Tennyson and Mid-Victorian Publishing, DOI 10.1057/978-1-137-33815-0 250 SELECT BIBLIOGRAPHY

SELECT BIBLIOGRAPHY

A History of the Book in America, ed. by David D. Hall, 5 vols (Chapel Hill: University of North Carolina Press, 2015). Allingham, William, William Allingham a Diary, ed. by H. Allingham and D. Radford (London: Macmillan, 1907). Armstrong, Isobel, Victorian Poetry: Poetry, Poetics and Politics (London: Routledge, 1993). Behrendt, Stephen C., ‘Publishing and the Provinces in Romantic -era Britain’,in The Cambridge Companion to British Romanticism, ed. by Stuart Curran (Cambridge: Cambridge University Press, 2010). Blocksidge, Martin, The Banker Poet: The Rise and Fall of Samuel Rogers 1763– 1855 (Brighton: Sussex Academic Press, 2013). The Book of Gems of Modern Poets, ed. by S. C. Hall (London: Whitaker, 1838). Booth, Michael R., Theatre in the Victorian Age (Cambridge: Cambridge University Press, 1991). Boyce, Charlotte, Paraic Finnerty, Anne-Marie Milliam, Victorian Celebrity Culture and Tennyson’s Circle (London: Palgrave Macmillian, 2013). Briggs, Asa, A History of Longmans and their Books 1724–1990 (London: British Library, 2008). Browning, Robert, Robert Browning: Selected Poems, ed. by John Woolford, Daniel Karlin, Joseph Phelan (London: Routledge, 2010). Campbell, Thomas, Life and Letters of Thomas Campbell, 3 vols (London: Moxon, 1849). Charvat, William, The Profession of Authorship in America, 1800–1870: The Papers of William Charvat, ed. by Matthew J Bruccoli (Athens: Ohio State University Press, 1968), pp. 168–189.

Cheshire, Jim, ‘The Fall of the House of Moxon: James Bertrand Payne and the Illustrated Idylls of the King’, Victorian Poetry 50.1 (Spring 2012a), 67–90. Cheshire, Jim, ‘The Poet and his Publishers: Shaping Tennyson’sPublicImage’,in From Compositors to Collectors: Essays on Book Trade History, ed. by John Hinks and Matthew Day (London: Oak Knoll & British Library, 2012b), pp. 109–132. Clayden, P. W., Samuel Sharpe Egyptologist and Translator of the Bible (London: Kegan Paul Trench & Co, 1883). Cronin, Richard, Romantic Victorians: English Literature, 1824–1840 (Basingstoke: Palgrave, 2002). Dodd, George, Days at the Factories (London: Knight, 1843). Dooley, Allan C., Author and Printer in Victorian England (Charlottesville: University Press of Virginia, 1992). Eidson, John Olin, Tennyson in America his Reputation and Inﬂuence from 1827 to 1858 (Athens: University of Georgia Press, 1943). Eisner, Eric, Nineteenth Century Poetry and Literary Celebrity (London: Palgrave Macmillan, 2009), p. 130. Eliot, Simon, ‘“Never Mind the Value, What about the Price?” Or, How Much Did Marmion Cost St. John Rivers?’, Nineteenth-Century Literature, 56.2 (2001), 160–197. Eliot, Simon, ‘Some Trends in British Book Production’,inLiterature in the Marketplace, ed. by J. O. Jordan and R. L. Patten (Cambridge: Cambridge University Press, 1995), pp. 19–43. Eliot, Simon, ‘What Price Poetry? Selling Wordsworth, Tennyson, and Longfellow in Nineteenth- and Early Twentieth-century Britain’, Publications of the Bibliographical Society of America, 100.4 (2006), 425–445. Erickson, Lee, The Economy of Literary Form (Baltimore: John Hopkins University Press, 1996). Erickson, Lee, ‘The Egoism of Authorship: Wordsworth’s Poetic Career’, Journal of English and Germanic Philology 89.1 (1990), 37–50. Everton, Michael J. The Grand Chorus of Complaint, Authors and the Business Ethics of American Publishing (Oxford: Oxford University Press, 2011). Fantasy and Faith: The Art of Gustave Doré, ed. by Eric Zafran (New Haven: Yale University Press, 2007). Frizot, Michel et al., The New History of Photography (Cologne: Koneman, 1998). Gettmann, R. A., A Victorian Publisher: A Study of the Bentley Papers (Cambridge: Cambridge University Press, 2010). Gill, Stephen Charles, William Wordsworth: A Life, (Oxford: Clarendon, 1989). Gill, Stephen Charles, Wordsworth and the Victorians (Oxford: Clarendon, 2001). Gollin, Rita K., Annie Adams Fields: Woman of Letters (Amherst: University of Massachusetts Press, 2002). Gosse, Edmund, Robert Browning Personalia (London: Fisher, 1890). SELECT BIBLIOGRAPHY 251

