DOCSLIB.ORG

Tennyson and Mid-Victorian Publishing, DOI 10.1057/978-1-137-33815-0 250 SELECT BIBLIOGRAPHY

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Tennyson and Mid-Victorian Publishing, DOI 10.1057/978-1-137-33815-0 250 SELECT BIBLIOGRAPHY SELECT BIBLIOGRAPHY A History of the Book in America, ed. by David D. Hall, 5 vols (Chapel Hill: University of North Carolina Press, 2015). Allingham, William, William Allingham a Diary, ed. by H. Allingham and D. Radford (London: Macmillan, 1907). Armstrong, Isobel, Victorian Poetry: Poetry, Poetics and Politics (London: Routledge, 1993). Behrendt, Stephen C., ‘Publishing and the Provinces in Romantic -era Britain’,in The Cambridge Companion to British Romanticism, ed. by Stuart Curran (Cambridge: Cambridge University Press, 2010). Blocksidge, Martin, The Banker Poet: The Rise and Fall of Samuel Rogers 1763– 1855 (Brighton: Sussex Academic Press, 2013). The Book of Gems of Modern Poets, ed. by S. C. Hall (London: Whitaker, 1838). Booth, Michael R., Theatre in the Victorian Age (Cambridge: Cambridge University Press, 1991). Boyce, Charlotte, Paraic Finnerty, Anne-Marie Milliam, Victorian Celebrity Culture and Tennyson’s Circle (London: Palgrave Macmillian, 2013). Briggs, Asa, A History of Longmans and their Books 1724–1990 (London: British Library, 2008). Browning, Robert, Robert Browning: Selected Poems, ed. by John Woolford, Daniel Karlin, Joseph Phelan (London: Routledge, 2010). Campbell, Thomas, Life and Letters of Thomas Campbell, 3 vols (London: Moxon, 1849). Charvat, William, The Profession of Authorship in America, 1800–1870: The Papers of William Charvat, ed. by Matthew J Bruccoli (Athens: Ohio State University Press, 1968), pp. 168–189. © The Author(s) 2016 249 J. Cheshire, Tennyson and Mid-Victorian Publishing, DOI 10.1057/978-1-137-33815-0 250 SELECT BIBLIOGRAPHY Cheshire, Jim, ‘The Fall of the House of Moxon: James Bertrand Payne and the Illustrated Idylls of the King’, Victorian Poetry 50.1 (Spring 2012a), 67–90. Cheshire, Jim, ‘The Poet and his Publishers: Shaping Tennyson’sPublicImage’,in From Compositors to Collectors: Essays on Book Trade History, ed. by John Hinks and Matthew Day (London: Oak Knoll & British Library, 2012b), pp. 109–132. Clayden, P. W., Samuel Sharpe Egyptologist and Translator of the Bible (London: Kegan Paul Trench & Co, 1883). Cronin, Richard, Romantic Victorians: English Literature, 1824–1840 (Basingstoke: Palgrave, 2002). Dodd, George, Days at the Factories (London: Knight, 1843). Dooley, Allan C., Author and Printer in Victorian England (Charlottesville: University Press of Virginia, 1992). Eidson, John Olin, Tennyson in America his Reputation and Influence from 1827 to 1858 (Athens: University of Georgia Press, 1943). Eisner, Eric, Nineteenth Century Poetry and Literary Celebrity (London: Palgrave Macmillan, 2009), p. 130. Eliot, Simon, ‘“Never Mind the Value, What about the Price?” Or, How Much Did Marmion Cost St. John Rivers?’, Nineteenth-Century Literature, 56.2 (2001), 160–197. Eliot, Simon, ‘Some Trends in British Book Production’,inLiterature in the Marketplace, ed. by J. O. Jordan and R. L. Patten (Cambridge: Cambridge University Press, 1995), pp. 19–43. Eliot, Simon, ‘What Price Poetry? Selling Wordsworth, Tennyson, and Longfellow in Nineteenth- and Early Twentieth-century Britain’, Publications of the Bibliographical Society of America, 100.4 (2006), 425–445. Erickson, Lee, The Economy of Literary Form (Baltimore: John Hopkins University Press, 1996). Erickson, Lee, ‘The Egoism of Authorship: Wordsworth’s Poetic Career’, Journal of English and Germanic Philology 89.1 (1990), 37–50. Everton, Michael J. The Grand Chorus of Complaint, Authors and the Business Ethics of American Publishing (Oxford: Oxford University Press, 2011). Fantasy and Faith: The Art of Gustave Doré, ed. by Eric Zafran (New Haven: Yale University Press, 