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Dr Nicholas Vines
DR NICHOLAS VINES 3/143 ERNEST STREET • CROWS NEST, NEW SOU TH WALES 2065 • AUSTRALIA PHONE +61 (0)478 082 063 • E-MAIL NICHOLASVINES@G MAIL.COM WEBSITE WWW.NICHOLASVINES.COM ACADEMIC EMPLOYMENT University of New South Wales: Composition Tutor ~ 2015-present Tutoring undergraduates in repertoire, compositional & vocational skills Sydney Grammar School: Senior Master of Academic Extension (Music), Artistic Director of Music ~ 2011-present Developing repertoire, syllabi & extracurricular projects | Composing & arranging for school contexts | Instructing in composition, musicianship, theory & musicology through weekly composition workshops, private lessons & AMEB-based classes | Organising/facilitating school concerts & residencies by external groups such as Halcyon & The Song Company | Teaching Years 7-12 Board of Studies classes New England Conservatory’s Summer Institute for Contemporary Performance Practice: New Works Program Coördinator / Composition Faculty ~ 2007-present Planning & running composition programme, including timetabling, looking after guest composers, facilitating presentations, teaching composition in workshops and lessons & working with NEC & visiting faculty members, such as Vinko Globokar, Rand Steiger, Tristan Murail, Chaya Czernowin, Jonathan Harvey, Jo Kondo and Stephen Drury Harvard University: Non-Resident Tutor (Leverett House), Fellow in Music, Lecturer on Music, Teaching Fellow in Music, Resident Tutor (Leverett House) ~ 2002-present Undertaking extensive practice-based research ( see Selected Compositions -
Victorian Historical Journal
VICTORIAN HISTORICAL JOURNAL VOLUME 90, NUMBER 2, DECEMBER 2019 ROYAL HISTORICAL SOCIETY OF VICTORIA VICTORIAN HISTORICAL JOURNAL ROYAL HISTORICAL SOCIETY OF VICTORIA The Victorian Historical Journal has been published continuously by the Royal Historical Society of Victoria since 1911. It is a double-blind refereed journal issuing original and previously unpublished scholarly articles on Victorian history, or occasionally on Australian history where it illuminates Victorian history. It is published twice yearly by the Publications Committee; overseen by an Editorial Board; and indexed by Scopus and the Web of Science. It is available in digital and hard copy. https://www.historyvictoria.org.au/publications/victorian-historical-journal/. The Victorian Historical Journal is a part of RHSV membership: https://www. historyvictoria.org.au/membership/become-a-member/ EDITORS Richard Broome and Judith Smart EDITORIAL BOARD OF THE VICTORIAN HISTORICAL JOURNAL Emeritus Professor Graeme Davison AO, FAHA, FASSA, FFAHA, Sir John Monash Distinguished Professor, Monash University (Chair) https://research.monash.edu/en/persons/graeme-davison Emeritus Professor Richard Broome, FAHA, FRHSV, Department of Archaeology and History, La Trobe University and President of the Royal Historical Society of Victoria Co-editor Victorian Historical Journal https://scholars.latrobe.edu.au/display/rlbroome Associate Professor Kat Ellinghaus, Department of Archaeology and History, La Trobe University https://scholars.latrobe.edu.au/display/kellinghaus Professor Katie Holmes, FASSA, Director, Centre for the Study of the Inland, La Trobe University https://scholars.latrobe.edu.au/display/kbholmes Professor Emerita Marian Quartly, FFAHS, Monash University https://research.monash.edu/en/persons/marian-quartly Professor Andrew May, Department of Historical and Philosophical Studies, University of Melbourne https://www.findanexpert.unimelb.edu.au/display/person13351 Emeritus Professor John Rickard, FAHA, FRHSV, Monash University https://research.monash.edu/en/persons/john-rickard Hon. -
Our Cultural Collections a Guide to the Treasures Held by South Australia’S Collecting Institutions Art Gallery of South Australia