Groth, Helen, Victorian Photography and Literary Nostalgia (Oxford: Oxford University Press, 2003). Groves, Jeffrey D., ‘Judging Literary Books by Their Covers: House Styles, Ticknor and Fields, and Literary Production’ in Reading Books: Essays on the Material Text and Literature in America, ed. by M. Moylan and L. Stiles (Amherst: University of Massachusetts Press, 1996), pp. 75–100. Hagen, June Steffensen, Tennyson and his Publishers (London: Macmillan, 1979). The Keats Circle, ed. by Hyder Edward Rollins, 2 vols (Cambridge: Harvard University Press, 1965). King, Anthony D., “George Godwin and the Art Union of London 1837–1911”, Victorian Studies 8.2 (1964): 101–130. King, Edmund M. B. Victorian Decorated Trade Bindings 1830–1880 (London: British Library and Oak Knoll, 2003). Kooistra, Lorraine Janzen, Poetry, Pictures and Popular Publishing: The Illustrated Gift Book and Victorian Visual Culture 1855–1875 (Athens: Ohio University Press, 2011). Lamb, Charles and Mary Lamb, The Works of Charles and Mary Lamb, ed. by E. V. Lucas, 7 vols (London: Methuen, 1905). Ledbetter, Kathryn, Tennyson and Victorian Periodicals (Aldershot: Ashgate, 2007). Levy, Leonard Williams, Blasphemy: Verbal Offence Against the Sacred, from Moses to Salman Rushdie (Chapel Hill: University of North Carolina Press, 1993). The Life Letters and Literary Remains of John Keats, ed. by Richard Monkton Milnes (London: Moxon, 1848). Lukitsch, Joanne, Thomas Woolner: Seeing Sculpture Through Photography (Leeds: Henry Moore Institute, 2006). Malan, Dan, Gustave Doré: Adrift on Dreams of Splendour (St. Louis: Malan Classical Enterprises, 1995). Martin, Robert Bernard, Tennyson the Unquiet Heart (Oxford: Clarendon, 1980). Martineau, Harriet, Biographical Sketches (London: Macmillan, 1869). McParland, Robert P., Charles Dickens’s American Audience (Langham: Lexington, 2010). Merriam, Harold G., Edward Moxon Publisher of Poets (New York: Columbia University Press, 1939). Mole, Tom, Byron’s Romantic Celebrity: Industrial Culture and the Hermeneutic of Intimacy (Basingstoke and New York: Palgrave Macmillan, 2007). Mudge, Bradford Keyes, Sara Coleridge A Victorian Daughter (New Haven: Yale University Press, 1989). Mumby, F. A. The Romance of Bookselling: A History from the Earliest Times to the Twentieth Century (London: Chapman and Hall, 1910). 252 SELECT BIBLIOGRAPHY

