15-10-07S Assemble Granby Turner Prize Workshop Catalogue

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15-10-07S Assemble Granby Turner Prize Workshop Catalogue CATALOGUE 2015 GRANBY WORKSHOP This is a catalogue for Granby Workshop, a In 2011 they entered into an innovative form new social enterprise in Granby, Liverpool of community land ownership, the Granby Four manufacturing handmade products for homes. Streets Community Land Trust (CLT), and Every product within these pages can be bought secured 10 empty houses for renovation as online at www.granbyworkshop.co.uk. affordable homes. Granby Workshop has grown out of the As new occupants are finally moving into community-led rebuilding of a Liverpool freshly renovated terraces that had been empty neighborhood, following years of dereliction for thirty years, Assemble have set up Granby and institutional neglect. Our first range Workshop as a means of continuing to support of products is a set of handmade features, and encourage the kind of hands on activity designed for refurbished homes in Granby to that has brought about immense change in the replace elements that were stripped out of the area. Training and employing local people in houses as they were boarded up by the council. experimental manufacturing processes, the Mantelpieces, door knobs, furniture, fabrics Workshop will sell a range of products that and tiles have been made and developed in the are Made in Granby. Profits will support a Workshop’s current premises on Granby Street. programme engaging young people aged 13 to 18 in creative, practical projects. Granby Street was once a lively high street at the centre of Liverpool’s most racially Mantelpieces cast using brick and rubble and ethnically diverse community. The construction waste from the Four Streets, demolition of all but four of Granby’s streets ceramic door handles smoke-fired in sawdust of Victorian terraces during decades of filled barbeques and tiles decorated with ‘regeneration’ initiatives saw a once thriving colorful hand cut decals have already been community scattered, and left the remaining installed in the CLT houses. These designs Granby Four Streets sparsely populated and form the basis of our first range of filled with tinned up houses. The resourceful, purchasable products, alongside new objects creative actions of a group of residents were developed in the Workshop. All products are fundamental to finally bringing these streets manufactured using processes which embrace out of dereliction and back into use. Over two chance, so that each is unique, developing in decades they cleared, planted, painted, and the hands of the people making it. campaigned in order to reclaim their streets. www.granbyworkshop.co.uk 2 3 Granby: A History ..6 Madeline Heneghan & Tony Wailey Why were the Four Streets emptied out anyway? ..10 Jonathan Brown 10 Houses on Cairns Street ..12 Falling damp ..16 Niamh Riordan CONTENTS GRANBY ROCK ..20 Transcript of a conversation about SNAP ..26 Ronnie Hughes This catalogue contains information on our products and how Granby Street Recollections ..28 they are made alongside a collection of images and texts that Bea Freeman Josephine Burger provide some background to the project. CUT OUT TILES ..32 These include thoughts, recollections and articles contributed by local residents and people who have been involved personally L8 Uprisings & Life after ‘81 ..34 Michael Simon or professionally in the Granby Four Streets. Some of these texts are transcriptions from conversations recorded during our SAWDUST CERAMICS ..38 time working in Granby. Discussing housing in Granby ..42 Tracey Gore It would take a much larger document than the one in your hands to present a complete picture of the complex history and PRESSED TERRACOTTA ..46 character of Granby. This catalogue is not a textbook, but a scrapbook that we hope gives a sense of the events, people and Granby Residents Association ..48 Hazel Tilley places that led to Granby Workshop and its products. A Rant about bins ..50 Hazel Tilley FIRED FURNITURE ..54 What exactly is a CLT? ..56 Matthew Thompson BLOCK PRINTING ..60 The Power of Work in Public ..68 Eleanor Lee MARBLED MATERIALS ..72 The Beaconsfield Adopt-a-house scheme & The Ducie St Turner Prize ..74 Joe Farrag PIPED PLASTER ..76 FAQs ..78 THANKS ..79 4 5 from the port and shipping. There were more Through the 1920s and ‘30s black families British shipping boomed briefly during in the millionaires here than in any part of the continued to move up the hill to Granby from post-war period, and immigrants to Liverpool city. The streets immediately around and the southern docks. The city’s ‘Sailor Town’ in the ‘40s and ‘50s came mainly from behind Princes Avenue contained smaller attested to Liverpool’s history as a maritime seafaring communities, iincluding many from houses which were still a good size, with city, and was home to a huge variety of the Caribbean (mainly labourers and transport basements and attic lofts, built by Welsh nationalities - mainly West African, Chinese, workers), West Africa (overwhelmingly seamen), builders between 