Welcome to the World of Dears, an Comedy Ecchi, Harem, Space Alien Anime. About a Year Ago a Spaceship Crashed in the Shallow Waters of Tokyo Bay
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Anime Two Girls Summon a Demon Lorn
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The Origins of the Magical Girl Genre Note: This First Chapter Is an Almost
The origins of the magical girl genre Note: this first chapter is an almost verbatim copy of the excellent introduction from the BESM: Sailor Moon Role-Playing Game and Resource Book by Mark C. MacKinnon et al. I took the liberty of changing a few names according to official translations and contemporary transliterations. It focuses on the traditional magical girls “for girls”, and ignores very very early works like Go Nagai's Cutie Honey, which essentially created a market more oriented towards the male audience; we shall deal with such things in the next chapter. Once upon a time, an American live-action sitcom called Bewitched, came to the Land of the Rising Sun... The magical girl genre has a rather long and important history in Japan. The magical girls of manga and Japanese animation (or anime) are a rather unique group of characters. They defy easy classification, and yet contain elements from many of the best loved fairy tales and children's stories throughout the world. Many countries have imported these stories for their children to enjoy (most notably France, Italy and Spain) but the traditional format of this particular genre of manga and anime still remains mostly unknown to much of the English-speaking world. The very first magical girl seen on television was created about fifty years ago. Mahoutsukai Sally (or “Sally the Witch”) began airing on Japanese television in 1966, in black and white. The first season of the show proved to be so popular that it was renewed for a second year, moving into the era of color television in 1967. -
The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子. -
Ai No Kusabi Recommendations
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Hentai Animation Preview Demetri Martin PENCIL MILEAGE CLUB
arts and entertainment weekly entertainment and arts Nation Animation The Animators Dominate in Film, on the Web and the Campus PENCIL MILEAGE CLUB Drawing It Up One Page At A Time hentai the dark side of japanese animation animation2007 animated film lineuppreview Demetrithe homemade animator Martin daily.titan 2 BUZZ 01.29.07 DRAWING FOR MILES pg.4 The Pencil Mileage Club illustrates it all as one of the campus’ biggest groups and offers it’s members industry insight and the rest of us some damn good art ENTERTAINMENT EDITOR Jickie Torres ANIMES SLUTTY SISTER pg. 5 EXECUTIVE EDITOR When sex and cartoons clash, Japanese Hentai shows off Adam Levy the darker side of the world of animation DIRECTOR OF ADVERTISING Emily Alford ASSISTANT DIRECTOR OF ADVERTISING BUZZ FILM PREVIEW pg.6 Beth Stirnaman From gluttenous Ratatoulle to Teenage Mutant Ninja Turtles, take a look at 2007’s animated film lineup PRODUCTION Jickie Tores ACCOUNT EXECUTIVES DEMITRI MARTIN pg.8 Sarah Oak The Daily Shows resident trendspotter knows what’s cool and draws it up at home The Daily Titan 714.278.3373 The Buzz Editorial 714.278.5426 [email protected] Editorial Fax 714.278.4473 The Buzz Advertising 714.278.3373 [email protected] Advertising Fax 714.278.2702 The Buzz , a student publication, is a supplemental insert for the Cal State Fullerton Daily Titan. It is printed every Thursday. The Daily Titan operates independently of Associated Students, College of Communications, CSUF administration and the WHAT’S THE BUZZ p.7 CSU system. The Daily Titan has functioned as a public forum since inception. -
Anime Red Hair Demon Summons
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People's Perception of Anime Jonathan Patterson Arcadia University, [email protected]
Arcadia University ScholarWorks@Arcadia Faculty Curated Undergraduate Works Undergraduate Research Spring 2015 People's Perception of Anime Jonathan Patterson Arcadia University, [email protected] Arcadia University has made this article openly available. Please share how this access benefits ouy . Your story matters. Thank you. Follow this and additional works at: http://scholarworks.arcadia.edu/undergrad_works Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons Recommended Citation Patterson, Jonathan, "People's Perception of Anime" (2015). Faculty Curated Undergraduate Works. Paper 24. http://scholarworks.arcadia.edu/undergrad_works/24 This Article is brought to you for free and open access by the Undergraduate Research at ScholarWorks@Arcadia. It has been accepted for inclusion in Faculty Curated Undergraduate Works by an authorized administrator of ScholarWorks@Arcadia. For more information, please