Murphy, Peter T., ‘Climbing Parnassus and Falling Off’ in At the Limits of Romanticism, ed. by Mary A. Favret and Nicola J. Watson (Bloomington: Indiana University Press, 1994), pp. 40–58. Myres, Robin, ‘Joseph Timothy Haydn, of Dictionary of Dates fame: “a long and laborious life, writing chiefly for the publishers”’, British Library Journal, 1979, 158–180. Nenadic, Stana, ‘The Small Family Firm in Victorian Britain’, Business History 35.4 (1993), 86–114. Olsen, Victoria, From Life: Julia Margaret Cameron and Victorian Photography (London: Arum Press, 2003). Ormond, Leonée, Tennyson and Thomas Woolner (Lincoln: Tennyson Society, 1981). Ormond, Richard, Early Victorian Portraits (London: Stationary Office Books, 1973). Owen, W. J. B, ‘Costs, Sales, and Profits of Longman’s Editions of Wordsworth’, The Library 5th series, 12 (1957), 93–107. Owen, W. J. B., ‘Letters of Longman and Co. to William Wordsworth 1814– 1836’, The Library 5th series, 9 (1954), 28–29. Plunkett, John, ‘Celebrity and Community: The Poetics of the Carte-de-Visite’ Journal of Victorian Culture 8.1 (2003), 55–79. Reading Victorian Illustration 1855–1875, ed. by Paul Goldman and Simon Cooke (Farnham: Ashgate, 2012). Roberts, Leonard, Arthur Hughes: His Life and Works (Woodbridge: Antique Collectors Club, 1997). Scott, Patrick, ‘The Market(place) and the Muse: Tennyson, Lincolnshire and the Ninteeenth-Century Idea of the Book’, Victorian Newsletter 117 (2010), 5–38. Shelley, Mary Wollstonecraft, Selected Letters of Mary Wollstonecraft Shelley, ed. by Betty T Bennett (Baltimore: John Hopkins University Press, 1995). Shelley, Percy Bysshe, The Complete Poetry of Percy Bysshe Shelley, ed. by Donald H. Reiman, Neil Fraistat, Nora Crook, Stuart Curran, Michael O’Neil, Michael J. Neth,DavidBrookshire,3vols(Baltimore: John Hopkins University Press, 2012). Sinfield, Alan, Alfred Tennyson (Oxford: Blackwell, 1986). St Clair, William, The Reading Nation in the Romantic Period (Cambridge: Cambridge University Press, 2004). Stoker, Ben, ‘Alfred: Informal Portraits of a Poet’ in Tennyson Transformed, Alfred Lord Tennyson and Visual Culture, ed. by Jim Cheshire (London, 2009), pp. 62–67. Seville, Catherine, Literary Copyright Reform in Early Victorian England: The Framing of the 1842 Copyright Act (Cambridge: Cambridge University Press, 1999), p. 142. Taylor, Lou, Mourning Dress: A Costume and Social History (London: Routledge, 2009). SELECT BIBLIOGRAPHY 253

