Building a Successful 21St Century Music Career

Total Page:16

File Type:pdf, Size:1020Kb

Building a Successful 21St Century Music Career Building a Successful 21st Century Music Career Simon Cann © 2007 Thomson Course Technology, a division of Thomson Publisher and General Learning Inc. All rights reserved. No part of this book may be Manager, Thomson reproduced or transmitted in any form or by any means, Course Technology PTR: electronic or mechanical, including photocopying, recording, or Stacy L. Hiquet by any information storage or retrieval system without written permission from Thomson Course Technology PTR, except for Associate Director of Marketing: the inclusion of brief quotations in a review. Sarah O’Donnell The Thomson Course Technology PTR logo and related trade Manager of Editorial Services: dress are trademarks of Thomson Course Technology, a division Heather Talbot of Thomson Learning Inc., and may not be used without written Marketing Manager: permission. Mark Hughes All trademarks are the property of their respective owners. Acquisitions Editor: Important: Thomson Course Technology PTR cannot provide Orren Merton software support. Please contact the appropriate software manufacturer’s technical support line or Web site for assistance. Marketing Assistant: Adena Flitt Thomson Course Technology PTR and the author have attempted throughout this book to distinguish proprietary Project Editor/Copy Editor: trademarks from descriptive terms by following the Cathleen D. Snyder capitalization style used by the manufacturer. PTR Editorial Services Information contained in this book has been obtained by Coordinator: Thomson Course Technology PTR from sources believed to be Erin Johnson reliable. However, because of the possibility of human or mechanical error by our sources, Thomson Course Technology Interior Layout: PTR, or others, the Publisher does not guarantee the accuracy, Shawn Morningstar adequacy, or completeness of any information and is not Cover Designer: responsible for any errors or omissions or the results obtained Mike Tanamachi from use of such information. Readers should be particularly aware of the fact that the Internet is an ever-changing entity. Indexer: Some facts may have changed since this book went to press. Larry Sweazy Educational facilities, companies, and organizations interested in Proofreader: multiple copies or licensing of this book should contact the Gene Redding Publisher for quantity discount information. Training manuals, CD-ROMs, and portions of this book are also available individually or can be tailored for specific needs. ISBN-10: 1-59863-370-8 ISBN-13: 978-1-59863-370-2 eISBN-10: 1-59863-755-X Library of Congress Catalog Card Number: 2006909692 Printed in the United States of America 07 08 09 10 11 TW 10 9 8 7 6 5 4 3 2 1 Thomson Course Technology PTR, a division of Thomson Learning Inc. 25 Thomson Place ■ Boston, MA 02210 ■ http://www.courseptr.com Acknowledgments I would like to thank everyone who has been involved in the writing of this book. There are a few people I would particularly like to single out. ■ Lucy Jordache from Marillion and Derek Sivers from CD Baby, together with all of the other people I spoke to while writing this book. ■ Cathleen Snyder, Orren Merton, and the good folks at Thomson. In addition, Shawn Morningstar for the layout, Mike Tanamachi for the artwork, and Gene Redding for proofreading and finding the mathematical errors. ■ A book like this can’t go without mentioning Richard Moody and the many conversations we’ve had over many years about building communities and constructing websites. And hi to Mrs. Moody and the little Moodys too!! ■ David, Lisa, and Mae. You didn’t do anything to help with the book, but it’s always good to have you people around. iii About the Author Simon Cann is a musician and writer based in London. He worked for more than 15 years as a management consultant, where his clients included global music industry/entertainment/broadcasting companies, as well as companies in the financial services, aeronautical, pharmaceutical, and chemical industries. He is the author of Cakewalk Synthesizers: From Presets to Power User and How to Make a Noise, and he is co-author of Sample This! You can contact Simon through his website: www.noisesculpture.com. iv Contents Part I Introduction Chapter 1 Introduction 3 Your Career Begins Today . 