STEVE HOGARTH of History
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Ewolucja Błazna
Historia Ewolucja błazna Marillion – studyjne albumy ery Fisha (1983-1987) Druga fala, w kontekście trendów wszelakich (może poza drugą falą feminizmu oraz drugą falą ezoteryki), nigdy nie będzie tą pierwszą, więc konserwatyści zawsze ją zdeprecjonują. Marillion – prekursor powrotu rocka progresywnego w latach 80. XX wieku – nie był i nie będzie postrzegany jako jedna z najważniejszych grup tego gatunku. Pod względem popularności nie może się równać z „wielką szóstką” z poprzedzającej dekady – zespołami Pink Floyd, King Crimson, Genesis, Yes, ELP i Jethro Tull. Mimo to warto się pochylić nad twórczością tej szczególnej grupy. Michał Dziadosz 90 Hi•Fi i Muzyka 7-8/16 Historia fanów prozy J.R.R. Od fonograficznych początków do dziś Fish, jako główna postać, góruje nad resztą Tolkiena nazwa na gitarze gra Steve Rothery, na basie – Pete nie tylko wzrostem, ale także poetycką indy- brzmi dziwnie zna- Trewavas, a na instrumentach klawiszowych widualnością. Koledzy z zespołu dotrzymują jomo – Marillion to niemal „Silmarillion”. – Mark Kelly. Od 1984 roku za perkusją za- mu jednak kroku, stwarzając dookoła jego Panowie już we wczesnym etapie działalno- siada Ian Mosley. W 1988 etat wokalisty ob- opowieści niezwykły klimat. Od początku ści zrezygnowali jednak z przedrostka „sil”, jął utalentowany Steve Hogarth. Zmiana na każdy z nich trzyma poziom, może poza gdyż niedaleko od niego do „silly”, a przecież tym stanowisku wciąż budzi kontrowersje grającym na perkusji Mickiem Pointerem. nikt nie chce być postrzegany jako głuptas. i dzieli fanów na zwolenników starego i no- Przez jego problemy z punktualnością sekcja Wczesny etap trwał wystarczająco długo, wego Marillion. rytmiczna nieco pływa, ale w ogólnym roz- by grupa zdążyła się ukształtować i przygo- Dziś jednak nie o konfliktach i sporach, rachunku – nie jest źle. -
Music DVD Review: Steve Hogarth - H - Naked in the Chapel
http://blogcritics.org/music/article/music-dvd-review-steve-hogarth-h/ Music DVD Review: Steve Hogarth - H - Naked in the Chapel For those who are not already in the know, Steve Hogarth -- or "H" as he is known to hardcore fans -- is the lead vocalist for British progressive rock band Marillion. Faced with the rather daunting task of taking over the reins from Marillion's original vocalist -- the highly theatrical Fish -- Hogarth not only rose to it, but actually helped reinvent Marillion in the process. With his far more personally engaging style, Hogarth in fact took Marillion from their one-time status as a sort of baby Peter Gabriel-era Genesis knockoff to a band who has long since re-established a unique identity for themselves with latter day progressive-pop masterpieces like Marbles . The bottom line is that Marillion now enjoys a smaller, but more devoted fan base than they ever did in the Fish days. And those same fans absolutely love them their boy "H". Which is why a concert DVD like H - Naked in the Chapel presents the sort of problem many a lesser band would actually love to have. For those faithful hardcore Marillion fans, it offers a rare and intimate audience -- think VH1's Storytellers series for the best point of reference here -- with the Marillion frontman. It is, in fact, billed as an "intimate evening of music, rock n' roll diaries, lyrics and conversation" with one and the same. On the other hand, for those living outside of that particular universe, H - Naked in the Chapel could well leave you scratching your heads. -
Si Tratta Di Un Omaggio Allo Speciale Rapporto Che Lega La Band Ai