2007). Frizot, Michel et al., The New History of Photography (Cologne: Koneman, 1998). Gettmann, R. A., A Victorian Publisher: A Study of the Bentley Papers (Cambridge: Cambridge University Press, 2010). Gill, Stephen Charles, William Wordsworth: A Life, (Oxford: Clarendon, 1989). Gill, Stephen Charles, Wordsworth and the Victorians (Oxford: Clarendon, 2001). Gollin, Rita K., Annie Adams Fields: Woman of Letters (Amherst: University of Massachusetts Press, 2002). Gosse, Edmund, Robert Browning Personalia (London: Fisher, 1890). SELECT BIBLIOGRAPHY 251 Groth, Helen, Victorian Photography and Literary Nostalgia (Oxford: Oxford University Press, 2003). Groves, Jeffrey D., ‘Judging Literary Books by Their Covers: House Styles, Ticknor and Fields, and Literary Production’ in Reading Books: Essays on the Material Text and Literature in America, ed. by M. Moylan and L. Stiles (Amherst: University of Massachusetts Press, 1996), pp. 75–100. Hagen, June Steffensen, Tennyson and his Publishers (London: Macmillan, 1979). The Keats Circle, ed. by Hyder Edward Rollins, 2 vols (Cambridge: Harvard University Press, 1965). King, Anthony D., “George Godwin and the Art Union of London 1837–1911”, Victorian Studies 8.2 (1964): 101–130. King, Edmund M. B. Victorian Decorated Trade Bindings 1830–1880 (London: British Library and Oak Knoll, 2003). Kooistra, Lorraine Janzen, Poetry, Pictures and Popular Publishing: The Illustrated Gift Book and Victorian Visual Culture 1855–1875 (Athens: Ohio University Press, 2011). Lamb, Charles and Mary Lamb, The Works of Charles and Mary Lamb, ed. by E. V. Lucas, 7 vols (London: Methuen, 1905). Ledbetter, Kathryn, Tennyson and Victorian Periodicals (Aldershot: Ashgate, 2007). Levy, Leonard Williams, Blasphemy: Verbal Offence Against the Sacred, from Moses to Salman Rushdie (Chapel Hill: University of North Carolina Press, 1993). The Life Letters and Literary Remains of John Keats, ed. by Richard Monkton Milnes (London: Moxon, 1848). Lukitsch, Joanne, Thomas Woolner: Seeing Sculpture Through Photography (Leeds: Henry Moore Institute, 2006). Malan, Dan, Gustave Doré: Adrift on Dreams of Splendour (St. Louis: Malan Classical Enterprises, 1995). Martin, Robert Bernard, Tennyson the Unquiet Heart (Oxford: Clarendon, 1980). Martineau, Harriet, Biographical Sketches (London: Macmillan, 1869). McParland, Robert P., Charles Dickens’s American Audience (Langham: Lexington, 2010). Merriam, Harold G., Edward Moxon Publisher of Poets (New York: Columbia University Press, 1939). Mole, Tom, Byron’s Romantic Celebrity: Industrial Culture and the Hermeneutic of Intimacy (Basingstoke and New York: Palgrave Macmillan, 2007). Mudge, Bradford Keyes, Sara Coleridge A Victorian Daughter (New Haven: Yale University Press, 1989). Mumby, F. A. The Romance of Bookselling: A History from the Earliest Times to the Twentieth Century (London: Chapman and Hall, 1910). 252 SELECT BIBLIOGRAPHY Murphy, Peter T., ‘Climbing Parnassus and Falling Off’ in At the Limits of Romanticism, ed. by Mary A. Favret and Nicola J. Watson (Bloomington: Indiana University Press, 1994), pp. 40–58. Myres, Robin, ‘Joseph Timothy Haydn, of Dictionary of Dates fame: “a long and laborious life, writing chiefly for the publishers”’, British Library Journal, 1979, 158–180. Nenadic, Stana, ‘The Small Family Firm in Victorian Britain’, Business History 35.4 (1993), 86–114. Olsen, Victoria, From Life: Julia Margaret Cameron and Victorian Photography (London: Arum Press, 2003). Ormond, Leonée, Tennyson and Thomas Woolner (Lincoln: Tennyson Society, 1981). Ormond, Richard, Early Victorian Portraits (London: Stationary Office Books, 1973). Owen, W. J. B, ‘Costs, Sales, and Profits of Longman’s Editions of Wordsworth’, The Library 5th series, 12 (1957), 93–107. Owen, W. J. B., ‘Letters of Longman and Co. to William Wordsworth 1814– 1836’, The Library 5th series, 9 (1954), 