Our Cultural Collections A guide to the treasures held by South Australia’s collecting institutions Art Gallery of South Australia. South Australian Museum. State Library of South Australia. Car- rick Hill. History SA. Art Gallery of South Aus- tralia. South Australian Museum. State Library of South Australia. Carrick Hill. History SA. Art Gallery of South Australia. South Australian Museum. State Library of South Australia. Car- rick Hill. History SA. Art Gallery of South Aus- Published by Contents Arts South Australia Street Address: Our Cultural Collections: 30 Wakefield Street, A guide to the treasures held by Adelaide South Australia’s collecting institutions 3 Postal address: GPO Box 2308, South Australia’s Cultural Institutions 5 Adelaide SA 5001, AUSTRALIA Art Gallery of South Australia 6 Tel: +61 8 8463 5444 Fax: +61 8 8463 5420 South Australian Museum 11 [email protected] www.arts.sa.gov.au State Library of South Australia 17 Carrick Hill 23 History SA 27 Artlab Australia 43 Our Cultural Collections A guide to the treasures held by South Australia’s collecting institutions The South Australian Government, through Arts South Our Cultural Collections aims to Australia, oversees internationally significant cultural heritage ignite curiosity and awe about these collections comprising millions of items. The scope of these collections is substantial – spanning geological collections, which have been maintained, samples, locally significant artefacts, internationally interpreted and documented for the important art objects and much more. interest, enjoyment and education of These highly valuable collections are owned by the people all South Australians. of South Australia and held in trust for them by the State’s public institutions. -
Art Gallery of South Australia Major Achievements 2003
ANNUAL REPORT of the ART GALLERY OF SOUTH AUSTRALIA for the year 1 July 2003 – 30 June 2004 The Hon. Mike Rann MP, Minister for the Arts Sir, I have the honour to present the sixty-second Annual Report of the Art Gallery Board of South Australia for the Gallery’s 123rd year, ended 30 June 2004. Michael Abbott QC, Chairman Art Gallery Board 2003–2004 Chairman Michael Abbott QC Members Mr Max Carter AO (until 18 January 2004) Mrs Susan Cocks (until 18 January 2004) Mr David McKee (until 20 July 2003) Mrs Candy Bennett (until 18 January 2004) Mr Richard Cohen (until 18 January 2004) Ms Virginia Hickey Mrs Sue Tweddell Mr Adam Wynn Mr. Philip Speakman (commenced 20 August 2003) Mr Andrew Gwinnett (commenced 19 January 2004) Mr Peter Ward (commenced 19 January 2004) Ms Louise LeCornu (commenced 19 January 2004) 2 TABLE OF CONTENTS Principal Objectives 5 Major Achievements 2003-2004 6 Issues and Trends 9 Major Objectives 2004–2005 11 Resources and Administration 13 Collections 22 3 APPENDICES Appendix A Charter and Goals of the Art Gallery of South Australia 27 Appendix B1 Art Gallery Board 29 Appendix B2 Members of the Art Gallery of South Australia 29 Foundation Council and Friends of the Art Gallery of South Australia Committee Appendix B3 Art Gallery Organisational Chart 30 Appendix B4 Art Gallery Staff and Volunteers 31 Appendix C Staff Public Commitments 33 Appendix D Conservation 36 Appendix E Donors, Funds, Sponsorships 37 Appendix F Acquisitions 38 Appendix G Inward Loans 50 Appendix H Outward Loans 53 Appendix I Exhibitions and Public Programs 56 Appendix J Schools Support Services 61 Appendix K Gallery Guide Tour Services 61 Appendix L Gallery Publications 62 Appendix M Annual Attendances 63 Information Statement 64 Appendix N Financial Statements 65 4 PRINCIPAL OBJECTIVES The Art Gallery of South Australia’s objectives and functions are effectively prescribed by the Art Gallery Act, 1939 and can be described as follows: • To collect heritage and contemporary works of art of aesthetic excellence and art historical or regional significance. -
The Patrician and the Bloke: Geoffrey Serle and the Making of Australian History
128 New Zealand Journal of History, 42, 1 (2008) The Patrician and the Bloke: Geoffrey Serle and the Making of Australian History. By John Thompson. Pandanus Books, Canberra, 2006. xix, 383pp. Australian price: $34.95. ISBN 1-74076-152-9. THE LIKELY INTEREST FOR READERS OF THIS JOURNAL in this book is that Geoffrey Serle (1922–1998) helped to pioneer Australian historiography in much the way that Keith Sinclair prompted and promoted a ‘nationalist’ New Zealand historiography. Rather than submitting to the cultural cringe and seeing their respective countries’ pasts in imperial and British contexts, Serle and Sinclair treated them as histories in their own right. Brought up in Melbourne, Serle was a Rhodes Scholar who returned to the University of Melbourne in 1950 to teach Australian history following the departure of Manning Clark to Canberra University College. The flamboyant Clark is generally seen as the father of Australian historiography and Serle has been somewhat cast