The Wonderful Wizard of Oz Study Guide
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The Emerald City of Oz by L. Frank Baum Author of the Road to Oz
The Emerald City of Oz by L. Frank Baum Author of The Road to Oz, Dorothy and The Wizard in Oz, The Land of Oz, etc. Contents --Author's Note-- 1. How the Nome King Became Angry 2. How Uncle Henry Got Into Trouble 3. How Ozma Granted Dorothy's Request 4. How The Nome King Planned Revenge 5. How Dorothy Became a Princess 6. How Guph Visited the Whimsies 7. How Aunt Em Conquered the Lion 8. How the Grand Gallipoot Joined The Nomes 9. How the Wogglebug Taught Athletics 10. How the Cuttenclips Lived 11. How the General Met the First and Foremost 12. How they Matched the Fuddles 13. How the General Talked to the King 14. How the Wizard Practiced Sorcery 15. How Dorothy Happened to Get Lost 16. How Dorothy Visited Utensia 17. How They Came to Bunbury 18. How Ozma Looked into the Magic Picture 19. How Bunnybury Welcomed the Strangers 20. How Dorothy Lunched With a King 21. How the King Changed His Mind 22. How the Wizard Found Dorothy 23. How They Encountered the Flutterbudgets 24. How the Tin Woodman Told the Sad News 25. How the Scarecrow Displayed His Wisdom 26. How Ozma Refused to Fight for Her Kingdom 27. How the Fierce Warriors Invaded Oz 28. How They Drank at the Forbidden Fountain 29. How Glinda Worked a Magic Spell 30. How the Story of Oz Came to an End Author's Note Perhaps I should admit on the title page that this book is "By L. Frank Baum and his correspondents," for I have used many suggestions conveyed to me in letters from children. -
Quadling Country
Quadling Country The Quadling Country is the southern portion of Oz. The people there favor the color red. It is ruled by the Good Witch of the South, Glinda the Good. Bunbury The path to Bunbury seemed little traveled, but it was distinct enough and ran through the trees in a zigzag course until it finally led them to an open space filled with the queerest houses Dorothy had ever seen. They were all made of crackers laid out in tiny squares, and were of many pretty and ornamental shapes, having balconies and porches with posts of bread-sticks and roofs shingled with wafer- crackers. There were walks of bread-crusts leading from house to house and forming streets, and the place seemed to have many inhabitants. When Dorothy, followed by Billina and Toto, entered the place, they found people walking the streets or assembled in groups talking together, or sitting upon the porches and balconies. And what funny people they were! Men, women and children were all made of buns and bread. Some were thin and others fat; some were white, some light brown and some very dark of complexion. A few of the buns, which seemed to form the more important class of the people, were neatly frosted. Some had raisins for eyes and currant buttons on their clothes; others had eyes of cloves and legs of stick cinnamon, and many wore hats and bonnets frosted pink and green. -- The Emerald City of Oz Although it’s not clear if Glinda was responsible for the creation of Bunbury, it is definitely possible. -
The Good, the Bad, the Wicked: Lessons from Oz”
“The Good, The Bad, The Wicked: Lessons from Oz” by Dr. Brian Howell Assistant Professor of Anthropology , Wheaton College What could be a more unambiguous, self-identified portrait of evil than a green faced Witch surrounded by creepy flying monkeys? Her very name, the Wicked Witch of the West, sets the tone pretty clearly. She’s Bad; Glinda is Good; the wizard is a bumbler but a well-intentioned guy and Dorothy is haplessly caught in the middle. But the hottest ticket on Broadway says, “Not so fast.” Perhaps having a green face and wearing unfashionable black hats is not enough to make you Wicked. In fact, perhaps “goodness” and “wickedness” are not such clear-cut categories at all. In a musical “prequel” to the film “The Wizard of Oz,” the audience is challenged to re-evaluate the judgements of good and evil, tapping into the powerful cultural theme of authenticity at the same time. The Broadway musical “Wicked” is based on a book of the same name that tells the story of Elphaba (nee The Wicked Witch of the West) and her early history in the land of Oz. Born an unnatural shade of green due to the dalliances of her mother, Elphaba is misunderstood and ostracized, particularly when enrolling in a boarding school for aspiring Witches and Wizards (Shiz Academy). There she finds herself rooming with Galinda (later to become Glinda, The Good Witch), who inspires her to travel to the Emerald City in order to meet the Wizard. Elphaba, you see, has true magical gifts, and her only dream has been to meet and work with the Wizard, the Great and Powerful Oz. -
