Blind Man's Dance

Total Page:16

File Type:pdf, Size:1020Kb

Blind Man's Dance “Blind Man’s Dance” (a collections of stories) by Chelsea Hoitt (Bachelors in English Literature, Southern New Hampshire University, 2010) A CREATIVE THESIS submitted to Southern New Hampshire University in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing School of Liberal Arts Jan. 29, 2013 Chelsea Hoitt ~ 1 Chelsea Hoitt Manuscript Sept. 2012 “Eye See You” “You are such an asshole, Tony.” “You aren't so nice yourself, Sandra.” “Fuck you. You think you can come here, after you’ve been out sleeping with someone else, and refuse to sign the goddamn divorce papers? What the fuck is wrong with you? I was married to you for seven long years and what do I have to show for it? Trust me, Tony, this was the last thing I wanted to happen to us. We've been through a lot of shit together, but this is too much. I've had enough of your bullshit. You said you'd sign them today!” “I’m only saying that I can’t sign them now on account of the taxes comin' up. We gotta file together or I'll lose my goddamned truck. I need that money, Sandra. You file with me and then I’ll sign whatever you want.” “So you want me to cover your fuckin’ debts to the IRS with my tax return? Get the fuck out, asshole! I’ll find a way to handle this shit without your useless ass. Get the fuck out!” Sandra pointed with a long icy blue painted fingernail at the door to the trailer home in which she lived. There was a quaint sign hanging on the door that said “Good Day!” and she regretted having it there to face him as he left. “Sandra, why the fuck are you doing this to me? What did I ever do to you that was so bad, huh? What?” “Nothing! That was the fucking problem! How many times do we have to go over this?” She was almost screeching. “You never paid any attention to me! You ignored me so much it Chelsea Hoitt ~ 2 was like I wasn’t even there! I got to the point where I would fucking cry with happiness whenever someone so much as looked at me, I was so fucking lonely! I used to make friends with fucking characters from TV shows because you wouldn't let me have any goddamned real ones! You scared them all away with your white power Nazi bullshit. I swear, you just try to act tough - you're really just a fucking child!” “Don't push me, Sandra, or you know what will happen." He was clenching his fists. She did know what would happen, she knew from the pain of experience. She was silent for a long moment, giving him smoldering look. Finally, he broke the silence. "So you’re leaving me…That makes no fuckin’ sense, Sandra. Now you’ll just be even lonelier.” “Not if I find someone else I won’t,” she said through her teeth. She’d never said anything like that to him before, never alluded to wanting someone else. But she didn’t care anymore. It was over for her, that she was sure of. She didn’t need to worry so much about hurting his feelings anymore, especially after this stunt. Tony stormed out, slamming the door behind him as best he could, it was too cheap to get a proper slam out of it, and it simply quaked and shuddered and bounced back open rather than shut tight. Sandra could hear him peel out in his truck, peppering the outside of her trailer with pebbles from her driveway. She clenched her fists tightly and closed the door securely. Then she went about cleaning up the coffee she had been about to serve him. She thought she would have it done today. She thought she could move on and not have to deal with him anymore. Now she would. She swore under her breath and wiped her wet hands on her faded torn jeans. Ripping off her flannel shirt in a swift motion, she grabbed a towel and headed to the bathroom for a shower. Chelsea Hoitt ~ 3 Sandra unbuckled her bra and began to unbutton her jeans. She was down to just her panties when she noticed something strange was coming out of her shower drain. It looked like some kind of growth, like a strange moss of some sort. There were tiny bulbs at the end of each little stem that grew from the holes in the drain, at least ten or twelve or so of them. “Oh, gross!” She wondered how they managed to grow there so fast. She had taken a shower the day before, in the early morning, not even 20 hours before. She threw on her towel and went out into the kitchenette to grab some cleaner and a rag. When she returned, she sat down and got a better look at the strange plant. It was a very strange plant indeed. It had a black stem, or black stems. She couldn’t tell if they were connected underneath, and the strange bulbs on top were much too large to have pushed their way through the holes in the drain. They must have grown once they were exposed. ‘What the heck is this?’ Sandra thought to herself. She grabbed the rag. She didn’t want to touch it. It was creeping her out. But she had to take a shower; she had to go to work at the night shift soon working as a desk person for the local motel. She had to look presentable. It was a relatively new job and she was trying to establish a better reputation in the neighborhood than she’d had in the past. She leaned in closer to the growth, and one of the bulbs suddenly opened to reveal an eye, gaping intently at her. Sandra screamed and stumbled backwards, accidentally letting go of her towel and falling on top of the cleaner bottle. The eyeball blinked. Sandra kept screaming until she ran out of breath. Then she took another breath, and hesitated. Her mind was racing. ‘What IS that? Is it an alien? Some mutated plant? A monster? A monster!’ She couldn’t think. She had to get out. That thing, it was looking at her. It was staring Chelsea Hoitt ~ 4 at her bare breasts! She got up, stumbling, and ran out of the bathroom. She ran into her bedroom and grabbed her robe and ran out the door to her neighbor's place. Her neighbor was a twenty-one year old kid named Alan who had moved in with his trailer and his pit bull and his four-wheeler and his dirt bike and his many cases of Natural Ice about three months before. He had visited Sandra on a regular basis, helping her with household chores and offering to lend her cups of sugar or pairs of pliers whenever she needed or didn’t need them. He thought she was a very attractive older woman. She was glad that he viewed her as unattainable, even though she was only eight years older than he. She pounded on Alen’s door, and he answered within seconds. He must have been bored. He didn’t work, getting a monthly stipend from a rich uncle who had died, so he was usually bored. “Sandra! How are ya, girl? What’s goin on, you there in your robe?” he said, answering the door in his wife-beater and gym shorts. “There is something in my shower! It’s …It’s got a….oh, God, you have to see it for yourself, come quick!” She was gasping for breath though she had only run about a hundred feet to his door. “Alright, let’s go take a look,” he said, following her scuttling footsteps. As she scuttled, she did her best to describe. “It’s terrible! It’s extraordinary! My goodness, I don’t know what it is! It scared the bejesus out of me!” They went inside and into her bathroom. “There! Look at that!” Sandra pointed at the growth. “It wasn’t there yesterday!” Alan bent down and looked. The bulb that had opened its eye was now shut. “Looks like Chelsea Hoitt ~ 5 some sort of moss or something. It’s funky lookin’, but I don’t know why it scared you so much.” “No, it….it did something. It…moved.” Sandra didn’t want to tell him the truth. She knew it would sound completely insane. “It moved?” He looked at her, squinting his eyes suspiciously. “Are you sure, now?” “Yes! Yes. It definitely moved. That part, right there.” She pointed her finger close at the bulb that had opened its eye. “Well, I got some drain cleaner back at the house if you want…” He turned toward her with his back to the plant. The eye opened again and stared at Sandra. She screamed, and making Alen jump and hit his head on the faucet knob. “What! What is it?” he shouted. “Look!” she said, pointing. He turned, but the bulb’s eye was already closed. “What?” he asked again, aggravated, rubbing his head. “It….it moved again! Oh, god, just get rid of it, please!” “Jesus, woman! I’ll rip the thing out right now if you want me to!” he said, and was facing her again when four more of the bulbs opened and blinked at her. “AAAAH! Yes! Please! Get it out right now!!” Alan turned and the eyes all closed.
Recommended publications
  • Effectiveness of Essential Oils from Citrus Sinensis and Calendula Officinalis and Organic
    Cantaurus, Vol. 28, 20-24, May 2020 © McPherson College Department of Natural Science Effectiveness of essential oils from Citrus sinensis and Calendula officinalis and organic extract from fruits of Maclura pomifera as repellants against the wolf spider Rabidosa punctulata Garrett Owen ABSTRACT The essential oils (EO’s) of Citrus sinensis, Calendual officinalis, and Maclura pomifera were extracted via either steam distillation or organic extraction and tested for their repellency effect on the wolf spider, Rabidosa punculata. Essential oil repellency was tested in a Y-maze fumigation test and a filter paper contact test. The data collected was subjected to statistical analysis; the results from the binomial test of the fumigation trials data suggest no significant repellant activity of the fumes of any of the EO’s extracted. Although, Citrus sinensis EO’s presented hope for further studies. Results from the Wilcoxon rank sum test of the contact trials data showed Calendula officinalis as an effective deterrent against Rabidosa punctulata while the other two EO’s showed no significant effects. The isolated EOs from each plant were analyzed using GC/MS to identify the major compounds present. Results from the GC/MS showed d-Limonene to be the major component of Citrus sinensis at 92.56% while major components of Maclura pomifera were (1S)-2,6,6-Trimethylbicyclo[3.1.1]hept-2-ene at 18.96%, 3-Carene at 17.05%, Cedrol at 16.81%, and a-Terpinyl acetate at 5.52%. It was concluded that d- Limonene is a common ingredient in many insect repellants, but exists as a component of a mixture of several chemicals.