3 Why the Emphasis on Being Proactive? I Just Wanna Play Music! . 5 How You Can Make It Happen . 7 The Commercial Imperative. 8 Adopting the Strategies Set Out in This Book . 9 Getting the Most from This Book . 10 Chapter 2 Do You Really Want a Career in Music? 17 Kick-Starting Your Career . 20 Music in the 21st Century: This Time It’s Personal . 21 An Introduction to the Business Strategy for the Musician. 22 Defining Success . 26 Chapter 3 Influences for Change and the Opportunities These Changes Bring 31 MP3s, iTunes, and Music Downloads . 32 The Expanding Market for Music in TV/Films/Games. 36 The “Collapse” of the CD Market. 38 Merchandising and Other Non-Music Income Sources . 40 Home Recording . 41 eServices. 42 American Idol/X Factor . 50 MySpace, YouTube, and Other Forms of Internet Relationships . 51 Associates’ Arrangements. 54 Ringtones. 56 Unique Ideas . 57 v vi Building a Successful 21st Century Music Career Part II The Fan Base Chapter 4 Exploiting with Integrity 61 Exploitation. 61 Why Do You Need a Fan Base? . 63 The Fans’ Expectations . 66 Communicating with Your Fan Base . 69 The Mechanics of Bulk Communication . 78 So Will You Exploit with Integrity? . 81 Chapter 5 Building and Keeping the Fan Base 83 The Conversion Process. 83 Finding Potential Fans and Building the Fan Base . 90 Losing Fans . 95 Going Global. 98 What Do You Do if You Don’t Have a Fan Base? . 99 Current Options for the Musician without a Fan Base. 100 Chapter 6 Publicity in the 21st Century 109 Active Publicity . 110 Passive Publicity . 117 Building the Perfect Website . 121 Part III The Product Chapter 7 What Do You Actually Do?!? 137 Who Are You? What Do You Do? . 137 Who Is Your Market? . 138 Is There an Audience? . 139 What Does Your Audience Want? . 141 Chapter 8 Creating and Developing the Product 145 What Is a Product? . 145 Releasing the Product . 155 Life of the Product. 156 Development Time. 159 Product Pricing . 162 Contents vii The Cost of Developing Products . 166 Making Money from Products . 172 Part IV The Nasty Commercial Bits Chapter 9 Economics 101 189 Sources of Income: How Much Can I Earn? . 190 Earnings from CD Sales. 192 On-Demand CDs. 193 Pressing Your Own CDs . 194 Record Label Deal. 199 Downloads . 218 Moving Images . 219 Merchandising . 220 Live Performances . 223 Sponsorship/Endorsements . 226 Commission. 228 Songwriting Royalties . 230 Gifts . 235 Income from Your Infrastructure. 235 Future Sources of Income. 237 Sources of Finance . 243 Costs . 252 Chapter 10 Building the Team around You 265 Structure of Your Business . 265 Picking the Team . 273 The Shareholders . 275 The Manager . 276 The Business Manager . 282 Lawyers . 284 Accountants. 286 Bankers . ..
Recommended publications
  • We Need Water!
    CONCEPTS OF COMPREHENSION: CAUSE AND EFFECT 2n d GRADE UNIT Reading Passage We Need Water! Every living thing needs water to live. People need clean, fresh water for drinking, washing, and having fun. How do you use water? Watch the Water Cycle Water is found nearly everywhere. It is in the ground we walk on and in the air we breathe. Water moves from land to sky and back again. That journey is called the water cycle. Did you ever wonder where that glass of water comes from? Take a look! USGS The water cycle. 1 Text: Copyright © 2005 Weekly Reader Corporation. All rights reserved. Weekly Reader is a registered trademark of Weekly Reader Corporation. Used by permission. From Weekly Reader 2, Student Edition, 4/1/05. © 2010 Urban Education Exchange. All rights reserved. CONCEPTS OF COMPREHENSION: CAUSE AND EFFECT 2n d GRADE UNIT Reading Passage 1. The sun warms the water in rivers, lakes, and oceans. Soon the warm water changes into a gas. That change is called evaporation1. The gas floats up and forms clouds in the sky. 2. The gas in clouds cools. Soon the cool gas turns back into water. That change is called condensation2. 3. Water falls from the clouds to Earth as raindrops or snowflakes. That process is called precipitation3. 4. Rain soaks into the ground. The water flows back into the rivers, lakes, and oceans. That process is called collection4. Soon the water cycle starts all over again. Protect Water! Photos.com Turn off the faucet while brushing your Here are some tips you can follow to teeth.
