Adolescent Reading Improvement

Total Page:16

File Type:pdf, Size:1020Kb

Adolescent Reading Improvement ADOLESCENT READING IMPROVEMENT: A PHENOMENOLOGY OF HIGH SCHOOL STUDENTS’ PERSPECTIVES by Anne Summerall Poplin Liberty University A Proposal Presented in Partial Fulfillment Of the Requirements for the Degree Doctor of Education Liberty University 2017 2 ADOLESCENT READING IMPROVEMENT: A PHENOMENOLOGY OF HIGH SCHOOL STUDENTS’ PERSPECTIVES by Anne Summerall Poplin A Proposal Presented in Partial Fulfillment Of the Requirements for the Degree Doctor of Education Liberty University, Lynchburg, VA 2017 APPROVED BY: Grania Gothard Holman, Ed. D., Committee Chair James Zabloski, Ed. D., Committee Member Joseph Powell, Ed. D., Committee Member 3 ABSTRACT The purpose of this phenomenological study was to explore the experience of improvement in reading comprehension of adolescent readers who have made gains greater than what might be predicted based on previous growth in reading comprehension measures. These research questions guided this study: What influences have impacted the lived experiences of these improving readers? What barriers to reading improvement existed for these students? In addition, what school-related reading experiences, if any, hold meaning for these readers? What characteristics are shared among adolescent readers who have experienced better-than-expected growth? Interviews, story chart artifacts created by participants, and observations of students’ process and self-talk while reading short passages were collected from 12 students at Placid High School (pseudonym). Analysis was conducted using Hycner’s framework and hermeneutic analysis in order to discover the essence of these students’ experiences as improving readers. Methodologically, this study ascertained shared characteristics and experiences that influenced the reading comprehension growth of these adolescents through inductive study of all data. Four themes emerged through the data analysis: Reading as Provocation, Reading as Displacement, Reading as Relationship, and Reading as Confluence. Keywords: adolescent literacy, adolescent readers, reading comprehension 4 Dedication Soli deo Gloria. In Memoriam This dissertation is presented in memory of my mother, June Love Smith Summerall, a brilliant woman who loved fiercely and with a great burden for her grandchildren, children, and husband. Her long-hand journals, triplicate copies of manuscripts submitted (and rejected) for publication, scribbled lists, and underlined, annotated passages in theology and psychology books inspired me to read early and significantly above grade level. I was certain that answers were in those books, between those binder covers, on the backs of those envelopes. I devoured her words and the words that moved her in an often vain attempt to plumb the unfathomable depths and calculate the immeasurable heights of her interior life. Now, I think I understand. Her secrets are safe with me. 5 Acknowledgements According to writer Anne Lamott, there are really only two prayers we ever need utter: “Thank you, thank you, thank you,” and “Help me, help me, help me.” God responded to both of those prayers through of the love, support, and occasional words of righteous admonishment of the many who guided, mentored, humored, and sometimes carried me on this journey. First, I am deeply indebted to my family. For the love of learning modeled in a Christ- centered life – Dad, you brought the black-and-white squiggles on the printed page to life for me, and I learned to love the Word at your feet, sitting on a pile of theology books. For the devotion, respect, and encouragement of my husband, my partner, my best friend, and my kindest critic – David, may the rest of our Sunday afternoons, empty of deadlines, stretch before us. For the curiosity, for the concern, and for the conviction that I would finish of our two adult children – Grace and Mac, I hope you saw how God provides for us strength when we have no more of our own. It has been a long story of what can happen when you “take delight in the Lord,” and wait for him to “give you the desires of [your] hearts.” I also wish to express my sincere appreciation to my Chair and my Committee Members: Dr. Grania Holman, for her vision of how academics, faith, family, and service can be woven together in the beautiful fabric of a woman’s life; Dr. James Zabloski, for his unflinching expectations of excellence and his willingness to share his own growth story with students at Liberty University; and Dr. Joseph Powell, for his enthusiastic encouragement and professional collegiality through the years before, during, and, I trust, after this project. In addition, I would like to thank my colleagues, past and present, at South Aiken High School. They believed in me, even when I no longer believed in myself. 6 Last, my heartfelt gratitude to all the students who shared their reading lives with me as participants. I pray that I did justice to the books, the people, and the stories that you all entrusted to me. You and students like you give purpose and hope to all educational researchers. 7 Table of Contents ABSTRACT .................................................................................................................................... 3 Dedication ....................................................................................................................................... 4 Acknowledgements ......................................................................................................................... 5 List of Tables ................................................................................................................................ 