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Business Professional Dress Code
Business Professional Dress Code The way you dress can play a big role in your professional career. Part of the culture of a company is the dress code of its employees. Some companies prefer a business casual approach, while other companies require a business professional dress code. BUSINESS PROFESSIONAL ATTIRE FOR MEN Men should wear business suits if possible; however, blazers can be worn with dress slacks or nice khaki pants. Wearing a tie is a requirement for men in a business professional dress code. Sweaters worn with a shirt and tie are an option as well. BUSINESS PROFESSIONAL ATTIRE FOR WOMEN Women should wear business suits or skirt-and-blouse combinations. Women adhering to the business professional dress code can wear slacks, shirts and other formal combinations. Women dressing for a business professional dress code should try to be conservative. Revealing clothing should be avoided, and body art should be covered. Jewelry should be conservative and tasteful. COLORS AND FOOTWEAR When choosing color schemes for your business professional wardrobe, it's advisable to stay conservative. Wear "power" colors such as black, navy, dark gray and earth tones. Avoid bright colors that attract attention. Men should wear dark‐colored dress shoes. Women can wear heels or flats. Women should avoid open‐toe shoes and strapless shoes that expose the heel of the foot. GOOD HYGIENE Always practice good hygiene. For men adhering to a business professional dress code, this means good grooming habits. Facial hair should be either shaved off or well groomed. Clothing should be neat and always pressed. -
Taking Your Measurements \ I / \ I / ' ------/ / ' ,,,__
• 1mp s __ ...,... ___ _. _____ ___ ,,. -, Bulletin 498 / January 1956 / ' : TAKING YOUR MEASUREMENTS \ I / \ I / ' ------ / / ' ,,,__..... --- ------- ./ _,."' / / --- --- 1 -------------- \ \ ' A good looking dress is a well-fitted dress. Achieving a good fit depends upon three things: knowing your own figure measurements, selecting the size and type pattern which most nearly corres ponds to your measurements, and then making any necessary alterations in the pattern before cutting your dress. This leaflet tells you how to take your measurements and provides a place for you to record them. What Is A Well-fitted Dress? A dress that fits you well adapts itself to your body. Ir brings out your good points and skillfully hides your poor ones. You will know a good fit by- Direction of grain of fabric. - Crosswise yarns are parallel to the floor at the center-front and back busdine, and at the hipline, unless the dress has unusual style details. lengthwise yarns are at right angles to the floor at the center-front and back of both skirt and bodice of a dress. lengthwise yarns on the sleeve cap lie in the direction of the arm when it hangs straight at the side . This varies slightly on different figures but in general the crosswise yarns are also parallel are straight in front and back of your arm except to the floor. when special style features, such as extended shoul Direction of seam lines. - Seam lines that ders, requir.e otherwise. lie and hang straight keep your dress in proper li~e The waistline seam appears to be straight around on your figure. -
Section XII FOOTWEAR, HEADGEAR, UMBRELLAS, SUN UMBRELLAS, WALKING-STICKS, SEAT-STICKS, WHIPS, RIDING-CROPS and PARTS THEREOF; PR
Section XII FOOTWEAR, HEADGEAR, UMBRELLAS, SUN UMBRELLAS, WALKING-STICKS, SEAT-STICKS, WHIPS, RIDING-CROPS AND PARTS THEREOF; PREPARED FEATHERS AND ARTICLES MADE THEREWITH; ARTIFICIAL FLOWERS; ARTICLES OF HUMAN HAIR CHAPTER 64 Footwear, gaiters and the like; parts of such articles Chapter residual rule: Where the country of origin cannot be determined by application of the primary rules, the country of origin of the goods shall be the country in which the major portion of the materials originated, as determined on the basis of the value of the materials. HS 2017 Description of goods Primary rules Code 6401 Waterproof footwear with outer CTH with the exclusion of soles and uppers of rubber or of assembly of uppers affixed to inner plastics, the uppers of which are or to other sole components of neither fixed to the sole nor heading 6406 assembled by stitching, riveting, nailing, screwing, plugging or similar processes. 6402 Other footwear with outer soles and CTH with the exclusion of uppers of rubber or plastics. assembly of uppers affixed to inner or to other sole components of heading 6406 6403 Footwear with outer soles of rubber, CTH with the exclusion of plastics, leather or composition assembly of uppers affixed to inner leather and uppers of leather. or to other sole components of heading 6406 6404 Footwear with outer soles of rubber, CTH with the exclusion of plastics, leather or composition assembly of uppers affixed to inner leather and uppers of textile or to other sole components of materials. heading 6406 HS 2017 Description of goods Primary rules Code 6405 Other footwear. -
