The Evolution of the Furniture Trades at Hampton Institute, 1868-1960S
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W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2013 From the Unpolished to the Refined: The vE olution of the Furniture Trades at Hampton Institute, 1868-1960s. Vanessa Darlene Thaxton-Ward College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons Recommended Citation Thaxton-Ward, Vanessa Darlene, "From the Unpolished to the Refined: The vE olution of the Furniture Trades at Hampton Institute, 1868-1960s." (2013). Dissertations, Theses, and Masters Projects. Paper 1593092088. https://dx.doi.org/doi:10.21220/m2-v5vy-w191 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. From the Unpolished to the Refined: The Evolution of the Furniture Trades at Hampton Institute, 1868-1960s Vanessa Darlene Thaxton-Ward Hampton, Virginia Master of Arts, Hampton University, 1987 Bachelor of Arts, Virginia Wesleyan College, 1983 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program The College of William and Mary August, 2013 © Copyright by Vanessa D. Thaxton-Ward 2013 All Rights Reserved APPROVAL PAGE This Dissertation is submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy fa y * * * * - Vanessa Darlene Thaxton-Ward Approved by the Committee, May, 2013 ^cr~ Committee Chair Professor Grey Gundaker, American Studies and Anthropology The College of William and Mary Professor Michael ^key^fthropcrlOQ^elhd American Studies The College of William and Mary Am— Assoc ate tries McGovern, American Studies and History the College of William and Mary Professor Hoda Zak|, Political Science and African American Studies Hood College ABSTRACT This dissertation looks at the history of Hampton Normal Industrial and Agricultural Institute through its curriculum in the Trade School, concentrating on the Furniture Trades. My study is predominantly concerned with showing how the achievements of Hampton students and graduates in furniture making served as a metaphor for understanding the advancement of African Americans during this period from two perspectives: the history of African American material life in which highly skilled artisanal production promoted social and economic advancement; and the role of Trades curricula in debates about the proper course of African American higher education over time. The dissertation also provides information on the furniture produced at Hampton, the recollections of former students and faculty in the program, and the efforts of the Hampton University Museum to collect and preserve these important pasts of Hampton’s history. I use evidence from history, African American and material culture studies, and public and oral history to present a multifaceted discussion about how from 1868 through the 1960s furniture made in the school provided unpolished functional pieces for the school’s use and refined ones for sale to the surrounding communities. Through these endeavors, Hampton served as one of the many catalysts for the uplift of African Americans. TABLE OF CONTENTS Acknowledgements iii Dedication iv List of Tables v List of Figures vi Introduction Why Cabinet-making 1 Methodology and overview of chapters Chapter I. African Americans’ Search for Education as Enslaved and Freed People 23 Chapter 2. The Curriculum of Hampton Normal, Industrial and Agricultural Institute 43 Chapter 3. Material Representation, Furniture Trades: Cabinetmaking and Upholstery 100 Chapter 4. Building on Tradition: Collecting, Documentation and Exhibitions and Style 165 Conclusion 197 Appendix A. Cabinetmakers at Hampton: Personal Narratives 201 Appendix B. Select Furniture Catalog from the Hampton University Museum 210 Appendix C. Leonard J. Young, Sr. Original Drawings 226 Appendix D. Interviews 234 Appendix E. Trade School Curriculum 264 Appendix F. Select Furniture Glossary 271 References and Bibliography 273 Vitae 293 ii ACKNOWLEDGEMENTS I wish to thank my chair and mentor, Dr. Gray Gundaker. We began this journey at the College of William and Mary together and with patience she has guided me through the dissertation process. I am very appreciative of her careful reading and constructive comments throughout. I would like to also thank the other committee members, Dr. Michael Blakey, Dr. Charles McGovern and Dr. Hoda Zaki for their guidance as well. Kudos to the former museum director, Jeanne Zeidler for introducing me to the American Studies program at the College of William and Mary. I am greatful to the rest of my Hampton University Museum family including the assistance of the Hampton University Archives staff, Donzella Maupin, Cynthia Poston, and Andresse Scott for access and guidance to materials from the Archives. Also, a special thank you to former curator of