12 List of Abbreviations .................................................................................................................... 13 CHAPTER ONE: INTRODUCTION ........................................................................................... 14 Overview ........................................................................................................................... 14 Background ....................................................................................................................... 15 Situation to Self................................................................................................................. 20 Problem Statement ............................................................................................................ 22 Purpose Statement ............................................................................................................. 23 Significance of the Study .................................................................................................. 24 Research Questions ........................................................................................................... 24 Definitions......................................................................................................................... 26 Summary ........................................................................................................................... 28 CHAPTER TWO: LITERATURE REVIEW ............................................................................... 29 Overview ........................................................................................................................... 29 Conceptual Framework ..................................................................................................... 29 Learning-to-Read Stages ....................................................................................... 31 Reading-to-Learn Stages: Middle School ............................................................. 31 Reading-to-Learn Stages: High School and Beyond ............................................ 32 Theoretical Framework ..................................................................................................... 35 8 New Criticism ....................................................................................................... 35 Rosenblatt’s Transactional Reader Response Theory ........................................... 36 Vygotsky’s Social Constructivism ........................................................................ 38 Related Literature.............................................................................................................. 38 Reading Processes Necessary for Secondary Reading ......................................... 39 Barriers to Continuous Reading Growth for Adolescents .................................... 42 Interventions for High School Readers ................................................................. 47 Summary ........................................................................................................................... 59 CHAPTER THREE: METHODS ................................................................................................. 61 Overview ........................................................................................................................... 61 Design ............................................................................................................................... 61 Research Questions ........................................................................................................... 62 Setting ............................................................................................................................... 62 Participants .......................................................................................................................
Recommended publications
  • The Novel's Anxieties Over Existence, Purpose, and Believability
    State University of New York College at Buffalo - Buffalo State College Digital Commons at Buffalo State English Theses English 8-2012 Survival of the Fictiveness: The oN vel’s Anxieties Over Existence, Purpose, and Believability Jesse Mank Buffalo State College, [email protected] Advisor Dr. Aimable Twagilimana, Professor of English First Reader Dr. Barish Ali, Assistant Professor of English Department Chair Dr. Ralph L. Wahlstrom, Associate Professor of English To learn more about the English Department and its educational programs, research, and resources, go to http://english.buffalostate.edu/. Recommended Citation Mank, Jesse, "Survival of the Fictiveness: The oN vel’s Anxieties Over Existence, Purpose, and Believability" (2012). English Theses. Paper 5. Follow this and additional works at: http://digitalcommons.buffalostate.edu/english_theses Part of the Literature in English, North America Commons Survival of the Fictiveness: The Novel’s Anxieties Over Existence, Purpose, and Believability by Jesse Mank An Abstract of a Thesis in English Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts August 2012 State University of New York College at Buffalo Department of English Mank i ABSTRACT OF THESIS Survival of the Fictiveness: The Novel’s Anxieties Over Existence, Purpose, and Believability The novel is a problematic literary genre, for few agree on precisely how or why it rose to prominence, nor have there ever been any strict structural parameters established. Terry Eagleton calls it an “anti-genre” that “cannibalizes other literary modes and mixes the bits and pieces promiscuously together” (1). And yet, perhaps because of its inability to be completely defined, the novel best represents modern thought and sensibility.