Tennyson, Alfred, The Letters of Alfred Lord Tennyson, ed. by Cecil Y. Lang and Edgar F. Shannon Jr. 3 vols (Oxford: Clarendon, 1982–1990). Tennyson, Alfred, The Poems of Tennyson, ed. by Christopher Ricks, 3 vols (London: Longman, 1987). Tennyson, Charles, Alfred Tennyson (London: Macmillan, 1968). Tennyson, Emily, Lady Tennyson’s Journal, ed. by James Hoge (Charlottesville: University Press of Virginia, 1981). Tennyson, Hallam, Alfred Lord Tennyson A Memoir, 2 vols (London: Macmillan, 1898). Thomas, Julia, ‘Always Another Poem’ Victorian Illustrations of Tennyson’ in Tennyson Transformed Alfred Lord Tennyson and Visual Culture, ed. by Jim Cheshire (London: Lund Humphries, 2009), pp. 20–31. Thomas, Julia, Pictorial Victorians (Athens: Ohio University Press, 2004). Todd, William B. and Ann Bowden, Tauchnitz International Editions in English 1841–1955, A Bibliographical History (New York: Bibliographical Society of America, 1988). Tryon, Warren S., ‘Nationalism and International Copyright: Tennyson and Longfellow in America’, American Literature 24.3 (November 1952), 301– 309. Tryon, Warren, S., Parnasus Corner a Life of James T. Fields, Publisher to the Victorians (Boston: Houghton Mifﬂin, 1963). Tryon, Warren S. and William Charvat, The Cost Books of Ticknor and Fields and their Predecessors 1832–1858 (New York: Bibliographical Society of America, 1949). Wadsworth, Sarah, In the Company of Books Literature and its ‘Classes’ in Nineteenth-Century America (Amherst: University of Massachusetts Press, 2006). Warrington, Bernard, ‘The Bankruptcy of William Pickering in 1853: The Hazards of Publishing and Bookselling in the First Half of the Nineteenth Century’ Publishing History, 27 (1990), 5–25. Warrington, Bernard, ‘William Pickering and the Development of Publishers’ Binding in the Early Nineteenth Century’, Publishing History, 33 (1993), 59–76. Weedon, Alexis, Victorian Publishing: The Economics of Book Production for a Mass Market 1836–1916 (Aldershot: Ashgate, 2003). Winship, Michael, American Literary Publishing in the mid Nineteenth Century the business of Ticknor and Fields (Cambridge: Cambridge University Press, 1995). Wordsworth, William and Dorothy Wordsworth, The Letters of William and Dorothy Wordsworth, ed. by Ernest De Selincourt and Alan G. Hill, 8 vols (Oxford: Clarendon, 1979–2000). Zarandona, Juan Miguel, Los Ecos De Las Montoñas De José Zorilla U Sus Fuentes De Inspiración: De Tennyson a Doré (Valadolid: Univeridad de Valladolid, 2004). INDEX

A commercial strategy, 10, 165, 233, Acton, Eliza, 5 245; dressing up, 14, 116, 122, Advertising, 4, 64, 67–70, 148, 127, 132, 166, 245; tranching 171, 246 down, 14, 94, 116, 126, 127, Allingham, William, 18, 19, 130, 131 200, 236 paper, 14, 15, 16, 64, 65, 77, Anderson, Sir Charles, 144 119, 121, 126, 175, 230; Annuals, 10, 27, 30, 70, cost, 64, 65, 77, 112; 131, 146 weight, 126 Austin, Alfred, 11, 23, 236 prices, 15, 28, 87, 131; trade and retail price, 28, 65 printing, 4, 15, 27, 28, 32, 64, 65, B 77, 112, 113, 126, 233, 244; Bamford, Samuel, 1–3, 12, 16 costs, 15, 28, 64, 65, 77, 79, Barham, R. H., 5 112, 121; print runs, 64, 65, Baudry (Offshore Publisher), 13 77; stereotyping, 15, 28, 88, The Book of Gems The Modern Poets 113, 126, 147, 244 and Artists of Great Britain Bradbury and Evans, 27, 64, (1838), 140 152, 235 Book production Brightwell, D. Baron, 188, 225, binding, 9, 15, 50, 64, 75, 80, 103, 227, 231 112, 117, 123, 126, 131, 176, A Concordance to the Entire Works of 202, 244; cloth covers, 69, Alfred Tennyson (1869), 227 74–77, 79, 84, 94, 119, 121, Brodie, William, 205 127, 170, 230; drab Browning, Robert, 19, 20, 42 boards, 74, 75, 77, 117, 121, Browning, Elizabeth Barrett, 37, 103, 122, 123, 148 125, 132

