Dickens' Short Stories by Charles Dickens
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A Collection of Short Stories
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1993 No place called home| A collection of short stories Mia Laurence The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Laurence, Mia, "No place called home| A collection of short stories" (1993). Graduate Student Theses, Dissertations, & Professional Papers. 3091. https://scholarworks.umt.edu/etd/3091 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike MANSFTFT T) T TRRARY Copying allowed as provided under provisions of the Fair Use Section of the U.S. COPYRIGHT LAW, 1976. Any copying for commercial purposes or financial gain may be undertaken only with the author's written consent. MontanaUniversity of No Place Called Home: a collection of short stories by Mia Laurence Presented in partial fulfillment of the requirements for the degree of Master of Fine Arts University of Montana 1993 Approved by Chair, BoStrd of^E^miners } L/f Dean, Graduate School a. flii UMI Number: EP33868 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent on the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. -
Wilkie Collins, a Biography
CHAPT ER TEN cc No Name " The next twelve months or so were among the happiest of Wilkie Collins' life. At the age of 36 he was no longer, as many had regarded him, just one of ' Mr. Dickens' young men,' but a celebrity in his own right. He had learned to enjoy success without losing his balance. His domestic life was happy and seemed relatively stable, if unconventional. He had no monetary cares and for a brief period his health was better than for some time past. He lived, as he liked to do, a full social life, and invitations to public functions, musi- cal evenings and private dinner parties showered upon him. In the winter of I860 we find him staying for the first time with those literary lion-hunters, the Monckton Milnes, at Fryston, in Yorkshire. He also came into touch with George Eliot and G. H. Lewes, and frequently attended their musical ' Saturday afternoons ' at their house near Regent's Park. The musical evening—or afternoon—was an established feature of social life in the London of the Sixties, and Wilkie was known to be a keen music-lover. His understanding of the subject was not particularly profound and we have Dickens' word, for what it is worth, that he was virtually tone-deaf, but at least it is to his credit that his favourite composer was Mozart. If music appears in one of his novels, it is almost sure to be Mozart. Laura Fairlie and Walter Hartwright play Mozart piano-duets; Uncle Joseph's— musical box plays—rather too often, one must confess ' Batti, batti,' the air from Don Giovanni; the blind Lucilla in Poor Miss 135 : 136 WILKIE COLLINS Finch plays a Mozart sonata on the piano. -
Seasonal Tales, Far-Flung Settings. the Unfamiliar
PHILIP V. ALLINGHAM LAKEHEAD UNIVERSITY, THUNDER BAY, ONTARIO, CANADA Seasonal Tales, Far-flung Settings The Unfamiliar Landscapes of The Christmas Books and Stories (1843–1867) Fig. 1. Marcus Stone, “Bibliomania of the Golden Dustman,” Our Mutual Friend, p. 406 he common reader of the latter part of the nineteenth T century would likely have associated the fictional pro- ductions of Charles Dickens with cityscapes (institutional Milli mála 7/2015 27 PHILIP V. ALLINGHAM edifices, streets, and bridges), particularly with London from the end of the Napoleonic Wars to his death in 1870 – to that reader a quintessentially Dickensian scene would be a London scene such as Marcus Stone’s “The Bibliomania of the Golden Dustman” for Book 3, Chapter 5, of Our Mutual Friend (April 1865). However, beginning with The Christmas Books (1843–48), and continuing with their successors col- lectively known as The Christmas Stories, Dickens often in- corporated and occasionally exploited backdrops that were neither specifically urban nor, indeed, English, to lend these seasonal offerings the allure of the unfamiliar and even, as in his principal collaborations with Wilkie Collins, The Perils of Certain English Prisoners (Household Words, 1857) and No Thoroughfare (All the Year Round, 1867), the exotic. The common reader on either side of the Atlantic would probably not have had a common experience of the Christmas Stories, as these appeared complete, with contri- butions by other writers such as Wilkie Collins and Eliza- beth Gaskell, in Household Words and All the Year Round in Britain, but in America first appeared in a separate volume in the Ticknor and Fields Diamond edition (1867) and sub- sequently in an 1876 volume of The Household Edition, il- lustrated by E. -
Boys and Girls by Alice Munro
