The Carroll News
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Band Together. but Who Knew We'd Find As Durable an Application Of
o R M D EVERY MUSICIAN KNOWS IT’s THE RHYTHM SECTION THAT HOLDS a band together. But who knew we’d find as durable an application of that maxim as the one exemplified by the history of Fleetwood Mac? & Over the last thirty years, Fleetwood Mac has comprised fifteen musicians shuffled through six major lineups, resulting in endless tin- kerings with tone and genre. Yet the two members to survive it all rarely write tunes and never front the recordings. They’re the beat- keepers - drummer Mick Fleetwood and bassist John Me Vie. The fact that a rhythm section could sustain a band through thirty years seems all the more amazing considering the traumatic histories of the band’s shifting array o f stage-front stars. Together, their personal lives have given rock one of its most elaborate and juicy plotlines. (L Religious conversions, spells o f madness, “incestuous” liaisons within the band, drug freak-outs, alleged brainwashings, imperson- Mick ^ stevie ations, everything short of murder have spun Nicks, John McVie, Christine McVie, Lindsey Fleetwood Mac’s legacy into a story worthy of Buckingham (from left) Scheherazade. & Musically the band has endured just as many twists, moving from blues to rockabilly to laid-back California folk rock - finally to bloom into purveyors of some of the most popular and endur- ing music of the Seventies. (L It all began humbly enough. In 1967, the B Y J I M FÄRBER The band in '69: Peter original foursome convened as arch Fame entrant, Santana). If that wasn’t enough, Rose also saw the Green, Fleetwood, Jeremy devotees of the blues, arriving in the band adding nineteen-year-old Danny Kirwan (who’d played in Spencer, Danny Kirwan, second wave of U.K. -
Pdf, 497.41 KB
The Adventure Zone: Live in Austin! Published on September 8th, 2017 Listen on TheMcElroy.family [theme music plays] Audience: [cheering] Griffin: Uh, hey! Justin: If you were doing a documentary about us, that would be the moment that you just saw, where you‘d be like, ―And after that, it all went wrong.‖ Clint: [laughs] Travis: I brought some hard candy that I was gonna like, fling out into the audience… Audience: [cheers] Griffin: No, I told him it‘s— Travis: Griffin told me not to do it, but it sounds like... Griffin: It‘s fucking jawbreakers. Like, those would be—those have a ballistic property. Audience: [cheering] Clint: You‘ll put an eye out! You‘ll put an eye out! Griffin: This is probably not allowed. Look at that. Clint: Don‘t forget the balcony, Travis. Justin: ―After Travis blinded an extremely litigious Austinite with his jawbreakers…‖ Travis: That‘s gonna be it. I have a lot more, but I‘ll just eat those during the show. Justin: ―It all fell apart after that.‖ Griffin: I wanna thank… Oh, shit. Travis: A good start. Justin: I hope everybody‘s getting psyched. Apparently halfway through, Dad‘s gonna run a fuckin marathon. Just like, blast the electrolytes. Clint: [laughs] Justin: ―What are you doing tonight Clint?‖ ―Uh, podcast and rugby for four hours, apparently.‖ Griffin: I‘m glad you guys dressed up for this. Travis: I didn‘t. Griffin: Oh. Audience: [laughs] Griffin: I was gonna say, I‘m confused why you decided to cosplay as Tingle, Travis Touchdown and M. -
1974 Timeline