Byron, Lord, 5, 6, 18, 30, 33, 35, 45, F 132, 163, 199, 200, 202 Fenwick, Isabella, 35 Fields, Annie, 102 Fields, James T., 94, 101, 102, 106, C 125, 130, 234, 244 Caddell, Thomas, 30 Fitzgerald, Edward, 105, 204 Cameron, Julia Margaret, 18, 161, Forster, John, 1, 29 189, 209, 211–212 France Campbell, Thomas, 43–44, 45, 50, offshore publishing, 235 58, 68, 70, 106 Idylls of the King, 177 Carroll, Lewis (Charles Dodgson), 19, 209 Carte de visite, 209, 211, 212, 213, G 217, 236 Galignani, 13, 50, 51 Celebrity, 18, 19, 84, 90, 200, 202, 246 Gaskell, Elizabeth, 1, 2, 16, 20 Charvat, W., 9, 133 Gift book, 6, 10, 79, 138, 141, 146, Coleridge, Hartley, 43, 45, 46 150, 164, 168, 170, 189, 200, Coleridge, Samuel Taylor, 27, 29, 30, 213, 216, 217, 235 42–43, 50, 52, 104 Grove, George, 180 Coleridge, Sara, 43 Copyright 1842 Copyright Act, 13, 38, 39, 41, H 44, 45, 52, 244 ‘courtesy of the trade’, 106, 131 Hachette, 177 international agreements, 13, Hagen, J. S., 8, 63, 64, 90, 102, 248 160, 186 USA, 131–132, 228 Hall, Samuel Carter, 139, 140 Cottle, Joseph, 26 Harper and Brothers, 228, Cundall and Downes, 211 230, 231 Haydn, Joseph, 47, 48 Hadyn’s Dictionary of Dates, 48 Hilliard, G. S., 128 D Hood, Thomas, 29, 157, 223 Dickinson Brothers, 141, 143, 144 Thomas Hood illustrated by Gustave Disraeli, Isaac, 106 Doré, 223 Doré, Gustave, 159, 176, 177, 178, Houghton, H. O., 125, 126, 127 179, 181, 183, 217, 218, 221, Hughes, Arthur, 170, 171, 173, 223, 224, 246 174, 213 Hunt, (James Henry) Leigh, 30, 37, 45, 50, 67, 106, 139 E Hurst Chance and Co., 26, Elliot and Fry, 211 27, 146 INDEX 257

J Maclise, Daniel, 154, 173 James, Henry, 209 Macmillan, Alexander, 177, 185, 186, Jeffrey, William, 203, 209, 211, 213, 221, 236 217, 219, 226, 228, 229 Manchester Art Treasures Exhibition, 207, 209, 211, 213 Marsh, Maria Adelaide, 143 K Martineau, Harriet, 32, 55 Keats, John, 41–42, 50, 52, 147, 148 Mayall, J. E., 18, 203, 209, 211, 213, The Poetical Works of John Keats 217, 219, 220 – illustrated by George Scharf Mediation, 17 20, 219, 226 (1854), 147 Merriam, Harold, 6, 8, 63, 67, 161 Keeble, John, 5 Michel, Francisque, 180 King, Henry S., 235 Mildmay, Paulet St. John Mrs, 144 ﬁ Knowles, J. S., 44, 58 Milnes, Monkton ( rst Baron Kooistra, Lorraine, 10, 138, 146, 154, Houghton), 41, 52 173, 182 Mourning, 81, 90, 91, 94 Moxon, Charles, 72, 152, 153, 154, 162 Moxon, Edward L advertising, 4, 64, 67, 69, 70, 80, Lamb, Charles, 27, 28, 29, 32, 44, 45, 103, 148, 171, 246 46, 53, 67 agreements with authors, 28 Laurence, Samuel, 122, 200, 201, agreements with Tennyson, 139 203, 204, 209, 247 agreements with Wordsworth, 28 Layard, Austen Henry, 147, 157 cloth covers, 10, 28–29, 46, 74–75, Nineveh and its Remains 79, 84, 94, 243–244 (1849), 147 death, 3, 6, 7, 13, 25, 27, 29, 37, Lees, S. C. Mrs., 141, 143 42, 44, 47, 48, 69, 87, 90, 91, Linton, W. J., 40, 149 98, 108, 130, 147, 150, London Stereoscopic Society, 217, 219 151–154, 156, 160–164, Longfellow, Henry W., 12, 102, 104, 169, 189, 193, 203, 212, 123, 126, 132, 141, 143, 156 233, 245 – Longman, 5, 26, 27, 32 36, 52, 103, distribution, 12, 38, 65, 66, 84, 95, 147, 148, 169 179, 194 Englishman’s Magazine, 6, 29, 54, 54 illustrated editions, 10, 32, 44, 69, M 138, 139, 144, 147, 153, 164, Macaulay, Thomas Babbington, 5, 168, 173, 189, 231, 234, 245 147, 148 literary network, 29 Lays of Ancient Rome with periodicals, 6–7, 19–20, 21, 23, 24, illustrations by George Scharf 29, 52, 53, 68, 69, 106, 147, (1847), 147 157, 192, 193, 233 258 INDEX