28–29. Plunkett, John, ‘Celebrity and Community: The Poetics of the Carte-de-Visite’ Journal of Victorian Culture 8.1 (2003), 55–79. Reading Victorian Illustration 1855–1875, ed. by Paul Goldman and Simon Cooke (Farnham: Ashgate, 2012). Roberts, Leonard, Arthur Hughes: His Life and Works (Woodbridge: Antique Collectors Club, 1997). Scott, Patrick, ‘The Market(place) and the Muse: Tennyson, Lincolnshire and the Ninteeenth-Century Idea of the Book’, Victorian Newsletter 117 (2010), 5–38. Shelley, Mary Wollstonecraft, Selected Letters of Mary Wollstonecraft Shelley, ed. by Betty T Bennett (Baltimore: John Hopkins University Press, 1995). Shelley, Percy Bysshe, The Complete Poetry of Percy Bysshe Shelley, ed. by Donald H. Reiman, Neil Fraistat, Nora Crook, Stuart Curran, Michael O’Neil, Michael J. Neth,DavidBrookshire,3vols(Baltimore: John Hopkins University Press, 2012). Sinfield, Alan, Alfred Tennyson (Oxford: Blackwell, 1986). St Clair, William, The Reading Nation in the Romantic Period (Cambridge: Cambridge University Press, 2004). Stoker, Ben, ‘Alfred: Informal Portraits of a Poet’ in Tennyson Transformed, Alfred Lord Tennyson and Visual Culture, ed. by Jim Cheshire (London, 2009), pp. 62–67. Seville, Catherine, Literary Copyright Reform in Early Victorian England: The Framing of the 1842 Copyright Act (Cambridge: Cambridge University Press, 1999), p. 142. Taylor, Lou, Mourning Dress: A Costume and Social History (London: Routledge, 2009). SELECT BIBLIOGRAPHY 253 Tennyson, Alfred, The Letters of Alfred Lord Tennyson, ed. by Cecil Y. Lang and Edgar F. Shannon Jr. 3 vols (Oxford: Clarendon, 1982–1990). Tennyson, Alfred, The Poems of Tennyson, ed. by Christopher Ricks, 3 vols (London: Longman, 1987). Tennyson, Charles, Alfred Tennyson (London: Macmillan, 1968). Tennyson, Emily, Lady Tennyson’s Journal, ed. by James Hoge (Charlottesville: University Press of Virginia, 1981). Tennyson, Hallam, Alfred Lord Tennyson A Memoir, 2 vols (London: Macmillan, 1898). Thomas, Julia, ‘Always Another Poem’ Victorian Illustrations of Tennyson’ in Tennyson
Load more

Recommended publications
  • Victorian Writers, Remembered & Forgotten
    University of South Carolina Scholar Commons Faculty Publications English Language and Literatures, Department of 10-2008 Victorian Writers, Remembered & Forgotten Patrick G. Scott University of South Carolina - Columbia, [email protected] Follow this and additional works at: https://scholarcommons.sc.edu/engl_facpub Part of the English Language and Literature Commons Publication Info 2008. (c) Patrick Scott, 2008 This Paper is brought to you by the English Language and Literatures, Department of at Scholar Commons. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. , Department of Rare Books & Special Collections VICTORIAN- WRITERS RentelDbered & F9rgotten . .. Mezzanine Exhibition Gallery~ Thomas Cooper Library . University of South Carolina October-November. 2008· FOREWORD This exhibition welcomed to the University the Thirty-Ninth Annual Meeting of the Victorians Institute, a two-day conference bringing to Columbia nearly a hundred Victorian scholars from the south-east and across the United States. So many of the great writers of the Victorian age are still well-known names that myriads of others get overlooked or neglected. The University of South Carolina's Department of Rare Books & Special Collections has first editions and even manuscript material from many of the best-remembered Victorian writers, but it also preserves the writings of others who are now almost forgotten. In some cases, such lesser-known items may be even rarer than long-sought-after first editions by the most famous names. The current exhibition juxtaposes work by major Victorians, such as Charles Dickens, Alfred Tennyson, Charlotte Bronte, and George Eliot, with the work of some of these other · writers who deserve to be better-known.