    [Show full text]
  • Ewolucja Błazna
    Historia Ewolucja błazna Marillion – studyjne albumy ery Fisha (1983-1987) Druga fala, w kontekście trendów wszelakich (może poza drugą falą feminizmu oraz drugą falą ezoteryki), nigdy nie będzie tą pierwszą, więc konserwatyści zawsze ją zdeprecjonują. Marillion – prekursor powrotu rocka progresywnego w latach 80. XX wieku – nie był i nie będzie postrzegany jako jedna z najważniejszych grup tego gatunku. Pod względem popularności nie może się równać z „wielką szóstką” z poprzedzającej dekady – zespołami Pink Floyd, King Crimson, Genesis, Yes, ELP i Jethro Tull. Mimo to warto się pochylić nad twórczością tej szczególnej grupy. Michał Dziadosz 90 Hi•Fi i Muzyka 7-8/16 Historia fanów prozy J.R.R. Od fonograficznych początków do dziś Fish, jako główna postać, góruje nad resztą Tolkiena nazwa na gitarze gra Steve Rothery, na basie – Pete nie tylko wzrostem, ale także poetycką indy- brzmi dziwnie zna- Trewavas, a na instrumentach klawiszowych widualnością. Koledzy z zespołu dotrzymują jomo – Marillion to niemal „Silmarillion”. – Mark Kelly. Od 1984 roku za perkusją za- mu jednak kroku, stwarzając dookoła jego Panowie już we wczesnym etapie działalno- siada Ian Mosley. W 1988 etat wokalisty ob- opowieści niezwykły klimat. Od początku ści zrezygnowali jednak z przedrostka „sil”, jął utalentowany Steve Hogarth. Zmiana na każdy z nich trzyma poziom, może poza gdyż niedaleko od niego do „silly”, a przecież tym stanowisku wciąż budzi kontrowersje grającym na perkusji Mickiem Pointerem. nikt nie chce być postrzegany jako głuptas. i dzieli fanów na zwolenników starego i no- Przez jego problemy z punktualnością sekcja Wczesny etap trwał wystarczająco długo, wego Marillion. rytmiczna nieco pływa, ale w ogólnym roz- by grupa zdążyła się ukształtować i przygo- Dziś jednak nie o konfliktach i sporach, rachunku – nie jest źle.
    [Show full text]
  • Proving: Two-Toed Sloth (Choloepus Didactylus) Date: October 2017 by Mani Norland, Luke Norland & the School of Homeopathy
    Orchard Leigh · Rodborough Hill · Stroud · Gloucestershire · GL5 3SS T: +44 (0)1453 765 956 · E: [email protected] www.homeopathyschool.com Proving: Two-toed Sloth (Choloepus didactylus) Date: October 2017 By Mani Norland, Luke Norland & The School of Homeopathy. The Homeopathic Proving of Choloepus didactylus 2 Latin Name Choloepus didactylus. Common Names Two-toed sloth. Hoffmann's two-toed sloth. Linnaeus's two-toed sloth. Taxonomy Kingdom: Animalia Phylum: Chordata Class: Mammalia Order: Pilosa Suborder: Folivora Family: Choloepodidae Genus: Choloepus Sophia Müller, Unsplash(1) About (1, 2) The remedy was prepared from a hair sample and run-up to the 30th centesimal potency by the proving group led by Mani Norland and John Morgan. There were 13 female and 2 male provers; each taking a single dose. The proving was fully supervised for a period of 2 months. The diaries were then collated and repertorised by Luke Norland. Whilst the name "sloth" means lazy or idle, the slow movements of this mammal are a useful adaptation for surviving on a low-energy diet of leaves. They are so solitary in their nature that it is even uncommon for two to be found together in the same tree. The sloth spends almost its entire life, including eating, sleeping, mating, and giving birth, hanging upside down from tree branches. However, when the time comes for urination and defecation they slowly make their way to the ground. This seems to be rather a behavioural quirk, as whilst earthbound they are almost defenceless. Their shaggy coat has grooved hair which plays host to a symbiotic green algae, providing both camouflage and nutrients.
