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Roy Huggins Papers, 1948-2002
http://oac.cdlib.org/findaid/ark:/13030/c8g15z7t No online items Roy Huggins Papers, 1948-2002 Finding aid prepared by Performing Arts Special Collections Staff; additions processed by Peggy Alexander; machine readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] © 2012 The Regents of the University of California. All rights reserved. Roy Huggins Papers, 1948-2002 PASC 353 1 Title: Roy Huggins papers Collection number: PASC 353 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Physical Description: 20 linear ft.(58 boxes) Date: 1948-2002 Abstract: Papers belonging to the novelist, blacklisted film and television writer, producer and production manager, Roy Huggins. The collection is in the midst of being processed. The finding aid will be updated periodically. Creator: Huggins, Roy 1914-2002 Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. -
Gunsmoke" As Broadcast
REPLAY FORMAT 3/12/55 p L&MFILTERS, ATTACHED Present "GUNSMOKE" AS BROADCAST "KITE; I S REWARD " x`36 SATURDAY - FJUARY 19, 1955 PRE-CUT 3 : 30 PM - 4 :00 PM PST SATURDAY - MARCH 5, 1955 AIR 5 :00 PM - 5 :28:50 PM PST SATURDAY - MARCH 12, 1955 REPLAY 9 :30 AM - 9 :59 :30 AM PST DIRECTOR : NORMAN MACDONNELL SATURDAY - FEBflUARY 19, 195 5 ASSOCIATE : KENNY MCMANUS CAST. : 11 :00 AM - 1 :30 PM ASSOCIATE : ENGINEER : BOB CHADWICK ENGINEER : and SOUND : 2 :30 PM - 3 :30 PM SOUND : RAY KEMPER TOM HANLEY MUSIC : 1 :30 PM - 3 :30 P M MUSIC : R KOURY STUDIO #1 ANNOUNCER : , GEORGE WALSH AUTHOR : JOHN ASTON AMPLx 3 :15 PM - 4 :00 P M WILLIAM CONRA D as MATT DILLO N CHESTER . Parley Baer KITTY . Georgia Elli s DOC . Howard McNear KITE . John Dehner ANDY . Sam Edwards BAR . & Is Joe Duva l JAII Vic Perri n DH LIG 0382530 L&MFTLTERS Present GUNSMOKE SATURDAY. MARCH 5 , 1955 5:00-5 :28 :50 PM PST 1 SOUND : HORSE FADES ON TO FULL MIKE . .O N CUE : RECORDED SHOT 2 MUSIC ; HOLD UNDER . .TRACK 1 3 WALSH ; GUNSMOKE . .brought to you by L & M Alters, This is it ; 4 L & M is best - stands out from all the rest l 5 MU SIC : FIGURE AND UNDER . TRACK 2 6 WALSH : Around Dodge City and in the territory on West - there's 7 just one way to handle the killers and the spoilers - and 8 that's with a U .S . Marshal and the smell of - GUNSMOI2 1 9 MUSIC : THEME HITS : FULL ROAD SWTEP AND UNDER . -
Pre-Upfront Thoughts on Broadcast TV, Promotions, Nielsen, and AVOD by Steve Sternberg
April 2021 #105 ________________________________________________________________________________________ _______ Pre-Upfront Thoughts on Broadcast TV, Promotions, Nielsen, and AVOD By Steve Sternberg Last year’s upfront season was different from any I’ve been involved in during my 40 years in the business. Because of the COVID-19 pandemic, there were no live network presentations to the industry, and for the first time since I’ve been evaluating television programming, I did not watch any of the fall pilots before the shows aired. Many new and returning series experienced production delays, resulting in staggered premieres, shortened seasons, and unexpected cancellations. The big San Diego and New York comic-cons were canceled. There was virtually no pre-season buzz for new broadcast or cable series. Stuck at home with fewer new episodes of scripted series than ever to watch on ad-supported TV, people turned to streaming services in large numbers. Netflix, which had plenty of shows in the pipeline, surged in terms of both viewers and new subscribers. Disney+, boosted by season 2 of The Mandalorian and new Marvel series, WandaVision and Falcon and the Winter Soldier, was able to experience tremendous growth. A Sternberg Report Sponsored Message The Sternberg Report ©2021 ________________________________________________________________________________________ _______ Amazon Prime Video, and Hulu also managed to substantially grow their subscriber bases. Warner Bros. announcing it would release all of its movies in 2021 simultaneously in theaters and on HBO Max (led by Wonder Woman 1984 and Godzilla vs. Kong), helped add subscribers to that streaming platform as well – as did its successful original series, The Flight Attendant. CBS All Access, rebranded as Paramount+, also enjoyed growth. -
From Broadcast to Broadband: the Effects of Legal Digital Distribution
