In the Year 2889
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
WIF SCIENCE FICTION BIBLIOGRAPHY Compiled by Annabelle Dolidon (Portland State University), Kristi Karathanassis and Andrea King (Huron University College)
WIF SCIENCE FICTION BIBLIOGRAPHY Compiled by Annabelle Dolidon (Portland State University), Kristi Karathanassis and Andrea King (Huron University College) INTRODUCTION In a recent interview for the French newspaper Libération, Roland Lehoucq, president of Les Utopiales (a yearly international SF festival in Nantes) stated that “La SF ne cherche pas à prédire le futur, c’est la question qui importe” (interview with Frédéric Roussel, 19 octobre 2015). Indeed, with plots revolving around space travel, aliens or cyborgs, science fiction (or SF) explores and interrogates issues of borders and colonization, the Other, and the human body. By imagining what will become of us in hundreds or thousands of years, science fiction also debunks present trends in globalization, ethical applications of technology, and social justice. For this reason, science fiction narratives offer a large array of teaching material, although one must be aware of its linguistic challenges for learners of French (see below for more on this subject). In this introduction, we give a very brief history of the genre, focusing on the main subgenres of science fiction and women’s contribution to them. We also offer several suggestions regarding how to teach SF in the classroom – there are additional suggestions for each fictional text referenced in the annotated bibliography. Readers interested in exploring SF further can consult the annotated bibliography, which provides detailed suggestions for further reading. A Brief History of French SF It is difficult to trace the exact contours and origins of science fiction as a genre. If utopia is a subgenre of science fiction, then we can say that the Renaissance marks the birth of science fiction with the publication of Thomas More’s canonical British text Utopia (1516), as well as Cyrano de Bergerac’s Histoire comique des États et Empires de la Lune (circa 1650). -
Astronomy and Astronomers in Jules Verne's Novels
The Rˆole of Astronomy in Society and Culture Proceedings IAU Symposium No. 260, 2009 c 2009 International Astronomical Union D. Valls-Gabaud & A. Boksenberg, eds. DOI: 00.0000/X000000000000000X Astronomy and astronomers in Jules Verne’s novels Jacques Crovisier Observatoire de Paris, 5 place Jules Janssen, 92195 Meudon, France email: [email protected] Abstract. Almost all the Voyages Extraordinaires written by Jules Verne refer to astronomy. In some of them, astronomy is even the leading theme. However, Jules Verne was basically not learned in science. His knowledge of astronomy came from contemporaneous popular publications and discussions with specialists among his friends or his family. In this article, I examine, from the text and illustrations of his novels, how astronomy was perceived and conveyed by Jules Verne, with errors and limitations on the one hand, with great respect and enthusiasm on the other hand. This informs us on how astronomy was understood by an “honnˆete homme” in the late 19th century. Keywords. Verne J., literature, 19th century 1. Introduction Jules Verne (1828–1905) wrote more than 60 novels which constitute the Voyages Extraordinaires series†. Most of them were scientific novels, announcing modern science fiction. However, following the strong suggestions of his editor Pierre-Jules Hetzel, Jules Verne promoted science in his novels, so that they could be sold as educational material to the youth (Fig. 1). Jules Verne had no scientific education. He relied on popular publications and discussions with specialists chosen among friends and relatives. This article briefly presents several examples of how astronomy appears in the text and illustrations of the Voyages Extraordinaires. -
Planets, Comets and Small Bodies in Jules Verne's Novels
