DOCSLIB.ORG

Rolandbarthestext:Pchamoiseau Pages

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Rolandbarthestext:Pchamoiseau Pages Roland Barthes at the Collège de France Contemporary French and Francophone Cultures 22 Contemporary French and Francophone Cultures Series Editors EDMUND SMYTH CHARLES FORSDICK Manchester Metropolitan University University of Liverpool Editorial Board JACQUELINE DUTTON LYNN A. HIGGINS MIREILLE ROSELLO University of Melbourne Dartmouth College University of Amsterdam MICHAEL SHERINGHAM DAVID WALKER University of Oxford University of Sheffield This series aims to provide a forum for new research on modern and contem- porary French and francophone cultures and writing. The books published in Contemporary French and Francophone Cultures reflect a wide variety of critical practices and theoretical approaches, in harmony with the intellectual, cultural and social developments which have taken place over the past few decades. All manifestations of contemporary French and francophone culture and expression are considered, including literature, cinema, popular culture, theory. The volumes in the series will participate in the wider debate on key aspects of contemporary culture. Recent titles in the series: 6 Jane Hiddleston, Assia Djebar: Out 14 Andy Stafford, Photo-texts: of Africa Contemporary French Writing of 7 Martin Munro, Exile and Post- the Photographic Image 1946 Haitian Literature: Alexis, 15 Kaiama L. Glover, Haiti Unbound: Depestre, Ollivier, Laferrière, A Spiralist Challenge to the Danticat Postcolonial Canon 8 Maeve McCusker, Patrick 16 David Scott, Poetics of the Poster: Chamoiseau: Recovering Memory The Rhetoric of Image-Text 9 Bill Marshall, The French Atlantic: 17 Mark McKinney, The Colonial Travels in Culture and History Heritage of French Comics 10 Celia Britton, The Sense of 18 Jean Duffy, Thresholds of Meaning: Community in French Caribbean Passage, Ritual and Liminality in Fiction Contemporary French Narrative 11 Aedín Ní Loingsigh, Postcolonial 19 David H. Walker, Consumer Eyes: Intercontinental Travel in Chronicles: Cultures of Francophone African Literature Consumption in Modern French 12 Lawrence R. Schehr, French Post- Literature Modern Masculinities: From 20 Pim Higginson, The Noir Atlantic: Neuromatrices to Seropositivity Chester Himes and the Birth of the 13 Mireille Rosello, The Reparative in Francophone African Crime Novel Narratives: Works of Mourning in 21 Verena Conley, Spatial Ecologies: Progress Urban Sites, State and World-Space in French Cultural Theory LUCY O’MEARA Roland Barthes at the Collège de France LIVERPOOL UNIVERSITY PRESS First published 2012 by Liverpool University Press 4 Cambridge Street Liverpool L69 7ZU Copyright © 2012 Lucy O’Meara The right of Lucy O’Meara to be identified as the author of this book has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. British Library Cataloguing-in-Publication data A British Library CIP record is available ISBN 978-1-84631-843-6 Typeset by XL Publishing Services Printed and bound by CPI Group (UK) Ltd, Croydon CR0 4YY Je devrais sans doute m’interroger d’abord sur les raisons qui ont pu incliner le Collège de France à recevoir un sujet incertain, dans lequel chaque attribut est en quelque sorte combattu par son contraire. […] Il me faut bien reconnaître que je n’ai produit que des essais, genre ambigu où l’écriture le dispute à l’analyse. Roland Barthes, inaugural lecture at the Collège de France, 7 January 1977 Contents Acknowledgements viii Note on Abbreviations and References ix Introduction 1 1 Barthes’s Heretical Teaching 27 2 Leçon and ‘Longtemps, je me suis couché de bonne heure…’ 52 3 Comment vivre ensemble, Le Neutre and their Context 87 4 Japonisme and Minimal Existence in the Cours 118 5 La Préparation du roman: The Novel and the Fragment 163 Afterword 200 Appendix: List of Roland Barthes’s Seminars and Lecture 205 Courses at the École pratique des hautes études and the Collège de France, 1963–1980 Bibliography 207 Index 220 vii Acknowledgements I thank the Arts and Humanities Research Council and the School of Modern Languages and Cultures at the University of Nottingham for their financial support for the original research, and the Irish Research Council for the Humanities and Social Sciences for a research grant in 2009–10. I am extremely grateful to Diana Knight and Patrick O’Donovan for their generosity and for the invaluable advice they provided during the elaboration of this project. Thanks to all of the following people for their help: Anthony Cond of Liverpool University Press, Claude Coste, Jonathan Culler, Katie Jones, Nikolaj Lübecker, Éric Marty, Jutta O’Meara, Michael Sheringham. Finally, particular thanks to Tim Robb for his unfailing encouragement and support. viii Note on Abbreviations and References Throughout the text, references to works by