    [Show full text]
  • A Restored Letter by Thomas Hood John Spalding Gatton University of Kentucky
    The Kentucky Review Volume 2 | Number 2 Article 7 1981 Of Publishing, Polkas, and Prudery: A Restored Letter by Thomas Hood John Spalding Gatton University of Kentucky Follow this and additional works at: https://uknowledge.uky.edu/kentucky-review Part of the English Language and Literature Commons Right click to open a feedback form in a new tab to let us know how this document benefits you. Recommended Citation Gatton, John Spalding (1981) "Of Publishing, Polkas, and Prudery: A Restored Letter by Thomas Hood," The Kentucky Review: Vol. 2 : No. 2 , Article 7. Available at: https://uknowledge.uky.edu/kentucky-review/vol2/iss2/7 This Article is brought to you for free and open access by the University of Kentucky Libraries at UKnowledge. It has been accepted for inclusion in The Kentucky Review by an authorized editor of UKnowledge. For more information, please contact [email protected]. Library Notes Of Publishing, Polkas, and Prudery: A Restored Letter by Thomas Hood John Spalding Gatton In March 1980 the Special Collections Department of theM. I. King Library purchased from GeorgeS. MacManus Company, Philadelphia, an unsigned, holograph letter by the English poet Thomas Hood (1799-1845). This letter joins the library's extensive holdings of autograph letters by major and near-major nineteenth­ century British authors, among them, Sir Max Beerbohm, Charlotte Bronte, Elizabeth Barrett and Robert Browning, Sir Richard Burton, Charles Dickens, James Anthony Froude, Richard Le Gallienne, Harriet Martineau, and William Makepeace Thackeray.1 While focused on the varied problems of publishing a monthly magazine, the Hood letter also provides an intimate, personal perspective on important concerns of the age: the tension between the Established Church and Nonconformist sects; the fascination with utopian and socialistic systems; and contemporary attitudes toward modesty.
    [Show full text]
  • Tennyson's Poems
    Tennyson’s Poems New Textual Parallels R. H. WINNICK To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/944 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. TENNYSON’S POEMS: NEW TEXTUAL PARALLELS Tennyson’s Poems: New Textual Parallels R. H. Winnick https://www.openbookpublishers.com Copyright © 2019 by R. H. Winnick This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work provided that attribution is made to the author (but not in any way which suggests that the author endorses you or your use of the work). Attribution should include the following information: R. H. Winnick, Tennyson’s Poems: New Textual Parallels. Cambridge, UK: Open Book Publishers, 2019. https://doi.org/10.11647/OBP.0161 In order to access detailed and updated information on the license, please visit https://www.openbookpublishers.com/product/944#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/by/4.0/ Digital material and resources associated with this volume are available at https://www.openbookpublishers.com/product/944#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher.