Si tratta di un omaggio allo speciale rapporto che lega la band ai fedelissimi fan ormai da sempre, che ha reso possibile gran parte della loro produzione discografica e live, e che sicuramente non mancherà di conquistarne di nuovi. Dal loro anno di fondazione, il 1978, la band non ha smesso di dimostrare continuamente una profonda capacità di cercare nuove vie all'interno della scena musicale, sviluppando un feeling unico con il pubblico grazie ad un’ispirazione profonda e a live coinvolgenti e intensi. Inizialmente conosciuto con il nome di "Silmarillion" (dall'opera omonima di Tolkien), il gruppo mosse i primi passi alla fine degli anni Settanta, facendosi conoscere nella scena neoprogressive inglese con una serie di "sold out" al Marquee Club di Londra e assicurandosi così il primo contratto con la EMI. Sulla strada dell'indipendenza dal 1999, anno in cui il gruppo fondò la propria etichetta, la Intact. Steve "h" Hogarth frontman della band dal 1989, dopo la partenza di Fish, vi ha portato un cuore ed energia nuovi, prendendo parte anche alla composizione dei brani. Dall’89 dodici album di successo per Hogarth insieme alla formazione originale di Steve Rothery (chitarra), Mark Kelly (tastiere), Pete Trewavas (basso) e Ian Mosley (batteria) – ridefinendo costantemente il sound dei Marillion, con esplorazioni in territori musicali diversi. Dopo il lancio nel 1999 di 'marillion.com' la band prende posizione contro la pressione delle case discografiche e lancia la propria etichetta discografica (dall’appropriato nome Intact), ed è tra le prime band a farsi finanziare un album dai fans, con la realizzazione di Anoraknophobia (2001), quasi i primi a lanciare il modello di produzione basato sul ordine anticipato del disco tramite internet. -
GIANNI LAMAGNA AIRPORTMAN E STEFANO GIACCONE RICCARDO ROMANO LAND Feat. JENNIFER
MAT2020 - cinquanta - 0419 - cinquanta MAT2020 50 anni di “TOMMY” FRANCESCO DI GIACOMO GIANNI LAMAGNA AIRPORTMAN E STEFANO GIACCONE RICCARDO ROMANO LAND feat. JENNIFER ROTHERY APRILE 2019 La Primavera risveglia la voglia di musica e di concerti dal vivo, ma nel numero di aprile di MAT2020 MAT 2020 - MusicArTeam racconta... viene commentato un solo evento, quello a cui ha assistito Evandro Piantelli a Genova: Riccardo [email protected] Romano con la partecipazione di Jennifer Rothery. Angelo De Negri Come sempre sono tanti i commenti dei progetti discografici: Valentino Butti propone il secondo General Manager and Web Designer album dei Tacita Intesa mentre Luca Nappo mette in evidenza il nuovo lavoro della Fungus Family; tocca ad Antonio Belfiore raccontarci del disco di Macchina Pneumatica e ad Athos Enrile farci sco- Athos Enrile prire un diverso volto del poliedrico Franco Giaffreda; Max Rock Polis fa emergere la storia, sotto 1st Vice General Manager and Chief Editor tutti i punti di vista, proponendo un chitarrista mitico italiano, Andrea Braido, che a sua volta rende omaggio ai grandi del passato. Ancora Evandro Piantelli sottolinea il prog degliEveline’s Dust, e An- Massimo ‘Max’ Pacini drea Pintelli si “fa in tre” per presentare l’album di inediti diFrancesco Di Giacomo, AIRPORTMAN / 2nd Vice General Manager, Chief Editor and Webmaster Stefano Giaccone e Markus Stockhausen e Alireza Mortazavi. Andrea Zappaterra si concentra sulla Spagna e sul nuovo disco degli ON THE RAW, Alberto Sgarlato sull’esordio prog di Belloni/Mugiati e Marta Benedetti, Paolo ‘Revo’ Revello Gianni Sapia dà risalto ai suoi concittadini Next Station, arrivati al secondo album. -
Marillion - Somewhere Else - Your London Reviews Page 1 of 2 About | Home | Contact | Join Search
IndieLondon: Marillion - Somewhere Else - Your London Reviews Page 1 of 2 About | Home | Contact | Join Search Going Out Marillion - Somewhere Else Related Links ACCORDING to their PR, Marillion are one of » Film z Music Archives the UK music scene’s “best kept secrets”, z A/V Room » Theatre not to mention “purveyors of soulful, powerful and often deeply moving music”. z IndieLondon Gig » Music Guide » Events It’s a claim that’s hard to justify on the z Singles of the evidence of current album Somewhere Else, Week » Food their 14th studio offering. » Travel z Website Musically accomplished, for sure, the album Review by Jack Foley z Buy it » Tickets is also fairly bland. It may hold some appeal IndieLondon Rating: 2.5 out of 5 for fans of acts such as Embrace or even Staying In Crowded House but for all its endeavour, Somewhere Else lacks any real spark. » A/V Room Marillion are, of