    [Show full text]
  • A Creed to Live by Don't Undermine Your Worth by Comparing Yourself
    A Creed To Live By A Hundred Years From Now Don't undermine your worth by comparing yourself A hundred years from now it will not matter what my with others. bank account was, the sort of house I lived in, or the It is because we are different that each of us is kind of car I drove but the world may be different special. because I was important in the life of a child. Don't set your goals by what other people deem A Man important. Only you know what is best for you. A man that made an impression on strangers and friends. Don't take for granted the things closest to your heart. Quiet but firm and even more stern. Cling to them as you would your life, for without Strength and courage I have learned from you, them life is meaningless. but being without you is hard to do. Don't let your life slip through your fingers by living A man with pride in every step he made. in the past or for the future. A man with vigor in every phrase. By living your life one day at a time, you live all the days of your life. The tears I’ve shed cannot surpass the smiles and the laughs we had with you. Don't give up when you still have something to give. To feel your pain I could not do, Nothing is really over until the moment you stop to feel your joy I cannot explain, trying. but being without you is hard to do.
    [Show full text]
  • Music DVD Review: Steve Hogarth - H - Naked in the Chapel
    http://blogcritics.org/music/article/music-dvd-review-steve-hogarth-h/ Music DVD Review: Steve Hogarth - H - Naked in the Chapel For those who are not already in the know, Steve Hogarth -- or "H" as he is known to hardcore fans -- is the lead vocalist for British progressive rock band Marillion. Faced with the rather daunting task of taking over the reins from Marillion's original vocalist -- the highly theatrical Fish -- Hogarth not only rose to it, but actually helped reinvent Marillion in the process. With his far more personally engaging style, Hogarth in fact took Marillion from their one-time status as a sort of baby Peter Gabriel-era Genesis knockoff to a band who has long since re-established a unique identity for themselves with latter day progressive-pop masterpieces like Marbles . The bottom line is that Marillion now enjoys a smaller, but more devoted fan base than they ever did in the Fish days. And those same fans absolutely love them their boy "H". Which is why a concert DVD like H - Naked in the Chapel presents the sort of problem many a lesser band would actually love to have. For those faithful hardcore Marillion fans, it offers a rare and intimate audience -- think VH1's Storytellers series for the best point of reference here -- with the Marillion frontman. It is, in fact, billed as an "intimate evening of music, rock n' roll diaries, lyrics and conversation" with one and the same. On the other hand, for those living outside of that particular universe, H - Naked in the Chapel could well leave you scratching your heads.
