1944) DIE LIEBE/ MIŁOŚĆ (1931) Adagio Andante tranquillo Allegro moderato Tempo I Stephanie Jones, soprano | Sergio Coelho, clarinet Yun-Chieh (Jenny) Sung, viola | Allan Hon, cello Grażyna Bacewicz (1909-1969) STRING QUARTET NO. 1 (1938) Moderato Tema con variazioni Vivo Bradley Bascon & Leonard Chong, violin Yun-Chieh (Jenny) Sung, viola | Allan Hon, cello Karol Szymanowski (1882-1937) KURPIE SONGS OP. -
Message Received Here at CFA, Art and the World Intersect and Interact Every Day
Photo by Eva Gallagher (CFA’19). Still, this back and forth flow of dialogue is an essential ingredient in art. Message Received Here at CFA, art and the world intersect and interact every day. They must. Communicating. It seems easy enough. In this issue, we give voice to expression. Whether it’s personal or political, traditional or experimental, artists respond and question and wonder and Just say it, right? But, amidst chaos, act. From a genre that bridges classical and fantasy, to community impact opinions, and differences, it’s hard to know that’s sprinkled in fairy dust, to courses that pronounce art’s place in leading if words are read, if sounds are heard, conversation, to movement that amplifies expression, let’s indulge imagination, let’s believe in possibility, let’s be open to ideas, and let’s if expression is seen. inch closer to understanding. IN THIS ISSUE volume two, issue three 01 Message Received 02 Language of Movement 03 For the Love of Trombone 04 Space Exploration 05 Letting Art Speak 06–07 Spring & Summer Events 08 ARTiculated Changemakers 09 Bringing Neverland 10 Classical Gaming 11 Color Matters 12 Overdrive Boston, MA 02215 MA Boston, 855 Commonwealth Avenue Avenue Commonwealth 855 2 SPARK VOLUME TWO, ISSUE TWO 3 Dancer, choreographer, and educator Yo-El Cassell first discovered the power of movement at the age of three; partially deaf, expression through movement opened a new world of communication for the toddler. He has since dedicated his life to helping others discover this language of movement for themselves. More than just a series of steps, movement is a practicum that can help artists locate a sense of accessibility within them. -
Spring 2018 Program
The Gamer Symphony Orchestra at the University of Maryland Spring 2018 Concerts Friday, April 20, 2018 Saturday, April 21, 2018 7:00 PM Dekelboum Concert Hall Clarice Smith Performing Arts Center Leanne Cetorelli, Conductress Michael Mitchell, Conductor About the Gamer Symphony Orchestra In Fall 2005, student violist Michelle Eng sought to create an orchestral group that played the music of video games. With a half- dozen others from the University of Maryland Repertoire Orchestra, she founded the Gamer Symphony Orchestra to achieve that dream. By the ensemble’s first public performance in Spring 2006, its size had quadrupled. Today, the Gamer Symphony Orchestra provides a musical and social outlet to 130+ members. It is the world’s first college-level ensemble to draw its repertoire exclusively from the soundtracks of video games. The ensemble is entirely student run, which includes conducting and musical arranging. In February 2011, the GSO’s arrangement of “Korobeiniki” from Tetris was performed in collaboration with Video Games Live and The National Philharmonic to two sold-out houses at the Strathmore in Bethesda, MD. In May 2012 and 2015, as a part of the Art of Video Games Exhibit, the GSO performed at the American Art Museum in Washington, D.C. in the central atrium. In March 2018, the GSO performed at The John F. Kennedy Center for the Performing Arts on the Millennium Stage. Aside from its concerts, the GSO also hosts a charity video game event at least once a year, called Gaming4Life. All proceeds from this multi-hour long video game tournament benefits the Children’s National Medical Center in Washington, D.C. -
Boston Medical Center, 840 Harrison Avenue, Boston, MA 02218
Haley & Aldrich, Inc. 465 Medford St. Suite 2200 Boston, MA 02129 Tel: 617.886.7400 Fax: 617.886.7600 HaleyAldrich.com 26 June 2014 File No. 27668-100 U.S. Environmental Protection Agency 5 Post Office Square, Suite 100 Mail Code OEP06-4 Boston, MA 02109-3912 Attention: Remediation General Permit NOI Processing Subject: Notice of Intent (NOI) Temporary Construction Dewatering Boston Medical Center – Menino Addition Boston, Massachusetts Ladies & Gentlemen: On behalf of our client, the Boston Medical Center, and in accordance with the National Pollutant Discharge Elimination System (NPDES) Remediation General Permit (RGP) in Massachusetts, MAG910000, this letter submits a Notice of Intent (NOI) and the applicable documentation as required by the US Environmental Protection Agency (EPA) for temporary discharge of construction site dewatering effluent under the RGP. Temporary construction dewatering is necessary to facilitate the below-grade construction associated with a new two to five-story expansion to the Boston Medical Center Menino building, located as shown on Figure 1. The proposed construction consists of a new infill building on the Boston Medical Center west campus at 840 Harrison Avenue. A portion of the new structure will have a single basement level which will extend approximately 18 feet below existing site grades and up to about 6-ft below site groundwater levels. It is anticipated that either a soldier pile and timber lagging or steel sheet pile support of excavation (SOE) system will be used to facilitate excavation for the below grade structure. Various site improvements are also planned, including a new patient transport bridge which will provide the new building at 840 Harrison Avenue with direct access to a medical flight landing pad at the rear of the Power Plant building at 750 Albany Street. -