DPS-EPSC joint meeting Nantes, 2-7 October 2011 Planets, comets and small bodies in Jules Verne's novels J. Crovisier Observatoire de Paris LESIA, CNRS, UPMC, Université Paris-Diderot 5 place Jules Janssen, 92195 Meudon, France Jules Verne Nantes – 8 February 1828 Amiens – 24 March 1905 An original binding of Almost all the Voyages Extraordinaires written by Jules Verne refer to astronomy. In some of From the Earth to the Moon and Around the Moon them, astronomy is even the leading theme. However, Jules Verne was basically not learned in science. His knowledge of astronomy came from contemporaneous popular publications and discussions with specialists among his friends or his family. Here, we examine, from selected texts and illustrations of his novels, how astronomy — and especially planetary science — was perceived and conveyed by Jules Verne, with errors and limitations on the one hand, with great respect and enthusiasm on the other hand. Jules Verne was born in Nantes, where most of the manuscripts of his novels are now deposited in the municipal library. They were heavily edited by the publishers Pierre-Jules and Louis-Jules Hetzel, by Jules Verne himself, and (for the last ones) by his son Michel Verne. This poster briefly discusses how astronomy appears in the texts and illustrations of the Voyages Extraordinaires, concentrating on several examples among planetary science. More material can be found in the abstract and in the web page : http://www.lesia.obspm.fr/perso/jacques-crovisier/JV/verne_gene_eng.html De la Terre à la Lune (1865, From the Earth to the Moon) and Autour de la Lune (1870, Around Palmyrin Rosette, the free-lance The rival astronomers in The Chase of the Golden Meteor. -
The Fate of Invention in Late 19 Century French Literature
The Fate of Invention in Late 19th Century French Literature Ana I. Oancea Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2015 ©2014 Ana I. Oancea All rights reserved ABSTRACT The Fate of Invention in Late 19th Century French Literature Ana I. Oancea This dissertation reads the novels of Jules Verne, Albert Robida, Villiers de l’Isle-Adam and Emile Zola, investigating the representation of inventors who specialize in electricity. The figure appears as the intersection of divergent literary movements: Zola, the father of Naturalism and leading proponent of a ‘scientific’ approach to literature, Villiers de l’Isle-Adam, decadent playwright and novelist, Robida, leading caricaturist and amateur historian, and Verne, prominent figure in the emerging genre of anticipation, all develop the inventor character as one who succeeds in realizing key technological aspirations of the 19th century. The authors, however, take a dim view of his activity. Studying the figure of the inventor allows us to gain insight into fundamental 19th century French anxieties over the nation’s progress in science and technology, its national identity, and international standing. The corpus casts science as a pillar of French culture and a modern expression of human creativity, but suggests that social control over how progress is achieved is more important than pure advancement, no matter the price of attaining control. There is a great desire for progress in this period, but as society’s dependence on scientific advancement is becoming apparent, so is its being ignorant of the means through which to achieve it. -
Colloque Nouvelles Lectures Politiques De Jules Et Michel Verne Amiens, 17-18 Mars 2022 Cinquante Ans Après La Publication
Colloque Nouvelles lectures politiques de Jules et Michel Verne Amiens, 17-18 mars 2022 Cinquante ans après la publication par Jean Chesneaux d’Une lecture politique de Jules Verne, complété quelques années plus tard par de Nouvelles lectures politiques de Jules Verne, le sujet reste encore largement ouvert. Que l’œuvre de Jules Verne soit essentiellement politique est désormais admis dans la sphère académique. La découverte puis une lecture attentive des ouvrages posthumes, plus ou moins profondément remaniés par Michel, l’édition parallèle lorsque cela était possible du texte de Jules et de celui de Michel (Le Beau Danube jaune/Le Pilote du Danube ; En Magellanie/Les Naufragés du Jonathan ; Le Secret de Wilhelm Storitz ; Le Phare du bout du monde ; Le Volcan d’or, version originale et version revue) ont contribué