Barthes are given by abbre- viated title and page number. Titles of works have been abbreviated as indicated below. All articles by and interviews with Barthes are referred to as they appear in the 2002 five-volume edition of the Œuvres complètes. References to the Collège de France lecture notes include the date of the relevant lecture as well as a page reference. All references to book-length texts by Barthes are to the individual Seuil editions of these works, with the exceptions of Roland Barthes par Roland Barthes, Fragments d’un discours amoureux and La Chambre claire, which are referred to as they appear in the Œuvres complètes. Full publication details of all works cited are to be found in the bibliography. In the cases of articles by and interviews with Barthes, full details of the original publi- cation (dates, journals, interviewers) are given in a note following each first reference. C Prétexte Roland Barthes: colloque de Cerisy CC La Chambre claire CVC Carnets du voyage en Chine CVE Comment vivre ensemble DZE Le Degré zéro de l’écriture EC Essais critiques ES L’Empire des signes FDA Fragments d’un discours amoureux L Leçon LA Séminaire: le Lexique de l’auteur ‘Longtemps’ ‘Longtemps, je me suis couché de bonne heure…’ JD Journal de deuil M Michelet My Mythologies N Le Neutre OC, I Œuvres complètes tome I. 1942–1961 OC, II Œuvres complètes tome II. 1962–1967 ix x Roland Barthes at the Collège de France OC, III Œuvres complètes tome III. 1968–1971 OC, IV Œuvres complètes tome IV. 1972–1976 OC, V Œuvres complètes tome V. 1977–1980 PR La Préparation du roman I et II PT Le Plaisir du texte RB Roland Barthes par Roland Barthes SFL Sade, Fourier, Loyola S/Z S/Z Note on the use of the recordings of the lectures Where I have expanded quotations from the lecture notes with trans- criptions from the recordings, this is indicated by the use of pointed brackets < >. Transcriptions are my own and are made from the record- ings of Leçon, Comment vivre ensemble, Le Neutre, and La Préparation du roman. Introduction Il essaye (ou il ne peut s’empêcher) de tenir un discours qui ne s’énonce pas au nom de la Loi et/ou de la Violence; c’est-à-dire qui ne soit ni politique, ni religieux, ni scientifique. Il ne lui reste donc plus que le discours esthétique. Comment pourrions-nous encore appeler ce type de discours? Tout simplement le discours individualiste. Roland Barthes par Roland Barthes (inédits) The shield of the Collège de France shows a book resting on a leafy back- ground, with the legend ‘Docet Omnia’ – ‘Everything is taught’ – framed by stars. It is inlaid in the floor of the Collège’s main entrance on Rue des écoles in Paris. Elsewhere in the building, Maurice Merleau-Ponty’s phrase describing the institution’s promotion of experimental, unregulated teaching is carved in large gilded letters into the wall: ‘Ce que le Collège de France, depuis sa fondation, est chargé de donner à ses auditeurs, ce ne sont pas des vérités acquises, c’est l’idée d’une recherche libre’. Roland Barthes taught at the Collège de France from 1977 to 1980 as holder of the Chair of Literary Semiology. He imagined having his own motto for his lectures. Not carven, but effaceable, it would be a sign hung beside the bust of Henri Bergson in the lecture theatre where Barthes lectured on Saturday mornings. The sign would feature a quotation from Montaigne’s Essais: ‘Je n’enseigne point. Je raconte’.1 Montaigne was an enthusiastic adopter of mottoes, having Greek and Latin maxims, many of them drawn from Sceptic texts, cut into the rafters of his study: ‘Iudicio alternare’, he reminded himself, and ‘Que sçay-je?’2 The carvings at the Château de Montaigne prioritise inquiry, reflection, and abstention from quick decisions. Barthes is drawn to this intellectual spirit: he reminds his audience in 1978 of the medal that Montaigne had had struck in 1576, which depicted a set of balanced scales, and the Pyrrhonian legend ‘Epokhe’: I hold back.3 Barthes imagines erecting a notice which would demonstrate that he too will abstain from judgment: ‘Comment mettre sur ma demeure ou mon entreprise intellectuelle un écriteau: “Fermeture de jugement pour congé annuel”?’ (N, 254). The imagined mottoes that Barthes wishes to display upon his 1 2 Roland Barthes at the Collège de France teaching at the Collège de France are the ‘signs’ of an intellectual project that is radically self-effacing, at the same time as it makes subjectivity central to the investigation. It is the argument of this book that the Collège de France lectures represent an important addition to Barthes’s corpus which allows us to arrive at a new reading of his thought. This new reading involves opposing those perceptions of Barthes according to which the potency of Barthes’s work diminishes towards the end of his life as it becomes more subjective and aesthetic in focus.