in his shadow. Yet Serle’s contribution to Australian historiography was arguably more solid. As well as undergraduate teaching, postgraduate supervision and his writing there was the institutional work: his efforts on behalf of the proper preservation and administration of public archives, his support of libraries and art galleries, the long-term editorship of Historical Studies (1955–1963), and co-editorship then sole editorship of the Australian Dictionary of Biography (1975–1988). Clark was a creative spirit, turbulent and in the public gaze. The unassuming Serle was far more oriented towards the discipline. The book’s title derives from ‘the streak of elitism in Geoffrey Serle sitting in apparent contradiction with himself as “ordinary” Australian, easygoing, democratic, laconic’ (p.9, see also p.303, n.40). -
Serle Austerica Unlimited
GODZONE: 6) AUSTERICA UNLIMITED? GEOFFREY SERLE WE HAVE COME a long way in the last thirty years, Growing up in the 19305 . Loyalty to Empire was still the un challengeable emphasis of school and society. History was English and Imperial History, a little European; Australia (and America) were only mentioned as part of the imperial story. English was entirely English literature, of course. (And at home we read Pooh BeaT~ Peter Pan and Alice, Kipling, Rider Haggard and G. A. Henty, Chums, the Boys' Own Paper, Champion and Magnet.) The newspapers were still chock-Cull of English and European news. On Anzac Day fire-eating generals would indeed tell us that Australia became a nation at Gallipoli, but went on to dwell on the glories of the Empire of which Australia was only a subordi nate part and the inherent superiority of the Britisher over any other 'race'. (At the famous Presbyterian Scottish academy which I attended, the high· spot of the Anzac Day ceremony-can I be remembering oorrectly?-was the song 'For England' written in 1914-'England, Oh England, and how could I stay?). The blurred double loyally characterized the great majority of Australians: at the State schools it was laid down that the flag to be saluted on Monday mornings could be either the Australian or the Union Jack. But while many Australians, especially those of working-class or Irish origin, had developed a limited sense of Aus tralianness, ruling orthodoxy between the wars-partly in reaction to recognition of incipient subversive nationalism-put all the stress on Empire; there may have been more coherent and systematic indoctrina tion in the schools in this period than at any other time in Australian history. -
A History of Manning Clark the Making of Manning Clark
The making of Manning Clark This is the Published version of the following publication Pascoe, Robert (1978) The making of Manning Clark. The National Times : Australia's national weekly of business and affairs (382). pp. 18-23. The publisher’s official version can be found at Note that access to this version may require subscription. Downloaded from VU Research Repository https://vuir.vu.edu.au/19397/ 1 A HISTORY OF MANNING CLARK (cover story, The National Times, week ending 2 June 1978, pp. 18-23) THE MAKING OF MANNING CLARK By ROB PASCOE Early one morning in November, 1938, a 23-year-old history student got out of the train at Bonn Railway Station. Manning Clark was fresh out of the University of Melbourne, full of socialist and Freudian ideas about what was wrong with the world and how it should be improved. The night before he alighted at that station roving gangs of Nazi stormtroopers had smashed up every Jewish business house in Bonn and elsewhere in Germany. Clark made his way amid the debris throughout Bonn in a state of disbelief. “That was the beginning of an awakening”, he recalled recently. “That was the moment when I realised that I would have to start to think again about the whole human situation.” Clark was born the second son of an Anglican clergyman in Sydney in March 1915. His parents named him Charles Manning Hope Clark, a resounding enough emblem of this ecclesiastical background. An uncle and an older brother followed this clerical tradition, but Clark decided at a young age that God’s emissaries in Australia had either misunderstood the religious needs of the people or were misrepresenting what there was to know and preach about man, his relations with others, and nature. -
CLASSICAL ASSOCIATION of NEW SOUTH WALES 2/06 News Sheet