    [Show full text]
  • Theory and Interpretation of Narrative James Phelan, Peter J
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by KnowledgeBank at OSU THEORY AND INTERPRETATION OF NARRATIVE JAMES PHELAN, PETER J. RABINOWITZ, AND ROBYN WARHOL, SERIES EDITORS FOR VANESSA, MAX, AND MILLY THE RETURN OF THE OMNISCIENT NARRATOR Authorship and Authority in Twenty-First Century Fiction PAUL DAWSON THE OHIO STATE UNIVERSITY PRESS COLUMBUS Copyright © 2013 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Dawson, Paul, 1972– The return of the omniscient narrator authorship and authority in twenty-first century fiction / Paul Dawson. pages cm—(Theory and interpretation of narrative) Includes bibliographical references and index. ISBN-13: 978-0-8142-1233-2 (cloth : alk. paper) ISBN-10: 0–8142– 1233–6 (cloth : alk. paper) 1. Fiction—Technique. 2. Omniscience (Theory of knowledge) in literature. 3. Narration (Rhetoric) I. Title. II. Series: Theory and interpretation of narrative series. PN3355.D246 2013 808.3—dc23 2013031509 Cover design by AuthorSupport.com Text design by Juliet Williams Type set in Adobe Sabon Printed by Sheridan Books, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48–1992. 9 8 7 6 5 4 3 2 1 CONTENTS Acknowledgments vii Introduction The Return of Omniscience in Contemporary Fiction 1 CHaptER 1 Omniscience and Narrative Authority 25 CHaptER 2 The Direct Address and the Ironic
    [Show full text]
  • Writing Creative Nonfiction Course Guidebook
    Topic Literature Subtopic & Language Writing Writing Creative Nonfiction Course Guidebook Professor Tilar J. Mazzeo Colby College PUBLISHED BY: THE GREAT COURSES Corporate Headquarters 4840 Westfi elds Boulevard, Suite 500 Chantilly, Virginia 20151-2299 Phone: 1-800-832-2412 Fax: 703-378-3819 www.thegreatcourses.com Copyright © The Teaching Company, 2012 Printed in the United States of America This book is in copyright. All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written permission of The Teaching Company. Tilar J. Mazzeo, Ph.D. Clara C. Piper Professor of English Colby College rofessor Tilar J. Mazzeo is the New York Times best-selling author of The Widow PClicquot: The Story of a Champagne Empire and the Woman Who Ruled It,the story of the rst international businesswoman in history, and The Secret of Chanel No. 5: The Intimate History of the World’s Most Famous Perfume. The Widow Clicquot won the 2008 Gourmand Award for the best book of wine literature published in the United States. Professor Mazzeo holds a Ph.D. in English and teaches British and European literature at Colby College, where she is the Clara C. Piper Professor of English. She has been the Jenny McKean Moore Writer-in-Residence at The George Washington University, and her writing on creative non ction techniques has appeared in recent collections such as Now Write! Nonfi ction: Memoir, Journalism, and Creative Nonfi ction Exercises from Today’s Best Writers.
    [Show full text]
  • MFA Residency and Semester Student Handbook June 2019 1
    MFA Residency and Semester Student Handbook June 2019 1 Antioch University Los Angeles Creative Writing Department 400 Corporate Pointe, Culver City, CA, 90230 Phone: (310) 578-1080 x202 fax: (310) 822-4824 https://www.antioch.edu/los-angeles/degrees-programs/creative- writing-communication-studies/creative-writing-mfa/ RESIDENCY AND SEMESTER STUDENT HANDBOOK TABLE OF CONTENTS MFA Academic Calendar/Upcoming Semester Dates .................................................... inside cover Mission ............................................................................................................................................. 2 Instructions for Reading this Handbook ....................................................................................... 3-4 Program Options and Requirements ........................................................................................... 5-16 Residency Requirements by Cohort ............................................................................................... 17 Reading Material ............................................................................................................................ 18 Mentor Selection ............................................................................................................................ 18 MFA Program Documentation Timetable ................................................................................ 19-20 Post-MFA Program Documentation Timetable .......................................................................