contact [email protected]. People's Perception of Anime By Jonathan Patterson Background (Pre-Introduction): Anime has been a part of my life ever since I was young watching Pokémon, Yu-Gi-Oh!, and Digimon. Back then I did not know the difference between anime and American cartoons. Anime was mostly off of my radar for the majority of school until around the middle to end of middle school which was 7th – 8th grade for me or 2007 – 2008. On occasion my friends and I would talk about it on a bus ride to or from school but I wouldn't remember the name of the show we were talking about. I still didn't see much of a difference and during my early childhood I would still see anime along with my other Saturday morning cartoons but again, nothing in my head was saying "You're watching anime right now". -
The Harem Mage First Appeared in the Controversial D20 Modern Campaign Setting: Black Tokyo
1 Living Toys and Harem Mages 2 Written by Chris A. Field Cover Illustration: “Konstanty Laszczka” by Leon Wyczolkowski (1902). Cover Provided by Wikimedia Commons. Interior Illustrations by Amanda Webb, Otherworld Creations, Sade. All images copyright their respective creators, and are used with permission. Otherverse Games www.otherversegames.blogspot.com “Even when I make a picture of a living being, I always create only an image, a thing… not a living being.” - Marlene Dumas “If you suddenly become to have twelve sisters, what do you think? More over, they are so pretty, sweet, charming…. And loving you so much?” - Sister Princess (Engrish translation) Compatibility with the Pathfinder Roleplaying Game requires the Pathfinder Roleplaying Game from Paizo Publishing, LLC. See http://paizo.com/pathfinderRPG for more information on the Pathfinder Roleplaying Game. Paizo Publishing, LLC does not guarantee compatibility, and does not endorse this product. Pathfinder is a registered trademark of Paizo Publishing, LLC, and the Pathfinder Roleplaying Game and the Pathfinder Roleplaying Game Compatibility Logo are trademarks of Paizo Publishing, LLC, and are used under the Pathfinder Roleplaying Game Compatibility License. See http://paizo.com/ pathfinderRPG/compatibility for more information on the compatibility license ____________________________________________________________________________________ About the Cover Due to the explicit nature of this release, even though it is fully compatible with the Pathfinder Roleplaying Game, the Pathfinder Compatibility Logo has been deliberately left off the cover art. Instead, the 3.5 OGL logo designed by Louis Porter is used in its place. Black Tokyo and the Tatakama The Harem Mage first appeared in the controversial D20 Modern campaign setting: Black Tokyo. -
Generic Hentai World Version 1.11 by Smuthunter with Support and Ideas from the Wonderful Deviants on QQ
Generic Hentai World Version 1.11 By Smuthunter With support and ideas from the wonderful deviants on QQ. Thanks guys! In case the title didn’t make it clear this is a porn jump. Lewd things lie within, mostly a lot of different ways to make your jumpchain a lot more NSFW than even most of the existing harem and fanservice jumps will allow for. We’re going to do things a little differently this time. First, take these +1000 CP. Next, choose any jump you can legally take that you want to make a lot sexier. We’re going to call this the Base Jump. Any perks you purchase through this document will now apply to the Base Jump, like a supplement. Your CP pools have to remain separate and can only be spent on bonuses from their respective jumps. Or you can just use this doc as its own generic jump, in which case you’ll use the setting options below. Note: Most of the wording of this document assumes a male jumper pursuing female partners purely for simplicity’s sake. This should not be taken to be some kind of exclusion: all perks and mechanics presented in this document will function the same regardless of you or your partner’s gender, age, or sexual orientation. Age Age is as per the Base Jump. Gender Choose whatever fits your fancy. Male, female, futa, trap, doesn’t matter. No charge. This overrides the Base Jump. Setting If you intend to use this document as a generic jump roll 1d8 to determine what kind of setting you’ll be making or pay 50 CP to choose. -
The Cultural Context and the Interpretation of Japanese 'Lolita