1974 (Excerpted from Solo in the 70s by Robert Rodriguez © 2014) January Topping the US singles chart: “Time In A Bottle” by Jim Croce “The Joker” by Steve Miller “Show and Tell” by Al Wilson “You’re Sixteen” by Ringo Starr On the airwaves: “One Tin Soldier” by Coven “Sister Mary Elephant” by Cheech and Chong “Smokin’ In The Boys Room” by Brownsville Station Topping the US album chart: The Singles: 1969-1973 by The Carpenters Albums released this month include: Court and Spark by Joni Mitchell Sundown by Gordon Lightfoot Hotcakes by Carly Simon The Way We Were by Barbra Streisand January – Beginning this month and running through till February, Paul and Wings work on Mike McGear’s album at 10CC’s Strawberry Studios Tuesday 8 – The Early Beatles, Capitol’s abridgment of Please Please Me, is finally certified gold nearly eleven years after its issue Monday 28 – “Jet”/“Mamunia” (Apple 1871; peaks at #7) Thursday 31 – Paul and Linda appear on the cover of Rolling Stone Thursday 31 – Film producer Samuel Goldwyn dies at 94 February 1974 Topping the US singles chart: “The Way We Were” by Barbra Streisand “Love’s Theme” by Love Unlimited Orchestra On the airwaves: “Doo Doo Doo Doo Doo (Heartbreaker)” by the Rolling Stones “Americans” by Byron MacGregor “Let Me Be There” by Olivia Newton-John Topping the US album chart: You Don’t Mess Around With Jim by Jim Croce Albums released this month include: Radio City by Big Star Can’t Get Enough by Barry White Rock ‘n’ Roll Animal by Lou Reed What Were Once Vices Are Now Habits by the Doobie Brothers -
If You Try Sometimes, You Just Might Find
JERR’S JOURNAL November 18, 2013 If you try sometimes, you just might find . I’m a perfectionist. It means I always know what I want. But, so many times down the years, it hasn’t been what I’ve needed . * * * * * It was 1965 and time for Paul Simon to end his partnership with Art Garfunkel. Again. They’d been together off and on since 1955. When they released their first single in 1957 they were known as Tom & Jerry. “Hey, Schoolgirl” sold 100,000 copies and hit No. 49 on the Billboard charts. They performed the song on Dick Clark’s American Bandstand right after Jerry Lee Lewis belted out “Great Balls of Fire.” They were juniors in high school. That was about it for Tom & Jerry. Their recordings in 1958 tanked and the duo headed off to separate colleges. Five years later they found themselves in Greenwich Village, immersed in the burgeoning folk scene, and started performing together again. Columbia Records re- named them Simon & Garfunkel and in October 1964 released their first album, Wednesday Morning, 3 A.M. Another flop. In fact, one track, the original version of “The Sound of Silence,” actually became a topic of ridicule within the pop rock community. So Simon pulled the plug on the partnership again and left for England. He wanted to be a soloist, and in 1965 he released The Paul Simon Songbook . But fate had something else in store. * * * * * I recently finished Marc Eliot’s biography of Simon (Paul Simon: A Life ) and he describes what happened next. -
Al Oh a D Re Am
AAlloohhaa DDrreeaamm March 2007 Vol. 5. Issue 1. Contents 1. ‘Bali Hi’ By Reggie & Rebecca De Roos 2. Contents Page 3. Welcome. The Editor’s usual pleadings for articles, clothing / food etc. 4. Ron Whittaker’s Big Birthday 5. “ “““ 6. The Waikiki Hawaiians 7. ““ “ 8. ““ “ 9. Paul “Bud” Tutmarc Jr. 10. A Mystery solved by Fate :- Arthur Layfield 11. “ “ “ “ “ 12. We Will Remember You Don Ho 13. “ “ “ “ “ “ 14. “ “ “ “ “ “ 15. “ “ “ “ “ “ 16. My Adventures as a Musician :- Mike Broad 17. Santo & Johnny 18. “ “ 19. Basil’s Steelin’ Tricks of the Trade (The Bear Facts) 20. Sleep Walk Tab. 21. “ “ “ 22. Sleep Walk analysis continued ... 