The Wonderful Wizard of Oz" and Boris Pasternak's "Doctor Zhivago"
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2011 Orphanhood and the Search for Home in L. Frank Baum's "The Wonderful Wizard of Oz" and Boris Pasternak's "Doctor Zhivago" Amanda Marie Peterson The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Peterson, Amanda Marie, "Orphanhood and the Search for Home in L. Frank Baum's "The Wonderful Wizard of Oz" and Boris Pasternak's "Doctor Zhivago"" (2011). Graduate Student Theses, Dissertations, & Professional Papers. 725. https://scholarworks.umt.edu/etd/725 This Professional Paper is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. ORPHANHOOD AND THE SEARCH FOR HOME IN L. FRANK BAUM’S THE WONDERFUL WIZARD OF OZ AND BORIS PASTERNAK’S DOCTOR ZHIVAGO By Amanda Marie Peterson B.A., University of Montana, Missoula, Montana 2001 Professional Paper presented in partial fulfillment of the requirements for the degree of Master of English Literature The University of Montana Missoula, MT December 2011 Approved by: Sandy Ross, Associate Dean of The Graduate School Graduate School Casey Charles, Chair Department of English Sean O’Brien Department of English Ona Renner-Fahey Department of Modern and Classical Languages Peterson, Amanda, M.A., Fall 2011 English Literature Orphanhood and the Search for Home in L. -
Baum's Dorothy and the Power of Identity
Pay 1 Camille Pay Baum’s Dorothy and the Power of Identity Discussions of Baum’s The Wonderful Wizard of Oz have highlighted the relationship between Dorothy as an individual and Oz as a whole. When this relationship is put into the context of change in American identity, one can see how Dorothy’s identity connects to the new- found identity of the middle-class American. Just before Baum wrote The Wizard , American identity had gone through a large shift. Because of a greater wage for the rising middle class, individuals found themselves playing a key role in their communities. Of course, there was a tension between the old American identity and the new American identity; and, dealing with this tension became the duty of authors (“American” 27.) Even as this change in identity was present, critics chose to focus on the political impact of Dorothy as a character in The Wizard . Most critics see Dorothy as the beginning of political change. An example of this is the work of J. Jackson Barlow, who argues that not only did Dorothy commence Oz’s change from an uncivilized land to a civilized land, but that this change was democratic (8). David Emerson agrees that Dorothy’s influence was felt in Oz, but he thinks that Dorothy’s role is to be the “motivating will (fire)” behind her and her companions achieving their goal (5). Littlefield adds to the conversation of Barlow and Emerson by inserting that even though Dorothy was the one to produce change, Dorothy gets involved in the politics of Oz, only to leave Oz to go “home” to Kansas. -
OZ IS TWISTED a Play
OZ IS TWISTED a play Book By Joe Ferriero Based on the Story By L. Frank Baum Acting Script Final Copy May, 2011 Protected by Copyright i Cast of Characters Real World Characters: Dorothy Gale ....................... 16 years old, New York High Schooler James Gale ................................................ Dorothy’s Dad Aunt Em .................................................. Dorothy’s Aunt Uncle Henry ............................................. Dorothy’s Uncle Sheriff ............................................ of small Kansas town Toto ..................................... a stuffed toy, not a real dog! Willy, Edna, Margret ......................................... farm hands Oz Characters: Boq ............................................................. Munchkin Loq .................................................... Another Munchkin Toq ..................................................... Another Munchkin Glinda ....................................... the Good Witch of the South Locasta ...................................... the Good Witch of the North Bastinda ........................................ Wicked Witch of the West Scarecrow ..................... found in the outskirts of Munchkin Country Tinman .................... Was called Nick Chopper, now made fully of tin Cowardly Lion ................................ a lion in search of courage The Crow Bars ................................. a singing group of 3 Crows Pine and Oak .............................................. Fighting Trees Wizard of Oz ..................................... -
A Rhetorical Analysis of Wicked's Elphaba