course, probably still best known for their ’80s hit Kayleigh when » Books Fish was their lead singer. Jon Bon Jovi Jon Bon Jovi concert » DVD But he left the band in 1988 after four albums and was replaced by Steve Hogarth London Tickets now www.epassage24.de » Competitions who helped to redefine the Marillion sound with the help of long-term band members Steve Rothery (guitar), Mark Kelly (keyboards), Pete Trewavas (bass) » Galleries and Ian Mosley (drums). Shopping They even launched their own record company, marillion.com, in 1999, taking away any of the pressure of record companies. Watch Fish Videos » Features Your Favorite Artists Unfortunately, Somewhere Else isn’t the LP that’s going to catapult them to the On-Demand. -
Intactcd11 Progressi
Marillion goes PHOTO: NIELS VAN IPEREN Somewhere Else It has been nearly a quarter century since Marillion arose at Band considers its chemistry the forefront of progressive rock’s second wave in the early th 1980s. During that span the band gradually adapted to a tighter than ever on 14 changing musical landscape, morphing from prototypical neo- progressive band, replete with references to Peter Gabriel-era studio release Genesis, to crack contemporary rock band. Rock, yes — but still progressive? According to guitarist Steve Rothery, yes, probably, but bassist Pete Trewavas isn’t so sure. By ROSS BOISSONEAU “It’s a rock band,” Trewavas says flatly, before adding, “I’m not even sure it’s a rock band.” “Some people call you progressive,” says Rothery, “but they mean that as an insult, like the worst ‘70s excess or self- indulgent twaddle. The true meaning is it doesn’t have to conform to short-radio format. “You can absorb classical, jazz. It [progressive music] has more meaning than most conventional pop songs. In that regard, yes, we’re a progressive band.” Drummer Ian Mosley is more succinct. “I’ve never really thought about progressive rock, I much prefer to think of music as good or bad – whether it’s long or short,” he says. Not that this discussion settles anything definitively. Marillion long has been considered a standard-bearer among second-generation prog bands, along with outfits such as Pallas and Pendragon, which followed on the heels of Kansas and 42 Progression 51 • Spring/Summer 2007 Rush and the “golden-era” groups who pioneered progressive “We’ve improved as musicians, and I think we’ve learned rock in the ‘70s – the likes of King Crimson, Yes, and Emerson, the craft of writing and arranging,” says Trewavas of the new Lake & Palmer. -
Marillion Liversilkrain Flag Thing City Secret Two Warthirty Love Jester in Words Tell Perrier
re less lust sizeiv rot reply say dell w riskpr sat cat lullabyyeah shop four fugi angiehalo mare hero pub ear hit gifts lead chinasold dim story mile die ready hull cry re hey harp cow funny curl yet hit pills arise kiss box meltprice st fold pity everdad hey solo rollers sulk taxi girl story bid hedges wolf rebel lacerites fogs dog lyonwalliii lotrelics tin seeps flag cow script heavy lizard laylight chill barbed preach get linen cell supper iv ride pluck frozen star coveryet jerk tie shut bad palm gambled airport street shores can cowdjgap slug debs vu unity oiltv capri flush punchooze ruin bolts legs eggslace sealwhite dizzy bathe second fine alibi panestale holy last pr page curb piece ruled let cut aimlessly till lost dare pay rags icy beg hear non taylordillyego room roll dog slip realdr seine tube cost bad chat die thrillsat key hook fade sakefeelfinlay lash aligned knees slow sin mhath tomb bullet don halo pouring solo eternal stark adolescence seine disco standice child fame fire razor alone sow icicle caressaltar gave ring panel nakedscuttlingcoin button bags nest breach kiss bestfar trafficmice killer'sright dole shift scarletstate box safe move stairs universal best ask circle grey corksshout returnbrown court sortfeed alley edgy flirt lizard couplesmere round nextcrews london tape alive canal grisly foe bagels savior halo bad scent beach pause taxi brow hoe power hot key size curb fizzing dozen local think read mum punch foe rootin' paris tasks creedlessseduce shop legs hope seeps coin thirty vest sorry widewest'cos bulletgifts -