    [Show full text]
  • Convergences: Transactions in Reading and Writing. INSTITUTION National Council of Teachers of English, Urbana
    DOCUMENT RESUME ED 265 568 CS 209 550 AUTHOR Petersen, Bruce T., Ed. TITLE Convergences: Transactions in Reading and Writing. INSTITUTION National Council of Teachers of English, Urbana, REPORT NO ISBN-0-8141-0856-3 PUB DATE 86 NOTE 274p. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 08563, $12.00 member, $15.50 nonmember). PUB TYPE Collected Works - General (020) -- Guides - Classroom Use - Guides (For Teachers) (052) EDRS PRICE MV01/PC11 Plus Postage. DESCRIPTORS Cognitive Processes; Higher Education; *Integrated Activities; Literature Appreciation; Nonfiction; *Reading Processes; *Reading Strategies; *Feeding Writing Relationship; Revision (Written Composition); Speech Communication; Teaching Methods; *Writing Instruction; *Writing Processes IDENTIFIERS *Author Text Relationship ABSTRACT The relationship between reading and writing is explored in this book. Titles of the book's essays and their authors are as follows: (1) "What Is the Value of Connecting Reading and Writing?" by Robert J. Tierney and Margie Leys; (2) "Reflective Thought: The Connection between Reading and Writing" by Juno Cannell Birnbaum; (3) "Reading as a Writing Strategy: Wt. Case Studies" by Cynthia L. Selfe; (4) "The Writing/Reading Relationship: Becoming One's Own Best Reader" by Richard Beach and JoAnne Liebman-Kleine; (5) "Writing Plans as Strategies for Reading, Writing, and Revising" by Barbey Doughtery; (6) "Cognitive Stereoscopy and the Study of Language and Literature" by David Bleich; (7) "Social Foundations of Reading and Writing" by Deborah Brandt; (8) "Speech Acts and the Reader-Writer Transaction" by Dorothy Augustine and W. Ross Winterowd; (9) "Writing Based on Reading" by Marilyn S. Sternglass; (10) "How Do Users Read Computer Manuals? Some Protocol Contributions to Writer's Knowledge" by Patricia Sullivan and Linda Flower; (11) "Using Nonfiction Literature in the Composition Classroom" by Maxine Hairston; (12) "An Integrative Approach to Research: Theory and Practice" by Jill N.
    [Show full text]
  • AP English Literature 12 Summer Reading 2015-16 “Read the Best
    AP English Literature 12 Summer Reading 2015-16 “Read the best books first, or you may not have a chance to read them at all.” ― Henry David Thoreau, A Week on the Concord and Merrimack Rivers Dear AP Literature Class of 2016/2017, Beyond the end-of-year effort on tests and projects, beyond the sleeping and sun of summer vacation, senior year awaits. This course you are entering, AP English Literature and Composition, substitutes for a first-year course in college composition, which means that for many universities and colleges, qualifying on the exam allows you to either sidestep a 100-level writing course or receive college credit for it. The central purpose of such a class is to enable you to write effectively in all your courses and into your professional lives. To this end, the College Board asserts, a typical college course emphasizes analytical and argumentative writing, the kind of writing that “forms the basis for academic and professional communication.” AP English Literature, in particular, asks you to apply your analytical skills to how authors craft the meaning of a work, with attention to the richness of language. Because reading complex literature analytically is an essential component of this class, we would like you to embark on your reading and writing over the summer. Task: Read at least one novel from each of the following lists. Allow yourself the time to hunt for what you would really like to read and to change your mind if need be. Take note of how each author makes choices regarding perspective, characters, motifs, language, and plot design.
    [Show full text]
  • Smith College Spring 2018 English Courses
    Smith College Spring 2018 English Courses English 203 Western Classics: De Troyes to Tolstoy (200+ English elective) TuTh 10:30-11:15 Instructor: Maria Banerjee Same as CLT 203. Chrétien de Troyes’s Yvain; Antony and Cleopatra; Cervantes’ Don Quixote; Lafayette’s The Princesse of Clèves; Goethe’s Faust; Tolstoy’s War and Peace. Lecture and discussion. Instructor Permission: Permission is required for interchange registration during the add/drop period only. English 206 Intermediate Fiction Writing: Photography (200+ English elective)(creative writing spec.) Thurs 1:00-2:15 Instructor: Russell Rymer A writer’s workshop that focuses on sharpening and expanding each student’s fiction writing skills, as well as broadening and deepening her understanding of the short story form. Exercises will concentrate on using real-world interviewing and reporting to feed one's fictional work. Students will analyze and discuss each other's stories, and examine the work of established writers. Writing sample and permission of the instructor are required. Sample or samples should total approximately 1000 words, of any genre, and are due by the last day of registration. If the applicant has a writing project in mind for the semester, a description of it is also encouraged. This course uses concepts and methods of photography to advance students' fiction-writing abilities and comprehension. Students take photographs as a way of grappling with issues of focus, framing, depth of field, point of view, "flatness," timing, and other precepts of photography that are transferable to writing, and include their photographs in their fictional pieces. The point of the course is not to improve students' photo abilities (and no pre-req skills or special equipment are required), but to use photography to enhance writing skills and understanding.