collections and director, Mary Lou Hultgren for her support through the years. Crystal C. Johnson, associate curator, thank you for photographing a lot of the furniture, listening to me and providing pep talks. Robert Jondreau, your help with relocating the furniture and helping me with the measurements was invaluable. I really appreciate museum volunteer, Darryl Randolph for scanning all of the photographs and charts. Of course, I would not have gotten very far without Reuben Burrell for taking photographs through the years and for informing me of the history of the trade school. Additionally, this work would not have been possible without the assistance of Leonard Joseph Young, and Harold Evans for sharing their days at Hampton with me. Joyce Blair, thank you for sharing the stories of your father, John Hudgens. Habeebah Muhammad and your late mother, Mrs. Della Lowery, thank you for the loan of the tilt top table made by your father, Charles Lowery. To my sister friends, those who have passed on and those who are still here with me: Thank You! Charity Jackson, Heather Ampofo-Anti, Anita Holloway, Cathy Jones, Etta Washington - 1 did it. Dr. Ywone Edwards-lngram, thank you for your editing skills, listening and pep talks; and, to Dr. Rosiland Whitaker-Heck thank you for keeping me on track as we both encouraged each other to complete our task. Members of GWWA (The Greater Williamsburg Women’s Association); SGI Members and Mr. Leroy Graves of Colonial Williamsburg who was very instrumental in aiding me with the identification of furniture. Thank you all. And to my wonderful family, Richard, Heru, and Mettima - thanks for allowing me to hold you hostage. This Ph.D. is dedicated to my family Richard, Heru and Mettima Ward and my parents Willie W. Green, Jr. (September 18,1931 - March 13, 2013) and Louise R. Green Thank You for your support iv LIST OF TABLES 1. 1902-3 Trade School Report on Student Enrollment 70 2. List of Furniture Trade Instructors 130 3. Tools and Supplies 152 4. Jacobean-William and Mary, 1640-1720 185 5. Queen Anne, 1720-1755 186 6. Chippendale, 1775-1790 186 7. Classical Period, 1790-1830 187 8. Early Victorian, 1830-1870 188 V LIST OF FIGURES 1. Trade School Monument 2 2. Thomas Day Secretary 14 3. Early photograph of HNAI, 1868 49 4. A Plan of HNAI, Hampton, VA 57 5. Hollis B. Frissell, Second Principal 67 6. Reuben V. Burrell, 19 years old 85 7. President Alonzo G. Moron 95 8. Mrs. Emma Walker Armstrong’s Desk 105 9. Early photograph of HNAI dormitory 106 10. Indian students mattress making at HNAI 108 11. Interior of Chapel 111 12. Indian Table, c. 1895 112 13. Detail of Indian Table, note beading 114 14. Detail of Indian Table, Exterior Drawer 114 15. Detail of Indian Table, legs with pineapples 114 16. Men in Carpentry Shop, Frances Benjamin Johnston, 1900 120 17. Students at work on house, Frances Benjamin Johnston, c. 1900 121 18. Men Using Machinery in Woodworking Shop, Frances Benjamin Johnston, c. 1900 121 19. Class in Egyptian History, Frances Benjamin Johnston, c. 1900 122 20.Class in Sloyd, Frances Benjamin Johnston, c. 1900 122 21. Graduates Dining at Home, France Benjamin Johnston, c. 1900 123 22. Furniture Trades Workshop, Reuben V. Burrell, c. 1940s 129 23. Replica of George Washington Sheraton Desk, c. 1940s 132 24. James Adams in his home 132 25. T. A. Fountain property, c. 1940s 134 26.Mayme Bowman in Upholstery Workroom, c. 1940 134 vi 27. Leonard “Joe” Young with Divan pattern, c. 1940s 135 28. Colonial Revival Queen Anne Style Settee, c. 1940s 136 29. Training in Upholstering, Courtesy of Joyce Hudgens Blair, c. 1940s-50s 139 30. Summer Session, Mayme Bowman and Cabinetmaking and UpholsteringMajors, c. 1940s-50s 139 31 .Furniture Trades Students at Tea 140 32.Mahogany Chest of Drawers Blueprint, Leonard “Joe” Young 141 33.Mahogany Tea Table Blueprint Leonard “Joe” Young 142 34.Furniture Shop, c. 1940s 142 35.Billy Smith carving a Chippendale Ribbon back Chair, c. 1940s 143 36.Original Chippendale Ribbon back Chair, 1754 144 37.Chippendale Shelf made by John Hudgens, c. 1940s-50s 147 38.Training in the Finishing Room, c. 1940s-50s, 147 39.Mansion House Desk made by John Hudgens as a Project, c. 1940s-50s 148 40.Map of the Saw Mill, Furniture Trades Building and Wood Piles, c. 1940 150 41.Interior of George Washington Desk drawer 151 42.Chest of Drawers from bedroom Suite made at Hampton 160 43.Detail of Chest of Drawers, tongue & Groove detail 161 44.Side table 161 45.Headboard and footboard 161 46.Gateleg Dining Room Table 163 47.Dining room chair 163 48.Victorian Headboard 169 49.Detail of Crest from Victorian bed 170 50.Victorian Footboard 170 51 .Back of Indian TableDrawer 171 52.Back of Emma Armstrong’s desk 171 53.Corner Cabinet made in Furniture Shop, c.