History and Drafting of Hose By: Adelheid Holtzhauer
History and Drafting of Hose By: Adelheid Holtzhauer Introduction Leg coverings of some sort have been worn throughout history by both men and women. For the purposes of this class, the hose we will be looking at are fitted, closed footed and made of woven fabric. There are many garments called Hose and Hosen worn throughout history. Extant examples have been found dating back to the 2nd century such as the footed hose found a Martres-de- Veyre. Image 1: Womens woollen twill hose excavated at Martres-de-Veyre Although there are many different garments that could be referred to as hose, in this class we will be focusing on "Single Hose" and "Attached Hose". Single hose cover one leg and can vary in length/height. Attached hose are essentially tight fitted trews. Over the course of time, single hose went from knee length and gartered with trim, to full fitted "pants" to thigh high and attached with to a belt at the waist, to detached and gartered under the knee to the full legging style common in the late 161h century. Image 2 shows a pair of attached hose which are carbon dated to 1355 AD and were found in the Damendorf Bog. Image 2: Susan Moller- Image 4: After a photo in Wlering: War and worship, p Nockert: 114 Bockstenmannen och Image 3: Margareta hans drakt Nockert: Bockstenmannen och hans drakt. pg 61 The knee high hose in image 3 were found on the Bocksten Bog Man generally dated to the th 14 century but were carbon dated between 1290 and 1430. -
MCJROTC UNIFORM STANDARDS A
GROOMING & UNIFORM STANDARDS Cadets are expected to maintain high standards of appearance and conduct on and off campus. CADETS ARE REQUIRED TO COMPLY with MCJROTC grooming and personal appearance standards as stipulated in NOMMA regulations and Marine Corps Order 1533.6E. Personal appearance and wearing the uniform is a significant part of a cadet's MCJROTC grade. The grooming regulations apply to military, NOMMA and civilian attire when worn in conjunction with Academy functions. Grooming and personal appearance standards are required to be followed daily and at all NOMMA events (i.e. graduation, prom, dances, sporting events, summer camps and extracurricular activities). Cadets who refuse or repeatedly fail to adhere to the prescribed grooming and personal appearance standards will receive disciplinary action according to NOMMA discipline policy. 1. Common Standards: All haircuts/hairstyles, for both male and female cadets will be checked every day, during inspection, and will contribute toward exam grades. a. Haircuts and hair styles are not permitted to be faddish or eccentric. Mohawks, derivations of Mohawks and cuts or styles with shaved or designed portions of the scalp are not permitted. Braids and/or derivations of braids, including locks and twists, may be permitted for females only if hair is firmly secured according to the LONG HAIR regulations noted below (and per MARADMIN 622/15). b. No designs are allowed to the hair; only one straight part in the hair is authorized. c. Hair must be a natural color (blonde, brown, black) and be consistent over the entire head (no multi-colored braids or spots). d. Shaving/slashing of eyebrows is NOT authorized. -
Mark Standifer's Electrical Safety Briefing
E3948 Mark Standifer’s Electrical Safety Briefing Leader’s Guide © ERI Safety Videos MARK STANDIFER’S ELECTRICAL SAFETY BRIEFING This easy-to-use Leader’s Guide is provided to assist in conducting a successful presentation. Featured are: INTRODUCTION: A brief description of the program and the subject that it addresses. PROGRAM OUTLINE: Summarizes the program content. If the program outline is discussed before the video is presented, the entire program will be more meaningful and successful. PREPARING FOR AND CONDUCTING THE PRESENTATION: These sections will help you set up the training environment, help you relate the program to site-specific incidents, and provide program objectives for focusing your presentation. REVIEW QUESTIONS AND ANSWERS: Questions may be copied and given to participants to document how well they understood the information that was presented. Answers to the review questions are provided separately. INTRODUCTION With nearly 40 years of experience as an electrician, Mark Standifer delivers powerful seminars on the shock and burn hazards associated with electrical work. As a survivor of an arc flash incident, Mark knows the pain and suffering associated with electrical and arc flash injuries. In this live presentation, he stresses the importance of thinking about what we are doing and being aware of all shock and burn hazards when performing electrical job tasks. Mark also makes the point that we must always wear the PPE and FR rated clothing required by the NFPA 70E to protect ourselves from any mistakes that we may make. Viewers will also learn unforgettable lessons about electrical safety from stories about Mark’s incident and his friend’s electrocution. -