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title How to Become an Author: The Art and Business of Literary Advice Handbooks Permalink https://escholarship.org/uc/item/3m54d1q1 Author Caughey, John Sutton Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles How to Become an Author: The Art and Business of Literary Advice Handbooks A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in English by John Sutton Caughey 2016 © Copyright by John Sutton Caughey 2016 ABSTRACT OF THE DISSERTATION How to Become an Author: The Art and Business of Literary Advice Handbooks by John Sutton Caughey Doctor of Philosophy in English University of California, Los Angeles, 2016 Professor Jonathan Hamilton Grossman, Co-Chair Professor Mark J. McGurl, Co-Chair This dissertation reads the archive of literary advice texts that erupted into the world of letters beginning in the mid-1880s alongside the work of Henry James, Jack London, Arnold Bennett, and Virginia Woolf. At that moment, fiction, to adapt a phrase of Edward Gibbon, was elevated into an art and degraded into a trade. The agitated coupling of art and commerce made authorship seem available and attractive on an unprecedented scale. All manner of instructional texts, from how-to manuals to plot charts, and from author interviews to fictions about fiction making, sated this sudden explosion of interest. United by a post-Romantic faith that novelists, though born to varying degrees of talent, could be made, this enterprise mobilized emerging knowledge practices and media technologies in its effort to develop a practical science of fiction, one I dub “fictioneering.” ii My central field of study is not so much the “how-to” documents themselves as the practices they produced, the processes they allowed, and the techniques they fostered.
    [Show full text]
  • Suggested Readings for Boulder Great Books - April 13, 2021 Suggestions for Great Books Readings Bill’S Comments in Brackets []
    Suggested Readings for Boulder Great Books - April 13, 2021 Suggestions for Great Books Readings Bill’s comments in brackets []. Paula Emma Smith, This is Shakespeare (2020, 368 pages) Elaine Isabel Wilkerson, The Warmth of Other Suns: The Epic Story of America's Great Migration (640 pages) Smedley Butler, War is a Racket (66 pages) William Bryant Logan, Oak: The Frame of Civilization (300 pages) Gerald Durrell, My Family and Other Animals (292 pages, Corfu Trilogy, Book 1) Pete Hamill, Snow in August (327 pages) Robin Kimmerer, Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teaching of Plants (408 pages) TNC https://blog.nature.org/science/2020/01/07/novels-for-nature-lovers/ Amanda Niehaus, The Breeding Season (263 pages) [Only available right now (04/13/2021) from WorldCat. The description is very promising.] Stephen Bodio, Querencia (154 pages) [A memoir. 7 copies in Prospector. No copies in Prospector or WorldCat for his Tiger Country (196 pages).] Duffie Arcady Ostrovsky, The Invention of Russia: From Gorbachev’s Freedom to Putin’s War (384 pages) Kay Carolina de Robertis, The Invisible Mountain (408 pages) [Uruguay] Mark Twain, Letters from the Earth (240 pages) Philip Caputo, A Rumor of War (356 pages) Vietnam War memoir Citizens of the World: Readings in Human Rights, Expanded Edition (430 pages) Andrew Ross Sorkin, Too Big to Fail (640 pages) Rick Narrative of the life of Frederick Douglass (124 pages) Daniel Kahneman, Thinking Fast and Slow (499 pages - behavioral economics) Jonathan Aldred, The Skeptical Economist: Revealing the Ethics Inside Economics (288 pages) Huizinga's Waning of the Middle Ages (352 pages) and Burckhardt's The Civilization of the Renaissance in Italy (400 pages) [history - probably in that order] Page 1 of 21 Suggested Readings for Boulder Great Books - April 13, 2021 Paul Kennedy, The Rise and Fall of the Great Powers (704 pages) See also, more suggestions from Rick at http://sackett.net/SuggestionsRick2020.pdf Jeannie Michael Chabon, The Amazing Adventures of Kavalier & Clay (656 pages) J.
