Introduction: Identity, History, Narrative 1
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Rhetoric and Resistance in Black Women's Autobiography
Rhetoric and Resistance in Black Women’s Autobiography Copyright 2003 by Johnnie M. Stover. This work is licensed under a modified Creative Commons Attribution-Noncommercial-No De- rivative Works 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/. You are free to electronically copy, distribute, and transmit this work if you attribute authorship. However, all printing rights are reserved by the University Press of Florida (http://www.upf.com). Please con- tact UPF for information about how to obtain copies of the work for print distribution. You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). For any reuse or distribution, you must make clear to others the license terms of this work. Any of the above conditions can be waived if you get permis- sion from the University Press of Florida. Nothing in this license impairs or restricts the author’s moral rights. Florida A&M University, Tallahassee Florida Atlantic University, Boca Raton Florida Gulf Coast University, Ft. Myers Florida International University, Miami Florida State University, Tallahassee New College of Florida University of Central Florida, Orlando University of Florida, Gainesville University of North Florida, Jacksonville University of South Florida, Tampa University of West Florida, Pensacola Rhetoric and Resistance in Black Women’s Autobiography ° Johnnie M. Stover University Press of Florida Gainesville/Tallahassee/Tampa/Boca Raton Pensacola/Orlando/Miami/Jacksonville/Ft. Myers Copyright 2003 by Johnnie M. -
Our Kind of People: Social Status and Class Awareness in Post -Reconstruction African American Fiction
OUR KIND OF PEOPLE: SOCIAL STATUS AND CLASS AWARENESS IN POST -RECONSTRUCTION AFRICAN AMERICAN FICTION Andreá N. Williams A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English Chapel Hill 2006 Approved by Advisor: William L. Andrews Reader: James W. Coleman Reader: Philip F. Gura Reader: Trudier Harris Reader: Jane F. Thrailkill © 2006 Andreá N. Williams ALL RIGHTS RESERVED ii ABSTRACT ANDREÁ N. WILLIAMS: Our Kind of People: Social Status and Class Awareness in Post -Reconstruction African American Fiction (Under the dir ection of William L. Andrews) Postbellum African American fiction provides an index to the complex attitudes toward social status and class divisions that arose within post -Civil War black communities. As I argue, African American narratives in the last quarter of the nineteenth century encode the discourse of class in discussions of respectability, labor, and discrimination. Conceiving of class as a concept that does not necessarily denote economic conditions, both well -known and largely ignored narrativ es of the period emphasize moral and ideological parameters for judging social distinctions. Writers theorize whether intraracial class stratification thwarts black sociopolitical advancement, fracturing black communities from within, or conversely, foster s racial uplift led by the black “better class.” Though the fiction variably delineates social classes, each of the texts under study in Our Kind of People imagines classification as an inevitable and useful means of reforming the turn -of-the-century Ameri can social order. Subverting the class disparity spurred by Gilded Age materialism, Frances E. -
ALS-MLA American Literature Section of the Modern Language
ALS-MLA American Literature Section of the Modern Language Association ANNUAL REPORT, 2011 Compiled by Joycelyn Moody and Emily Broadwater, University of Texas at San Antonio CONTENTS Officers............................................................................................................................................2 The Hubbell Medal 2011…………...…………………................………………….…………....3 The Foerster Prize 2011………………………………..................……………….……………..5 Report from American Literature………………………………………………........…………....7 2012 MLA Convention Session......................................................................................................8 Lists from the Hubbell Center Chairs of the Section…………………………………………………………….…………...8 Executive Coordinators of the Section……………………………………...…...……...…...9 Winners of the Hubbell Medal…………………………………………….....……………...9 Winners of the Foerster Prize……………………………..……………........…………...…….....9 Upcoming MLA Conventions…………………………………………………………..……….11 1 American Literature Section Officers 2011 The executive coordinator and editor of American Literature are also members of the Advisory Council. Chair: Michael Moon, Emory U ALS-MLA Standing Committees Ex Officio:Elizabeth Maddock Dillon, Northeastern U Executive Coordinator: Joycelyn Moody, Nominating Committee: U of Texas, San Antonio Nancy Bentley, U of Pennsylvania, Chair Advisory Council Tina Chen, Pennsylvania State U Elected Members of the Council: Sheila Contreras, Michigan State U Priscilla Wald, Editor of American Literature Hubbell -