    [Show full text]
  • And the Winner Is... WDR 200. Die Besten Alben Aller Zeiten
    WDR 200 - NRW WÄHLT And the winner is... ..."Wish you were here" von Pink Floyd Vier Wochen lang haben Sie Ihre Stimme für Ihr Lieblingsalbum abgegeben - tausende Vorschläge sind über unsere Datenbank bei uns eingegangen... Und hier ist es nun: WDR 200. Das beste Album aller Zeiten - Ihre Nummer Eins! WDR 200. Die besten Alben aller Zeiten Ihre WDR 200-Gewinnerinnen und WDR 200-Gewinner Platz Künstler Album Titel 01 Pink Floyd Wish You Were Here Wish You Were Here 02 Pink Floyd The Wall Comfortably Numb 03 Beatles, The Sgt. Pepper's Lonely Hearts Club Band A Day In The Life 04 Dire Straits Brothers In Arms Brothers In Arms 05 Queen A Night At The Opera Bohemian Rhapsody 06 Pink Floyd Dark Side Of The Moon Time 07 U2 The Joshua Tree With Or Without You 08 ABBA ABBA Gold Dancing Queen 09 Fleetwood Mac Rumours Go Your Own Way 10 Grönemeyer, Herbert 4630 Bochum Bochum 11 Jackson, Michael Thriller Thriller 12 Deep Purple Deep Purple In Rock Child In Time 13 Springsteen, Bruce Born In The U.S.A. Born In The U.S.A. 14 Meat Loaf Bat Out Of Hell Bat Out Of Hell 15 Springsteen, Bruce Born To Run Thunder Road 16 Grönemeyer, Herbert Mensch Mensch 17 Beatles, The Abbey Road Here Comes The Sun 18 Supertramp Crime Of The Century School 19 Marillion Misplaced Childhood Kayleigh 20 AC/DC Back In Black Hells Bells 21 Munro, Donnie Heart of America Stranger To The Pine 22 Genesis The Lamb Lies Down On Broadway Carpet Crawlers 23 Reamonn Wish Starship 24 Metallica Metallica Nothing Else Matters 25 Kiss Destroyer Detroit Rock City 26 Gabriel, Peter So In Your Eyes 27 Queen A Kind Of Magic Who Wants To Live Forever 28 Led Zeppelin Led Zeppelin IV Stairway To Heaven 29 Beatles, The White Album While My Guitar Gently Weeps 30 Depeche Mode Violator Enjoy The Silence 31 Nirvana Nevermind Come As You Are 32 Supertramp Breakfast In America The Logical Song 33 Runrig The Big Wheel Flower Of The West 34 Dire Straits Dire Straits Sultans Of Swing 35 Rolling Stones, The Exile On Main Street Tumbling Dice 36 AC/DC Highway To Hell Highway To Hell 37 Electric Light Orchestra Out Of The Blue Mr.
    [Show full text]
  • Fish Biog 2018 in September 1988 Edinburgh Born Singer Derek
    Fish Biog 2018 In September 1988 Edinburgh born singer Derek William Dick, better known by his stage name ‘Fish’ resigned from his position as lead singer with world renowned progressive rock band ‘Marillion’ in a move that shocked both fans and the music business alike. The band were seemingly at the peak of their powers selling out arenas across Europe and having just released their album ‘Clutching at Straws’ in 1987 to critical acclaim following the multi-platinum 1985 album ’Misplaced Childhood’ they looked like they had the world at their feet. ‘Clutching at Straws’ was seen by many to be their best album yet and offered the beginning of an exciting new creative era for the band. “I adored ‘Clutching’. It was very personal to me and painful both writing and especially recording in the studio where confrontations were regular occurrences. We started writing “songs”, not just “bits” that were joined together. ‘Hotel Hobbies’ was a throwback to ‘Misplaced’ but we broke out on ‘Warm Wet Circles’ into bona fide song writing. ‘Incommunicado’ the band really didn’t like when we put it together. They thought it was too simple, a throwaway ‘jam’ .I loved it, it was plugged into my own influences and I admit very ‘Who’ ‘Quadrophenia’, one of my favourite albums. I loved the energy we created. It to me represented the original ‘Marillion attitude’ we had before we became ‘successful’. The fact they didn’t get turned on by it summed up the differences” Behind the scenes internal conflict continued over musical directions and managerial and business issues simmered.