Load more

Recommended publications
  • The Semiosphere, Between Informational Modernity and Ecological Postmodernity Pierre-Louis Patoine Et Jonathan Hope
    Document généré le 28 sept. 2021 03:48 Recherches sémiotiques Semiotic Inquiry The Semiosphere, Between Informational Modernity and Ecological Postmodernity Pierre-Louis Patoine et Jonathan Hope J. M. Lotman Résumé de l'article Volume 35, numéro 1, 2015 Parmi les notions développées par Lotman, celle de sémiopshère est certainement celle qui a été la plus commentée. Dans cet article, nous URI : https://id.erudit.org/iderudit/1050984ar explorons ses dimensions écologiques et biologiques, en remontant au concept DOI : https://doi.org/10.7202/1050984ar de biosphère proposé par Vernadsky et à la vision environnementale de l’art qui apparaît chez Lotman dès La Structure du texte artistique. Notre enquête Aller au sommaire du numéro expose les aspects biosémiotiques de la pensée lotmanienne, aspects qui permettent l’émergence, en son sein, d’un modèle cyclique, homéostatique de la culture, contrebalançant ainsi une vision moderniste où l’art participe à un progrès naïvement linéaire. Éditeur(s) Association canadienne de sémiotique / Canadian Semiotic Association ISSN 0229-8651 (imprimé) 1923-9920 (numérique) Découvrir la revue Citer cet article Patoine, P.-L. & Hope, J. (2015). The Semiosphere, Between Informational Modernity and Ecological Postmodernity. Recherches sémiotiques / Semiotic Inquiry, 35(1), 11–26. https://doi.org/10.7202/1050984ar Tous droits réservés © Association canadienne de sémiotique / Canadian Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des Semiotic Association, 2018 services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit.
    [Show full text]
  • John Benjamins Publishing Company
    John Benjamins Publishing Company This is a contribution from Emotion in Language. Theory – research – application. Edited by Ulrike M. Lüdtke. © 2015. John Benjamins Publishing Company This electronic file may not be altered in any way. The author(s) of this article is/are permitted to use this PDF file to generate printed copies to be used by way of offprints, for their personal use only. Permission is granted by the publishers to post this file on a closed server which is accessible to members (students and staff) only of the author’s/s’ institute, it is not permitted to post this PDF on the open internet. For any other use of this material prior written permission should be obtained from the publishers or through the Copyright Clearance Center (for USA: www.copyright.com). Please contact [email protected] or consult our website: www.benjamins.com Tables of Contents, abstracts and guidelines are available at www.benjamins.com Introduction From logos to dialogue Ulrike M. Lüdtke Leibniz University Hannover This book is inspired by many years of pedagogic and therapeutic work with children and adults in preschool, school and clinical settings. The miracle of language devel- opment and the joy of expressive language on the one hand and the vulnerability of language and the sorrow and grief caused by its distortion or even loss on the other opened my eyes to the inseparability of emotion and language. Even though I had just been part of the editing team for Moving Ourselves, Moving Others: Motion and Emotion in Intersubjectivity, Consciousness and Language (2012), I felt there was a strong need for an interdisciplinary volume focusing exclusively on the enormous importance of emotion in language.
