Medieval Persia 1040-1797
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Dost-Muhammad Preface to the Bahram Mirza Album
Dost-Muhammad Preface to the Bahram Mirza Album Dost-Muhammad (fl. 938-72/1531-64) of Gawashwan, a village near Herat, prepared in 951/1544 for Bahram Mirza (1517-1549), brother of the Safavid Shah Tahmasp (r. 1524- 76) and patron of the arts, an album of calligraphic specimens and paintings that is now in Istanbul, Topkapi Sarayi Miizesi (H.2154). In the florid preface he wrote for the album he traces the history of calligraphy, master-pupil relationships in the calligraphic art, the his- tory of painting and painters, and inventories the scribes and artists who were employed in Shah Tahmasp's studio. Dost-Muhammad's "Preface," Qazi Ahmad's Gulistan-i hunar (Garden of art) and Mustafa Ali's Manaqib-i hunarwaran (Virtues of artists) are the main sixteenth-century .sources for the history of the arts of the book.! * The noblest rescript with which the what would be until Doomsday,"? the scribes of the workshop of prayer adorn coalesced forms and dispersed shapes of the album of composition and novelty, the archetypes were hidden in the re- and the most subtle picture with which cesses of the unseen in accordance with the depictors of the gallery of intrinsic the dictum, "I was a hidden treasure." meaning decorate the assemblies of cre- Then, in accordance with the words, "I ativity and invention, is praise of the Cre- wanted to be known, so I created creation ator, by whose pen are scriven sublime in order to be known,"3 he snatched with letters and exalted forms, In accordance the fingers of destiny the veil of non-ex- with the dictum, "The pen dried up with istence from the countenance of being, and with the hand of mercy and the pen, which was "the first thing God created.l'" he painted [them] masterfully on the can- vas of being. -
Mausoleum of Ismail the Samanid at Bukhara Imam Reza in Mashhad
Mausoleum of Ismail the Samanid at Bukhara Imam Reza in Mashhad Bahareh Mahmoodi S. Pouriya Hosseini University of British Columbia – Jan. 2009 Persian Empire Median Empire (532 BC- 369 BC) Persian Empire Achaemenid Empire (550 BC–330 BC) Parthian Empire (250 BC–AD 226) Sassanid Empire (226–651) Bukhara Samanid Mausoleum Conquest of Persia by Muslims Samanid Persian Empire (819-999) Saffarid Persian Empire Buwayhid Persian Empire Turco-Persian rule Mongols and their successors (1219–1500) Safavid Persian Empire (1500–1722) Persian Empire: Importance of Samanid Empire It was the first persian dunasty after Persian Empire Conquest of Persia by Muslims Founded by"here, Saman in this region, the Khuda language is Persian, Bukhara and the kings of this realm are Persian kings." Samanid Mausoleum Government model Culture and Religious Legacy کجا آن بزرگان ساسانیان Revival of Persian Culture زبهرامیان تا بسامانیان Shahnameh Samanid Epigraphic: Bowls, Plates etc "Where have all the great Sassanids gone? ā Change of Religon Fromfrom the Bahr Zorostiansmids to the Samanids to whatIslam has come upon?" Persian Empire: Ismail ebn Ahmad Samanid Persian Samanid Family Tree Empire How he became the ruler of Bukhara Bukhara His importance in Bukhara Samanid Mausoleum Looting from khawrazm Need for stability Making Bukhara and samarkand center of samanids Expanding the kingdom of Samanids Why Bukhara? Persian Empire Being in the center of the ruling area ای بخارا شاد باش و دیر importance زیBukhara Silk Road and its Oh Bukhara! Be joyous and live long! شاه زی تو میهمان آید همی Trade Samanid Mausoleum Knowledge Your King comesBaha to -youud- Dinin ceremony. -
THE MAKING of the ARTIST in LATE TIMURID PAINTING Edinburgh Studies in Islamic Art Series Editor: Professor Robert Hillenbrand