CLASSICAL ASSOCIATION OF NEW SOUTH WALES 2/06 News Sheet August 2006 ANNUAL GENERAL MEETING, MARCH 2006 Elections : President : Roger Pitcher Secretary : Ian McLeod Treasurer : Andrew Miles Council : Dexter Hoyos, Katherine Jolley, Myrene McDonald, Frances Muecke, Alanna Nobbs, Ian Plant, Paul Reisner, John Sheldon, Michael Smee, Kathryn Welch, Rod West, Peter Wilson . Ex-officio : David Allen (President, Gaius Gracchus Society), Andrew Miles (President CLTA) Summary of Finances : CA Total Income $ 8,386.19 CA Total Expenditure $ 6,104.44 Classicum Total Income $ 1,985.51 Classicum Total Expenditure $ 989.24 Investments CBA Term Deposit $ 21,000.00 SAFA (Classicum) $ 3,500.00 Kevin Lee Memorial Fund $ 5,000.00 Matters raised : Reports tabled : CA Annual Report (copy enclosed) Directors of 12th Latin Summer School 2006 Classicum The question was raised concerning the place of a Latin method course in the Master of Teaching programme at Sydney University and the Hon. Secretary was asked to ascertain progress from ASCS. Lecture Professor Richard Seaford of Exeter University spoke on Coinage and the Genesis of Tragedy to CA and MAHA members MEMBERSHIP We warmly welcome the following new members to the Classical Association : Mr Nathan Bottomley, Ms Valerie De Berquelle, Mrs Anne Hordern, Mrs Cynthia Mann, Ms Alison Meldrum, Dr Tamara Neal, Mr Mark Chambers Membership now totals 159, of which 114 are financial, (including 1 to 2008 !), 1 life member, 3 societies, and 41 unfinancial. We ask unfinancial members to renew their 2006 subscriptions by filling in and returning the renewal form enclosed. Unfinancial members do not receive the two issues of Classicum. -
Download LOOK. LOOK AGAIN Brochure
LOOK. LOOK AGAIN CAMPUS PARTNER LOOK. OUTSKIRTS Outskirts: feminisms along the edge is a feminist cultural studies journal produced through the discipline of Gender Studies at UWA. Published LOOK AGAIN twice yearly, the journal presents new and challenging critical material from a range of disciplinary perspectives and feminist topics, to discuss and contest contemporary and historical issues involving women and feminisms. An initiative of postgraduate students at UWA, Outskirts began as a printed magazine in 1996 before going online in 1998 under the editorship of Delys Bird and then Alison Bartlett since 2006. Outskirts will be publishing selected papers from the symposium Are we there yet? in 2013. GENDER STUDIES Gender Studies is an interdisciplinary area that examines the history and politics of gender relations. Academic staff teach units about the history of ideas of gender, intersections with race, class and sexuality, and the operations of social power. They are also engaged in a range of scholarly research activities around the history and politics of gender relations, sexualities, cinema, maternity, witchcraft, masculinities, activism, intersections of race, class and gender, feminist theory and the body. While some graduates have gone on to specialise in gender- related areas such as equity and diversity, policy development, social justice and workplace relations, most apply their skills in the broader fields of communications, education, public service, research occupations and professional practice. Gender Studies staff are participating in the public programs and symposium associated with this exhibition. LOOK. LOOK AGAIN Above: Sangeeta Sandrasegar, Untitled (Self portrait of Prudence), 2009 felt, glass beads, sequins, cotton, 88 x 60 cm ACKNOWLEDGEMENTS Courtesy of the artist The Lawrence Wilson Art Gallery would like to extend sincere thanks to Cover: Nora Heysen, Gladioli, 1933, oil on canvas, 63 x 48.5 cm all the artists whose work is included in this exhibition. -
TQEH Research Report 2015
Research Report 2015 Translational health research creating positive outcomes for thousands of South Australians Front cover image: Master of Philosophy (Surgery) Student Dr Hannah Gostlow shows primary school children how to use the laparoscopic surgical simulator. (Photo: James Devine) This page: BHI researchers fundraising for THRF at The Longest Table lunch, see p141 for more information. Design: thisbigdesign Thanks to The Hospital Research Foundation for their contribution to this report. 