    [Show full text]
  • A Pecuniary Explication of William Makepeace Thackeray's Critical Journalism
    University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 2011 "Show Me the Money!": A Pecuniary Explication of William Makepeace Thackeray's Critical Journalism Gary Simons University of South Florida, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the American Studies Commons, English Language and Literature Commons, History of Art, Architecture, and Archaeology Commons, and the Journalism Studies Commons Scholar Commons Citation Simons, Gary, ""Show Me the Money!": A Pecuniary Explication of William Makepeace Thackeray's Critical Journalism" (2011). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/3347 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. “Show Me the Money!”: A Pecuniary Explication of William Makepeace Thackeray’s Critical Journalism by Gary Simons A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of English College of Arts and Sciences University of South Florida Major Professor: Pat Rogers, Ph.D., Litt. D. Marty Gould, Ph.D. Regina Hewitt, Ph.D. Laura Runge, Ph.D. Date of Approval March 24, 2011 Keywords: W. M. Thackeray, British Literature, Literary Criticism, Periodicals, Art Criticism Copyright © 2011, Gary Simons Dedication To my wife Jeannie, my love, my companion and partner in life and in learning, who encouraged me to take early retirement and enter graduate school, shared with me the pleasures of the study of English literature and thereby intensified them, patiently listened to my enthusiasms, and urged me onward at every stage of this work, Acknowledgments I would like to thank Dr.
    [Show full text]
  • The Freaks of Learning
    Colby Quarterly Volume 18 Issue 2 June Article 3 June 1982 The Freaks of Learning G. E. Bentley, Jr. Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, Volume 18, no.2, June 1982, p.87-104 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Bentley, Jr.: The Freaks of Learning The Freaks of Learning For thee we dim the eyes and stu!! the head With all such reading as was never read Dunciad, I, 165-66 87 Published by Digital Commons @ Colby, 1982 1 Colby Quarterly, Vol. 18, Iss. 2 [1982], Art. 3 88 COLBY LIBRARY QUARTERLY As THE Eighteenth Century was trying to draw quietly to a close, with .r\. Farmer George brushing the dew from his lawns and William Cowper sitting by the fire with the cup that cheers but not inebriates, there was an extraordinary outbreak of pigs in the social and intellectual life of England. These were not merely pigs of good breeding and im­ peccable taste; they were creatures of decorous deportment and aston­ ishing learning as well. They appeared in drawing rooms and on stage, and their accomplishments filled the lacunae of magazines and letters and literary causeries. They profoundly impressed some of the greatest geniuses of the age and left a name at which the world grew pale, to point a moral or adorn a tale. Not only did they appear in poems, but poems were written for them; indeed, the Learned Pig was seen as the rival of one of the greatest poets of the age.
    [Show full text]
  • In That So Clare's Sonnets Green the Requirements for the Degree Of
    ne, ne « / +• In That So Gentle Skys A Study of John Clare’s Sonnets Richard L. Gillin A Dissertation Submitted to the Graduate School of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 1971 í» © 1972 Richard Lewis Gillin ALL RIGHTS RESERVED ii ABSTRACT In 1820 John Clare became the most popular literary figure in London following the appearance of his Poems Descriptive of Rural Life and Scenery. By 1827, after the publication of three subse­ quent volumes of poetry, he was virtually ignored even though his poetic abilities had increased significantly. In this study the nature of John Clare’s achievement as a poet was analyzed in con­ junction with his sonnets. Clare’s best work appears in his short poems. The sonnets he wrote indicate his concerns and suggest the degree of his maturity as a lyric poet. The significant biographical and historical influences on Clare have been delineated in association with his poetry. An examination of the poems in each volume of poetry published during his lifetime revealed that the sonnets reflect the major impetus of each volume as well as suggesting the direction his later work would take. Experiments with sonnet forms such as the Shakespearian and regular innovative forms of Clare’s own creation are traced and analyzed. As a fledgling poet Clare's greatest problem was to reconcile the various elements of his perception and verse. Often, it has been shown, there is a cleavage between the subject matter and the speaker’s response to the subject in the early sonnets.
    [Show full text]
  • Download (7Mb)
    University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/72010 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. THE PO E T AND THE CIT Y the city as a theme in English poetry of the nineteenth century by Bridget O'Toole M.A. Submitted for the degree of Doctor of Philosophy to the University of Warwick Department of English September 1974 i. SUMMARY This study examines the treatment of the city as a subject in nineteenth century English poetry. There is an outline of some of the problems posed by urban subject-matter in the post-Romantic era together with a survey of attitudes to the city, literary precon­ ceptions and the kind of terminology already available at the beginning of the period. The body of the thesis shows how approaches developed, and considers how far poets were able to create forms and a language capable of dealing with this subject. It was not one which inspired great poetry; most poets found the material intransigent. A major reason for this was the complex set of reactions produced by the presence of the urban crowd. The poet's response to the city is seen to depend largely on his response to the crowd and this study has therefore taken into account the reaction of poets to social developments in the course of the century.