23. The Birthday one at Shustoke Sailing Club 24. “ “ “ “ “ “ “ 25. “Sneaky” Pete Kleinow 26. “ “ “ 27. Readers Letters 28. “ “ 29. “ “ 30. Hawaiian Guitarists’ Convention Brecon 2007 All ads and enquiries to :- Pat Henrick Editorial and design:- Subscriptions:- Morgan & Thorne Pat and Basil Henriques U.K. £16:00 per year 286. Lichfield Road Honorary members Europe €25:00 Overseas $35:00 Four Oaks John Marsden (U.K.) Sutton Coldfield (U.S. dollars or equivalent) Pat Jones (Wales.) All include P+P (S+H) Birmingham B74 2UG Keith Grant (Japan) West Midlands. Phone No:- 0182 770 4110. Payment by UK cheque, cash or E Mail:- [email protected] money order payable to:- web page www.waikiki-islanders.com “Pat Henrick” Published in the U.K. by Waikiki Islanders Aloha Dream Magazine Copyright 2007 2 AA LL OO HH AA TO YOU ALL Firstly I must apologise for being late with this issue, as some of you know we have moved house, and as those of you who have done it will know it certainly isn’t an easy thing to do. -
S V\'Th Is on the G" class="text-overflow-clamp2"> Keeps Q011ing 'Tri N Kepta Rcxlin',"/E >S V\'Th Is on the G
WITH THEI.?N=W SINGLE, KEEPS Q011ING 'TRI N KEPTA RCXLIN',"/E >S V\'TH IS ON THE G. ROA?'NG AC.;C SS THE AEROSMITH. COUNTRY TO STAI\'JING-ROOMr-ONLY THE NEW GENERATION A JDIENCES. I-LEADL! \' ING CEf 7PAL PARK, OF ROCK 'N' ROLL IS HERE. COLUMB'JS, DETROIT ATLANTA. Ci-IICAGO, AI^:RON,.AN\II\ ARBOR, CII.ICJNATT!, PHILADELIA,B.A.LTIMDRE.FBABTP+H BECOMING / * AEROSM(TH rovR,,,,ter wiwres ',N' P, DLLERS G THE MOSTIPP! A JDED ROCK - /Same Old Sosia And 9 rcer/U7a an Of The World s. as. Too Bad)/Seaso s Of Wither A GI?C'WING BUZZ -HAT'S TURNING IN i O rain Kept A Rodin' A TUMULTUOUS CRcSCFN:O. THE /1.4OST KC 32847* REQUESTED SING IN CITY ,a ETE4 CIT" IS THE DYNAN IC SINGLE, KEPT ROLLIN' «e "TRAIN A 3-X34 ON COLUMBIA RECORDS 157a CBi Ic THE INTERNATIONAL MUSIC -RECORD WEEKLY BQX CASHXXXVI VOLUME - NUMBER 28 - December 7. 1974 President and Publisher MARTY OSTROW Executive Vice President ch box editorial IRV LICHTMAN Vice President ED ADLUM Managing Editor Editorial `Timely' & `Timeless': New York MICHAEL DAVID Today's Dilemma STEVE MARKS BARRY TAYLOR An undercurrent philosophy that runs through the fabric of musical Hollywood creativity is whether what has been achieved is "timely" or "timeless." Many in DAVID BUDGE the world music JACK BRESCHARD of would like to believe - realistically or not - that what they TIM HOGAN have BERT BOGASH created is something beyond today and will stand the test of time. Of course, there are some who give little thought to such futures, and prefer to Research MIKE MARTUCCI settle for "timely" success -"time and time" again, we may add. -
Faculty Meeting Disrupted Over Academic Rank Comm. 10 AM Thbrs, Oct, 27, 1966 the Normal Faculty Meeting Social Sciences Routine Was Disrupted This Morn NCATE Dr
VO L. 1 NO. 2 BIMONTH LY NEWSPAPER OF THE BOWIE STATE CO L LEGE PRESS CLUB OCTOBER 31, 1966 Faculty Meeting Disrupted Over Academic Rank Comm. 10 AM Thbrs, Oct, 27, 1966 The normal faculty meeting Social Sciences routine was disrupted this morn NCATE Dr. Putney Heads ing when faced with the problem of electing a fifth member to the Issue Report Academic Rank Committee. For The Social Sciences division Viet Nam Discussion mulated by the Committee on Committees the Academic Rank Accredits of the college reports that El On Tuesday, October 25, the Despite the military oUen Committee was designed to func even new courses have been added History Depa rt men t pre s ives, Dr Putney emphasized the to the curriculum in Anthropo tion as follows. sented a short lecture and dis significance of the social revolut l. Study and evaluaterecords logy and Sociology at Bowie State cussion centered around the ion being fought in South Viet Bowie College. For the first time in of all faculty members as a United States' commi:ment in basis of recommendation for NCATE, a national accredit the history of the college, the South Viet Nam. Dr .Martha S. ing agencv, has recently approved students this fall can establish increasements and advance Putney, a representation of the ments in rank. Bowie's teacher education pro a major in the area of Anthro History Department , led the gram. The requirements for pology and Sociology. This new 2. Receive from all sources, discussion, and entertained sru recommendations for pro admission into the Association work will provide for an adequate dent questions. -