Intercultural Communication Studies XXIII: 2 (2014) HINTON The Cultural Context and the Interpretation of Japanese ‘Lolita Complex’ Style Anime Perry R. HINTON Independent Academic Researcher, UK Abstract: Japanese animated films or anime have been popular in the West since the early 1990s. However, media interest in anime (particularly in Britain) has tended to focus on negative representations of anime concerning violence, sexuality and young girls. The current paper undertakes an examination of the genre of ‘Lolita complex’ or rorikon anime, the focus of these concerns. It is argued that the term ‘Lolita’ has a culturally specific meaning and that it has a different meaning in Western culture to that in Japan. This has led to a misperception of aspects of Japanese society and its cultural products such as anime. Furthermore it is argued that rorikon anime reflects teenage anxieties about the adult world, and changes in society and gender roles rather than perverse male sexual desire. An examination of the elements of rorikon anime shows that, rather than the product of a cultural ‘other’, it reflects features common across Japanese and Western cultures. Keywords: Japanese anime, Lolita complex, rorikon, shoujo, British media, cultural context, gender roles 1. Introduction One of the key aspects of globalization is the ready availability of the cultural products of one country to other nations round the world. The development of the internet as a global marketplace and its social media role for creating communities of fans of these products has further enhanced this cross-cultural communication. This can be seen most clearly in the popularity of Japanese popular culture (in terms of a range of products such as animated films (anime), comic books (manga), video games and toys) in Western countries. -
PEELING BACK the CANDY-COLORED WRAPPER an Examination of Feminization, Queer Relationships, and Localization in Puella Magi
PEELING BACK THE CANDY-COLORED WRAPPER An Examination of Feminization, Queer Relationships, and Localization in Puella Magi Madoka Magica, Cardcaptor Sakura, and Sailor Moon By RACHEL SMITH Honors Thesis Oklahoma State University Stillwater, OK 2016 PEELING BACK THE CANDY-COLORED WRAPPER An Examination of Feminization, Queer Relationships, And Localization in Puella Magi Madoka Magica, Cardcaptor Sakura, and Sailor Moon Thesis Approved: Katherine Hallemeier Thesis Adviser Martin Wallen Second Reader ii TABLE OF CONTENTS Chapter Page ABSTRACT .............................................................................................................v LIST OF FIGURES ............................................................................................... vi I. An Introduction to Manga and Anime, the Shoujo Genre, and Magical Girls ...........7 Shoujo Manga and Anime: A Brief Crash Course...................................................8 The Magical Girl Phenomenon ..............................................................................13 Peeling Back the “Candy-Colored Wrapper” ........................................................17 II. Queer Subtext, Shoujo Tradition, and Puella Magi Madoka Magica .....................19 The Tragic (and Comedic) Shoujo Tradition: Mami, Sayaka, and Kyouko ..........20 Homura and Madoka: A Tragic(?) Contradiction ..................................................24 Mami and the Tradition of Heterosexualization ....................................................27 What Does Madoka Magica -
Anime in America, Disney in Japan: the Global Exchange of Popular Media Visualized Through Disney’S “Stitch”
Anime in America, Disney in Japan: The Global Exchange of Popular Media Visualized through Disney’s “Stitch” Nicolette Lucinda Pisha Asheville, North Carolina Bachelor of Arts, University of North Carolina at Chapel Hill, 2008 A Thesis presented to the Graduate Faculty of the College^oEWilliam and Mary in Candidacy for the Degree of Master of Arts American Studies Program The College of William and Mary January, 2010 APPROVAL PAGE This Thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts NicoletteAucinda Pisha Approved ®y the £r, 2009 Associate Professor Arthur Knight, American Studies and English The College of William and Mary,, Visiting Assistant Professor Timothy Barnard, American Studies The College of William and Mary Assistant Professor Hiroshi Kitamura, History The College of William and Mary ABSTRACT PAGE My thesis examines the complexities of Disney’s Stitch character, a space alien that appeals to both American and Japanese audiences. The substitutive theory of Americanization is often associated with the Disney Company’s global expansion; however, my work looks at this idea as multifaceted. By focusing on the Disney Company’s relationship with the Japanese consumer market, I am able to provide evidence of instances when influence from the local Japanese culture appears in both Disney animation and products. For example, Stitch contains many of the same physical characteristics found in both Japanese anime and manga characters, and a small shop selling local Japanese crafts is located inside the Tokyo Disneyland theme park. I completed onsite research at Tokyo Disneyland and learned about city life in Tokyo.