    [Show full text]
  • Marillion Remixomatosis Mp3, Flac, Wma
    Marillion Remixomatosis mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Remixomatosis Country: UK Released: 2004 Style: Alternative Rock, Ambient MP3 version RAR size: 1717 mb FLAC version RAR size: 1258 mb WMA version RAR size: 1451 mb Rating: 4.4 Votes: 934 Other Formats: MIDI MP3 VQF MPC WAV DXD ADX Tracklist Hide Credits Between You And Me (Chance's Loopy Heart Remix) 1-1 5:28 Remix – Chance's End When I Meet God (Blissed Remix) 1-2 4:58 Remix – Gary Hughes Quartz (Dreamtime Mix) 1-3 8:37 Remix – Cameron Lasswell If My Heart Were A Ball It Would Roll Uphill (TH Mix) 1-4 8:02 Remix – Tito Huapaya Number One (One Funky Number [Re]mix) 1-5 7:14 Remix – Kostia Rapoport Separated Out (Outré Mix) 1-6 5:38 Remix – Carl Homer Map Of The World (Acid Kitsch [Re]mix) 1-7 Remix – Kostia RapoportWritten-By [Original Titles By] – Mosley*, Kelly*, Eede*, 5:18 Trewavas*, Hogarth*, Rothery* The Fruit Of The Wild Rose (Lullaby [Re]mix) 1-8 6:02 Remix – Kostia Rapoport This Is The 21st Century (Ancient Instinct [Re]mix) 1-9 7:52 Remix – Kostia Rapoport Bonus Disc Between You And Me (Marillion Vs Plasma) 2-1 3:33 Remix – Robert De Fresnes The Fruit Of The Wild Rose (Rose-Tinted Mix) 2-2 4:16 Remix – Carl Homer Separated Out (In The Groove [Re]mix) 2-3 4:13 Remix – Kostia Rapoport Map Of The World (As We See It Mix) 2-4 Remix – RedroqueWritten-By [Original Titles By] – Mosley*, Kelly*, Eede*, 4:11 Trewavas*, Hogarth*, Rothery* Companies, etc.
    [Show full text]
  • Marillion Liversilkrain Flag Thing City Secret Two Warthirty Love Jester in Words Tell Perrier
    re less lust sizeiv rot reply say dell w riskpr sat cat lullabyyeah shop four fugi angiehalo mare hero pub ear hit gifts lead chinasold dim story mile die ready hull cry re hey harp cow funny curl yet hit pills arise kiss box meltprice st fold pity everdad hey solo rollers sulk taxi girl story bid hedges wolf rebel lacerites fogs dog lyonwalliii lotrelics tin seeps flag cow script heavy lizard laylight chill barbed preach get linen cell supper iv ride pluck frozen star coveryet jerk tie shut bad palm gambled airport street shores can cowdjgap slug debs vu unity oiltv capri flush punchooze ruin bolts legs eggslace sealwhite dizzy bathe second fine alibi panestale holy last pr page curb piece ruled let cut aimlessly till lost dare pay rags icy beg hear non taylordillyego room roll dog slip realdr seine tube cost bad chat die thrillsat key hook fade sakefeelfinlay lash aligned knees slow sin mhath tomb bullet don halo pouring solo eternal stark adolescence seine disco standice child fame fire razor alone sow icicle caressaltar gave ring panel nakedscuttlingcoin button bags nest breach kiss bestfar trafficmice killer'sright dole shift scarletstate box safe move stairs universal best ask circle grey corksshout returnbrown court sortfeed alley edgy flirt lizard couplesmere round nextcrews london tape alive canal grisly foe bagels savior halo bad scent beach pause taxi brow hoe power hot key size curb fizzing dozen local think read mum punch foe rootin' paris tasks creedlessseduce shop legs hope seeps coin thirty vest sorry widewest'cos bulletgifts
    [Show full text]
  • “Het Voelt Alsof Ik Nog Één Album in Mij Heb”
    “HET VOELT ALSOF IK NOG ÉÉN ALBUM IN MIJ HEB” Interview Fish – De Oosterpoort, Groningen (22 april 2016 ) Met Marillion’s hitsingle Kayleigh zal hij altijd in één adem genoemd worden: Derek William Dick, beter bekend als Fish. Ook zijn naderende afscheid als muzikant in 2018 zal daar weinig aan veranderen. Hoewel Kayleigh in Neder- land niet verder kwam dan de 16 e plaats in de Top 40 bleef Marillion hier door de jaren heen enorm populair. In 2015 was Fish voor het laatst in Groningen, toen zijn optreden op het laatste moment werd geannuleerd omdat toetsenist John Beck kort daarvoor zijn arm had gebroken. Op vrijdag 22 april 2016 is Fish weer terug, deze keer met een ongedeerde toetsenist in zijn band… ’s Middags spreek ik de Schotse zanger in De Oosterpoort, waar hij druk rokend vertelt over alles wat hem bezig houdt. Want Fish is veel meer dan alleen Marillion. Hij is acteur in een aantal tv-series, schrijver van zijn eigen biografie, fanatiek supporter van de Schotse voetbalclub Hibernian en heeft maar liefst tien soloalbums uitgebracht. Kom meer te weten over deze veelzijdige muzikant, die zijn bijzondere bij- naam te danken heeft aan het feit dat hij graag lang in bad zit: Fish! Tekst: Godfried Nevels Vorig jaar zou je hier ook optreden maar… “Ja, ook Pipeline , The Perception of Johnny Hunter , “toen brak John [toetsenist John Beck] zijn arm. Giste- Family Business , A Feast of Consequences , dat soort ren waren we daar wel een beetje bezorgd over. We nummers. Je zal het vanavond zien.” waren op die plek en daar hing een vloek over…” Ik las dat je het concept van Misplaced Childhood in Gaat het nu goed met hem? zeer korte tijd hebt geschreven.