EDINBURGH STUDIES IN ISLAMIC A RT EDINBURGH STUDIES IN ISLAMIC A RT S E RIES E DITOR:ROBE RT HILLE NBRAND Painting Timurid late in Artist the of Making The S E RIES E DITOR:ROBE RT HILLE NBRAND This series offers readers easy access to the most up-to-date research across the whole range of Islamic art, representing various parts of the Islamic world, media and approaches. Books in the series are academic monographs of intellectual distinction that mark a significant advance in the field. Isfahan and its Palaces Statecraft, Shi ’ ism and the Architecture of Conviviality in Early Modern Iran Sussan Babaie This beautifully illustrated history of Safavid Isfahan (1501–1722) explores the architectural and urban forms and networks of socio-cultural action that reflected a distinctly early modern and Perso-Shi ’ i practice of kingship. An immense building campaign, initiated in 1590/1, transformed Isfahan from a provincial, medieval and largely Sunni city into an urban-centered representation of the first Imami Shi ’ i empire in the history of Islam. The historical process of Shi ’ ification of Safavid Iran, and the deployment of the arts in situating the shifts in the politico-religious agenda of the imperial household, informs Sussan Babaie’s study of palatial architecture and urban environments of Isfahan and the earlier capitals of Tabriz and Qazvin. Babaie argues that, since the Safavid claim presumed the inheritance both of the charisma of the Shi ’ i Imams and of the aura of royal splendor integral to ancient Persian notions of kingship, a ceremonial regime was gradually devised in which access and proximity to the shah assumed the contours of an institutionalized form of feasting. -
Tadhkirat Al-Sh.U Lara
Mir Dawlatshah Samarqandi Tadhkirat al-sh.u lara Mir Dawlatshah Samarqandi was the son of Amir Ala'uddawla Bakhtishah Isfarayini, one of Shahrukh's courtiers, and nephew of the powerful Amir Firozshah. Unlike his fore- bears, who "passed their time as aristocrats in ostentatiousness and opulence," Mir Dawlatshah, who was of a dervish bent and had some poetic talent, "sought seclusion and contented himself with a life of spiritual poverty and rustication to acquire learning and perfection."! At the age of fifty he began his Tadhkirat al-shu'ara (Memorial of poets), anecdotes about and short biographies of 150 Persian poets, ancient and modern, which he completed in 892/1487. The judgment of Mir Ali-Sher Nawa'i, to whom the work was dedicated, was that "anyone who reads it will realize the merit and talent of the compiler." Although the book deals primarily with poets, since poets generally were inextricably bound to royal patrons, it contains valuable anecdotal information on many pre- Timurid, Timurid and Turcoman rulers. The synopses of rulers' careers and anecdotes illustrative of their characters included by Dawlatshah are translated and given here. * SULTANUWAYS JALAYIR2 out of a greedy poet's house is a difficult task," and gave him the candlestick. That [po288] It is said that one night Khwaja is how rulers rewarded poets in bygone Salman [Sawaji] was drinking in Sultan times.... Uways's assembly. As he departed, the sultan ordered a servant to light the way Dilshad Khatun was the noblest and for him with a candle in a golden candle- most beautiful lady of her time. -
A History of the Tajiks: Iranians of the East