Section-Xii 561 Chapter-64 Section Xii Footwear, Headgear, Umbrellas, Sun Umbrellas, Walking- Sticks, Seat- Sticks, Whips, Ridin
SECTION-XII 561 CHAPTER-64 SECTION XII FOOTWEAR, HEADGEAR, UMBRELLAS, SUN UMBRELLAS, WALKING- STICKS, SEAT- STICKS, WHIPS, RIDING-CROPS AND PARTS THEREOF; PREPARED FEATHERS AND ARTICLES MADE THEREWITH; ARTIFICIAL FLOWERS; ARTICLES OF HUMAN HAIR CHAPTER 64 Footwear, gaiters and the like; parts of such articles NOTES : 1. This Chapter does not cover : (a) disposable foot or shoe coverings of flimsy material (for example, paper, sheeting of plastics) without applied soles. These products are classified according to their constituent material; (b) footwear of textile material, without an outer sole glued, sewn or otherwise affixed or applied to the upper (Section XI) ; (c) worn footwear of heading 6309 ; (d) articles of asbestos (heading 6812) ; (e) orthopaedic footwear or other orthopaedic appliances, or parts thereof (heading 9021) ; or (f) toy footwear or skating boots with ice or roller skates attached; shin-guards or similar protective sportswear (Chapter 95). 2. For the purposes of heading 6406, the term “parts” does not include pegs, protectors, eyelets, hooks, buckles, ornaments, braid, laces, pompons or other trimmings (which are to be classified in their appropriate headings) or buttons or other goods of heading 9606. 3. For the purposes of this Chapter : (a) the terms “rubber” and “plastics” include woven fabrics or other textile products with an external layer of rubber or plastics being visible to the naked eye; for the purpose of this provision, no account should be taken of any resulting change of colour; and (b) the term “leather” -
The Basques of Lapurdi, Zuberoa, and Lower Navarre Their History and Their Traditions
Center for Basque Studies Basque Classics Series, No. 6 The Basques of Lapurdi, Zuberoa, and Lower Navarre Their History and Their Traditions by Philippe Veyrin Translated by Andrew Brown Center for Basque Studies University of Nevada, Reno Reno, Nevada This book was published with generous financial support obtained by the Association of Friends of the Center for Basque Studies from the Provincial Government of Bizkaia. Basque Classics Series, No. 6 Series Editors: William A. Douglass, Gregorio Monreal, and Pello Salaburu Center for Basque Studies University of Nevada, Reno Reno, Nevada 89557 http://basque.unr.edu Copyright © 2011 by the Center for Basque Studies All rights reserved. Printed in the United States of America Cover and series design © 2011 by Jose Luis Agote Cover illustration: Xiberoko maskaradak (Maskaradak of Zuberoa), drawing by Paul-Adolph Kaufman, 1906 Library of Congress Cataloging-in-Publication Data Veyrin, Philippe, 1900-1962. [Basques de Labourd, de Soule et de Basse Navarre. English] The Basques of Lapurdi, Zuberoa, and Lower Navarre : their history and their traditions / by Philippe Veyrin ; with an introduction by Sandra Ott ; translated by Andrew Brown. p. cm. Translation of: Les Basques, de Labourd, de Soule et de Basse Navarre Includes bibliographical references and index. Summary: “Classic book on the Basques of Iparralde (French Basque Country) originally published in 1942, treating Basque history and culture in the region”--Provided by publisher. ISBN 978-1-877802-99-7 (hardcover) 1. Pays Basque (France)--Description and travel. 2. Pays Basque (France)-- History. I. Title. DC611.B313V513 2011 944’.716--dc22 2011001810 Contents List of Illustrations..................................................... vii Note on Basque Orthography......................................... -
Belts and Pins As Gendered Elements of Clothing in Third and Second Millennia Mesopotamia Cécile Michel
Belts and Pins as Gendered Elements of Clothing in Third and Second millennia Mesopotamia Cécile Michel To cite this version: Cécile Michel. Belts and Pins as Gendered Elements of Clothing in Third and Second millennia Mesopotamia. Harlow, Mary; Michel, Cécile; Quillien, Louise. Textiles and Gender in Antiquity from the Orient to the Mediterranean, Bloomsbury, pp.179-192, 2020, 9781350141490. hal-03088839 HAL Id: hal-03088839 https://hal.archives-ouvertes.fr/hal-03088839 Submitted on 4 Jan 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. CHAPTER 13 BELTS AND PINS AS GENDERED ELEMENTS OF CLOTHING IN THIRD AND SECOND MILLENNIA MESOPOTAMIA Cécile Michel Cuneiform texts include many words linked to textile terminology which highlight varieties of materials, weaving techniques and regional peculiarities. During the third millennium and the first half of the second millennia BCE, forms of clothing were rather simple in the Near East, including tunics and wrap around garments for both men and women. Texts from this period do not make clear gender distinctions, presumably because tailored garments are still rare and reserved to the elite. The iconography, often subject to conventions in representations, gives an idea of the shape of clothing at different times. -
Sewing Technique: Lock Stitch (Hem 1”)