à attirer l’attention sur un discours propre à Michel qui remet en lumière les choix de son père, de même que la génétique textuelle vernienne avait fait le départ entre marqueurs idéologiques propres à Jules et corrections de Hetzel. Mais rares demeurent les études disposées à creuser le sens politique de l’œuvre de Jules Verne, voire celui des ouvrages de Michel. La tentation est évidemment grande de vouloir politiser Verne ou les Verne, dans un sens qui serait celui de notre modernité : il est loisible d’aborder dans la perspective des post- colonial studies celui qui, des Enfants du capitaine Grant à Mistress Branican ou Un capitaine de quinze ans dénonçait avec virulence le génocide (on n’employait pas encore ce terme) perpétré par les colons anglais et qui s’est prononcé à de nombreuses reprises contre les « doctrines anti-humaines de l’esclavagisme » (Le Testament d’un excentrique). -
History of Vernian Studies
Submitted December 14, 2016 Published May 16, 2017 Proposé le 14 décembre 2016 Publié le 16 mai 2017 History of Vernian Studies Jean-Michel Margot Abstract The study of Jules Verne's œuvre began during his own lifetime. In 1966 his works came into the public domain and many French publishers began to reprint them in special editions. New, more accurate, translations soon followed, and Verne scholars discovered previously unpublished pieces. This history of Vernian studies is a chronological overview of research about Verne and his writings published in Europe and around the world, from the 19th century to today. It identifies a number of milestones in the publishing of Verne's works and it chronicles the rise and evolution of Vernian criticism. The purpose of this article is to aid new students and researchers interested in Jules Verne by enhancing their understanding of previous studies and to help them to avoid “reinventing the wheel” in their own research. Résumé L'étude de l'œuvre de Jules Verne a débuté du vivant de l'écrivain déjà. Il faut attendre 1966 pour voir son œuvre tomber dans le domaine public. De nombreux éditeurs le publient alors, de nouvelles traductions fiables apparaissent et les découvertes de textes inédits se multiplient. Cette histoire est une fresque chronologique des recherches et de leurs résultats dans le domaine vernien aussi bien en Europe que dans le reste du monde, des débuts jusqu'à nos jours. Elle rapporte les étapes cruciales de la publication des œuvres de Verne ainsi que les étapes de l'évolution des études verniennes. -
The Rise of Science Fiction from Pulp Mags to Cyberpunk, Fiction-From-Pulp-Mags-To-Cyberpunk-E00f6efdcab0
1 The Rise of Science Fiction from Pulp Mags to Cyberpunk, https://electricliterature.com/the-rise-of-science- fiction-from-pulp-mags-to-cyberpunk-e00f6efdcab0 Jeff VanderMeer Dec 22, 2016 The Rise of Science Fiction from Pulp Mags to Cyberpunk Ann and Jeff VanderMeer break down Sci-Fi’s many eras, icons and offshoots — from Jules Verne to William Gibson and beyond Things to Come, 1936. This wide-ranging exploration of the impulses, movements, and unique voices in twentieth century science fiction originally appeared as the introduction to this year’s The Big Book of 2 The Rise of Science Fiction from Pulp Mags to Cyberpunk, https://electricliterature.com/the-rise-of-science- fiction-from-pulp-mags-to-cyberpunk-e00f6efdcab0 Science Fiction from Vintage Books. Ann and Jeff VanderMeer’s next project will be The Big Book of Classic Fantasy, also from Vintage. Since the days of Mary Shelley, Jules Verne, and H. G. Wells, science fiction has not just helped define and shape the course of literature but reached well beyond fictional realms to influence our perspectives on culture, science, and technology. Ideas like electric cars, space travel, and forms of advanced communication comparable to today’s cell phone all first found their way into the public’s awareness through science fiction. In stories like Alicia Yáñez Cossío’s “The IWM 100” from the 1970s you can even find a clear prediction of Information Age giants like Google — and when Neil Armstrong set foot on the moon, the event was a very real culmination of a yearning already expressed through science fiction for many decades. -