    [Show full text]
  • The Evolution of the Franco-American Novel of New England (1875-2004)
    BORDER SPACES AND LA SURVIVANCE: THE EVOLUTION OF THE FRANCO-AMERICAN NOVEL OF NEW ENGLAND (1875-2004) By CYNTHIA C. LEES A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2006 Copyright 2006 By Cynthia C. Lees ACKNOWLEDGMENTS I would like to express my gratitude to the members of my supervisory committee, five professors who have contributed unfailingly helpful suggestions during the writing process. I consider myself fortunate to have had the expert guidance of professors Hélène Blondeau, William Calin, David Leverenz, and Jane Moss. Most of all, I am grateful to Dr. Carol J. Murphy, chair of the committee, for her concise editing, insightful comments, and encouragement throughout the project. Also, I wish to recognize the invaluable contributions of Robert Perreault, author, historian, and Franco- American, a scholar who lives his heritage proudly. I am especially indebted to my husband Daniel for his patience and kindness during the past year. His belief in me never wavered. iii TABLE OF CONTENTS Page ACKNOWLEDGMENTS ................................................ iii LIST OF FIGURES .................................................... vii ABSTRACT.......................................................... viii CHAPTER 1 SITING THE FRANCO-AMERICAN NOVEL . 1 1.1 Brief Overview of the Franco-American Novel of New England . 1 1.2 The Franco-American Novel and the Ideology of La Survivance ..........7 1.3 Framing the Ideology of La Survivance: Theoretical Approaches to Space and Place ....................................................13 1.4 Coming to Terms with Space and Place . 15 1.4.1 The Franco-American Novel and the Notion of Place .
    [Show full text]
  • By ROLAND BARTHES
    ROLAND BARTHES by ROLAND BARTHES , \) Translate^Jyy Richard Howard >!)• IP /i I UNIVERSITY OF CALIFORNIA PRESS Berkeley • Los Angeles University of California Press Berkeley and Los Angeles, California Translation © 1977 by Farrar, Straus and Giroux, Inc. \ Originally Published in French as Roland Barthes par Roland Barthes \ * © 1975 Éditions du Seuil \ All rights reserved Published by arrangement with Hill and Wing, a division of Farrar, Straus &_ Giroux, Inc. Printed in the United States of America First California printing, 1994 Library of Congress Cataloging-in-Publication Data Barthes, Roland. [Roland Barthes. English] Roland Barthes /by Roland Barthes ; translated by Richard Howard, p. cm. ISBN 978-0-S20-08783-S I. Barthes, Roland. 2. Semiotics. 1. Title. P8S.B33A3 1994 MO'.92—dc20 [B] 94-7S4S CIP 08 07 10 9 8 The paper used in this publication is both acid-free and totally chlorine-free (TCF). It meets the minimum requirements of ANSI/ NISO Z39.48-1992 (R 1997) (Permanence of Paper). © My thanks to the friends who have kindly helped me in the preparation of this book: Jean-Louis Bouttes, Roland Havas, François Wahl, for the text; Jacques Azanza, Yousseff Baccouche, Isabelle Bardet, Alain Benchaya, Myriam de Ravignan, Denis Roche, for the pictures. ft must all be considered as if spoken by a character in a novel. j / To begin with, some images: they are the author's treat to himself, for finishing his book. His pleasure is a matter of fascination (and thereby quite selfish). I have kept only the images which enthrall me, without my knowing why (such ignorance is the very nature of fascination, and what I shall say about each image will never be anything but .
    [Show full text]
  • Michelet Et L'architecture Gothique
    Michelet et l'architecture gothique Autor(en): Pommier, Jean Objekttyp: Article Zeitschrift: Études de Lettres : revue de la Faculté des lettres de l'Université de Lausanne Band (Jahr): 26 (1954-1956) Heft 1 PDF erstellt am: 08.10.2021 Persistenter Link: http://doi.org/10.5169/seals-869934 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch MICHELET ET L'ARCHITECTURE GOTHIQUE Ce n'est pas sans émotion que je prends la parole au sein d'une Université à laquelle je suis attaché par un lien personnel, et dans une cérémonie où nous ne voyons plus parmi nous, sinon par la vivacité du souvenir, celui-là même à l'initiative de qui je dois en premier lieu l'honneur qui m'a été fait il y a six ans, le maître éminent dont nous venons d'entendre le si juste éloge, mon très cher et très regretté compatriote, collègue et ami, René Bray.