    [Show full text]
  • The Bulletin of the American Society of Papyrologists 44 (2007)
    THE BULLETIN OF THE AMERICAN SOCIETY OF PapYROLOGIsts Volume 44 2007 ISSN 0003-1186 The current editorial address for the Bulletin of the American Society of Papyrologists is: Peter van Minnen Department of Classics University of Cincinnati 410 Blegen Library Cincinnati, OH 45221-0226 USA [email protected] The editors invite submissions not only fromN orth-American and other members of the Society but also from non-members throughout the world; contributions may be written in English, French, German, or Italian. Manu- scripts submitted for publication should be sent to the editor at the address above. Submissions can be sent as an e-mail attachment (.doc and .pdf) with little or no formatting. A double-spaced paper version should also be sent to make sure “we see what you see.” We also ask contributors to provide a brief abstract of their article for inclusion in L’ Année philologique, and to secure permission for any illustration they submit for publication. The editors ask contributors to observe the following guidelines: • Abbreviations for editions of papyri, ostraca, and tablets should follow the Checklist of Editions of Greek, Latin, Demotic and Coptic Papyri, Ostraca and Tablets (http://scriptorium.lib.duke.edu/papyrus/texts/clist.html). The volume number of the edition should be included in Arabic numerals: e.g., P.Oxy. 41.2943.1-3; 2968.5; P.Lond. 2.293.9-10 (p.187). • Other abbreviations should follow those of the American Journal of Ar- chaeology and the Transactions of the American Philological Association. • For ancient and Byzantine authors, contributors should consult the third edition of the Oxford Classical Dictionary, xxix-liv, and A Patristic Greek Lexi- con, xi-xiv.
    [Show full text]
  • Dungeon Solitaire LABYRINTH of SOULS
    Dungeon Solitaire LABYRINTH OF SOULS Designer’s Notebook by Matthew Lowes Illustrated with Original Notes Including a History and Commentary on the Design and Aesthetics of the Game. ML matthewlowes.com 2016 Copyright © 2016 Matthew Lowes All rights reserved, including the right to reproduce this book, or portions thereof, in any form. Interior design and illustrations by Matthew Lowes. Typeset in Minion Pro by Robert Slimbach and IM FELL English Pro by Igino Marini. The Fell Types are digitally reproduced by Igino Marini, www.iginomarini.com. Visit matthewlowes.com/games to download print-ready game materials, follow future developments, and explore more fiction & games. TABLE OF CONTENTS Introduction . 5 Origins . 5 Tomb of Four Kings . 7 Into the Labyrinth . 10 At the Limit . 13 Playing a Role . 15 The Ticking Clock . 16 Encountering the World . 17 Monsters of the Id . 18 Traps of the Mind . 18 Doors of Perception . 19 Mazes of the Intellect . 19 Illusions of the Psyche . 21 Alternate Rules . 22 Tag-Team Delving . 22 On Dragon Slaying . 23 Scourge of the Undead . 24 The Tenth Level . 25 A Life of Adventuring . 26 It’s in the Cards . 28 Extra Stuff . 30 The House Rules . 31 B/X & A . 31 Game Balance . 32 Chance vs Choice . 33 Play-Testing . 34 Writing Rules . 35 Final Remarks . 37 4 INTRODUCTION In the following pages I’ll be discussing candidly my thoughts on the creation of the Dungeon Solitaire game, including its origins, my rationale for the aesthetics and structure of the game, and for its various mechanics. Along the way I’ll be talking about some of my ideas about game design, and what I find fun and engaging about different types of games.