Editorial — the Verne Translation Renaissance Continues
Editorial — The Verne Translation Renaissance Continues Arthur B. Evans Asked to write an editorial for Volume 5 of Verniana, I would like to give a brief update to the survey of Anglophone Vernian scholarship (1965-2007) that I contributed to Volume 1 of Verniana several years ago. [1] In particular, I’d like to take a moment to recognize those many scholars, fans, and publishers who have made 2008-2012 an especially rich period for new English-language translations of Jules Verne. Top kudos for recent translations must go to the indefatigable American Vernian from Albuquerque Frederick Paul Walter, not only for his impressive omnibus volume Amazing Journeys: Five Visionary Classics published in 2010 (containing new translations of Journey to the Center of the Earth, From the Earth to the Moon, Circling the Moon, 20,000 Leagues Under the Seas, Around the World in 80 Days) but also for his “first complete English translation” of Verne’s The Sphinx of the Ice Realm (also featuring the full text of Edgar Allan Poe’s The Narrative of Arthur Gordon Pym) which appeared in 2012. Both were published by Excelsior Editions, an imprint of SUNY Press. Equally indefatigable is Brian Taves, president of the North American Jules Verne Society and editor of its excellent Palik Series. He continues to lead a talented team of translators (Edward Baxter, Kieran M. O’Driscoll, and Frank Morlock et al.) and world-class Verne scholars (Jean-Michel Margot, Volker Dehs, and Garmt de Vries-Uiterweerd et al.) in their quest to “bring to the Anglo-American public [...] hitherto unknown Verne tales” (see their website at http://www.najvs.org/palikseries-press.shtml). -
Vive La SF Libre ! Où Trouver Des Textes De SF Gratuits Sur Le Net
Vive la SF libre ! Où trouver des textes de SF gratuits sur le Net Suzanne Morel / Les graphoïdes par Mario TESSIER utre les livres et les revues que vous dé- couvrez sur les rayons des bibliothèques Oet des librairies, vous pouvez consulter gratuitement une multitude de textes de science- fiction sur Internet. Plusieurs facteurs expliquent cette offre attrayante: un nombre grandissant d’œuvres entrent dans le domaine public, des écrivains désintéressés permettent aux lecteurs internautes de relire leurs histoires, des magazines en ligne choisissent de mettre à votre disposition les textes des auteurs vedettes de demain. Les quelques sites qui vous sont suggérés ici bas vous permettront peut-être de combler quelques lacunes dans vos lectures SF ou de découvrir des auteurs oubliés ou en devenir. 120 SOLARIS 159 Les Grands Anciens Association des Bibliophiles Universels (ABU): abu.cnam.fr/ Ce site, une des rares bibliothèques virtuelles en français, con- tient 288 textes de 101 auteurs. Malheureusement, le site n’a pas été mis à jour depuis longtemps et ne contient pas beaucoup d’œuvres intéressantes, à part Verne et quelques textes fantastiques. Blackmask Online: www.blackmask.com/ Ce superbe site contient plus de 18000 œuvres, la plupart gra- tuites, libres de tout droits de reproduction. Les romans, nouvelles, et anthologies, sont disponibles sous divers formats électroniques: MS-Reader, Acrobat Reader, Rocket eBook, iSilo, Mobipocket, ainsi que sous forme de fichier texte compressé. Des critiques, offertes par les lecteurs, viennent éclairer la qualité des œuvres. Les textes sont regroupés par genres et par périodes; par exemple, le site possède 350 textes de science-fiction et 975 textes de pulps. -
Around the World in Eighty Changes