“IT’S JUST THAT FOR THE FIRST TIME, I FEEL… WICKED”: A RHETORICAL ANALYSIS OF WICKED’S ELPHABA USING KENNETH BURKE’S GUILT-PURIFICATION-REDEMPTION CYCLE by Patricia C. Foreman A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree Master of Arts in Communication Studies at Liberty University May 2013 Foreman 2 Acknowledgements First and foremost, to “my Dearest, Darlingest Momsy and Popsicle,” and to my brother Gary, thank you so much for your constant support, encouragement, direction and love. I appreciate your words of wisdom and advice that always seem to be just what I need to hear. To each of my fellow graduate assistants, thank you for “dancing through life” with me. Thank you for becoming not only co-workers, but also some of my best friends. To my thesis committee – Dr. William Mullen, Dr. Faith Mullen, and Dr. Lynnda S. Beavers – thank you all so much for your help. This finished thesis is, without a doubt, the “proudliest sight” I’ve ever seen, and I thank you for your time, effort and input in making this finished product a success. Finally, to Mrs. Kim, and all of my fellow “Touch of Swing”-ers, who inspired my love of the Wicked production, and thus, this study. For the long days of rehearsals, even longer nights on tour buses, and endless hours of memories that I’ll not soon forget... “Who can say if I’ve been changed for the better? I do believe I have been changed for the better. And because I knew you, I have been changed for good.” Foreman 3 In Memory Of… Lauren Tuck May 14, 1990 – September 2, 2010 “It well may be that we will never meet again in this lifetime, so let me say before we part, so much of me is made of what I learned from you. -
The Wonderful Wizard of Oz & Glinda of Oz Ebook, Epub
THE WONDERFUL WIZARD OF OZ & GLINDA OF OZ PDF, EPUB, EBOOK L. Frank Baum | 304 pages | 06 Jul 2012 | Wordsworth Editions Ltd | 9781840226942 | English | Herts, United Kingdom The Wonderful Wizard of Oz & Glinda of Oz PDF Book She explains "I have lived here many years Glinda plays the most active role in finding and restoring Princess Ozma , the rightful heir, to the throne of Oz, the search for whom takes place in the second book, The Marvelous Land of Oz , although Glinda had been searching for Ozma ever since the princess disappeared as a baby. Baum's children's novel The Wonderful Wizard of Oz refers to Glinda as the "Good Witch of the South"; she does not appear in the novel until late in its development. With the army quickly approaching Finley, China Girl, and finally Oz fall after her. She was old then and considered ugly by the cruel King Oz, thus causing him to brand her a witch. And Instead initiated a long grueling search across all the land of Oz, for the rightful ruler of royal blood. As the series draws to an end, Glinda telepathically contacts and saves Dorothy from falling to her death from a tower, following a confrontation with the Nome King and his minions. It is revealed that she wishes to wed Aiden, the Wizard of Oz. Glinda occasionally exhibits a more ruthless, cunning side than her counterparts or companions. In the books, Glinda is depicted as a beautiful young woman with long, rich rare red hair and blue eyes, wearing a pure white dress. -
A Representação Do Feminino No Mundo De Oz, De L. Frank Baum
UNIVERSIDADE DE SÃO PAULO FACULDADE DE FILOSOFIA, LETRAS E CIÊNCIAS HUMANAS DEPARTAMENTO DE LETRAS MODERNAS PROGRAMA DE ESTUDOS LINGUÍSTICOS E LITERÁRIOS EM INGLÊS SUBÁREA DE LÍNGUA A REPRESENTAÇÃO DO FEMININO NO MUNDO DE OZ, DE L. FRANK BAUM ANA CAROLINA LAZZARI CHIOVATTO São Paulo – SP 2017 UNIVERSIDADE DE SÃO PAULO FACULDADE DE FILOSOFIA, LETRAS E CIÊNCIAS HUMANAS DEPARTAMENTO DE LETRAS MODERNAS PROGRAMA DE ESTUDOS LINGUÍSTICOS E LITERÁRIOS EM INGLÊS SUBÁREA DE LÍNGUA A REPRESENTAÇÃO DO FEMININO NO MUNDO DE OZ, DE L. FRANK BAUM Ana Carolina Lazzari Chiovatto Dissertação apresentada ao Programa de Pós-Graduação em Estudos Linguísticos e Literários em Inglês, do Departamento de Letras Modernas da Faculdade de Filosofia, Letras e Ciências Humanas, para a obtenção do título de Mestre em Letras. Orientadora Profa. Dra. Elizabeth Harkot de la Taille São Paulo – SP 2017 Nome: CHIOVATTO, Ana Carolina Lazzari Título: A Representação do Feminino no Mundo de Oz, de L. Frank Baum Dissertação apresentada à Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de São Paulo para obtenção do título de Mestre em Estudos Linguísticos e Literários em Inglês Aprovado em: Banca Examinadora Prof(a). Dr(a). Instituição: Julgamento: Assinatura: Prof(a). Dr(a). Instituição: Julgamento: Assinatura: Prof(a). Dr(a). Instituição: Julgamento: Assinatura: RESUMO Nos livros de L. Frank Baum cuja ação se desenvolve na Terra de Oz, as personagens femininas aparecem nas mais diversas funções, de protagonista a vilã, de fada a bruxa, de princesa a general, entre outras, sejam elas humanas, feéricas ou animais, desdobrando-se em diversos papéis e, desse modo, reproduzindo alguns estereótipos e quebrando outros. -
