Eastman Bach Cantata Series 2020-2021

BWV 111: Was mein Gott will, das g’scheh allzeit J. S. Bach Cantata for the Third Sunday after Epiphany (1685-1750) 20’

I. Chorale II. Bass Aria III. Alto Recitative IV. Alto & Tenor Duet V. Soprano Recitative VI. Chorale

Eastman Bach Cantata Series Soli: Elise Noyes, soprano Veronica Siebert, mezzo-soprano BWV 111: Was mein Gott will, das g’scheh allzeit Joshua Carlisle, tenor James Wolter, conductor Peter Schoellkopff, bass Orchestra: Lydia Becker, violin I BWV 101: Nimm von uns, Herr, du treuer Gott Christophe Koenig, violin II Juliana Kilcoyne, viola Eric Meincke, conductor Hannah Rubin, cello Brendan Shirk, oboe I Gwyneth Allendorph, oboe II Alexander Little, organ

James Wolter, conductor Sunday, March 28, 2021 Kodak Hall at Eastman Theatre 3pm ~ INTERMISSION ~ BWV 101: Nimm von uns, Herr, du treuer Gott J. S. Bach ~ PROGRAM NOTES, TEXTS AND TRANSLATIONS ~ Cantata for the Tenth Sunday after Trinity (1685-1750) 25’