1870 and 1900. They serviced Indian and Caribbean, living alongside the smaller numbers from Somalia and Yemen (all the shipping industry and were built for the Irish population. seamen), Pakistan, (boarding house keepers and workers, artisans and the army of clerks who seamen), India, and China (specialising in could walk to work in the city centre at the In common with its population, Granby buzzed catering). great shipping companies. with an international flavour. There were more than sixty shops lining Granby Street, The rhythm of the sea beat through Liverpool often selling food and goods that could not 8; which with its clubs, music, cafés, and be bought elsewhere. The street represented a out of hours drinking was quite different to culture that had its base in the flow of goods the rest of the city. Granby was desperately and people. poor, but still dancing in spite of it. There was a feel good factor here in the two decades The constant arrival of ships made Granby that followed the Second World War. Richard glorious. Commodities from around the world Whittington-Egan’s book, Liverpool Roundabout could be found in the international shops that (1957), describes over twenty-three clubs and lined that street. ‘shabeens’ in the Liverpool 8 area during the 1950s. The clubs were also place to eat out Jacqueline Nassi Brown, Dropping Anchor, and celebrate social and family occasions: and Setting Sail: Geographies of Race in Black included the Ibo, the Yoruba, the Nigerian, Liverpool, 2009 the Federation, the Somali, the Sierra Leone and Silver Sands. Granby’s night clubs were Granby: A Built on a leased-out section of Toxteth History. Park (once a royal park and hunting forest), this was a sedate area pre-war, where pubs, Madeline Heneghan & Tony Wailey workshops and factories were disallowed. It was old fashioned, quiet, and safely conservative. It was these streets that became the centre and the symbolic home to The Granby triangle, running from Upper the black community from the 1920s onwards. Parliament Street, along Princes Avenue and The Liverpool-born black and mixed heritage Kingsley Road, with Granby Street at the population were in turn joined by the Somali centre, represents the historical focus of the and Yemeni communities. A small Mosque was black community in Liverpool. Before them were added to the list of religious buildings. The the merchant bourgeoisie of many countries, Granby Triangle and Liverpool 8 soon replaced artisans and shipping clerks alongside waves Toxteth Park in the vernacular of its new of European immigrants, Welsh builders and citizens. office workers. More recently it has become the centre of newly settled Somali and Yemeni After the First World War the wealthy began communities. It has always been an area of to leave the area, leaving behind huge houses historic importance whose beating heart was that were ripe for being split up for cheap based upon the movement of people, markets, multiple occupancy. The middle classes also music and the sea. began to drift from Granby as artisans and shipping clerks moved out across the city. Walking along Princes Avenue to Princes In 1919 the black community was shaken by Park gives you an idea of the area’s former the race riots that followed the First World affluence. It is not so much the cosmopolitan War. The level of anti-black hostility and collection of religious buildings that you violence was unprecedented, with organised pass at the beginning of your journey: the gangs of up to 10,000 searching the city for High Anglican, the Welsh Congregationalist, black men and attacking them in their homes the Jewish Synagogue and the Greek Orthodox, and on the street. Black boarding houses were but the spaciousness of the wide boulevard ransacked and set alight and black men and itself. Princes Park between 1870 and the their families were forced to move to the end of the First World War was dominated by local Bridewells (police stations) for their merchants and commerce; its wealth coming own protection. 6 7 frequented not just by the black community, also reveals a high level of organisation and but by white locals, bohemians and music co-operation between those involved. This was lovers from across the city. Music was the neither an immigrant demonstration nor a race life-blood of Liverpool 8. riot. The police were clearly the target. In the 1970’s the area began to change With a community having been ignored, with the closing of the south docks and ostracised and isolated, the staff of Granby’s the decimation of Liverpool’s already Methodist Centre reminded Lord Scarman, in small industrial base. Still, Liverpool the aftermath of the disturbances, that black 8 continued to look outwards across the residents of Liverpool 8 were British born: Atlantic. Historian Mark Christian refers to ‘they are of mixed racial origins, so white Liverpool as being a very Americanised city and black families are interwoven in a complex and this was especially true for its young web of loyalties and friendships and kinship black population.
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