A History of the Tajiks ii A History of the Tajiks: Iranians of the East Richard Foltz I.B. TAURIS Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA BLOOMSBURY, I.B. TAURIS and the I.B. Tauris logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2019 Copyright © Richard Foltz, 2019 Richard Foltz asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as Author of this work. Some portions of chapters 5 and 6 previously appeared in a chapter entitled ‘Tajikistan: The Elusiveness of a National Consciousness,’ in Mikhail Minakov and Yakov Rabkin, eds., Demodernization: A Future in the Past, Stuttgart: Ibidem, 2018, pp. 261–86. Cover design: Adriana Brioso Cover image: Bibi-Khanym Mosque (© Stephen Shucart/Getty Images) All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third- party websites referred to or in this book. All internet addresses given in this book were correct at the time of going to press. The author and publisher regret any inconvenience caused if addresses have changed or sites have ceased to exist, but can accept no responsibility for any such changes. A catalogue record for this book is available from the British Library. A catalog record for this book is available from the Library of Congress. -
© in This Web Service Cambridge University
Cambridge University Press 978-0-521-15346-1 - Power, Politics and Religion in Timurid Iran Beatrice Forbes Manz Index More information Index Aba Bakr b. Amıransh ah, Mırza 18–19, 35, AbuplQasim Babur b. Baysunghur, Mırza 61, 119–20, 124–25, 127, 157 102–03, 127, 150–51, 239, 241, 246, 252, Aba Bakr b. Muh. ammad Juki, Mırza 26, 115, 262–65, 267–73, 275, 280 247, 259, 260–61 relation to religious figures 234 Aba Bakr Khazin, kotwal 159–60 Abu Muslim (Khorasani, of Marw) 122, Abarquh 29, 32, 116, 123, 124, 125, 149, 152, 185, 220 156, 163, 249, 253, 256, 268 Abu Muslimnama 122 qAbbasid revolution 185, 189 Abu Nar Mishkan (Ghaznavid vizier) 68 qAbd al-qAzız b. Ulugh Beg, Mırza 246, 248, AbuSa qıd, Ilkhan (r. 1317–35) 101 265–66 AbuSa qıd, Sult.an (r. 1451–69) 55, 58, 61, 81, qAbd al-Khaliq b. Khudayd ad H. usaynı27 99, 100, 103, 120, 127, 191–93, 204, 215, qAbd Allah b. Ibrah ım Sult.an, Mırza 46, 47, 225, 246, 265, 267, 270, 275 115, 127, 246, 249, 256, 261, 265, 266–67, relation to religious figures 215 270, 275 AbuSa qıd b. Abıpl Khayr (shrine, qAbd Allah b. Muqawiyya, also shrine of Mayhana) 209, 239 185, 189 AbuSa qıd b. Qara Yusuf Qaraqoyunlu 42 qAbd Allah Lisan, Mawlan a 213 Afghanistan 40, 45 qAbd al-Lat.ıf b. Ulugh Beg 47, 246–47, 248, afrad 186 257, 269, 275 agriculture 85, 95, 169, 171, 194 in succession struggle 246, 263–68 promotion 116 qAbd al-Muqt.ı, shaykh 236 destruction 2, 263, 275 qAbd al-Qadiriyya Madrasa, see Yazd Ah. -
Persian Drawing, Ca. 1400-1450: Materials and Creative Procedures
DAVID J. ROXBURGH PERSIAN DRAWING, CA. 1400-1450: MATERIALS AND CREATIVE PROCEDURES Four drawings converge on an album page (figs. 1 and these drawings were regarded as a fragile and dispens- 2) to form a meeting point of slightly overlapping and able detritus, as a processual compost, the mountain staggered paper sheets. Their rulings are abraded, of evidence preserved in albums is powerful proof that edges slightly scuffed, and paper surfaces faintly dabbed drawings had a creative currency and at some point with ink and mottled with grease. It is a confusing came to be valued for their own sake. juncture. The drawings are oriented away from the spiraling center that they form and toward the outer edges of the album page, so that each drawing can be viewed correctly from one of the album page's outer edges. The content is equally confusing. Although the drawings may have been arranged according to some notion of a homology, 1 even the single sheet, domi- nated by what we discern as a primary subject-such as the man holding a dish, or the scene of an outdoor enthronement-is in fact a mixture of subjects. Drawn in various colors of ink along axes that are different from their adjacent primary subjects, which promise our eye a rule with which to make sense of the entire page, are a running wolf and antelope in one draw- ing and a humped ox and head of a bearded man in another. In yet another drawing, mounted riders ap- pear as if mirror reversed across an invisible center, though in only one does the lance meet a target in the form of a rearing lion. -
Afghanologies!
