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Quadling Country
Quadling Country The Quadling Country is the southern portion of Oz. The people there favor the color red. It is ruled by the Good Witch of the South, Glinda the Good. Bunbury The path to Bunbury seemed little traveled, but it was distinct enough and ran through the trees in a zigzag course until it finally led them to an open space filled with the queerest houses Dorothy had ever seen. They were all made of crackers laid out in tiny squares, and were of many pretty and ornamental shapes, having balconies and porches with posts of bread-sticks and roofs shingled with wafer- crackers. There were walks of bread-crusts leading from house to house and forming streets, and the place seemed to have many inhabitants. When Dorothy, followed by Billina and Toto, entered the place, they found people walking the streets or assembled in groups talking together, or sitting upon the porches and balconies. And what funny people they were! Men, women and children were all made of buns and bread. Some were thin and others fat; some were white, some light brown and some very dark of complexion. A few of the buns, which seemed to form the more important class of the people, were neatly frosted. Some had raisins for eyes and currant buttons on their clothes; others had eyes of cloves and legs of stick cinnamon, and many wore hats and bonnets frosted pink and green. -- The Emerald City of Oz Although it’s not clear if Glinda was responsible for the creation of Bunbury, it is definitely possible. -
The Good, the Bad, the Wicked: Lessons from Oz”
“The Good, The Bad, The Wicked: Lessons from Oz” by Dr. Brian Howell Assistant Professor of Anthropology , Wheaton College What could be a more unambiguous, self-identified portrait of evil than a green faced Witch surrounded by creepy flying monkeys? Her very name, the Wicked Witch of the West, sets the tone pretty clearly. She’s Bad; Glinda is Good; the wizard is a bumbler but a well-intentioned guy and Dorothy is haplessly caught in the middle. But the hottest ticket on Broadway says, “Not so fast.” Perhaps having a green face and wearing unfashionable black hats is not enough to make you Wicked. In fact, perhaps “goodness” and “wickedness” are not such clear-cut categories at all. In a musical “prequel” to the film “The Wizard of Oz,” the audience is challenged to re-evaluate the judgements of good and evil, tapping into the powerful cultural theme of authenticity at the same time. The Broadway musical “Wicked” is based on a book of the same name that tells the story of Elphaba (nee The Wicked Witch of the West) and her early history in the land of Oz. Born an unnatural shade of green due to the dalliances of her mother, Elphaba is misunderstood and ostracized, particularly when enrolling in a boarding school for aspiring Witches and Wizards (Shiz Academy). There she finds herself rooming with Galinda (later to become Glinda, The Good Witch), who inspires her to travel to the Emerald City in order to meet the Wizard. Elphaba, you see, has true magical gifts, and her only dream has been to meet and work with the Wizard, the Great and Powerful Oz. -
The Marvellous Land of Oz ______
The Chronicles of Oz: The Marvellous Land Of Oz __________________________ A six-part audio drama by Aron Toman A Crossover Adventures Production chroniclesofoz.com 44. EPISODE TWO 15 PREVIOUSLY Recap of the previous episode. 16 EXT. CLEARING The Sawhorse runs rampant, while Tip and Jack Pumpkinhead attempt to catch it and calm it down. JACK PUMPKINHEAD Whoah! Whoah! TIP (V.O.) Taming the Sawhorse now it was alive was proving ... tricky. When Jack came to life, he was full of questions and kinda stupid, but he was fairly calm, all things considered. The Sawhorse was frightened. And a little bit insane. JACK PUMPKINHEAD Calm down horsey! TIP Whoah, horse. Easy there boy -- look out Jack, it's coming through! JACK PUMPKINHEAD Whoooah! He leaps out of the way as the horse bounds past him. TIP Come on, there's nothing to be scared of. JACK PUMPKINHEAD I'm scared! TIP Nothing for the Sawhorse to be scared of. (to Sawhorse) We're your friends we're not going to hurt -- ahhh! He jumps aside as it rushes through. 45. JACK PUMPKINHEAD At least it's knocking you over as well as me, Dad. TIP I don't understand, why won't it listen to us? JACK PUMPKINHEAD Maybe it can't listen to us? TIP Oh? Oh, of course, that's it! Jack, find me some leaves or something. (he starts rummaging in the undergrowth) Big ones, about the size of my hand. We need two. JACK PUMPKINHEAD Why? TIP (finding leaves) Here we are, perfect. Ears, Jack! The Sawhorse doesn't have ears! JACK PUMPKINHEAD That's why he isn't listening! TIP We just need to fasten these on to his head and sprinkle a little more powder on. -