From Broadcast to Broadband: The Effects of Legal Digital Distribution on a TV Show’s Viewership by Steven D. Rosenberg An honors thesis submitted in partial fulfillment of the requirements for the degree of Bachelor of Science Undergraduate College Leonard N. Stern School of Business New York University May 2007 Professor Marti G. Subrahmanyam Professor Jarl G. Kallberg Faculty Adviser Thesis Advisor 1. Introduction ................................................................................................................... 3 2. Legal Digital Distribution............................................................................................. 6 2.1 iTunes ....................................................................................................................... 7 2.2 Streaming ................................................................................................................. 8 2.3 Current thoughts ...................................................................................................... 9 2.4 Financial importance ............................................................................................. 12 3. Data Collection ............................................................................................................ 13 3.1 Ratings data ............................................................................................................ 13 3.2 Repeat data ............................................................................................................ -
Gunsmoke Collection Mssgunsmoke
http://oac.cdlib.org/findaid/ark:/13030/c8xs62pw No online items Gunsmoke Collection mssGunsmoke Gayle Richardson The Huntington Library November 2020 1151 Oxford Road San Marino, California 91108 [email protected] URL: http://www.huntington.org Gunsmoke Collection mssGunsmoke 1 mssGunsmoke Contributing Institution: The Huntington Library Title: Gunsmoke collection Identifier/Call Number: mssGunsmoke Physical Description: 11.34 Linear Feet(27 boxes) Date (inclusive): 1953-1975 Abstract: A collection of radio and television scripts for the long-running western American program Gunsmoke. Language of Material: Materials are in English. Conditions Governing Access Open for use by qualified researchers and by appointment. Please contact Reader Services at the Huntington Library for more information. Conditions Governing Use No photocopying is allowed. No quotations are allowed apart from very brief phrases under "fair use." No publication or performances of these scripts are allowed. All inquiries regarding publication or quotation should be referred to the owner of copyright for the specific script(s). Copyright resides with either the production company or author for the scripts in this collection. Preferred Citation [Identification of item]. Gunsmoke collection, The Huntington Library, San Marino, California. Immediate Source of Acquisition Gift of Norman H. Macdonnell and John A. Dunkel, June 1974. Gift of Walter Newman, December 1975. Gift of Paul Savage, July 1978. Biographical / Historical Gunsmoke was an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. The radio series ran from 1952 to 1961; the television series ran for 20 seasons from 1955 to 1975, and lasted for 635 episodes. Scope and Contents The collection consists of 317 radio scripts and 60 television scripts from 1953 to 1975, for the long-running series Gunsmoke. -
Sliders Nielsen Ratings.Xlsx
"Sliders" Nielsen Ratings Television Universe 95.4 million Share (percentage of sets in use) * denotes a ratings tie Season 1 (1995) Viewers (in millions) Ratings Point 954,000 TV Households Episode Network Airdate Day Time Viewers Rating Share Rank Pilot Fox 3/22/95 Wednesday 8:00 p.m. EST 14.1 9.5 15 51 Fever Fox 3/29/95 Wednesday 9:00 p.m. EST 11.6 7.6 12 *62 Last Days Fox 4/5/95 Wednesday 9:00 p.m. EST 10.1 7.2 12 *58 Prince of Wails Fox 4/12/95 Wednesday 9:00 p.m. EST 10.3 7.2 7.2 *66 Summer of Love Fox 4/19/95 Wednesday 9:00 p.m. EST 9.3 6.7 10 69 Eggheads Fox 4/26/95 Wednesday 9:00 p.m. EST 7.9 5.9 10 *78 The Weaker Sex Fox 5/3/95 Wednesday 9:00 p.m. EST 8.8 6.1 10 *73 The King is Back Fox 5/10/95 Wednesday 9:00 p.m. EST 7.7 5.6 9 80 Luck of the Draw Fox 5/17/95 Wednesday 9:00 p.m. EST 9.9 6.7 11 70 Season Two (1996) Television Universe 95.9 million Ratings Point 959,000 TV Households Episode Network Airdate Day Time Viewers Rating Share Rank Into the Mystic Fox 3/1/96 Friday 8:00 p.m. EST 9.3 6.2 11 76 Love Gods Fox 3/8/96 Friday 8:00 p.m. EST 9.5 6.5 11 83 Gillian of the Spirits Fox 3/15/96 Friday 8:00 p.m. -
5. Study Guide: Ratings & Methodology