I. Chorus II. Tenor Aria III. Soprano Recitative Bach composed Was mein Gott will, das g’scheh allzeit for the third Sunday IV. Bass Aria after Epiphany on January 21st, 1725. Movements one and six directly quote the text and melody of the the fi rst and fourth verses respectively of the hymn V. Tenor Recitative of the same name by Albert, Duke of Prussia published in 1555. While the VI. Soprano & Alto Duet last movement is the straightforward harmonization of the chorale, the fi rst movement combines an instrumental ritornello with the chorale in the soprano VII. Chorale voice in cantus fi rmus style; the soprano sustains the melody while the lower three voices embellish the chorale with lively counterpoint. The text of the middle movements come from an unknown librettist with the exception of one line from the bass aria, “Gott ist dein Trost und Zuversicht” Soli: (God is your comfort and solace), the opening line from the second verse of Darby Schmidt, soprano the hymn. The alto recitative comments on the futility of hiding from God’s omniscience while extolling those who trust in the protection of God. The alto/ Madelin Morales, mezzo-soprano tenor duet then assertively proclaims allegiance and faith to God even to the Jacob Hunter, tenor grave. The ensuing soprano recitative accompanied by oboes and basso continuo examines the hour of death and uses militaristic language depicting God as S Joshua Sheppard, baritone defending the soul from corruption and sin which leads directly to the fi nal chorale both musically and thematically. Orchestra: - James Wolter Lydia Becker, violin I Christophe Koenig, violin II Juliana Kilcoyne, viola 1. Chorale Was mein Gott will, What my God wills Clara Hope Simpson, cello das g’scheh allzeit, always comes to pass, Nina Robinson, flute Sein Will, der ist der beste, His will is the best, Daniel Hirshbein, oboe I Zu helfen den’n er ist bereit, He is ready to help those, Die an ihn glauben feste. who steadfastly believe in him. Gabriela Fry, oboe II Er hilft aus Not, He, the righteous God, Alexander Kang, English horn der fromme Gott, helps those in distress, Und züchtiget mit Maßen. And chastens with measure. Alexander Little, organ Wer Gott vertraut, Who trusts in God fest auf ihn baut, builds firmly on him, Eric Meincke, conductor Den will er nicht verlassen. He will not abandon them. 2. Bass Aria Nimm von uns, Herr, du treuer Gott (BWV 101) was composed in 1724 for the Entzetze dich, mein Herze, nicht, Fret not, my heart, 10th Trinity Sunday as part of Bach’s duties as Thomaskantor in Leipzig. The entire Gott ist dein Trost und Zuversicht God is your comfort and solace cantata revolves around the melody of the chorale, “Leit uns mit deiner rechten Hand,” Und deiner Seele Leben. And your soul’s life. which was written by noted German poet and mystic Martin Moller in 1584 during a Ja was sein wieser Rat bedacht, Surely what his sage council considered, plague epidemic. In the fi rst movement, each phase of the chorale is presented in strict Dem kann die Welt und Menschenmacht The world and humanity’s power counterpoint with fugue-like entrances in each of the voices representing the beginning Unmöglich widerstreben. cannot possibly resist. of each new chorale phrase. The soprano always enters last, singing the chorale melody verbatim as a cantus fi rmus while the other voices continue the same text in imitative 3. Alto Recitative polyphony. In the subsequent recitative, the soprano also sings the chorale melody, O Törichter! O foolish one but this time in a triple meter and lightly embellished. The phrases of the chorale are der sich von Gott entzieht who hides themself from God interrupted several times by sections of secco recitative. The tenor plays a similar role in Und wie ein Jonas dort And like Jonas the movement fi ve recitative, but with a more literal recollection of the original chorale Vor Gottes Angesichtes fl ieht; Flees from the face of God melodies. In the fourth movement, throughout contrasting passages of technical and Auch unser Denken ist ihm offenbar, For even our thoughts are obvious to him lyrical playing and singing by the oboe section and bass soloist, the fi rst phrase of the Und unsers Hauptes Haar And the hairs on our head chorale is presented as a transposed melody twice by the bass in the immediate two Hat er gezählet. He has counted. Andante sections, and is reprised in its entirety by the oboe section during the pleading Wohl dem, der diesen Schutz erwählet Blessed are they who choose this protection slow section before the fi nal Vivace. Finally, in a refl ective soprano and alto duet in Im gläubigen Vertrauen, In faithful trust, movement six, the chorale melody is played fi rst by the English horn, while the fl ute Auf dessen Schluß und Wort On whose end and word plays a more ornamented line in counterpoint. Those roles reverse before the soprano Mit Hoffnung und Geduld zu schauen. Behold with hope and patience. and alto play the same roles with their entrances. The chorale referenced numerous times throughout the work closes the cantata, refl ecting the message that is also consistent 4. Alto and Tenor Duet throughout the piece: asking God for mercy and forgiveness amidst a lifetime of sin. So geh ich mit geherzten Schritten, Thus I go with spirited steps - Eric Meincke Auch wenn mich Gott zum Grabe führt. Even if God leads me to the grave. 1. Chorale Gott hat die Tage aufgeschrieben, God has written out the days, Nimm von uns, Herr, du treuer Gott, Take away from us, Lord, faithful God, So wird, wenn seine Hand mich rührt, When his Hand touches me, so will Die schwere Straf und große Not, the heavy punishment and great suffering, Des Todes Bitterkeit vertrieben. Death’s bitterness be dispelled. Die wir mit Sünden ohne Zahl which we, with countless sins Verdienet haben allzumal. have too much deserved. 