Gen. Jinjur's Army of Revolt Tip Was So Anxious to Rejoin His Man
Gen. Jinjur's Army of Revolt Tip was so anxious to rejoin his man Jack and the Saw-Horse that he walked a full half the distance to the Emerald City without stopping to rest. Then he discovered that he was hungry and the crackers and cheese he had provided for the Journey had all been eaten. While wondering what he should do in this emergency he came upon a girl sitting by the roadside. She wore a costume that struck the boy as being remarkably brilliant: her silken waist being of emerald green and her skirt of four distinct colors--blue in front, yellow at the left side, red at the back and purple at the right side. Fastening the waist in front were four buttons--the top one blue, the next yellow, a third red and the last purple. The splendor of this dress was almost barbaric; so Tip was fully justified in staring at the gown for some moments before his eyes were attracted by the pretty face above it. Yes, the face was pretty enough, he decided; but it wore an expression of discontent coupled to a shade of defiance or audacity. While the boy stared the girl looked upon him calmly. A lunch basket stood beside her, and she held a dainty sandwich in one hand and a hard-boiled egg in the other, eating with an evident appetite that aroused Tip's sympathy. 62 He was just about to ask a share of the luncheon when the girl stood up and brushed the crumbs from her lap. -
OZ IS TWISTED a Play
OZ IS TWISTED a play Book By Joe Ferriero Based on the Story By L. Frank Baum Acting Script Final Copy May, 2011 Protected by Copyright i Cast of Characters Real World Characters: Dorothy Gale ....................... 16 years old, New York High Schooler James Gale ................................................ Dorothy’s Dad Aunt Em .................................................. Dorothy’s Aunt Uncle Henry ............................................. Dorothy’s Uncle Sheriff ............................................ of small Kansas town Toto ..................................... a stuffed toy, not a real dog! Willy, Edna, Margret ......................................... farm hands Oz Characters: Boq ............................................................. Munchkin Loq .................................................... Another Munchkin Toq ..................................................... Another Munchkin Glinda ....................................... the Good Witch of the South Locasta ...................................... the Good Witch of the North Bastinda ........................................ Wicked Witch of the West Scarecrow ..................... found in the outskirts of Munchkin Country Tinman .................... Was called Nick Chopper, now made fully of tin Cowardly Lion ................................ a lion in search of courage The Crow Bars ................................. a singing group of 3 Crows Pine and Oak .............................................. Fighting Trees Wizard of Oz ..................................... -
A Rhetorical Analysis of Wicked's Elphaba
“IT’S JUST THAT FOR THE FIRST TIME, I FEEL… WICKED”: A RHETORICAL ANALYSIS OF WICKED’S ELPHABA USING KENNETH BURKE’S GUILT-PURIFICATION-REDEMPTION CYCLE by Patricia C. Foreman A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree Master of Arts in Communication Studies at Liberty University May 2013 Foreman 2 Acknowledgements First and foremost, to “my Dearest, Darlingest Momsy and Popsicle,” and to my brother Gary, thank you so much for your constant support, encouragement, direction and love. I appreciate your words of wisdom and advice that always seem to be just what I need to hear. To each of my fellow graduate assistants, thank you for “dancing through life” with me. Thank you for becoming not only co-workers, but also some of my best friends. To my thesis committee – Dr. William Mullen, Dr. Faith Mullen, and Dr. Lynnda S. Beavers – thank you all so much for your help. This finished thesis is, without a doubt, the “proudliest sight” I’ve ever seen, and I thank you for your time, effort and input in making this finished product a success. Finally, to Mrs. Kim, and all of my fellow “Touch of Swing”-ers, who inspired my love of the Wicked production, and thus, this study. For the long days of rehearsals, even longer nights on tour buses, and endless hours of memories that I’ll not soon forget... “Who can say if I’ve been changed for the better? I do believe I have been changed for the better. And because I knew you, I have been changed for good.” Foreman 3 In Memory Of… Lauren Tuck May 14, 1990 – September 2, 2010 “It well may be that we will never meet again in this lifetime, so let me say before we part, so much of me is made of what I learned from you. -
The Wonderful Wizard of Oz & Glinda of Oz Ebook, Epub
THE WONDERFUL WIZARD OF OZ & GLINDA OF OZ PDF, EPUB, EBOOK L. Frank Baum | 304 pages | 06 Jul 2012 | Wordsworth Editions Ltd | 9781840226942 | English | Herts, United Kingdom The Wonderful Wizard of Oz & Glinda of Oz PDF Book She explains "I have lived here many years Glinda plays the most active role in finding and restoring Princess Ozma , the rightful heir, to the throne of Oz, the search for whom takes place in the second book, The Marvelous Land of Oz , although Glinda had been searching for Ozma ever since the princess disappeared as a baby. Baum's children's novel The Wonderful Wizard of Oz refers to Glinda as the "Good Witch of the South"; she does not appear in the novel until late in its development. With the army quickly approaching Finley, China Girl, and finally Oz fall after her. She was old then and considered ugly by the cruel King Oz, thus causing him to brand her a witch. And Instead initiated a long grueling search across all the land of Oz, for the rightful ruler of royal blood. As the series draws to an end, Glinda telepathically contacts and saves Dorothy from falling to her death from a tower, following a confrontation with the Nome King and his minions. It is revealed that she wishes to wed Aiden, the Wizard of Oz. Glinda occasionally exhibits a more ruthless, cunning side than her counterparts or companions. In the books, Glinda is depicted as a beautiful young woman with long, rich rare red hair and blue eyes, wearing a pure white dress. -
We're Off to Save the Wizard
WE’RE OFF TO SAVE THE WIZARD based on Frank L. Baum’s “Tik Tok of Oz” adapted by Craig Sodaro Performance Rights It is an infringement of the federal copyright law to copy this script in any way or to perform this play without royalty payment. All rights are controlled by Eldridge Publishing Co., Inc. Contact the publisher for additional scripts and further licensing information. On all programs and advertising the author’s name must appear as well as this notice: “Produced by special arrangement with Eldridge Publishing Co.” PUBLISHED BY ELDRIDGE PUBLISHING COMPANY www.histage.com © 2000 by Craig Sodaro Download your complete script from Eldridge Publishing https://histage.com/were-off-to-save-the-wizard We’re Off to Save the Wizard - 2 - STORY OF THE PLAY The Wizard of Oz has been kidnapped! The evil Nome King Ruggedo is demanding he be made king of the world and is holding the Wizard hostage until Ozma, Queen of Oz, agrees to step aside. Ozma begs her old friend Dorothy to take the mechanical man Tik Tok and rescue the Wizard. But the journey will be long and perilous, and Ruggedo.s powers are very strong. Nevertheless, Dorothy will do anything to save her old friend. Along the way, Dorothy and Tik Tok meet Queen Ann.s bungling army, the tail end of a rainbow who.s lost her sisters, a delicate Princess Rose, and a prospector from Colorado who.s looking for his brother. They all decide to find the Wizard, who might be able to solve each of their problems. -
The Chronicles of Oz: the Marvellous Land of Oz a Six-Part