    [Show full text]
  • Marillion: the Music Business Is Over
    http://www.bbc.co.uk/norfolk/ 22 June 2004 1104 BST Marillion: The music business is over Marillion hope to swap their trousers and coats for shorts and sunglasses in Norwich. Credit: Carl Glover. Marillion have packed their bags and instruments for their first European tour in three years. The group are coming to Norwich on 29 June 2004 - and we caught up with them for a chat. Marillion are celebrating 22 years in the music biz with a 41-date tour - with the British leg kicking off in Norwich on 29 June. Although you might expect them to feel jaded, they've been fired up by their first top ten hit in several years. You're Gone was the first single to be released from their latest album, Marbles. Marillion notched up huge hits with Kayleigh and Lavender in the 1980s, but Scottish front man Fish left in 1988 to go solo. He was replaced by Steve Hogarth and the band continued to be as prolific, but their music stopped making as much impact on the charts and the radio. They were dropped by their record company EMI, but towards the end of the 1990s they found their fans were prepared to be their backers. After an e-mail whip round paid for their American tour, the band started a website and persuaded their followers to stump up for recordings in advance. Singer Steve Hogarth told Zoe Applegate how there's a new excitement in the band and why the music industry is dying but musicians will become richer than they have ever been.
    [Show full text]
  • NEWS34-Gd7m.Pdf
    news #34 MUNGOLIAN JETSET - MUNGODELICS Hot on the heels of 2011`s "Schlungs", the Jetsetters have kept those buttons busily pushed, and are already here with their next chapter installment, featuring 8 new nuggets entitled "Mungodelics". The album is essentially a psychodramatic sequel to the highly acclaimed "We Gave It All Away, Now We Are Taking It Back" album of 2009, as it is musically a blend of originals and remakes made into originals, as well as solo performances and external collaborations from the band`s musical core members, Knut Saevik and Paul "Strangefruit" Nyhus. All in all, "Mungodelics" musically summons everything that is hazy, dazy, underearthly and crazy. This is the Mungolian Jetset taking you on a ride through the seasons, and shifts of the days and nights, from the Cantina to the Ewok forest, via ritualistic dancing at Kilmin Taboour and stellar swimming in the galactic Goa. STS228CD/LP CDF/LP6 600116082824/600116082817 SMALLTOWN SUPERSOUND ANTIBALAS - S/T “Afrokalas. Det var Antibalas som satte I gang den andre afrobølgen. Nå vil de surfe den selv. Så afrikansk funky at det er vanskelig å sitte stille.” Dagens Næringsliv, Per A. Risnes Fifth Studio album by the leading Afrobeat ensemble from Brooklyn on the mighty Daptone imprint! A Must for fans of Fela Kuti, Tony Allen and the likes! "Rhythm is what makes a good afrobeat record," says Gabriel Roth, Daptone Records co-founder and producer of Antibalas' forthcoming self-titled LP. "Not just the rhythm section, but the rhythm of the horns, the rhythm of the vocals, the rhythm of the keyboards, everybody's rhythm.
    [Show full text]