5. Study Guide: Ratings & Methodology Active/Passive meters – Nielsen’s most recent metering equipment. The A/P meter identifies what channel/network a television set is tuned to Area Probability (AP) – Nielsen methodology for based on audio codes. Television stations and placing meter samples. The first point of contact is made in person to specific sampling points. cable networks encode their signals to allow Nielsen meters to know what channel the These sampling points are predetermined television is tuned. The new meter also household addresses. determines un-encoded signals via a passive signal matching technology. The A/P meter also allowed Audience Composition – The percentage of the for the measurement of Digital Video Recorders overall audience that is in the target or selected (DVRs) “TiVo”-type devices. demographic. Address Based Sampling – Nielsen’s sampling Average – the average of a series of numbers is methodology to properly include households that calculating by adding all numbers in the series and do not have a land line telephone. These are then dividing by the total number of items in the typically cell phone only households. series. Zero values must be included in the calculation. ADS (Alternative Delivery Systems) – Nielsen’s term referring to television delivery methods like Average minute ratings – Nielsen method for Direct Broadcast Satellite (DBS) and large satellite calculating average ratings in their national or NTI homes. The bulk of ADS homes receive their sample. The ratings for each minute the program television signals via DBS. is on are averaged to calculate the program average rating. Alliance for Audited Media – Collects newspaper and magazine circulation information based on Average quarter-hour ratings – Nielsen method industry supplied circulation data. -
January 27, 2009 (XVIII:3) Samuel Fuller PICKUP on SOUTH STREET (1953, 80 Min)
January 27, 2009 (XVIII:3) Samuel Fuller PICKUP ON SOUTH STREET (1953, 80 min) Directed and written by Samuel Fuller Based on a story by Dwight Taylor Produced by Jules Schermer Original Music by Leigh Harline Cinematography by Joseph MacDonald Richard Widmark...Skip McCoy Jean Peters...Candy Thelma Ritter...Moe Williams Murvyn Vye...Captain Dan Tiger Richard Kiley...Joey Willis Bouchey...Zara Milburn Stone...Detective Winoki Parley Baer...Headquarters Communist in chair SAMUEL FULLER (August 12, 1912, Worcester, Massachusetts— October 30, 1997, Hollywood, California) has 53 writing credits and 32 directing credits. Some of the films and tv episodes he directed were Street of No Return (1989), Les Voleurs de la nuit/Thieves After Dark (1984), White Dog (1982), The Big Red One (1980), "The Iron Horse" (1966-1967), The Naked Kiss True Story of Jesse James (1957), Hilda Crane (1956), The View (1964), Shock Corridor (1963), "The Virginian" (1962), "The from Pompey's Head (1955), Broken Lance (1954), Hell and High Dick Powell Show" (1962), Merrill's Marauders (1962), Water (1954), How to Marry a Millionaire (1953), Pickup on Underworld U.S.A. (1961), The Crimson Kimono (1959), South Street (1953), Titanic (1953), Niagara (1953), What Price Verboten! (1959), Forty Guns (1957), Run of the Arrow (1957), Glory (1952), O. Henry's Full House (1952), Viva Zapata! (1952), China Gate (1957), House of Bamboo (1955), Hell and High Panic in the Streets (1950), Pinky (1949), It Happens Every Water (1954), Pickup on South Street (1953), Park Row (1952), Spring (1949), Down to the Sea in Ships (1949), Yellow Sky Fixed Bayonets! (1951), The Steel Helmet (1951), The Baron of (1948), The Street with No Name (1948), Call Northside 777 Arizona (1950), and I Shot Jesse James (1949). -
Twisted Trails of the Wold West by Matthew Baugh © 2006
Twisted Trails of the Wold West By Matthew Baugh © 2006 The Old West was an interesting place, and even more so in the Wold- Newton Universe. Until fairly recently only a few of the heroes and villains who inhabited the early western United States had been confirmed through crossover stories as existing in the WNU. Several comic book miniseries have done a lot to change this, and though there are some problems fitting each into the tapestry of the WNU, it has been worth the effort. Marvel Comics’ miniseries, Rawhide Kid: Slap Leather was a humorous storyline, parodying the Kid’s established image and lampooning westerns in general. It is best known for ‘outing’ the Kid as a homosexual. While that assertion remains an open issue with fans, it isn’t what causes the problems with incorporating the story into the WNU. What is of more concern are the blatant anachronisms and impossibilities the story offers. We can accept it, but only with the caveat that some of the details have been distorted for comic effect. When the Rawhide Kid is established as a character in the Wold-Newton Universe he provides links to a number of other western characters, both from the Marvel Universe and from classic western novels and movies. It draws in the Marvel Comics series’ Blaze of Glory, Apache Skies, and Sunset Riders as wall as DC Comics’ The Kents. As with most Marvel and DC characters there is the problem with bringing in the mammoth superhero continuities of the Marvel and DC universes, though this is not insurmountable. -