    [Show full text]
  • Mazes and Labyrinths
    Mazes and Labyrinths Author: W. H. Matthews The Project Gutenberg EBook of Mazes and Labyrinths, by W. H. Matthews This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Mazes and Labyrinths A General Account of their History and Development Author: W. H. Matthews Release Date: July 9, 2014 [EBook #46238] Language: English Character set encoding: UTF-8 *** START OF THIS PROJECT GUTENBERG EBOOK MAZES AND LABYRINTHS *** Produced by Chris Curnow, Charlie Howard, and the Online Distributed Proofreading Team at http://www.pgdp.net MAZES AND LABYRINTHS [Illustration: [_Photo: G. F. Green_ Fig. 86. Maze at Hatfield House, Herts. (_see page 115_)] MAZES AND LABYRINTHS A GENERAL ACCOUNT OF THEIR HISTORY AND DEVELOPMENTS BY W. H. MATTHEWS, B.Sc. _WITH ILLUSTRATIONS_ LONGMANS, GREEN AND CO. 39 PATERNOSTER ROW, LONDON, E.C. 4 NEW YORK, TORONTO BOMBAY, CALCUTTA AND MADRAS 1922 _All rights reserved_ _Made in Great Britain_ To ZETA whose innocent prattlings on the summer sands of Sussex inspired its conception this book is most affectionately dedicated PREFACE Advantages out of all proportion to the importance of the immediate aim in view are apt to accrue whenever an honest endeavour is made to find an answer to one of those awkward questions which are constantly arising from the natural working of a child's mind. It was an endeavour of this kind which formed the nucleus of the inquiries resulting in the following little essay.
    [Show full text]
  • L'italia E L'eurovision Song Contest Un Rinnovato
    La musica unisce l'Europa… e non solo C'è chi la definisce "La Champions League" della musica e in fondo non sbaglia. L'Eurovision è una grande festa, ma soprattutto è un concorso in cui i Paesi d'Europa si sfidano a colpi di note. Tecnicamente, è un concorso fra televisioni, visto che ad organizzarlo è l'EBU (European Broadcasting Union), l'ente che riunisce le tv pubbliche d'Europa e del bacino del Mediterraneo. Noi italiani l'abbiamo a lungo chiamato Eurofestival, i francesi sciovinisti lo chiamano Concours Eurovision de la Chanson, l'abbreviazione per tutti è Eurovision. Oggi più che mai una rassegna globale, che vede protagonisti nel 2016 43 paesi: 42 aderenti all'ente organizzatore più l'Australia, che dell'EBU è solo membro associato, essendo fuori dall'area (l’anno scorso fu invitata dall’EBU per festeggiare i 60 anni del concorso per via dei grandi ascolti che la rassegna fa in quel paese e che quest’anno è stata nuovamente invitata dall’organizzazione). L'ideatore della rassegna fu un italiano: Sergio Pugliese, nel 1956 direttore della RAI, che ispirandosi a Sanremo volle creare una rassegna musicale europea. La propose a Marcel Bezençon, il franco-svizzero allora direttore generale del neonato consorzio eurovisione, che mise il sigillo sull'idea: ecco così nascere un concorso di musica con lo scopo nobile di promuovere la collaborazione e l'amicizia tra i popoli europei, la ricostituzione di un continente dilaniato dalla guerra attraverso lo spettacolo e la tv. E oltre a questo, molto più prosaicamente, anche sperimentare una diretta in simultanea in più Paesi e promuovere il mezzo televisivo nel vecchio continente.
    [Show full text]
  • Freecell and Other Stories
    University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Summer 8-4-2011 FreeCell and Other Stories Susan Louvier University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Other Arts and Humanities Commons Recommended Citation Louvier, Susan, "FreeCell and Other Stories" (2011). University of New Orleans Theses and Dissertations. 452. https://scholarworks.uno.edu/td/452 This Thesis-Restricted is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis-Restricted in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis-Restricted has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. FreeCell and Other Stories A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Film, Theatre and Communication Arts Creative Writing by Susan J. Louvier B.G.S. University of New Orleans 1992 August 2011 Table of Contents FreeCell .......................................................................................................................... 1 All of the Trimmings ..................................................................................................... 11 Me and Baby Sister ....................................................................................................... 29 Ivory Jupiter .................................................................................................................