5. Soprano Recitative Behüt für Krieg und teurer Zeit, Protect us against war and precarious times, Drum wenn der Tod zuletzt den Geist Therefore, when death in the end forcefully Für Seuchen, Feur und großem Leid. against plagues, fire, and great misery. Noch mit Gewalt aus seinem Körper reißt, Rips the spirit from the body, So nimm ihn, Gott, Then take it, God, 2. Tenor Aria in treue Vaterhände! into the trusting hands of the Father! Handle nicht nach deinen Rechten Do not deal with us wicked servants of sin Wenn Teufel, Tod und Sünde When the devil, death, and sin Mit uns bösen Sündenknechten, according to your justice; mich bekriegt besiege me Laß das Schwert der Feinde ruhn! let the sword of the enemy rest! Und meine Sterbekissen And my death pillow Höchster, höre unser Flehen, Highest, hear our pleading, Ein Kampfplatz werden müssen, Must become a battleground, Daß wir nicht durch sündlich Tun so that, through sinful acts, So hilf, damit in dir mein Glaube siegt! So help, so that in you my faith is victorious! Wie Jerusalem vergehen! we might not be destroyed like Jerusalem! O seliges, gewünschtes Ende! O blessed, desired, end! 3. Chorale and Soprano Recitative Ah! Lord God, through your love 6. Chorale Ach! Herr Gott, durch die Treue dein our country shall enjoy peace and quiet. Noch eins, Herr, will ich bitten dich, Just one plea, Lord, I ask of you, Wird unser Land in Fried und Ruhe sein. If an unlucky storm threatens, Du wirst mir’s nicht versagen: You will not deny this: Wenn uns ein Unglückswetter droht, then shall we call, Wenn mich der böse Geist anfi cht, When the evil spirit arraigns me, So rufen wir, Barmherzger Gott, merciful God, on You Laß mich doch nicht verzagen. Let me not despair. zu dir in solcher Not: in such necessity: Hilf, steur und wehr, ach Gott, mein Herr, Help, guide, and defend, o God, my lord, Mit Trost und Rettung uns erschein! appear to us with comfort and rescue! Zu Ehren deinem Namen. To the honor of your name. Du kannst dem feindlichen Zerstören You can turn aside the hostile destruction Wer das begehrt, dem wird’s gewährt; Who desires this, to them it will be granted; Durch deine Macht und Hilfe wehren. through your power and aid. Drauf sprech ich fröhlich: Amen. Thus I gladly say: Amen. Beweis an uns deine große Gnad Reveal to us your great mercy Und straf uns nicht auf frischer Tat, and do not punish us in the very act, Wenn unsre Füße wanken wollen when our feet want to wander Und wir aus Schwachheit straucheln sollten. and we are apt to stumble out of weakness. 3. (continued) Wohn uns mit deiner Güte bei Dwell among us with Your goodness Und gib daß wir and grant that we Mur nach dem Guten streben, strive only after goodness, Damit allhier und auch in jenem Leben so that here and also in the other life Dein Zorn und Grimm fern von uns sei. may your anger and wrath be far from us. Upcoming Concerts Events are free unless otherwise noted. 4. Bass Aria Warum willst du so zornig sein? Why are you so angry? Es schlagen deines Eifers Flammen The flames of Your vengeance Schon über unserm Haupt zusammen. strike down already upon our heads. Ach stelle doch die Strafen ein Ah, put punishment aside Monday, April 5, 2021 Und trag aus väterlicher Huld and with fatherly indulgence Eastman Chorale Mit unserm schwachen Fleisch Geduld! harbor mercy for our weak flesh! Music of Monteverdi, Lauridsen, Gesualdo, and Stravinsky 5. Chorale and Tenor Recitative Gilbert Donohue, Eric Meincke, and William Weinert, conductors Die Sünd hat uns verderbet sehr. Sin has corrupted us greatly. Kodak Hall at Eastman Theatre • 7:30PM So müssen auch die Frömmsten sagen Thus must even the most virtuous say Und mit betränten Augen klagen: and with tear-stained eyes lament: Friday, April 30th, 2021 Der Teufel plagt uns noch viel mehr. The devil plagues us even more. Eastman Chorale and Philharmonia Ja, dieser böse Geist, Yes, this evil spirit, Der schon von Anbeginn who even from the beginning Music of Haydn, Mozart, Brahms, and Barber ein Mörder heißt, was called a murderer, Austin Chanu, Gilbert Donohue, James Wolter, and William Weinert, conductors Sucht uns um unser Heil zu bringen seeks to cheat us from our salvation Kodak Hall at Eastman Theatre • 7:30PM Und als ein Löwe zu verschlingen. and like a lion to devour us. Die Welt, auch unser Fleisch und Blut The world, and even our flesh and blood, Sunday, May 2, 2021 Uns allezeit verführen tut. constantly betray us. Wir treffen hier auf dieser schmalen Bahn We encounter here upon this narrow path Eastman Repertory Singers Sehr viele Hindernis im Guten an. many obstacles to goodness. Gilbert Donohue and Eric Meincke, conductors Solch Elend kennst du, Herr, allein: Such misery You alone, Lord, know: Kodak Hall at Eastman Theatre • 3PM Hilf, Helfer, hilf uns Schwachen, Help, Helper, help us weak ones, Du kannst uns stärker machen! You can strengthen us! Ach, laß uns dir befohlen sein. Ah, let us be obedient to you. 6. Soprano & Alto Duet Gedenk an Jesu bittern Tod! Think on Jesus’ bitter death! Nimm, Vater, deines Sohnes Schmerzen Take, Father, Your Son’s pain Information about upcoming Eastman concerts and events can be found at: Und seiner Wunden Pein zu Herzen, and the ache of His wounds to heart, www.esm.rochester.edu/concerts/calendar.php Die sind ja für die ganze Welt They are indeed, for the whole world, Die Zahlung und das Lösegeld; the payment and ransom; Erzeig auch mir zu aller Zeit, show to me as well, at all times, Kodak Hall fi re exits are located along the Supporting the Eastman School of Music: Barmherzger Gott, Barmherzigkeit! merciful God, mercy! right and left sides, and at the back of the hall We at the Eastman School of Music are grateful Ich seufze stets in meiner Not: I sob constantly in my anguish: on each level. In the event of an emergency, you for the generous contributions made by friends, Gedenk an Jesu bittern Tod! think on Jesus’ bitter death! will be notifi ed by the stage manager. If notifi ed, parents, and alumni, as well as local and national please move in a calm and orderly fashion to the foundations and corporations. Gifts and grants 7. Chorale nearest exit. to the School support student scholarships, Leit uns mit deiner rechten Hand Lead us with Your right hand performance and academic facilities, educational Und segne unser Stadt und Land; and bless our city and land; Restrooms are located on each level of Kodak initiatives, and programs open to the greater Gib uns allzeit dein heilges Wort, give us Your holy word always, Hall at Eastman Theatre Our ushers will be happy Rochester community. Every gift, no matter the Behüt für’s Teufels List und Mord; guard against the devil’s deceit and harm; to direct you to them. size, is vital to enhancing Eastman’s commitment to excellence. Verleih ein selges Stündelein, grant a blessed little hour to us, Please note: The use of unauthorized photo- For more information on making a gift, please Auf daß wir ewig bei dir sein. in which we shall be eternally with You! graphic and recording equipment is not allowed visit www.esm.rochester.edu/advancement in this building. We reserve the right to ask anyone or contact the Advancement Offi ce by calling disrupting a performance to leave the hall. (585) 274-1040. Thank you!