“Het Voelt Alsof Ik Nog Één Album in Mij Heb”
“HET VOELT ALSOF IK NOG ÉÉN ALBUM IN MIJ HEB” Interview Fish – De Oosterpoort, Groningen (22 april 2016 ) Met Marillion’s hitsingle Kayleigh zal hij altijd in één adem genoemd worden: Derek William Dick, beter bekend als Fish. Ook zijn naderende afscheid als muzikant in 2018 zal daar weinig aan veranderen. Hoewel Kayleigh in Neder- land niet verder kwam dan de 16 e plaats in de Top 40 bleef Marillion hier door de jaren heen enorm populair. In 2015 was Fish voor het laatst in Groningen, toen zijn optreden op het laatste moment werd geannuleerd omdat toetsenist John Beck kort daarvoor zijn arm had gebroken. Op vrijdag 22 april 2016 is Fish weer terug, deze keer met een ongedeerde toetsenist in zijn band… ’s Middags spreek ik de Schotse zanger in De Oosterpoort, waar hij druk rokend vertelt over alles wat hem bezig houdt. Want Fish is veel meer dan alleen Marillion. Hij is acteur in een aantal tv-series, schrijver van zijn eigen biografie, fanatiek supporter van de Schotse voetbalclub Hibernian en heeft maar liefst tien soloalbums uitgebracht. Kom meer te weten over deze veelzijdige muzikant, die zijn bijzondere bij- naam te danken heeft aan het feit dat hij graag lang in bad zit: Fish! Tekst: Godfried Nevels Vorig jaar zou je hier ook optreden maar… “Ja, ook Pipeline , The Perception of Johnny Hunter , “toen brak John [toetsenist John Beck] zijn arm. Giste- Family Business , A Feast of Consequences , dat soort ren waren we daar wel een beetje bezorgd over. We nummers. Je zal het vanavond zien.” waren op die plek en daar hing een vloek over…” Ik las dat je het concept van Misplaced Childhood in Gaat het nu goed met hem? zeer korte tijd hebt geschreven. -
Marillion: the Music Business Is Over
http://www.bbc.co.uk/norfolk/ 22 June 2004 1104 BST Marillion: The music business is over Marillion hope to swap their trousers and coats for shorts and sunglasses in Norwich. Credit: Carl Glover. Marillion have packed their bags and instruments for their first European tour in three years. The group are coming to Norwich on 29 June 2004 - and we caught up with them for a chat. Marillion are celebrating 22 years in the music biz with a 41-date tour - with the British leg kicking off in Norwich on 29 June. Although you might expect them to feel jaded, they've been fired up by their first top ten hit in several years. You're Gone was the first single to be released from their latest album, Marbles. Marillion notched up huge hits with Kayleigh and Lavender in the 1980s, but Scottish front man Fish left in 1988 to go solo. He was replaced by Steve Hogarth and the band continued to be as prolific, but their music stopped making as much impact on the charts and the radio. They were dropped by their record company EMI, but towards the end of the 1990s they found their fans were prepared to be their backers. After an e-mail whip round paid for their American tour, the band started a website and persuaded their followers to stump up for recordings in advance. Singer Steve Hogarth told Zoe Applegate how there's a new excitement in the band and why the music industry is dying but musicians will become richer than they have ever been. -
March 2008 January 2008
GRTR! Playlists January 2008 – March 2008 January 2008 Date: SUNDAY JANUARY 6 2008 TIME: 15:00 – 17:00 1:55:24 ARTIST TITLE ALBUM/YEAR TIME 1. ALTER BRIDGE Ties That Bind Single (2008) 3:19 2. LECHERY Come Alive Violator (2008) 4:49 3. GAMMA RAY Opportunity Land Of The Free II (2007) 7:14 4. FISH So Fellini Fellini Days (2001) 4:06 5. MARILLION Kayleigh Misplaced Childhood (1985) 3:34 6. MERMAID KISS A Different Sky Etarlis (2007) 5:17 7. IQ You Never Will Dark Matter (2004) 5:20 8. THE DROWNING TREE Between The Lines Grafting Lines and Spreading 3:42 Rumours 9. HELLOWEEN Dreambound Gambling With The Devil 5:59 10. JUDAS PRIEST Running Wild Live In Concert 25 June 1980 3:30 11. THIN LIZZY Cold Sweat One Night