    [Show full text]
  • I Know Why the Caged Bird Cannot Read How American High School Students Learn to Loathe Literature Francine Prose
    I Know Why the Caged Bird Cannot Read How American High School Students Learn to Loathe Literature Francine Prose Francine Prose, who was born in the late 1940s, is a reporter, essayist, critic, and editor. She has also written more than twenty books, includ- ing poetry, fiction, and children’s literature. Her novel Blue Angel (2000) was a finalist for the National Book Award, and her nonfiction works The Lives of the Muses: Nine Women and the Artists They Inspired (2002) and Reading Like a Writer: A Guide for People Who Love Books and Those Who Want to Write Them (2006) were both national best sellers. She has received numerous grants and awards, including Guggenheim and Fulbright fellowships. She is most recently the author of the satiric novel My New American Life (2011). Prose is currently a book reviewer for a num- ber of magazines and periodicals, including the New York Times Book Review and O. The following essay, published in Harper’s in September 1999, is a critique of the quality of required reading in American high schools. Books discussed in this essay include: I Know Why the Caged Bird Sings by Maya Angelou. Bantam Books, 1983. To Kill a Mockingbird by Harper Lee. Warner Books, 1988. Teaching Values through Teaching Literature by Margaret Dodson. Eric/Edinfo Press, 1993. Teaching the Novel by Becky Alano. Eric/Edinfo Press, 1989. Teaching Literature by Women Authors by Carolyn Smith McGowen. Eric/Edinfo Press, 1993. ike most parents who have, against all odds, preserved a lively and still evolv- Ling passion for good books, I find myself, each September, increasingly appalled by the dismal lists of texts that my sons are doomed to waste a school year reading.
    [Show full text]
  • DIY MA in Creative Writing for 2019-2020
    Andrew Wille: DIY MA in Creative Writing 2019-2020 1 A DIY MA IN CREATIVE WRITING Fiction and Creative Nonfiction A Syllabus by Andrew Wille 2019-2020 A series of self-directed modules designed to equip writers with knowledge and skills of the craft of writing and the business of publishing. This can be used for fiction in any genre as well as narrative forms of creative nonfiction such as memoir. I suggest the modules are spread across two years: • Craft Seminar (Year 1) • Writing Workshop (Years 1 and 2) • Manuscript Project (Year 2) • Professional Development Masterclass (Years 1 and 2) Some principles to learn by: ‘All of these declarations of what writing ought to be, which I had myself — though, thank god I had never committed them to paper — I think are nonsense. You write what you write, and then either it holds up or it doesn’t hold up. There are no rules or particular sensibilities. I don’t believe in that at all anymore’ — Jamaica Kincaid Embrace the idea of ‘Negative Capability, that is when man is capable of being in uncertainties, Mysteries, doubts, without any irritable reaching after fact & reason’ — John Keats ‘There are no rules in writing, except: don’t be boring’ — AW Andrew Wille: DIY MA in Creative Writing 2019-2020 2 READING LIST Required texts • Janet Burroway, Writing Fiction (tenth edition) • Constance Hale, Sin and Syntax (optional: Constance Hale’s Lesson Plans for Teachers) • Stephen King, On Writing • Ursula Le Guin, Steering the Craft Optional reading • Francine Prose, Reading Like A Writer • Anne Lamott, Bird By Bird • Susan Bell, The Artful Edit • Pat Schneider, Writing Alone and With Others • Peter Elbow, Writing With Power and Writing Without Teachers Additional reading • I often use Fingersmith and Notes on a Scandal to discuss plotting and narrative style, and ‘Brokeback Mountain’ and ‘Hills Like White Elephants’ for analysing many other aspects of craft.
    [Show full text]
  • Creative Writing
    CREATIVE WRITING: INTRODUCTION TO FICTION& POETRY CRWRI-UA.815 FALL 2018 Instructor: Gbenga Adesina Monday/Wednesday:8AM-9:15AM Email: [email protected] Classroom: Room:C02A Office hours: By appointment Overview Welcome. What a joy to have you. The goal of this class will be to give you a solid foundation in creative writing and reading. How to write articulate, convincing and deeply felt creative pieces( short stories, poems, novellas, essays etc.). And how to read a work of literature and see, like map lines, the logic of beauty with which it was made. This is called reading like a writer. Together, we will create a kind, inspiring and safe space, and within that space we will pursue our objec- tive through craft, and workshop sessions. We will study the old, high art (Shakespeare, John Keats, Toni Morrison etc.) but we will also pay great attention to contemporary writers working now in our lifetime and the new ways they continue to make excellent art. I hope you are as excited as I am about our class. See you. General Structure * CRAFT CLASSES: This will be on Mondays, and is a crucial part of our sessions together. We will focus on the assigned materials. It is important that you read these materials before class, make notes and be prepared to discuss and offer your views if called on. We will dig into the things in between the lines, we will learn how to track and see the blueprints of a piece of writing, and how we can use some of those tools and blueprints in our own writing.
    [Show full text]