Sewing Technique: Lock Stitch (Hem 1”) The lock stitch is a hand stitch used for hemming purposes. It gives a secure hold with limited view of the thread on the outer side of the garment. STEP 1: Stay stitch ¼-inch from the fabric edge. (A stay stitch is a single line that is used for guidance and to keep the fabric from fraying. It is a normal stitch length and backstitching is a personal preference.) STEP 2: Fold the hem edge back 1-inch. Press fold in order to make a crease in the fabric. Press fabric 1 again ¼-inch. This press will follow the stay stitch seam. STEP 3: Secure thread to the folded edge of fabric on stay stitch line in order to hide the knot. STEP 4: Moving left, make a small stitch (1/2 to ¾ inch). The stitch should first go through the ¼-inch fold; then a small stitch is made that only goes through the outside layer of the garment. Pull thread gently back through to the inside of the garment. Avoid pulling the thread tight as the needle passes back through the loop created from the stitch. 5 3 5 STEP 6: To tighten lock stitch, pull thread to the left. STEP 7: Continue moving left and repeating step 5 until seam is complete. STEP 8: Once finished, secure thread to prevent it from unraveling. NOTE: The lock stitch can be used in place of a catch stitch. 7 6 Industry Standards for a Well-Constructed Hem: • Hem is level • Hem lies flat • No puckers, twists, or extra bulk • Hand stitching is not visible on correct side of garment • Hand stitches are evenly spaced • Topstitching is even and parallel to hemline References: Readers Digest. -
Tailoring Series TECHNIQUES for TAILORING UNDERLINING a TAILORED GARMENT—Underlining Is a Second Layer of Fabric. It Is Cut By
tailoring series TECHNIQUES FOR TAILORING UNDERLINING A TAILORED GARMENT—Underlining is a second layer of fabric. It is cut by the garment pattern pieces and staystitched to the wrong side of the corresponding outer sections before any seams are joined. The two layers are then handled as one. As a general guide, most suit jackets and coats look more pro- fessional when underlined. Underlining is especially recommended for lightweight wool materials, loosely woven materials and light- colored materials. For additional information on selecting fabrics for underlining and applying the underlining, see Lining a Shirt 01' Dress HE 72, N. C. Agricultural Extension Service. STAYSTITCHING—Staystitch all outer garment pieces before construction begins. If garment is underlined, stays-titching is done when the two layers of fabric are sewn together. Staystitch 1/3 in. outside seamline (on the seam allowance). Stay- stitch “ with matching cotton thread on all curved *areas that may stretch during construction such as necklines, side seams, shoulder seams, armholes, and side seams of skirt. Use directional stitching always to prevent stretching of fabric and to prevent one layer of fabric from riding. The direction to stitch is indicated by small arrows on the pattern on the seamlines. INTERFACINGS—Select a high quality hair canvas for the front and collar of coats and jackets. The percentage of wool indicates the quality—the higher the wool content of the canvas the better the quality. Since a high percentage of wool makes the hair canvas fairly dark in color, it cannot be used successfully under light-colored fabrics. In these cases use an interfacing lighter in color and lower in wool content. -
Mri Exam Questionnaire to Our Patients and Accompaning Family Members
EL PORTAL IMAGING CENTER Weight: Height: MRI EXAM QUESTIONNAIRE TO OUR PATIENTS AND ACCOMPANING FAMILY MEMBERS... The MR room contains a very strong magnet. Before you are allowed to enter, we must know if you have any metal in your body. Some metal objects can interfere with your scan or may even be dangerous, so PLEASE answer the following questions carefully. If you have a question regarding anything on this form, PLEASE DO NOT HESITATE TO ASK US! Yes No Have you ever had an operation or surgery of any Yes No Eyelid tattoo kind? If so, please list them all with dates. Yes No Penile prosthesis Yes No Shunt Yes No Artificial heart valve Yes No Infusion pump Yes No Pacemaker, wires, or defibrillator Yes No Diabetes Yes No Cochlear implant Yes No Magnetic implant anywhere If you have Diabetes, what medications are Yes No Electrical stimulator for nerves or bone you taking? Yes No Brain aneurysm clip Yes No Are you claustrophobic? Yes No Hypertension Yes No Have you ever been a machinist, welder, or If you have Hypertension, what medications metalworker? are you taking? Yes No Have you ever been hit in the face or eye with a piece of metal (including metal shavings, slivers, The following items may become damaged or cause bullets or BBs? injury to others in a strong magnetic field. THEY Yes No Are you pregnant, possibly pregnant, or breast MUST NOT BE TAKEN INTO THE feeding? SCAN ROOM. Yes No Body piercing Yes No Metal shrapnel or fragments Hearing Aid Purse/pocketbook Yes No Ortho devices (plates/screws/pins /rods/wires) Glasses Pens/pencils