    [Show full text]
  • Notes and News
    NOTES AND NEWS Dr. Robert Fruin, the doyen of Dutch historical professors, died at Leyden on January 29 (or 30), aged seventy-five. From 1860 until his retirement, a few years ago, he was professor of Dutch history at Ley­ den. Though he published no great work after the issue of his impor­ tant TienJaren uit den Tachtigiarigen Oorlog, in 1859, he wrote a large number of important monographs, was the teacher of many if not most of the Dutch historians of the present time, and won unmeasured influ­ ence by his learning, wisdom and fairness. Professor Alphons Huber of the University of Vienna, author of a highly valued but now unfinished history of Austria in five volumes, and of sevt!ral studies in medieval numismatics, died in Vienna on Novem­ ber 23, aged 64. Dr. Gustav Gilbert, professor in the gymnasium at Gotha and author of the well-known Handbuch der griechischm Staatsaltertlll'imer, died on December 24. Mr. Edward G. Mason, formerly president of the Chicago Historical Society, died on December IS, at the age of 59. An eminent lawyer and a good citizen, his title to remembrance among historical students rests partly upon his active exertions in behalf of the society mentioned, especially in securing for it its present impressive building and a large portion of its valuable collections, and partly upon those minor writings for which alone his professional occupations left him leisure. The papers which he wrote were chiefly essays in the history of Illinois in the eigh­ teenth century. Lewis H. Boutell died at Washington, D.
    [Show full text]
  • The Semiosphere, Between Informational Modernity and Ecological Postmodernity Pierre-Louis Patoine and Jonathan Hope
    Document generated on 09/29/2021 12:07 a.m. Recherches sémiotiques Semiotic Inquiry The Semiosphere, Between Informational Modernity and Ecological Postmodernity Pierre-Louis Patoine and Jonathan Hope J. M. Lotman Article abstract Volume 35, Number 1, 2015 The notion of semiosphere is certainly one of Lotman’s most discussed ideas. In this essay, we propose to investigate its ecological and biological dimensions, URI: https://id.erudit.org/iderudit/1050984ar tracing them back to Vernadsky’s concept of biosphere and to Lotman’s DOI: https://doi.org/10.7202/1050984ar environmental vision of art articulated in his early work, The Structure of the Artistic Text. Our investigation reveals how the biosemiotic undercurrents in See table of contents Lotmanian thought enable the emergence of a cyclical, homeostatic model of culture that counterbalances a Modernist vision of art as a force working for unquestioned linear progress. Publisher(s) Association canadienne de sémiotique / Canadian Semiotic Association ISSN 0229-8651 (print) 1923-9920 (digital) Explore this journal Cite this article Patoine, P.-L. & Hope, J. (2015). The Semiosphere, Between Informational Modernity and Ecological Postmodernity. Recherches sémiotiques / Semiotic Inquiry, 35(1), 11–26. https://doi.org/10.7202/1050984ar Tous droits réservés © Association canadienne de sémiotique / Canadian This document is protected by copyright law. Use of the services of Érudit Semiotic Association, 2018 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal.