    [Show full text]
  • Botting Fred Wilson Scott Eds
    The Bataille Reader Edited by Fred Botting and Scott Wilson • � Blackwell t..b Publishing Copyright © Blackwell Publishers Ltd, 1997 Introduction, apparatus, selection and arrangement copyright © Fred Botting and Scott Wilson 1997 First published 1997 2 4 6 8 10 9 7 5 3 Blackwell Publishers Ltd 108 Cowley Road Oxford OX4 IJF UK Blackwell Publishers Inc. 350 Main Street Malden, MA 02 148 USA All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form Or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher's prior consent in any fo rm of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. British Library Cataloguing in Publication Data A CIP catalogue record for this book is available from the British Ubrary. Library of Congress Cataloging in Publication Data Bataille, Georges, 1897-1962. [Selections. English. 19971 The Bataille reader I edited by Fred Botting and Scott Wilson. p. cm. -(Blackwell readers) Includes bibliographical references and index. ISBN 0-631-19958-6 (hc : alk. paper). -ISBN 0-631-19959-4 (pbk. : alk. paper) 1. Philosophy. 2. Criticism. I. Botting, Fred.
    [Show full text]
  • Interview with Edward W. Kelley Former Member, Board of Governors of the Federal Reserve System
    Federal Reserve Board Oral History Project Interview with Edward W. Kelley Former Member, Board of Governors of the Federal Reserve System Date: September 22, 2010 Location: Washington, D.C. Interviewers: Lynn Fox, Winthrop P. Hambley, and David H. Small Federal Reserve Board Oral History Project In connection with the centennial anniversary of the Federal Reserve in 2013, the Board undertook an oral history project to collect personal recollections of a range of former Governors and senior staff members, including their background and education before working at the Board; important economic, monetary policy, and regulatory developments during their careers; and impressions of the institution’s culture. Following the interview, each participant was given the opportunity to edit and revise the transcript. In some cases, the Board staff also removed confidential FOMC and Board material in accordance with records retention and disposition schedules covering FOMC and Board records that were approved by the National Archives and Records Administration. Note that the views of the participants and interviewers are their own and are not in any way approved or endorsed by the Board of Governors of the Federal Reserve System. Because the conversations are based on personal recollections, they may include misstatements and errors. ii Contents Background ..................................................................................................................................... 1 Nomination to the Board ................................................................................................................
    [Show full text]
  • Qfgcoll-Manual
    TABLE OF CONTENTS GAME DOCUMENTATION Quesc For Glory I - Original .........................................2 Quesc For Glory I - Revised .................. ............ .......... 11 Quesc For Glory II ............................................... 15 Quesc For Glory III ..............................................22 Quesc For Glory N IF YOU HAVE A PROBLEM .........................................44 HOW TO CONTACT SIERRA ....................................... .45 THE SIERRA NO-RISK GUARANTEE .........................•...... .46 WARRANTY ..................................................... 46 -1- INSTALLATION INSTRUCTIONS To Install In Windows: I. Insert the QFG Anthology CD into your CD-ROM drive. 2. If your computer is not already in Windows, type WIN and press the ENTER key at the MS-DOS prompt. 3. In Windows 3.1 and Windows for Orkgroup in the Program Manager, left-click on the menu choice FILE and select the RUN pcion. n Windows 95, left-click on the START burcon and select the RUN option. Ty !VP and click OK. If your CD-ROM drive is F:, type F:\SETUP. 4. Follow the on-screen prompts co complet inscallacion To Install In MS·DOS; 1. Insert che QFG Anth9logy Cb into your CD-ROM cmve. QUEST 2. From an -D prompt, the CD-RO drive leaer followed by colon, then pr ch < E key. If youc CD-ROM drive is : , type D: and press the ENTER key. If D ..RQM drive is H:, type H: and pres the E ER key. FOR 3. Ac th 0- OM clr.i e prompt ("D: >"), type: INSTALL and pr the ENTE'.'R key. 4. Follow the on-screen prompts co complete the insrallaoo . GLORY Nore: Typin9D: STALL will or wor You must 0: and pr~s ENTER, then type INSTALL ANTHOLOGY To Plill As a Hero, you'll be given the responsibility co cry co make things bercer, co improve the world In Windows, open the Sierra group and click on around you.