Feature Interview
A Lindsey Buckingham Newsletter Special to this Issue – April 21, 2001 What’s New Feature Interview Feature Album Review Feature Performance Review Featured Song Fun & Games ¯ Lindsey Buckingham’s album is still tentatively scheduled for release on Reprise, June 26, 2001. R ¯ VH1’s Behind the Music special is set to air U July 1, 2001. ¯ He may perform some warm up shows in M June in the Los Angeles area. ¯ Mick Fleetwood, Stevie Nicks and Lindsey O Buckingham are planning to start the next Fleetwood Mac album this fall. Mick and R Stevie report that Lindsey has already started working on the songs. S ¯ The Rockline website (http://www.drchuck.net/ rockline/) lists Lindsey & Mick as potential future guests. *~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~* Listening Forward In this section, one of Lindsey’s more recent songs to whet the appetite for what’s to come. Steal Your Heart Away (Lindsey Buckingham, 1997) All alone we go on Day after day All alone we suffer Oh, steal your heart away It’s the same old thing In the same old way All alone we suffer So come on Oh, steal your away Let’s go Let’s run away And the light goes creepin’ If that’s all there is Down, down, down Oh, steal your heart away While we were sleepin’ Suddenly we hit the ground The light goes creepin’ Down, down, down While we were sleepin’ Suddenly we hit the ground Oh, steal your heart away So come on (Mmmm, lonely suffer) Let’s go Steal your heart away Let’s run away (Mmmm, lonely suffer) If that’s all there is Steal your heart away Steal your heart away (Mmmm, lonely suffer) Steal your heart away (Mmmm, lonely suffer) Steal your heart away 2 Recording, Engineering and Production August 1992 LINDSEY BUCKINGHAM by Dan Levitin As the arranger/producer behind Fleetwood Mac from 1975 - 1988, Lindsey Buckingham is largely responsible for that group’s superstardom and megasuccess on the five studio albums, Fleetwood Mac, Rumours, Tusk, Mirage and Tango In The Night. -
Notre Dame Collegiate Jazz Festival Program, 1971
Archives of the University of Notre Dame Archives of the University of Notre Dame AT GATES CHEVROLET PUTTING YOU FIRST --- KEEPS US FIRST notre dame collegiate jazz festival march 5 & 6, 1971 ann heinrichs chairInan don patrician applications j. b. buchanan judges dan roth publicity dave wehner high school contest bob syburg production Monte Carlo Coupe Inike lenehan prograIll paIn schertz prIzes• dane criger advertising dick bizot faculty advisor 01 -', N~BODY progra:m designed and edited by WALKS AWAY ~ GATES TODAY :mike lenehan GATES CHEVROLET GATES cover by le:m joyner SOUTH BEND 333 Western Ave. Ph. 288-1421 II SHOWROOM HOURS: II - ~ Mon., Tues., Thurs. 8 a.1ft. 'lilS p.m.-Wed., Fri., Sat 8 a.m. 'iiI 6 p.m. Archives of the University of Notre Dame 1fJtd /I Littte ~etp fuJm (Jet!t ,?'tied4 After twelve months of endless planning, rearranging, phone calling and errand-running, almost anything would seem anti-cli mactic. But year after year, we are amazed to find that this is not the case with CJF. The sight of an excited crowd rising to its feet, the dedication and professionalism of the band leaders, the apprecia tion expressed by musicians who have come many miles to play be fore the CJF audience - all of these things, which happen in the span of a few short hours, make the work that goes before seem in significant. This is CJF's thirteenth year. We are the oldest, and, we think, the best college jazz festival in the country. And each year, as CJF gets bigger and better and as our reputation spreads farther, we find ourselves indebted to a greater number of generous people. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