01 RESEARCH REPORT 2015 CONTENTS CONTENTS Director’s Report 2 Significant Impact Publications 3 Themes 11 Ageing 12 Cancer 16 Cardiovascular Disease 26 Chronic Disease 36 Cli nical Sciences, Health Services and Population Health 46 Drug and Vaccine Development 62 Inflammatory Disease 65 Research Staff 70 Research Students 76 Grants 82 Publications 90 High Profile International Talks 106 Community Engagement 109 TQEH Research Day 114 Awards 115 Support Structures 119 Human Research Ethics Committee Report 122 The Hospital Research Foundation 124 Chair’s Report 125 Board Members 128 Contact Corporate and Community Support 131 Research Equipment 137 The Queen Elizabeth Hospital Fundraising Events 138 Research Secretariat DX465101 Major Project 144 28 Woodville Road Woodville South, South Australia 5011 T: +61 8 8222 7836 F: +61 8 8222 7872 E: [email protected] www.basilhetzelinstitute.com.au 02 RESEARCH REPORT 2015 DIRECTOR’S REPORT Director’s Report 2015 has been a challenging year for research within the Australian scene. The NHMRC success rates were down to only 13%, the options for non-NHMRC funding are decreasing and universities are under severe pressure with respect to their research budgets. At the same time, within South Australia the new Royal Adelaide Hospital is powering ahead with an opening date for late 2016. -
Medical Military Service in Southeast Queensland Medical Military Service in Southeast Queensland
The United States Medical Military Service in Southeast Queensland in World War II Associate Professor Chris Strakosch The United States Medical Military Service in Southeast Queensland in World War II Associate Professor Chris Strakosch I First Published 2013 Copyright © Ramsay Hospital Holdings (Queensland) Pty Limited trading as Greenslopes Private Hospital, 2013 All rights reserved ISBN 978-0-646-58615-1 II Dedicated to the members of the armed forces of all the combatants in the Pacific Campaign in World War II. They strove to advance the cause of their country, often in bitterly adverse circumstances. And to the doctors and nurses of the US Medical Services who came across the sea to support their forces in this titanic struggle. III IV Contents VII Foreword VIII Abstract 1 Background to the War in the Pacific 4 The Japanese Strike South 6 US Military Hospitals Established in Queensland 6 155th Station Hospital, Tamborine 7 42nd General Hospital 11 105th General Hospital 13 109th Fleet Hospital 14 The Second Front: The War Against Malaria 17 Other Non-Malarial Diseases 17 Scrub Typhus 17 Dengue Fever 17 Dysentery 18 Conclusions 19 Bibliography V VI Foreword The year 2012 marks the 70th Anniversary of the arrival of the United States military forces in Australia to confront the Empire of Japan. I am a physician at what is now Greenslopes Private Hospital but which during World War II was 112 Australian General Hospital (Greenslopes). I have been very interested in the history of this hospital and had previously presented a lecture on it to the Royal United Services Institute (RUSI). -
Nih's Unit of Chemotherapy
Bull. Hist. Chem., VOLUME 31, Number 2 (2006) 75 CHEMISTS AND NATIONAL EMERGENCY: NIH’S UNIT OF CHEMOTHERAPY DURING WORLD WAR II. Leo B. Slater, Office of NIH History and Museum In 2005, President George W. Bush came to the National explore the chemistry and activity of morphine-related Institutes of Health (NIH) in Bethesda, Maryland, to an- substances. The Michigan unit, which tested Small’s nounce a new initiative on avian and pandemic influenza compounds, was headed by Nathan B. Eddy, a Cornell- (1). This visit was part of a long tradition. In the face trained physician and pharmacologist. Parran, who had of national emergencies and threats to public health, the been Surgeon General since 1936, brought the two to NIH has repeatedly been called upon to serve the nation. Bethesda not to pursue analgesics, but to form the core In the years leading to US entry into World War II, the of a new antimalarial chemotherapy laboratory (3). In NIH mobilized to confront the impending threat of ma- January, 1939 Small and Eddy formed the nucleus of laria. In the late 1930s, malaria was in sharp decline in a new Unit of Chemotherapy at NIH. Both men were the US. However, war would put millions of previously affiliated with the USPHS—a necessity if they were to unexposed soldiers, sailors, and marines into highly ma- handle narcotics—as part of their opiate work, which was larious regions, such as the Mediterranean, South East funded by the Rockefeller Foundation and sponsored by Asia, and the islands of the Pacific.