    [Show full text]
  • Mother of Three Drowns Children and Other Stories Laura L
    University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2012-01-01 Mother of Three Drowns Children and Other Stories Laura L. Stubbins University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the American Literature Commons, Literature in English, North America Commons, and the Women's Studies Commons Recommended Citation Stubbins, Laura L., "Mother of Three Drowns Children and Other Stories" (2012). Open Access Theses & Dissertations. 2393. https://digitalcommons.utep.edu/open_etd/2393 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. MOTHER OF THREE DROWNS CHILDREN AND OTHER STORIES LAURA L. STUBBINS Department of Creative Writing APPROVED: Lex Williford, MFA, Chair Dan Chacón, MFA Benjamin C. Flores, Ph.D. Interim Dean of the Graduate School Copyright © by Laura L. Stubbins 2012 Dedication For Polly, Geoffrey, Lisa, Robin, and of course, Mother and Dad. MOTHER OF THREE DROWNS CHILDREN AND OTHER STORIES by LAURA L. STUBBINS, B.A. THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of MASTER OF FINE ARTS Department of Creative Writing THE UNIVERSITY OF TEXAS AT EL PASO May 2012 Acknowledgements I offer my sincerest appreciation and thanks to my thesis director, Professor Lex Williford, whose tremendous knowledge and guidance made this thesis possible.
    [Show full text]
  • \0-9\0 and X ... \0-9\0 Grad Nord ... \0-9\0013 ... \0-9\007 Car Chase ... \0-9\1 X 1 Kampf ... \0-9\1, 2, 3
    ... \0-9\0 and X ... \0-9\0 Grad Nord ... \0-9\0013 ... \0-9\007 Car Chase ... \0-9\1 x 1 Kampf ... \0-9\1, 2, 3 ... \0-9\1,000,000 ... \0-9\10 Pin ... \0-9\10... Knockout! ... \0-9\100 Meter Dash ... \0-9\100 Mile Race ... \0-9\100,000 Pyramid, The ... \0-9\1000 Miglia Volume I - 1927-1933 ... \0-9\1000 Miler ... \0-9\1000 Miler v2.0 ... \0-9\1000 Miles ... \0-9\10000 Meters ... \0-9\10-Pin Bowling ... \0-9\10th Frame_001 ... \0-9\10th Frame_002 ... \0-9\1-3-5-7 ... \0-9\14-15 Puzzle, The ... \0-9\15 Pietnastka ... \0-9\15 Solitaire ... \0-9\15-Puzzle, The ... \0-9\17 und 04 ... \0-9\17 und 4 ... \0-9\17+4_001 ... \0-9\17+4_002 ... \0-9\17+4_003 ... \0-9\17+4_004 ... \0-9\1789 ... \0-9\18 Uhren ... \0-9\180 ... \0-9\19 Part One - Boot Camp ... \0-9\1942_001 ... \0-9\1942_002 ... \0-9\1942_003 ... \0-9\1943 - One Year After ... \0-9\1943 - The Battle of Midway ... \0-9\1944 ... \0-9\1948 ... \0-9\1985 ... \0-9\1985 - The Day After ... \0-9\1991 World Cup Knockout, The ... \0-9\1994 - Ten Years After ... \0-9\1st Division Manager ... \0-9\2 Worms War ... \0-9\20 Tons ... \0-9\20.000 Meilen unter dem Meer ... \0-9\2001 ... \0-9\2010 ... \0-9\21 ... \0-9\2112 - The Battle for Planet Earth ... \0-9\221B Baker Street ... \0-9\23 Matches ..
    [Show full text]
  • Tile-Based Method for Procedural Content Generation
    Tile-based Method for Procedural Content Generation Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By David Maung Graduate Program in Computer Science and Engineering The Ohio State University 2016 Dissertation Committee: Roger Crawfis, Advisor; Srinivasan Parthasarathy; Kannan Srinivasan; Ken Supowit Copyright by David Maung 2016 Abstract Procedural content generation for video games (PCGG) is a growing field due to its benefits of reducing development costs and adding replayability. While there are many different approaches to PCGG, I developed a body of research around tile-based approaches. Tiles are versatile and can be used for materials, 2D game content, or 3D game content. They may be seamless such that a game player cannot perceive that game content was created with tiles. Tile-based approaches allow localized content and semantics while being able to generate infinite worlds. Using techniques such as aperiodic tiling and spatially varying tiling, we can guarantee these infinite worlds are rich playable experiences. My research into tile-based PCGG has led to results in four areas: 1) development of a tile-based framework for PCGG, 2) development of tile-based bandwidth limited noise, 3) development of a complete tile-based game, and 4) application of formal languages to generation and evaluation models in PCGG. ii Vita 2009................................................................B.S. Computer Science, San Diego State
    [Show full text]