    [Show full text]
  • Dissertacao Clayton F E F Borges.Pdf
    UNIVERSIDADE FEDERAL DE GOIÁS FACULDADE DE HISTÓRIA PROGRAMA DE PÓS-GRADUAÇÃO EM HISTÓRIA CLAYTON FERREIRA E FERREIRA BORGES REVUE HISTORIQUE E REVUE DE SYNTHÈSE HISTORIQUE: O CASO A. D. XÉNOPOL GOIÂNIA 2013 1 TERMO DE CIÊNCIA E DE AUTORIZAÇÃO PARA DISPONIBILIZAR AS TESES E DISSERTAÇÕES ELETRÔNICAS (TEDE) NA BIBLIOTECA DIGITAL DA UFG Na qualidade de titular dos direitos de autor, autorizo a Universidade Federal de Goiás (UFG) a disponibilizar, gratuitamente, por meio da Biblioteca Digital de Teses e Dissertações (BDTD/UFG), sem ressarcimento dos direitos autorais, de acordo com a Lei nº 9610/98, o documento conforme permissões assinaladas abaixo, para fins de leitura, impressão e/ou download, a título de divulgação da produção científica brasileira, a partir desta data. 1. Identificação do material bibliográfico: [ X ] Dissertação [ ] Tese 2. Identificação da Tese ou Dissertação Autor (a): Clayton Ferreira e Ferreira Borges E-mail: [email protected] Seu e-mail pode ser disponibilizado na página? [ X ]Sim [ ] Não Vínculo empregatício do autor Nenhum Agência de fomento: Programa de Reestruturação das Universidades S R Federais Sigla: REUNI País: Brasil UF:GO 024703001C -50 CNPJ: Título: Revue Historique e Revue de Synthèse Historique: o caso A. D. Xénopol Palavras-chave: Xénopol; Revue Historique; Revue de Synthèse Historique; História; ciência Título em outra língua: Revue Historique and Revue de Synthèse Historique: the case A. D. Xénopol Palavras-chave em outra língua: Xénopol, Revue Historique, Synthèse Revue Historique, history, science Área de concentração: Culturas, Fronteiras e Identidades. Data defesa: (26/08/2013) Programa de Pós-Graduação: Programa de Pós-Graduação em História Orientador (a): Cristiano Alencar Arrais E-mail: [email protected] Co-orientador (a):* E-mail: *Necessita do CPF quando não constar no SisPG 3.
    [Show full text]
  • Flyer Reju Nov-10
    97 rue Henri Barbusse 92110 CLICHY FRANCE [email protected] www.rejuvenationrecords.com Voici une petite liste de distrib sans prétention juste pour faire plaisir à tes oreilles, on espère que tu trouveras des choses intéressantes… Notre but n'est pas de faire du profit, mais juste de rentrer dans nos frais. Les disques sont neufs (ou alors c'est précisé), et nous garantissons tout ce que nous vendons. READ THIS BEFORE ANY ORDER ! 1 - Because of our very limited stocks, please send an e-mail to Agnès before any order : agnes(at)rejuvenationrecords.com 2 - All Prices are in EURO. 3 - Shipping is not included, notify us where you live and we will give it to you. 4 - You can pay with well hidden cash (in EURO, please, and at your own risk). 5 - You can pay by paypal to rejuvenation(at)wanadoo.fr. Please add 5% for paypal fees. 6 - You can pay by IMO, just ask us ! 7 - If payment is not received within two weeks of e-mailing us to reserve an order, the order is cancelled. 8 - Now if you're agree with previous lines, we can being very good friends. To have an idea of what can be the shipping costs look at the board below. Thank you ! T'es super nul en anglais (pire que nous ?), ok c'est pas grave : A LIRE AVANT TOUTE COMMANDE ! 1 - En raison de nos quantités super limitées merci de contacter Agnès avant toute commande : agnes(at)rejuvenationrecords.com 2 - Tous les prix sont en EURO. 3 - Le port n'est pas compris, donc dis nous où tu habites et on te donnera le port.
    [Show full text]
  • Islam and Postmodernity: M
    Volume 3, Issue 1 Journal of Islamic Thought and Civilization Spring 2013 Islam and Postmodernity: M. Arkoun on Deconstruction Dr. Usman Khalil Ms Abida Khan Abstract Ideologies are directly albeit not always perceptibly related to methodological and epistemological themes. Social psychology also reveals that knowledge depends upon the policy of rejection or incorporation of various philosophies. In the journey of human thought dawned the age of reason with the Era of Enlightenment. Gradually, universal values and the scientific method gained supremacy. And then all the grand narratives stood redundant and rejected, giving rise to the need to re-search, re-analyze, and re-think every work done thus far with the aim to de-construct the now-discarded. This research studies the greatly admired post structural theory of deconstruction and its proponents in the Muslim civilizations to evaluate its impact on contemporary Muslim thought. The rationale of the study is a critical appraisal of the theoretical concepts in the Muslim world in response or reaction to the current epistemological influences from the West. This exploration led to the conclusion that the scholars of the Islamic world missed the point by going a bit too far as the Holy Quran and collections of authentic Ahadith explicitly state what Muslims should reject or incorporate. The remedy comprises in updating the conventional way of thinking and interpreting things, acquiring the ability to think the unthinkable and the previously unthought, honest hard word, incessant striving for excellence, as well as discarding getting overwhelmed by whatever gains ‘currency’ in the largely impulsive Western thought. Keywords: Deconstruction, Epitemology, Rethink, Critique, Qur’an Islam and Post Modernism Ever since the commencement of the 19th century, Revivalism, Reformism and Radicalism along with Nationalism and Islamic Socialism seem to be the most significant movements and inclinations of Islamic thinking in the contemporary Muslim world.