Music in GUNSMOKE Half-Hour Series PART II
Music in GUNSMOKE Half-Hour Series PART II [all Season Six half-hour episodes] Next is the Gunsmoke Sixth Season, Volume One dvd... 1 2 Note than just slightly more than half of the music in the episodes of this season were original scores, including three by Bernard Herrmann, three by Goldsmith, three by Fred Steiner, two by Lyn Murray, etc. "Friend's Payoff" (September 3, 1960) *** C Original score by Lyn Murray. Synopsis: An old friend of Matt Dillon's that he hasn't seen in many years, Ab Butler, is shot. Mysteriously, a man named Joe Leeds (played by Tom Reese) enters Dodge to look for Ab Butler. Murray, Lyn. Gunsmoke. Friend's Payoff (ep). TV Series. Score no: CPN5918. FS. Format: OZM. Foreign Library : folders 3693-3703. Box 77. -#3694 "Speechless Lies" Take 3 (1:15) -00:23 thru 00:53 CBS cue #3693 "After Summer Merrily" Take 3, (00:35) 3 Scene: Chester is busy in the Marshal's office trying to fix an old chair. A small boy comes in with a written message, looking for the Marshal. -2:19 thru 3:34 CBS cue #3694 "Speechless Lies" Take 3 (1:15) Scene: The message is from Matt's old friend, Ab Butler, who says he was shot in the shot & needs help quick. Dillon on a horse & Chester in an open wagon go out to find him. -3:56 thru 4:44 Scene: Dissolve to Doc's office, being treated by Adams. Dillon starts to question Ab again. Note that I have no further info on this and following cues for this score. -
TORRANCE HERALD MAY 9, 1963 | LIFE's LIKE THAT by FRED NEHEP Enjoy the Finest at , I CHIP I Lowest Cost! J STAMPS | 7 MAGIC SALE DAYS THURS
THE TORRANCE HERALD MAY 9, 1963 | LIFE'S LIKE THAT By FRED NEHEP Enjoy the finest at , i CHIP I lowest j STAMPS | cost! 7 MAGIC SALE DAYS THURS. TO WED., MAY 9 TO 15 "Don't worry about my age ... I ran spade a garden If you can stand running off to a luncheon every day'.!!" YELLOW CLING - HALVES OR SLICES FRESH : I CONC£NTF A Closer Look DEL MONTE LARGE i SHOV By Ernest Kreiling PEACHES "AA" EGGS \ ORA N< HOLLYWOOD—After eight Gunsmoke changed much In years Gunsmoke has probably eight years?" 1 asked Mac no. 2Vz , 6 oz. replaced the bath as America's Donnell. dozen favorite Saturday night tradi "They've changed a lot and :; i can tion. not in a way I particularly like. fir/,-- « A few years ago Gunsmoke Matt was more human then. 25 31 was the most and not nearly 2 popular western the shining sym out of a total of 35 on the air. bol of law and order he's be In the fall it enters its ninth come. Doc was more of a year with competition from quack, and spent more time in only _four others. Rawhide, the Long Branch. Kitty, well. Wagon Train, and the Vir Kitty's morals were consider FIRST ginian. ably more in doubt then than QUALITY GRADE "AA" CONCENTRATED DETERGENT GOLDEN CREME !i FO!|SAL/ Gunsmokc's perennial popu they are now. larity is a tribute to producer "I personally would like to GOLDEN Norman MacDonnell and writer see us put a little more bite CRIME SALVO PREMIUM LAUR John Mcston. -
€€ROGERS of the GAZETTE€€ Broadcast
ROGERS OF THE GAZETTE 1953 – 1954 (CBS) A Radio Series Broadcast Log By: Stewart Wright Initial Compilation: 12/01/2011 Last Update: 10/31/2015 Copyright 2011, 2013 & 23015 This broadcast log may not be reproduced or distributed, in whole or part, in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage or retrieval system without permission from the author, Stewart M. Wright. Audition Show: "Will Rogers, Country Editor." First Show: 07/08/1953. Last Show: 01/20/1954. Shows Broadcast: 27. Length: 30 minutes. SERIES BACKGROUND & DESCRIPTION: In the 1952 motion picture "The Story of Will Rogers," Will Rogers Jr. played his Father: American vaudevillian, humorist, syndicated columnist, social commentator, and motion picture actor Will Rogers. As a result of the popularity of the movie, CBS aired a 1953-54 radio series: Rogers of the Gazette. The series was a light drama focused on the daily activities of a fictional small town newspaper owner who published The Illyria Weekly Gazette. (Spelling of Illyria is taken from scripts for the series.) This series was an example of Art imitating Life. From 1935 to 1953 Will Rogers Jr., Bill as he preferred to be called, owned and operated a weekly newspaper and was the editor/publisher. The newspaper was not located in a small town in America's Heartland, but rather in Beverly Hills, CA: The Beverly Hills Citizen. Bill also worked as a foreign correspondent, covering the Spanish Civil War during 1936 and 1937. SPONSORSHIP: Rogers of the Gazette was aired on a sustaining basis by CBS.