Boys and Girls by Alice Munro My father was a fox farmer. That is, he raised silver foxes, in pens; and in the fall and early winter, when their fur was prime, he killed them and skinned them and sold their pelts to the Hudson's Bay Company or the Montreal Fur Traders. These companies supplied us with heroic calendars to hang, one on each side of the kitchen door. Against a background of cold blue sky and black pine forests and treacherous northern rivers, plumed adventures planted the flags of England and or of France; magnificent savages bent their backs to the portage. For several weeks before Christmas, my father worked after supper in the cellar of our house. The cellar was whitewashed, and lit by a hundred-watt bulb over the worktable. My brother Laird and I sat on the top step and watched. My father removed the pelt inside-out from the body of the fox, which looked surprisingly small, mean, and rat-like, deprived of its arrogant weight of fur. The naked, slippery bodies were collected in a sack and buried in the dump. One time the hired man, Henry Bailey, had taken a swipe at me with this sack, saying, "Christmas present!" My mother thought that was not funny. In fact she disliked the whole pelting operation--that was what the killing, skinning, and preparation of the furs was called – and wished it did not have to take place in the house. There was the smell. After the pelt had been stretched inside-out on a long board my father scraped away delicately, removing the little clotted webs of blood vessels, the bubbles of fat; the smell of blood and animal fat, with the strong primitive odour of the fox itself, penetrated all parts of the house. -
Teaching the Short Story: a Guide to Using Stories from Around the World. INSTITUTION National Council of Teachers of English, Urbana
DOCUMENT RESUME ED 397 453 CS 215 435 AUTHOR Neumann, Bonnie H., Ed.; McDonnell, Helen M., Ed. TITLE Teaching the Short Story: A Guide to Using Stories from around the World. INSTITUTION National Council of Teachers of English, Urbana, REPORT NO ISBN-0-8141-1947-6 PUB DATE 96 NOTE 311p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 19476: $15.95 members, $21.95 nonmembers). PUB 'TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) Collected Works General (020) Books (010) EDRS PRICE MF01/PC13 Plus Postage. DESCRIPTORS Authors; Higher Education; High Schools; *Literary Criticism; Literary Devices; *Literature Appreciation; Multicultural Education; *Short Stories; *World Literature IDENTIFIERS *Comparative Literature; *Literature in Translation; Response to Literature ABSTRACT An innovative and practical resource for teachers looking to move beyond English and American works, this book explores 175 highly teachable short stories from nearly 50 countries, highlighting the work of recognized authors from practically every continent, authors such as Chinua Achebe, Anita Desai, Nadine Gordimer, Milan Kundera, Isak Dinesen, Octavio Paz, Jorge Amado, and Yukio Mishima. The stories in the book were selected and annotated by experienced teachers, and include information about the author, a synopsis of the story, and comparisons to frequently anthologized stories and readily available literary and artistic works. Also provided are six practical indexes, including those'that help teachers select short stories by title, country of origin, English-languag- source, comparison by themes, or comparison by literary devices. The final index, the cross-reference index, summarizes all the comparative material cited within the book,with the titles of annotated books appearing in capital letters. -
Charles Dickens
AUTHOR DATA SHEET Macmillan Guided Readers Charles Dickens The author and his work made Dickens a famous writer at the age of twenty-four. Dickens began to earn a lot of money as a writer and two years later he got married. His wife’s name was Catherine Hogarth. Charles and Catherine had ten children – seven sons and three daughters – but the marriage was not always happy. Charles was not an easy man to live with. He wanted everything in his house to be clean and tidy. He wanted to talk to clever people with quick minds. He wanted everthing in his life to be perfect. Catherine was a rather untidy person, and she did not think very quickly. She often made her famous husband angry. In 1857, after nearly twenty years of marriage, Dickens fell in love with a young actress called Ellen Ternan. The following year, Dickens and his wife separated. They decided to live apart from each other. Catherine lived in London, while Dickens moved to a large house in Kent called Gad’s Hill Place. One of Catherine’s sisters helped Dickens to look after some of his ©Corbis/Betmann children there. harles John Huffham Dickens was born near CPortsmouth, on the south coast of England, on Dickens worked hard all his life. He spent most 9th February 1812. Charles’s father, John Dickens, of his life writing novels and stories. But he also worked for the British Navy, in offices in enjoyed travelling. He visited France and Italy, Portsmouth, Chatham and London. From 1822, the and he visited America twice. -