Moxon, Edward (cont.) Routledge, George, 21, 59, 98, 135, price of books, 2 150–151, 156, 158, 166, 168, production costs, 14, 15, 28, 192, 243 64–67, 77, 79, 87, 88, 98, 114, 153, 165 prosecution over Queen Mab, 23, S 38, 40, 44, 202 Scharf, George, 147, 148 renaissance drama, 46 Scott, Walter, 5, 8–9, 22, 26, stereotyping, 15, 17–18, 28, 33–34 110, 114 Sharpe, Samuel, 48, 49 Moxon, Emma, 159, 160, 161, 162, Shelley, Mary Wollstonecraft, 37 163, 181, 186, 224, 245 Shelley, Percy Bysshe, 27, 37, 106 Moxon ﬁrm publication, 8, 10, 14, 16, Sibthorp, Louisa Waldo, 144 137, 154, 164, 169, 202, 235, Southey, Robert, 27, 30, 34, 35, 236, 247 43, 68 Moxon, William, 87, 151, 152, 153 Spain, Idylls of the King, 177 Mudd, James, 203, 209, 210, Spedding, James, 203–204, 209 211, 217 St Clair, William, 3, 5, 14, 18, 21, Mudie’s Circulating Library, 99 66, 95 Murray, 32, 52, 202 Strahan, Alexander, 225, 233, 235

P T Palgrave, Francis, 18, 160, 171, 182, Talfourd, Thomas Noon, 13, 38, 40, 184, 207 44, 45 Paul, Charles Kegan, 235 Tauchnitz, 234, 235 Payne, James Bertrand, 27, 48, 137, Taylor, Henry, 44, 45, 52 154, 159, 161, 166, 203, 221, Taylor, John, 41 222, 245 Tennyson, Alfred Payen-Payne, James Bertrand de fame, 11, 18, 71, 75, 84, 93, 198, Vincheles, 191 202, 203, 209, 247 Photography, 19, 143, 200, 202, portraits of, 13, 116, 122, 137, 138, 207–212, 213, 217, 247 168, 203, 204, 205, 207, 211, Pickering, William, 43, 46, 47, 74 212, 213, 219 Publishing agreements, 64, 66, 104, 139, 147, 151 R Works, 8, 10, 13, 16, 25, 52, 84, Rejlander, Oscar, 209, 211, 217 101, 115, 117, 123, 127, 128, Ricks, Christopher, 8 137, 138, 139, 164, 165, 168, Rogers, Samuel, 30, 31, 32, 34, 35, 180, 217, 223, 234, 236; 1832 48, 49, 50, 52, 68, 69, 70, 75, Poems, 25, 52; 1842 Poems, 6, 106, 146 12, 16, 40, 70, 74, 102, 113, INDEX 259