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DCU Online Research Access Service Around the World in Eighty Changes A diachronic study of the multiple causality of six complete translations (1873-2004), from French to English, of Jules Verne’s novel Le Tour du Monde en Quatre-Vingts Jours (1873) By Kieran O’Driscoll B.A. in Applied Languages with International Marketing Communications M.A. in Translation Studies A thesis submitted to The School of Applied Language and Intercultural Studies (SALIS) Faculty of Humanities and Social Sciences Of Dublin City University For the degree of DOCTOR OF PHILOSOPHY Supervisor: Prof. Michael Cronin School of Applied Language and Intercultural Studies (SALIS) Faculty of Humanities and Social Sciences Dublin City University July 2009 DECLARATION I hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of Doctor of Philosophy, is entirely my own work, that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed: Candidate I.D. number: 54156581 Date: July 2009 i For the ‘Nuclear Family’: Neil, John, Alice and Aiden, and dedicated lovingly to the memory of Nora, Frank and Lal O’Driscoll, much-loved mother, father and grandmother, always in my thoughts and never forgotten. -
Lewintro.Pdf
7>HDC;GDCI>:GHD;>B6<>C6I>DC JULES VERNE Lighthouse at the End of theWorld Le Phare du bout du monde The First English Translation of Verne’s Original Manuscript Translated and edited by William Butcher JC>K:GH>IND;C:7G6H@6EG:HH•A>C8DAC Publication of this book was made possible by a grant from The Florence Gould Foundation. Le Phare du bout du monde © Les Éditions internationales Alain Stanké, 1999. © Editions de l’Archipel. Translation and critical apparatus © 2007 by William Butcher. All rights reserved. Manufactured in the United States of America Library of Congress Cataloging-in-Publication Data Verne, Jules, 1828–1905. [Le phare du bout du monde. English] Lighthouse at the end of the world = Le phare du bout du monde : the first English translation of Verne’s original manuscript / Jules Verne ; translated and edited by William Butcher. p. cm. — (Bison frontiers of imagination) Includes bibliographical references. isbn-13: 978-0-8032-4676-8 (cloth : alk. paper) isbn-13: 978-0-8032-6007-8 (pbk. : alk. paper) I. Butcher, William, 1951– II. Title. III. Title: Le phare du bout du monde. pq2469.p4e5 2007 843'.8—dc22 2007001717 Set in Adobe Garamond by Kim Essman. Designed by R. W. Boeche. contents Introduction vii A Chronology of Jules Verne xxxiii Map of Staten Island xxxix 1.Inauguration 1 2. Staten Island 10 3. The Three Keepers 19 4.Kongre's Gang 30 5. The Schooner Maule 41 6. At Elgor Bay 50 7.The Cavern 61 8. Repairing the Maule 70 9.Vasquez 79 10.After the Wreck 89 11.The Wreckers 99 12. -
Dorothy Scarborough. 'Supernatural Science' (1917)
DePauw University Scholarly and Creative Work from DePauw University Modern Languages Faculty publications Modern Languages 7-2021 Dorothy Scarborough. 'Supernatural Science' (1917) Arthur B. Evans DePauw University, [email protected] Follow this and additional works at: https://scholarship.depauw.edu/mlang_facpubs Part of the English Language and Literature Commons, and the Fiction Commons Recommended Citation "Dorothy Scarborough. 'Supernatural Science' (1917)." Edited and annotated by Arthur B. Evans. Science Fiction Studies Vol. 48.2 (July 2021): 193-217. https://www.depauw.edu/sfs/documents/ scarborough.htm This Article is brought to you for free and open access by the Modern Languages at Scholarly and Creative Work from DePauw University. It has been accepted for inclusion in Modern Languages Faculty publications by an authorized administrator of Scholarly and Creative Work from DePauw University. For more information, please contact [email protected]. SCARBOROUGH’S “SUPERNATURAL SCIENCE” 193 DOCUMENT IN THE HISTORY OF SCIENCE FICTION Dorothy Scarborough Supernatural Science Introduced and annotated by Arthur B. Evans In its day, Dorothy Scarborough’s book The Supernatural in Modern English Fiction (1917) was considered to be the best scholarly study on the subject. As the author points out in the book’s preface, the sheer size of its corpus was impressive: “the supernatural in modern English fiction has been found difficult to deal with because of its wealth of material. While there has been no previous book on the topic, and none related to it ... the mass of fiction itself introducing ghostly or psychic motifs is simply enormous” (v). Scarborough divided her book into seven chapters: The Gothic Romance, Later Influences, Modern Ghosts, The Devil and His Allies, Supernatural Life, The Supernatural in Folk-Tales, and Supernatural Science.