Only (2001) 3:30 12. DEF LEPPARD White Lightning Adrenalise (1992) 7:03 13. BLUE MURDER Blue Murder Blue Murder (1989) 4:55 14. HOUSE OF LORDS Sahara Sahara (1990) 5:29 15. THE STORYS Long Hard Road Town Beyond The Trees 4:53 (2008) 16. THEA GILMORE & MIKE CAVE You Spin Me The Number Ones Album 3:50 (2008) 17. RIVER CITY PEOPLE Thirsty Say Something Good (1989) 4:11 18. FLYLEAF All Around Me Flyleaf (2008) 3:18 19. AVENGED SEVENFOLD Scream Avenged Sevenfold (2007) 4:50 20. JOE BONAMASSA One Of These Days Sloe Gin (2007) 5:42 21. POPA CHUBBY Deliveries After Dark Deliveries After Dark (2008) 4:19 22. ALVIN LEE The Bluest Blues Pure Blues (1995) 7:27 23. -
Marillion.Htm
http://www.altatensione.it/marillion.htm MARILLION Abbiamo incontrato a Milano una band in salute, che ha fatto la storia del prog, ma che ora cerca di allontanarsi dal solito "clichè", per approdare ad altri lidi...lontano dalle major e con l'aiuto del web e dei fans. Articolo e reportage di Lory Lorena, foto e filmato di John Lorena. La storia dei Marillion inizia nel 1978, un anno durante il quale la scena musicale internazionale vive una rivoluzione clamorosa, con la nascita di fenomeni effimeri tra i quali spicca il movimento punk. E' il periodo in cui tramonta più o meno definitivamente un particolare discorso musicale intrapreso da diversi anni e denominato "rock progressivo" o, in taluni casi, "rock romantico". Nonostante la confusione e il cambiamento che pervade il panorama internazionale, nasce in Inghilterra un gruppo chiamato Silmarillion, il fondatore di questo nucleo di "avventurieri nostalgici", è Mick Pointer, batterista proveniente da Bicks e attualmente leader del gruppo new-progressive Arena. L'intento iniziale è costituire una band strumentale. Dopo un inizio stentato, Pointer e il bassista Doug Irvine devono già ricominciare a cercare nuovi musicisti, in quanto il chitarrista e il tastierista precedenti decidono di andarsene quasi immediatamente. Ai tanti annunci pubblicati sui comuni giornali musicali risulta particolarmente interessato un certo Steven Thomas Rothery, chitarrista originario dello Yorkshire, nato il 25 novembre 1959 e proveniente da esperienze con i Dark Horse e i Purple Haze. L'arrivo di Rothery, insieme all'ingaggio di tale Brian Jelliman alle tastiere, apporta nuova linfa vitale alla rischiosa attività intrapresa e i quattro decidono di continuare. -
FAME Review: Marillion
Somewhere in London Marillion MDV Entertainment Group - MVDV4766 Available from Marillion's web site . A review written for the Folk & Acoustic Music Exchange by Mark S. Tucker ([email protected] ). The more idiotic of the progressive music critic circle, the oiks you'll find at the Progression and Expose magazines, for instance, refer to this group as 'neoprog', and that's where the great band's troubles all begin: a meaningless attribution indicative of second-rate work endowed by inaesthetic maladepts. Marillion was first deemed, back in 1983, as the second coming of Genesis, especially because of Fish, their powerful lead singer, and his blatant Gabrielesque masquing on-stage. A moody gent, he went off on his own for a string of marvelous solos (and killer "bootlegs"), and in walked a guy, Steve Hogarth, who became prog's Steve Perry, possessed off a voice rarely experienced in the realm. The first two releases, Season's End and Holiday in Eden , were beautiful examples of how well progrock could display intelligence in melody while still rebelling from norms. The Fish Era had greatly reinvigorated the genre but it was time to move on, especially as Marillion was no longer the same band. With Hogarth, a long line of experimentation ensued, blending two lines of convention (prog, mainstream) with subtle innovation, kind of like Saga was also embarked upon but more so, much more so. Despite prophecies of doom from the old hard-liners, Marillion has since done well, thank you very much, though it wasn't easy and didn't require the cracking of the Earth or the raising of Satan for it, as the temper of the previous band might have.