Haunted Seasons: Television Ghost Stories for Christmas and Horror for Halloween
Haunted Seasons: Television Ghost Stories for Christmas and Horror for Halloween Johnston, D. (2015). Haunted Seasons: Television Ghost Stories for Christmas and Horror for Halloween. (1 ed.) (Palgrave Gothic). Palgrave/Macmillan. http://www.palgrave.com/page/detail/haunted-seasons-derek- johnston/?sf1=barcode&st1=9781137298942 Document Version: Early version, also known as pre-print Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights Derek Johnston, Haunted Seasons: Television Ghost Stories for Christmas and Horror for Halloween, 2015, Palgrave Macmillan reproduced with permission of Palgrave Macmillan. This extract is taken from the author's original manuscript and has not been edited. The definitive, published, version of record is available here: http://www.palgrave.com/page/detail/haunted-seasons-derek-johnston/?sf1=barcode&st1=9781137298942 General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:26. Sep. 2021 Chapter 1: The British Ghost Story at Christmas This chapter traces the historical connections between Christmas and the ghost story in Britain, before moving on to a brief consideration of Halloween and horror tales. -
Anton Chekhov Analysis
Anton Chekhov Analysis By Ryan Funes If you were to have gone out on the street and asked anyone about Mark Twain, William Shakespear, or even F. Scott Fitzgerald, you may get a positive response from the person, in that they know of the person. But, if you were to have asked about Anton Chekhov, you would probably get a dumbfounded, confused response. I would not be surprised though by those results, since Chekhov did not really have anything iconic about him or any gimmick, but when I was introduced to his short stories, I was immediatley hooked in by his themes and writing style. I really did not know what to say about the guy, but after reading and looking into his life, he was definitely a skilled dramatist, satirist, and writer. For those who are not too familiar with his life, Anton Chekhov was born in 1860, Taganrog, Russia to the son of a serf and a merchants wife. He lived a fairly well childhood and also did well in school, as he did continue on to become a medical student, and at the same time, an author who started out as a columnist for a Moscow newspaper. While his first short stories were not well recieved at first, along with a bloody play of his being under heavy censorship at the time, he continued on with his writing career, even while under the pressure of supporting his family, whose health was deterring. But, as a result of his writings, Chekhov became well known for his wit and subtle satire in his early writings. -
Christmas Comes but Once a Day
Christmas Comes But Once A Day Jim Reed CHRISTMAS COMES BUT ONCE A DAY CHRISTMAS COMES BUT ONCE A DAY Jim Reed BLUE ROOSTER PRESS Birmingham, Alabama USA www.blueroosterpress.com BOOKS BY JIM REED Christmas Comes But Once A Day Dad’s Tweed Coat: Small Wisdoms Hidden Comforts Unexpected Joys How to Become Your Own Book: The Joy of Writing for You and You Alone (The Importance of Space Ships, Time Capsules and Messages in Bottles) Not Another Poetry Book (Another Poetry Book) Inward Tales: Dancing Around Race, Racism and Racists Small-Town Red Clay Tales, Both Actual and True Not Enough Sleep: Insomniac Tales BOOKS BY JIM REED AND OTHERS I Wish I Was In Dixie edited by Marie Stokes Jemison and Jim Reed Superrelations by Gina Boyd and Jim Reed Horace the Horribly Hoarse Horse by Jim Reed and T.R. Reed OTHER WRITINGS BY JIM REED Christmas Comes But Once A Day story by Jim Reed in An Alabama Christmas: 20 Heartwarming Tales by Truman Capote, Helen Keller, and More One of Those Thanksgiving Days in Verbena, Alabama poem by Jim Reed in Whatever Remembers Us: An Anthology of Alabama Poetry edited by Sue Brannan Walker & J. William Chambers Private Lessons story by Jim Reed in Alabama Scrapbook by Ellen Sullivan and Marie Stokes Jemison Beards Beards Beards by Helen Bunkin with foreword by Jim Reed Grove of the Dolls story by Jim Reed in The Alalitcom/2001 edited by Donna Jean Tennis and John Curbow A Box of Trinkets by Allen Johnson Jr. with foreword by Jim Reed CHAP BOOKS BY JIM REED: Sticky Novels: Tales Jotted Down on Sticky Notes by Jim Reed Stickier Novels: Yet More Tales Jotted Down on Sticky Notes by Jim Reed Marilyn of the Uncreased Elbow by Jim Reed Glugged Not Stirred by Jim Reed CHRISTMAS COMES BUT ONCE A DAY Jim Reed CHRISTMAS COMES BUT ONCE A DAY. -
MUGBY JUNCTION Richard Clay & Sons, Limited, London & Bungay