© 2019 JETIR June 2019, Volume 6, Issue 6 www.jetir.org (ISSN-2349-5162) Afghanologies! (vaguely till the Hindu Shahi; vaguely from Indian point of view) SANDEEP SHARMA ABSTRACT What is Afghani literature? Who wrote it? Where are these writings now? With the emergence of perhaps these seemingly exogenous, situational or situated questions, prata prashnas (prata as we say ‘situated’ in Pashto; prashanas as we say ‘questions’ in Sanskrit), in the very beginning, concerns of this paper are limited. What is Afghani Literature is not speculative or prata ontological prashanas itself but it will help us reconstruct the remains of the reminder. This reminder, as a return gift of history, will give us glimpses into the questionable out of these questions: what the world thought and had come to know of Afghani Literature in particular. The history of texts in Afghanistan, Islamic and pre-Islamic, has always been complicated.1and 2 But in the immediate contemporary times, post and pre-Osama bin Laden (1957-2011), more stress, of research (perhaps in scientific and active scholarly slumber) has been on war, types of war and its implications, theories on rebuilding in Afghanistan as also on the paranoid theories of conspiracy.3 Amid this terrific activity of highly-cited war researches or the sleep running, no doubt some are still doing great researches on humanities in Afghanistan (and still much research is yet to be done on peripheries like of animals and plants or on the so called Ecohumanism). Very few researches of this sort do co-exist peacefully in the academia.4 Afghani literacy exists in the coins, commercial records, court documents, religions, orality and so on. -
History of Islamic Empire in Urdu Pdf
History of islamic empire in urdu pdf Continue This article lists successive Muslim countries and dynasties from the rise of the Islamic Prophet Muhammad and early Muslim horses that began in 622 PO and continue to this day. The history of Muslim countries The early Muslim wars began in the life of the Islamic Prophet Muhammad. In addition to the work of southern Europe and the Indian sub-corner, his successors hit the great sheep of the Middle East and North Africa. In the decades after his death, the caliphate, founded by his oldest successors, known as the Rashidun Caliphate, inherits the Umayyad caliphate and later the Abbasid caliphate. While the caliphate gradually broke and fell, other Muslim dynasties rose; Some of these dynasties have been overgroced into Islamic empires, with some of the most notable being the Safavid dynasty, the Ottoman Empire and the Mughal Empire. Regional Empires Iran Shah Ismail I, Founder of Safavid Dynasty Qarinvand Dynasty (550-1110) Paduspanid (655-1598) Justanids (791-1004) Dulafid dynasty (800-898, Jibal) Samanid Empire (819-999) Tahirid Dynasty (821-873) Saffarid Dynasty (861-1003) Shirvanshah (861-1538) Alavid Dynasty (864-928) Sajid Dynasty (889-929) Ma'danids (890-1110, Makran) Aishanids (912-961) Husaynid Dynasty (914-929) Ziyarid Dynasty (928-43) Banu Ilyas (932-968) Buyid Dynasty (934-10) 62) Rawadid Dynasty (955-1071) , Tabriz) Hasanwayhid (959-1015) Annazidi (990-1180; Iran, Iraq) Ma'munid dynasty (995-1017) Kakuyid (1008-1141) Great Seljuq Empire (1029-1194) Nasrid dynasty (Sistan) (1029-1225) -
Timur's Conquests Mechanics Guide Namun 2019
TIMUR’S CONQUESTS MECHANICS GUIDE NAMUN 2019 Note from the Crisis Manageri Dear Delegates of NAMUN 2019, It is my pleasure to welcome you to the Timur’s Conquests Crisis Committee. For those of you who have never done crisis committees before, allow me to quickly summarize some of the main attributes of crisis committees: your delegation represents a historical character rather than a country, and you can enact policy changes in real time during the debate. In fact, instead of ‘debating’, you are much more likely to work together with your teammates to reach a common goal. Because of the crisis nature of the committee, every action you do, whether by yourself or as a team, will have a relatively quick response, which you will be informed about, so that the stages of the crisis may advance. Timur’s Conquests is even more special because it is a Joint Cabinet Crisis, which means that delegates are separated into smaller teams called cabinets which interact with each other. In our committee, there are three: the Timurids, the Ottomans and the Mamluks, all vying for control of the Middle East. In a Joint Cabinet Crisis, if one cabinet decides to take action, the other cabinets will react, leading to a very dynamic and constantly changing scenario. Set in the late 14th century C.E, the Timurid Empire was the last Turko-Mongolic Empire to rule the Middle East and Central Asia based on its speed. It expanded violently, securing much of the former territories of the Mongol Chagatai, Golden Horde and Ilkhanate, but it also had to contest with the rising gunpowder empires of Mamluk Egypt, the Ottomans and the Mughals. -