The Studio Orchestra at the Bob Cole Conservatory of Music
THE STUDIO ORCHESTRA AT THE BOB COLE CONSERVATORY OF MUSIC PRESENTS PROGRAM Kingdom Hearts Suite Yoko Shimomura arr. Adam Humphreys Undertale Medley Toby Fox arr. Andres Soto “To Zanarkand” from Final Fantasy X Nobuo Uematsu arr. Adam Humphreys The Legend of Zelda: Symphony of the Goddesses Koji Kondo, Toru Mingegishi, Hajime Wakai II. The Wind Waker arr. Chad Seiter Themes from Star Wars: Battlefront 2 and Star Wars: A New Hope Gordy Haab and John Williams arr. Adam Humphreys and Robert Luke Martin -Intermission- Journey Medley Austin Wintory arr. Andres Soto God of War Suite Bear McCreary arr. Keith Milligan Rosie Ghan Sahagun, soloist Themes from Assassin’s Creed IV: Black Flag Brian Tyler arr. Robert Luke Martin Rosie Ghan Sahagun, soloist The Champion’s Ballad from The Legend of Zelda: Breath of the Wild Hajime Wakai arr. Robert Luke Martin Marylin Mello, soloist Mario Kart Live Ryo Nagamatsu arr. Robert Luke Martin The Studio Orchestra at the Bob Cole Conservatory of Music Violin I Flute Trumpet Kelsey Lih Summer Wilson Maxfield Maynard Cole Perez Aaron Hoguin Oboe Violin II Georgette Patricio Trombone Adrian Sifuentes Christian Fuentes Jinsei Goto Daniel Nakazono Violia Clarinet Marylin Mello Samuel Choi Percussion Marisa Ramey Kris Calicdan Bassoon Chris Amaro Cello Mary Perkins Sebastian Lee Mitchell Moffitt Piano Kathryn Carlson Travis Solesbee, MM ’18 French Horn Double Bass Keith Pepper Music Director Katie McNamara Jennifer Ornelas Robert Luke Martin, MM ‘19 Avery Jett Rachel Aragaki About Us The Studio Orchestra at the Bob Cole Conservatory of Music started as a one concert project in 2018, presenting the most iconic video game scores with full orchestra and choir. -
Game Music Como Produto Cultural Autônomo: Como Ela Ultrapassa Os Limites Do Jogo E Se Insere Em Outras Mídias
revista Fronteiras – estudos midiáticos 13(2): 111-120, maio/agosto 2011 © 2011 by Unisinos – doi: 10.4013/fem.2011.132.04 Game music como produto cultural autônomo: como ela ultrapassa os limites do jogo e se insere em outras mídias Camila Schäfer1 RESUMO A música, nos jogos eletrônicos, além de servir como fundo, também é utilizada como forma de potencializar a experiência de imersão e interatividade do jogador. Considerando seu papel no game como de extrema importância, este artigo procura analisar como a música de videogames se tornou um produto cultural autônomo. Depois de realizada a pesquisa bibliográfica, foi analisado o movimento de autonomização da game music para identificar em quais mídias esse tipo de música se insere atualmente e como ela está se tornando uma manifestação cada vez mais visível também fora do universo dos videogames. A partir desses estudos, da análise dos processos de autonomização, concluiu-se que a game music, além de sua importância para os jogos, constitui-se num novo fenômeno midiático que a cada dia cresce e contagia mais pessoas ao redor do mundo. Palavras-chave: game music, música, jogos eletrônicos. ABSTRACT The game music as an autonomous cultural product: How it exceeds the limits of the video games and falls in other media. The music in the video games, besides of working as a background, is also used as a way to leverage the experience of immersion and interactivity of the player. Considering its role in the game as extremely important, this article seeks to analyze how the game’s music has become an autonomous cultural product. -
CYCLORAMA BUILDING HABS PA-6709 (Gettysburg National
CYCLORAMA BUILDING HABS PA-6709 (Gettysburg National Military Park Visitor Center) PA-6709 (Cyclorama Center) (Abraham Lincoln Memorial Museum) Gettysburg National Military Park 125 Taneytown Road Gettysburg vicinity Adams County Pennsylvania PHOTOGRAPHS PAPER COPIES OF COLOR TRANSPARENCIES WRITTEN HISTORICAL AND DESCRIPTIVE DATA REDUCED COPIES OF MEASURED DRAWINGS FIELD RECORDS HISTORIC AMERICAN BUILDINGS SURVEY National Park Service U.S. Department of the Interior 1849 C Street NW Washington, DC 20240-0001 HISTORIC AMERICAN BUILDINGS SURVEY CYCLORAMA BUILDING HABS No. PA-6709 Location: 125 Taneytown Road, Gettysburg vicinity, Adams County, Pennsylvania Present Owner: U. S. Department of the Interior, National Park Service Present Occupant: Gettysburg National Military Park Present Use: Park offices, bookstore, and interpretative activities, including display of the Cyclorama painting. Significance: The Gettysburg Cyclorama Building was one of a handful of high profile new visitor centers designed by famous architects as part of the larger Mission 66 initiative. Mission 66 was a National Park Service-wide effort to upgrade park visitor facilities and provide more professional interpretation for growing crowds of visitors. The program lasted from roughly 1956 to 1966, culminating at the 50th anniversary of NPS. Ever since the immediate post-Civil War years, private and government organizations straggled to simultaneously preserve and provide access to the important battlefield and commemorative landscape at Gettysburg. The Gettysburg Battlefield Memorial Association (GBMA), a private organization, presided over the preservation of Gettysburg battlefield from 1863 to until the War Department took over management in 1895. Management of the Gettysburg National Military Park, including the preserved sections of the battlefield and National Cemetery where President Abraham Lincoln gave the Gettysburg Address, was transferred from the War Department to National Park Service in 1933.