    [Show full text]
  • Tartu Paper Chang
    1 Is Language a Primary Modeling System?--On Jurj Lotman's Semiosphere Professor Han-liang Chang National Taiwan University Paper presented at the International Conference on Cultural Semiotics: Cultural Mechanisms, Boundaries, Identities, in observance of Jurj Lotman’s 80s Anniversary, University of Tartu Tartu, Estonia, 26 February - 2 March 2002 The well-known distinction of primary modeling system versus secondary modeling system suggested by Lotman and others (Lotman 1977) is a lasting legacy of the Ta rtu School's that has been adhered to, modified, and refuted by semioticians of culture and nature (Sebeok 1991, 1994, Sebeok and Danesi 2000).1 Adherence aside, modifications and refutations have focused on the issue whether or not language is a primary modeling system (hereinafter PMS) and, if not, what alternative can be made available to replace it. For both biosemiosis and anthroposemiosis, language can only be a secondary modeling system (hereinafter SMS) on top of the biological experience of Unwelt. As Sebeok and Danesi have recently observed: [L]anguage is, by definition, a secondary cohesive modeling system providing humans with the resources for extending primary forms ad infinitum. From a biosemiotic perspective, the language code can be defined as the cohesive system providing the modeling resources for converting what von Uexküll (1909) called 'concrete living existence' into 'active plans.' (2000: 108) Here our co-authors are reiterating Sebeok's entrenched position over the decades. He had observed in 1989, "Solely in the genus Homo have verbal signs emerged. To put it in another way, only hominids possess two mutually sustaining repertoires of signs, the zoosemiotic nonverbal, plus, superimposed, the anthroposemiotic verbal."(1991: 55).
    [Show full text]
  • Linguistic Philosophy of Cyberspace
    Linguistic Philosophy of Cyberspace 1Rusudan Makhachashvili1 Ivan Semenist2 1Borys Grinchenko Kyiv University 2 Borys Grinchenko Kyiv University [email protected], [email protected] Abstract2 21st century has witnessed the qualitative advances in ontological reality structuring and approaches to perception and cognition by the human mind. The study objective is the investigation of the innovative philosophic aspects of cyberspace through the lenses of the language development processes in the sphere of innovative computer technologies and digital communication. The study design is the disclosure of cyberspace as an ontology model and as a linguistic model in the template of a logosphere. The linguistic philosophy approach to the study of cyberspace allows to efficiently investigate the empirical manifestation of cyberspace ontology (space and time dimensions), the generic categories and dimensions of cyber-epistemology, to denote existential anthropocentric character of cyberspace. Philosophical foundations of the study of cyberspace as an integrated macro-and micro-entity are determined by the substantive features of inovative logosphere as a macrostructure and by the phenomenological characteristics and properties of substrate of linguistic units of innovative cyberspace logosphere. Keywords: Cyberspace, Linguistic Philosophy, Innovative Logosphere of Cyberspace, Digital Ontology 1. Introduction At the turn of the XX-XXI centuries, as an essential product of civilization, computer reality has been gradually separated into an independent existential whole, within which digital media serve not only as a means of transmitting information or interaction, but fulfill their own world-building, sense- building and, consequently, logo-generative potential (Gelernter, 1998), (Price, 2001). Cyberspace, henceforth, is an object of study of a wide range of academic branches – philosophy of modern humanities, psychology, sociology, cultural studies, etc.
    [Show full text]