The Russian-Soviet Legacies in Reshaping the National Territories in Central Asia: a Catastrophic Case of Tajikistan
Journal of Eurasian Studies 6 (2015) 79e87 Contents lists available at ScienceDirect Journal of Eurasian Studies journal homepage: www.elsevier.com/locate/euras The Russian-Soviet legacies in reshaping the national territories in Central Asia: A catastrophic case of Tajikistan Zubaidullo Ubaidulloev Rudaki Institute of Language, Literature, Oriental Studies and Written Heritage, Academy of Sciences of the Republic of Tajikistan, Tajikistan article info abstract Article history: In every period of history many parts and territories of the world divide and get a new Received 31 January 2013 shape. There are lots of such examples. One clear example is the so-called ‘Grate Game’ and Accepted 11 April 2014 division of Central Asia by the British and Russian Empires. In general, Central Asian region Available online 16 May 2014 has been under Russian influence for more than 150 years. Today in the 21st century Central Asia once again is facing a new ‘Great Game’, but this time with new and non- Keywords: traditional powers in the region like the U.S. and China, which challenge the influence Tajikistan of region's traditional power e Russia. This paper tries to touch upon the situation and the Central Asia Russian conquest tragic fate of Tajiks during the Russian-Soviet empires within the different political en- Soviet empire tities, administrations and territories. It analyzes the impact of Russian and Soviet legacies National-territorial delimitation and territorial policies on Tajiks and Tajikistan. According to the findings of this paper, Pan-Turkism most of the previous Western and other foreign authors occasionally and briefly opine about this topic, especially about the catastrophic impact of the Russian and Soviet terri- torial legacies to the Tajik nation, in their work mainly focusing on the history of Central Asia. -
The Conceptual Status of Poetry in the Illustrations of the Divan of Khwaju Kirmani
International Journal of Arts and Commerce Vol. 5 No. 1 January, 2016 The Conceptual Status of Poetry in the Illustrations of the Divan of Khwaju Kirmani Marzieh Toraji Faculty Member of the Art and Architecture of Guilan University Rasht, Iran Email: [email protected] Abstract Literature has been always a source of inspiration for the miniaturists. Persian miniatures with unique settings that reflect imaginal world are full of poetic characteristics. Persian literature, especially poetry, has acted as a tool for expressing mystical themes in addition to its narrating function. The direct impact of Persian poetry and literature on Persian miniature painting can be traced throughout all courses of history. In Jalayirid era, important manuscripts were illustrated among which divan of Khwaju Kirmani is considered as one of the most brilliant and unique works produced during this period. This manuscript consists of beautiful imaginal illustrations painted by Junayd Sultani, who was able to display the taste of union and being drunk with happiness expressed in the poems of Khwaju Kirmani. The manuscript has nine miniature illustrations and it was scribed by Mirali Tabrizi in nasta’liq calligraphic style. It is kept in the British Museum. This paper aims to study the effects of literature on this manuscript of the divan of Khwaju Kirmani focusing on the imaginal world depicted in its miniature illustrations. For this purpose, the following objectives are sought: 1- Have access to the theme expressed by the miniature illustrations of the divan of Khwaju Kirmani. 2- Identify and analyze the miniature illustrations and talent of the artist in composition of form and content.