MUGBY JUNCTION Richard Clay & Sons, Limited, London & Bungay. mugby junction: by charles dickens, andrew halliday, charles collins, hesba stretton, and amelia b. edwards: being the extra christmas number of “all the year round,” 1866. with a frontispiece by a. jules goodman. london: chapman and hall, ltd. 1898. BARBOX BROTHERS I “Guard! What place is this?” “Mugby Junction, sir.” “A windy place!” “Yes, it mostly is, sir.” “And looks comfortless indeed!” “Yes, it generally does, sir.” “Is it a rainy night still?” “Pours, sir.” “Open the door. I’ll get out.” “You’ll have, sir,” said the guard, glistening with drops of wet, and looking at the tearful face of his watch by the light of his lantern as the traveller descended, “three minutes here.” “More, I think.—For I am not going on.” “Thought you had a through ticket, sir?” “So I have, but I shall sacrifice the rest of it. I want my luggage.” “Please to come to the van and point it out, sir. Be good enough to look very sharp, sir. Not a moment to spare.” The guard hurried to the luggage van, and the traveller hurried after him. The guard got into it, and the traveller looked into it. “Those two large black portmanteaus in the corner where your light shines. Those are mine.” “Name upon ’em, sir?” “Barbox Brothers.” “Stand clear, sir, if you please. One. Two. Right!” Lamp waved. Signal lights ahead already changing. Shriek from engine. Train gone. “Mugby Junction!” said the traveller, pulling up the woollen muffler round his throat with both hands. -
SHORT STORIES for CHILDREN This Is a Compilation of Stories Submitted by the Participants at a Writers Workshop Conducted by Children's Book Trust
A CBT PUBLICATION SHORT STORIES FOR CHILDREN This is a compilation of stories submitted by the participants at a Writers Workshop conducted by Children's Book Trust. © by CBT 1982 Reprinted 1986, 1987, 1988, 1990, 1992, 1993, 1995, 1996, 1998, 2000, 2001, 2003, 2005, 2008. ISBN 81-7011-314-8 All rights reserved. No part of this book may be reproduced in whole or in part, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Published by Children's Book Trust, Nehru House, 4 Bahadur Shah Zafar Marg, New Delhi-110002 and printed at its Indraprastha Press. Ph: 23316970-74 Fax: 23721090 e-mail: [email protected] Website: www.childrensbooktrust.com SHORT STORIES FOR CHILDREN Children's Book Trust, New Delhi Contents Man Overboard 3 Vasantha Murthi When Papa Scolded Me 12 Ira Saxena To The Memory Of A Lion 18 Tara Tixoari The Triumphant Smile 27 K.C. Batra The Turkish Cap 31 B.P. Gupta The Goose Thieves 37 Padmini Bannerjee Christmas Bells 45 R.K. Murthi In A Guava Orchard 53 N.P. Singh All Because Of My Hair 59 S.G. Haidar The Pink Card 64 Indira Ananthakrishrwn The Unforgettable Journey 73 E. Sheila Varunkaka's Lemonade Pals 80 Valjayanti Savant-Tonpe Hanuman And I 89 Rupa Gupta At The Party 94 Anil Ekbote Outwitted 99 Tara Parameswaran That Sunday Morning 104 Savita Singh The Boy From Standard III 108 Pratibha Nath Illustrated by Subir Roy and Geeta Verma Man Overboard I stood on the deck of S.S. -
Dickens by Numbers: the Christmas Numbers of Household Words and All the Year Round
Dickens by Numbers: the Christmas Numbers of Household Words and All the Year Round Aine Helen McNicholas PhD University of York English May 2015 Abstract This thesis examines the short fiction that makes up the annual Christmas Numbers of Dickens’s journals, Household Words and All the Year Round. Through close reading and with reference to Dickens’s letters, contemporary reviews, and the work of his contributors, this thesis contends that the Christmas Numbers are one of the most remarkable and overlooked bodies of work of the second half of the nineteenth century. Dickens’s short fictions rarely receive sustained or close attention, despite the continuing commitment by critics to bring the whole range of Dickens’s career into focus, from his sketches and journalism, to his late public readings. Through readings of selected texts, this thesis will show that Dickens’s Christmas Number stories are particularly powerful and experimental examples of some of the deepest and most recurrent concerns of his work. They include, for example, three of his four uses of a child narrator and one of his few female narrators, and are concerned with childhood, memory, and the socially marginal figures and distinctive voices that are so characteristic of his longer work. But, crucially, they also go further than his longer work to thematise the very questions raised by their production, including anonymity, authorship, collaboration, and annual return. This thesis takes Dickens’s works as its primary focus, but it will also draw throughout on the work of his contributors, which appeared alongside Dickens’s stories in these Christmas issues.