    [Show full text]
  • New Digital Audiobooks and Old Ways of Reading Rubery, M
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queen Mary Research Online Play It Again, Sam Weller: New Digital Audiobooks and Old Ways of Reading Rubery, M For additional information about this publication click this link. http://qmro.qmul.ac.uk/jspui/handle/123456789/9127 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact [email protected] March 4, 2008 Time: 05:13pm 008.tex Play It Again, Sam Weller: New Digital Audiobooks and Old Ways of Reading Matthew Rubery Ahem. The speaker is about to read aloud Nancy’s murder, a brutal tableau from Oliver Twist (1837–39) ritually performed before the public since Dickens’ first recitation of this scene at St. James’s Hall as part of a Farewell Tour in 1869. The ‘Murder’, as the author preferred to call it, would soon become part of Dickens lore for the violence with which it ended the life not only of the novel’s heroine but also of the novelist himself.1 The ‘Sikes and Nancy’ episode begins with the narrator’s voice as one of the boy thieves is instructed to ‘dodge’ a young woman through the streets of London. The ensuing voices are those of Fagin (‘my dear’), Bolter (‘Oh Lor!’), and Sikes (‘Wot now?’), whose Cockney accents are performed in markedly different registers from that of the preceding narrator.2 In fact, each of the characters is set apart by a distinct sound to ensure that audiences can tell who is speaking without access to the written script.
    [Show full text]
  • The Poetical Works of Thomas Hood
    ' » m.W' : Ml.' ," , r LIBRARY UNIVE OF CALI: SAN sGO k. Shelf.. Book2-Q~l'\ D. L. DAVIS, SALEM, OHIO. PR £ "1 jb^^'i'OK^ S^7 T U E POETICAL WORKS OF THOMAS HOOD. BOSTON: PHILLIPS, SAMPSON AND COMPANY. 1857. CONTENTS, POEMS. PAGE The Plea of the Midsummer Fairies 15 Hero and Leander ^^ The Elm Tree: A Dream in the Woods 82 The Dream of Eugene Aram 98 lOS The Haunted House : A Romance 119 The Bridge of Sighs The Song of the Shirt 123 The Lady's Dream 126 129 The Workhouse Clock : An Allegory The Lay of the Laborer 132 Fair Ines 135 The Departure of Summer 137 Ode: Autumn 142 1*4 Song, for Music , Ballad 145 Hymn to the Sun 146 Autumn 147 To a cold Beauty 147 Ruth 148 Ballad 149 1 Remember, I Remember 150 Ballad : 151 The Water Lady 152 To an Absentee 153 Song 154 Ode to the Moon 155 To 157 The Forsaken 158 Autumn 159 Ode to Melancholy • 160 (9) 10 CONTENTS. Sonnets, Written in a Volume of Shakspeare 164 To Fancy 164 To an Enthusiast 165 " " It is not death, tliat sometime in a sigh 165 " By every sweet tradition of true hearts" 166 On receiving a Gift 166 Silence 167 " " The curse of Adam, the old curse of all 167 " " Love, dearest lady, such as 1 would speak 168 The Lee Shore 168 The Death-Bed 169 Lines on seeing my Wife and two Children sleeping in the same Chamber 170 To my Daughter, on her Birthday 171 To a Child embracing his.
    [Show full text]
  • Victorians Thinking Globally: Identity and Empire in Middle-Class Reading
    Graduate Theses, Dissertations, and Problem Reports 2015 Victorians Thinking Globally: Identity and Empire in Middle-Class Reading Jessica A. Queener Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Queener, Jessica A., "Victorians Thinking Globally: Identity and Empire in Middle-Class Reading" (2015). Graduate Theses, Dissertations, and Problem Reports. 6460. https://researchrepository.wvu.edu/etd/6460 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. Victorians Thinking Globally: Identity and Empire in Middle-Class Reading Jessica A. Queener Dissertation submitted to the Eberly College of Arts and Science at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English John Lamb, Ph.D., Chair Dennis Allen, Ph.D. Linda Hughes, Ph.D. Lisa Weihman, Ph.D Michael Germana, Ph.D. Department of English Morgantown, West Virginia 2015 Keywords: periodicals, serial novels, Charles Dickens, Elizabeth Gaskell, Charles Wirgman, Japan Punch, Punch, Morant Bay Rebellion, voluntourism, British Empire.