The Chronicles of Oz: The Marvellous Land Of Oz __________________________ A six-part audio drama by Aron Toman A Crossover Adventures Production chroniclesofoz.com 223. EPISODE SIX 96 PREVIOUSLY Recap of the previous episodes. 97 INT. PALACE CORRIDOR Continued chaos as the allied forces mop up after the Munchkin invaders. Jinjur rushes down the corridor, out of breath and a little desperate. JINJUR It's down here. It has to be down this way... FARAMANT (afar) She went that way! UGU (afar) Are you sure? FARAMANT (afar) Yes, giddy-up! JINJUR No! Not yet. I won't give up so easily! She pushes against a rock and a secret passage slides aside. She rushes in and it replaces itself as Faramant and Ugu arrive riding the Sawhorse. It whinnies triumphant. FARAMANT Well I thought she went this way. UGU (weary) Can we stop yet? FARAMANT I saw her dash around the corner. UGU I left my stomach somewhere around the atrium. 224. FARAMANT There's nowhere else she could have gone, it's a dead end. UGU Faramant... FARAMANT Yes, climb off if you have to. UGU Thank you! He scampers off and kisses the ground. FARAMANT How did you ever survive living with the Wicked Witch? UGU The Wicked Witch never made me ride a crazy wooden horse without a stop button. FARAMANT She had a dragon! UGU And the Sawhorse is scarier. FARAMANT Right. (he climbs off himself and examines the wall) I don't suppose she went this way.... UGU Through the wall? FARAMANT This is Oz, it's not unheard of. -
L. Frank Baum and the Technology of Love
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1978 L. Frank Baum and the Technology of Love Robert Bruce Goble Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Goble, Robert Bruce, "L. Frank Baum and the Technology of Love" (1978). Masters Theses. 3220. https://thekeep.eiu.edu/theses/3220 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. PAPER CERTIFICATE #2 TO: Graduate Degree Candidates who have written formal theses. SUBJECT: Permission to reproduce theses. The University Library is receiving a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements: Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institution's library or research holdings. Inly ate27b 1978 · Author I respectfully request Booth Library of Eastern Illinois University not allow my thesis be reproduced because Date Author pdm L. FrankBa.um and the Technology of Love (TITLE) BY Robert. Bruce Goble THESIS SUBMIITED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts IN THE GRADUATE SCHOOL, EASTERN ILLINOIS UNIVERSITY CHARLESTON, ILLINOIS I HEREBY RECOMMEND THIS THESIS BE ACCEPTED AS FULFILLING THIS PART OF THE GRADUATE DEGREE CITED ABOVE Iuly ;l.�1 1q7{ DATE ADVISER L. -
2008 ARF David Ogilvy Awards Case Study
2008 Sports/Entertainment/Media Gold Winner TITLE OF CASE STUDY: Sci Fi Channel Tin Man Mini-Series Business Situation and Campaign Objectives Every winter since 1998, the Sci Fi Channel premieres a new mini-series, such as Stephen Spielberg’s Taken. Tin Man, the 2007 mini-series, was created as a re-imagination of The Wonderful Wizard of Oz, offering viewers a familiar story with a modern twist. The goal of the Tin Man marketing campaign was to successfully launch the series to achieve ratings success for both the event itself as well as the network overall. The objectives were to 1) create awareness of the series among both viewers of the Sci Fi Channel and among those who do not typically watch the channel, but would be interested in the series and 2) generate interest in the series among consumers that would motivate them to tune in for the premiere and subsequent episodes. With the mini-series, we also wanted to bring new viewers to the Sci Fi Channel, and offer a program that would be equally appealing to both men and women. It was particularly important that Tin Man perform well because one of the channel’s goals for 2007 was to improve our competitive ranking from #7 in 2006 to #6 in 2007. In order to have a singular perspective for marketing that would deliver a broad, network growing audience, we thought about our target simply as anyone who has ever loved The Wonderful Wizard of Oz. Based on this, our strategy was to create a cool, imaginative marketing campaign in order to promise a cool, imaginative mini-series about a familiar story. -
The Life and Times of the Wicked Witch of the West | Read Ebooks
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