View Printable Playbill
Gae tano Do nize tti FOR YOUR INFORMATION Do you want more information about upcoming events at the Indiana University Jacobs School of Music? There are several ways to learn more about our recitals, concerts, lectures, and more! Events Online Visit our online events calendar at music.indiana.edu/events: an up-to-date and comprehensive listing of Jacobs School of Music performances and other events. Events to Your Inbox Subscribe to our weekly Upcoming Events email and several other electronic communications through go.iu.edu/24K1. Stay “in the know” about the hundreds of events the Jacobs School of Music offers each year, most of which are free! In the News Visit our website for news releases, links to recent reviews, and articles about the Jacobs School of Music: music.indiana.edu/news. 2018-19 Opera and Ballet Theater Season Learn more about this year’s season, and reserve your seats by visiting music.indiana.edu/operaballet. Musical Arts Center The Musical Arts Center (MAC) Box Office is open M - F, 11:30 a.m. – 5:30 p.m. Call 812-855-7433 for information and ticket sales. Tickets are also available at the box office three hours before any ticketed performance. In addition, tickets can be ordered online at music.indiana.edu/boxoffice. Entrance: The MAC lobby opens for all events one hour before the performance. The MAC auditorium opens one half hour before each performance. Late Seating: Patrons arriving late will be seated at the discretion of the management. Parking Valid IU Permit Holders access to IU Garages EM-P Permit: Free access to garages at all times. -
University of Oklahoma Graduate College the Influence of the Teaching Concepts of William Adam on Four First Generation Students
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE THE INFLUENCE OF THE TEACHING CONCEPTS OF WILLIAM ADAM ON FOUR FIRST GENERATION STUDENTS A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF MUSICAL ARTS By MARK WILCOX Norman, Oklahoma 2009 THE INFLUENCE OF THE TEACHING CONCEPTS OF WILLIAM ADAM ON FOUR FIRST GENERATION STUDENTS A DISSERTATION APPROVED FOR THE SCHOOL OF MUSIC BY ________________________________ Dr. Karl Sievers ________________________________ Dr. Irvin Wagner ________________________________ Dr. Eugene Enrico ________________________________ Dr. Roland Barrett ________________________________ Dr. Judith Pender © Copyright by MARK WILCOX 2009 All Rights Reserved. ACKNOWLEDGEMENTS I wish to thank Dr. Karl Sievers, not only for his assistance with this research but also for being a colleague, teacher, mentor, and friend. Dr. Sievers introduced me to William Adam, whose instruction revolutionized my playing and teaching. Dr. Sievers provides inspiration and serves as an exemplary model of a university trumpet professor. This document would not have been possible without his support. I would also like to thank the other subjects of this research, Gregory Wing, James Stokes, and Robert Slack. They gave freely of their time to organize and share their thoughts regarding the effect of William Adam’s influence on their playing and teaching. The value of their insights cannot be overstated. These insights will enhance the legacy of William Adam. Finally, this document would not have been possible without the loving support of my wife, Helen. Her constant encouragement and understanding of the time commitment required by this research have been invaluable. iv TABLE OF CONTENTS Acknowledgements ...............................................................................................