139, 164, 205: illustrated Poems Chieﬂy Lyrical, 16, 29, edition (the ‘Moxon 103, 104; Poetical Works Tennyson’), 148: sales, 2, 40, (Ticknor and Fields), 3, 15, 16, 69, 70, 71, 72, 74, 79, 80, 87, 108–116: sales, 108, 112–116; 93, 108, 112, 113, 130, 153, Poetical Works (Ticknor and 170, 173, 184, 204, 243; A Fields, ‘Blue and Gold’ Selection from the Work of edition), 3, 16, 108–132, 204: Alfred Tennyson, 9, 64, 86, sales, 108, 131, 132, 169, 170, 108, 164, 165–170, 233, 247; 245; Poetical Works (Harper Sales, 64, 86, 91–92, 108, 170; and In Memoriam, 87, 90, 93, 94; Brothers, 1870), 119, Dora illustrated by Mrs Paulet 121–126, 130, 132, 150, 200, St. John Mildmay (1856), 144, 204, 228, 230–231, 232, 233, 156; Enoch Arden, 4, 64, 70, 235; The Lady of Shalott 86, 91, 154, 170, 173, 233: illustrated by A Lady illustrated by Arthur (1852), 138, 144, 156, 170; Hughes, 170, 174, 213; The May Queen. Illuminated by sales, 64, 70, 86, 91, 92, 93, W. H. Hartley (London: Day 163, 170, 173, 199, 235; Idylls and Sons, 1861), 144, 156; The of the King, 11, 25, 64, 70, May Queen, illustrated by E.V.B 86–93, 102, 107, 154, 160, (London: Sampson Low, 170, 182, 186, 187, 189, 233: 1861), 156; The Princess, 3, 16, ‘Dedication’ to Prince 79, 103, 114, 115, 116, 122: Albert, 90–91, 169, 170; illustrated by Daniel illustrated by Gustave Maclise, 153–154; illustrated Doré, 159, 176, 178, 221, 223, by Mrs Lees, 141; sales, 79, 246; Sales, 11, 64, 70, 86, 87, 115, 116; ‘Sea Dreams’, 169 90, 91, 92, 93, 130, 160, 163, Tennyson, Charles (grandson Alfred 170, 173, 176, 198, 204, 235; Tennyson), 8, 90, 99, 160, Illustrations from Tennyson 169, 186 Drawn on Stone by Maria Tennyson, Emily, 87, 88, 91, 92, 143, Adelaide Marsh (1853), 156; 154, 164, 168, 177, 180, 184, Illustrations to Alfred 185, 186, 187, 203, 204, 205, Tennyson’s Poem The Princess by 207, 209, 221, 225, 228 Mrs S. C. Lees (c. 1850), 142; Tennyson, Hallam, 8, 90, 91, 99, 160, In Honorem. Songs of the Brave 168, 185, 190, 203, 204 (1856), 156; Maud and other Ticknor, W. D., 106, 120, 234 poems, 84, 87, 107, 116, 123, Tryon, W. S Ticknor and Fields 204, 209: sales, 84, 87, 116, ‘Blue and Gold’ editions, 16, 107, 204; Moxon’s Miniature 108, 124, 132, 170, 204, Poets, 164, 168, 169: The Holy 245, 247 Grail and other Poems, 90, 233; ‘brown cover’, 117–123, 131, 132 260 INDEX

Tryon, W. S Ticknor and Fields (cont.) Wheeler, Charles Stearns, 104, 105 copyright and ‘courtesy of the Whittier, J. G., 127, 132 trade’, 103, 106, 131, 228, Willmott, R. A, 145 244, 247 Woolner, Thomas, 18, 179, payments to Tennyson, 106–108 205, 206, 207, 213, 215, Poetical Works of Tennyson, 16, 204 216, 217 Poetical Works of Tennyson (‘Blue Wordsworth, William, 5, 7, 13, and Gold’ edition), 16, 204 20, 27–30, 32–37, 43, 45, production costs, 15, 112, 114 50, 52, 68, 70, 104, 146, 150, stereotyping, 15, 16, 112–115, 126, 162, 199 131, 244 Selections from the Poems of William Wordsworth (1831), 34 W Ward, Lock and Tyler, 160, 189 Watts, George Frederick, 18, Z 203, 205 Zorilla, José, 177