We're Off to Save the Wizard
WE’RE OFF TO SAVE THE WIZARD based on Frank L. Baum’s “Tik Tok of Oz” adapted by Craig Sodaro Performance Rights It is an infringement of the federal copyright law to copy this script in any way or to perform this play without royalty payment. All rights are controlled by Eldridge Publishing Co., Inc. Contact the publisher for additional scripts and further licensing information. On all programs and advertising the author’s name must appear as well as this notice: “Produced by special arrangement with Eldridge Publishing Co.” PUBLISHED BY ELDRIDGE PUBLISHING COMPANY www.histage.com © 2000 by Craig Sodaro Download your complete script from Eldridge Publishing https://histage.com/were-off-to-save-the-wizard We’re Off to Save the Wizard - 2 - STORY OF THE PLAY The Wizard of Oz has been kidnapped! The evil Nome King Ruggedo is demanding he be made king of the world and is holding the Wizard hostage until Ozma, Queen of Oz, agrees to step aside. Ozma begs her old friend Dorothy to take the mechanical man Tik Tok and rescue the Wizard. But the journey will be long and perilous, and Ruggedo.s powers are very strong. Nevertheless, Dorothy will do anything to save her old friend. Along the way, Dorothy and Tik Tok meet Queen Ann.s bungling army, the tail end of a rainbow who.s lost her sisters, a delicate Princess Rose, and a prospector from Colorado who.s looking for his brother. They all decide to find the Wizard, who might be able to solve each of their problems. -
3495 N. Victoria, Shoreview, Mn 55126
3495 N. VICTORIA, SHOREVIEW, MN 55126 WWW.STODILIA.ORG FEBRUARY 26, 2017 * 8TH SUNDAY IN ORDINARY TIME PRAYERS FOR THE SICK OUR PARISH COMMUNITY Jerry Ciresi, Doug Miller, Tiffany Pohl, Laure Waschbusch, Patricia Pfenning-Wendt, Jerry Bauer, Mary Ellen Suwan, NEW PARISHIONER BRIEFINGS & WELCOME Jim Andal, Lee & Virginia Johnson, Louise Simon, Michael Would you like to join the parish? Mrugala, Rosemary Vetsch, Agnes Walsh, Bertha Karth, The New Parishioner Briefings are: Zoey McDonald, Elizabeth Bonitz, Lorraine Kadlec, • Thurs., March 9 at 7:00pm in Rm.1302 • Elizabeth Waschbusch, Jim Czeck, Barbara Dostert, Steve Sun., March 19 after the 9:00am Mass in Rm. 1302 Pasell, Craig Monson, Colt Moore, Pat Keppers, Marian We will welcome new parishioners (who have already at- Portesan, Glenn Schlueter, Alan Kaeding, Helen and Lowell tended a briefing) at the 9:00am Mass and Reception next Carlen, Mary Donahue, Pat Kassekert, Bob Rupar, Emma Sunday, March 5, 2017. Please give them a warm wel- Tosney, Bernadette Valento, Philippa Lindquist, Trevor come! Pictures of our new members are posted on the par- Ruiz, Steve Lauinger, Linda Molenda, Michael Carroll, John ish bulletin board in the school hallway. Gravelle, Lynn Latterell, Harry Mueller, Haley Crain, Joan SOCIAL JUSTICE CORNER Rourke, Mary Lakeman, John Lee, Romain Hamernick, The Dignity of each Person - “What did you call me?” Marlene Dirkes, Clementine Brown, Lynn Schmidt, Donna by Hosffman Ospino, Assistant Professor of Hispanic Ministry and Heins, Kelly & Emilia Stein, Bob Zermeno, Joan Kurkowski, Religious Education, Boston College School of Theology Educa- Joan Kelly, Erin Joseph, Patricia Wright. Help us keep this tion. -
L. Frank Baum and the Technology of Love
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1978 L. Frank Baum and the Technology of Love Robert Bruce Goble Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Goble, Robert Bruce, "L. Frank Baum and the Technology of Love" (1978). Masters Theses. 3220. https://thekeep.eiu.edu/theses/3220 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. PAPER CERTIFICATE #2 TO: Graduate Degree Candidates who have written formal theses. SUBJECT: Permission to reproduce theses. The University Library is receiving a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements: Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institution's library or research holdings. Inly ate27b 1978 · Author I respectfully request Booth Library of Eastern Illinois University not allow my thesis be reproduced because Date Author pdm L. FrankBa.um and the Technology of Love (TITLE) BY Robert. Bruce Goble THESIS SUBMIITED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts IN THE GRADUATE SCHOOL, EASTERN ILLINOIS UNIVERSITY CHARLESTON, ILLINOIS I HEREBY RECOMMEND THIS THESIS BE ACCEPTED AS FULFILLING THIS PART OF THE GRADUATE DEGREE CITED ABOVE Iuly ;l.�1 1q7{ DATE ADVISER L.