    [Show full text]
  • The Charles Lamb Bulletin the Journal of the Charles Lamb Society
    The Charles Lamb Bulletin The Journal of the Charles Lamb Society July 2006 New Series No. 135 Contents Articles DICK WATSON: The 2006 Elian Birthday Toast 69 MARY WEDD: Elia the Academic 71 SIMON KÖVESI: John Clare, Charles Lamb and the London Magazine: ‘Sylvanus et Urban’ 82 ROBERT MORRISON: In Memory and Celebration of Jonathan Wordsworth 94 PAMELA WOOF: In Memory and Celebration of Robert Woof 96 Society Notes and News from Members CHAIRMAN’S NOTES 100 69 The 2006 Elian Birthday Toast By DICK WATSON The 2006 Elian Birthday Toast was held on Saturday, 18 February at the Royal College of General Practitioners, Kensington, London. THOSE OF YOU WHO WERE PRESENT AT THE LUNCH LAST YEAR will remember that we remembered – one can hardly say ‘celebrated’ – the death of Wordsworth’s brother in February 1805, and Lamb’s part in the investigations that followed. Today I want to return to the sea, and to another death, that of Nelson. Last year, we were reminded, again and again, that this was the 200th anniversary of the battle of Trafalgar. In 2006 we passed, a month ago, the anniversary of Nelson’s funeral, which may have something to tell us about Lamb. He wrote to Hazlitt on 10 November 1805, in the middle of a number of other things: ‘Wasn’t you sorry for Lord Nelson? I have followed him in fancy ever since I saw him walking in Pall Mall (I was prejudiced against him before) looking just as a Hero should look: and I have been very much cut about it indeed.
    [Show full text]
  • Chronology of Browning's Literary Life
    Chronology of Browning’s Literary Life 1793 Birth of actor and theatre manager William Charles Macready. 1795 Birth of Thomas Carlyle. 1806 Birth of John Stuart Mill and EBB. 1809 Birth of Alfred Tennyson. 1812 RB born at Camberwell, South-East London. 1819 Birth of John Ruskin. c. 1820 RB studies at Revd Thomas Ready’s school, Peckham. 1822 Birth of Matthew Arnold. Death of Shelley. 1826 RB reads Shelley, Miscellaneous Poems. Puts together Incondita, unpublished volume of poems, later destroyed. 1828 Mill reads Wordsworth’s miscellaneous poems in the two-volume edition of 1815, and emerges from a severe depression. 1828–9 RB attends London University. Tennyson’s ‘Timbuctoo’ wins Chancellor’s poetry prize at Cambridge. c. 1830 RB belongs to ‘the Set’ or ‘the Colloquials’, informal literary and debating group and contributes to its journal, the Trifler. 1833 Monthly Repository publishes Mill’s ‘What is Poetry?’ and ‘The Two Kinds of Poetry’. EBB, Prometheus Bound. Pauline (publ. anony- mously by Saunders & Otley): no sales and few reviews. 1834 RB journeys to St Petersburg with the Russian Consul-General. Meets Amédée de Ripert-Monclar. 1835 Paracelsus: some critical success. RB becomes friendly with John Forster, editor of the Examiner, and with William Macready. 1836 ‘Madhouse Cells’ published under the name ‘Z’ in Fox’s Monthly Repository. Meets Thomas Carlyle. Forster publishes a Life of Strafford, partly written by RB. Meets Walter Savage Landor. Macready requests a play. 1837 Strafford performed five times at Covent Garden: numerous reviews, several good. Reads Carlyle’s Sartor Resartus. Carlyle, The French Revolution. 1838 RB’s first trip to Italy: visits Venice, Treviso, Bassano, Vicenza, Padua and Asolo.
    [Show full text]