U·M·I University Microfilms International a Bell & Howell Information Company 300 North Zeeb Road
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adverselyaffect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrightmaterial had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. U·M·I University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. M148106-1346 USA 313/761-4700 800/521-0600 Order Number 9429649 Subversive dialogues: Melville's intertextual strategies and nineteenth-century American ideologies Shin, Moonsu, Ph.D. University of Hawaii, 1994 V·M·I 300 N. -
Final Dissertation
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... From the Plantation Zone: The Poetics of a Black Matrilineal Genealogy for the Americas A Dissertation Presented by Eileen S. Chanza Torres to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English Department (Transamerican Studies) Stony Brook University May 2013 Copyright by Eileen S. Chanza Torres 2013 Stony Brook University The Graduate School Eileen S. Chanza Torres We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Susan Scheckel – Dissertation Advisor Associate Professor, English Department E. Anthony Hurley – Dissertation Advisor Chair, Africana Studies Department Helen M. Cooper – Chairperson of Defense Emerita Professor, English Department Dawn P. Harris – Outside Reader Assistant Professor, Africana Studies Department This dissertation is accepted by the Graduate School Charles Taber Interim Dean of the Graduate School ii Abstract of the Dissertation From the Plantation Zone: The Poetics of a Black Matrilineal Genealogy for the Americas by Eileen S. Chanza Torres Doctor of Philosophy in English (Transamerican Studies) Stony Brook University 2013 In the Humanities, studies on the legacy of enslaved Black women are often split along ethnic, cultural, linguistic and national lines. My dissertation brings together literatures and visual arts from Puerto Rico, Martinique, Suriname, the Dominican Republic and the U.S. representing a myriad of linguistic and cultural traditions that turn to the legacy of the historical Black female body as their myth of creation. -
Second Novel No End: an Open Letter to Ralph Ellison
Second Novel No End 175 Second Novel No End: An Open Letter to Ralph Ellison Horace Porter March 8, 20141 Skirvin Hotel Oklahoma City Dear Ralph, I’ve arrived in Oklahoma City for the first time. I’m recalling how you and I talked about Oklahoma City the first time I visited you and Fanny at your Harlem apartment. I was twenty-six and a graduate student at Yale. I wrote you a letter during the fall of 1976. I received your reply just before Christmas—a long eloquent letter—a special Christmas gift indeed. The letter, which I still treasure, has evidence of your characteristic style and wit: “once I shocked a white man whose shoes I was shining by revealing that I was familiar with Freud’s theory of dreams, but neither of us was prepared to communicate on that level, for it would have placed too great a strain on the arrangements of social hierarchy—and on the two of us!”2 You suggested that I come to see you. On Friday, February 17, 1977, I visited you and Fanny. I’ve already written about that special day.3 Suffice it to say on this occasion that it was an unforgettable and inspiring afternoon. Now thirty-seven years later, I’m standing here in Oklahoma City’s Skirvin Hotel, where you worked as a teenager. I’m reading this open letter to you at a conference and symposium dedicated to your work. We’re also celebrating your 0026-3079/2015/5403-175$2.50/0 American Studies, 54:3 (2015): 175-184 175 176 Horace Porter hundredth birthday. -
Meta Duewa Jones
Meta DuEwa Jones Associate Professor Department of English and Comparative Literature/University of North Carolina-Chapel Hill Greenlaw Hall, CB #3520/Chapel Hill, NC 27599-3520 (919) 962-5481/[email protected] EDUCATION Stanford University, Ph.D., English and American Literature, 2001 Stanford University, M.A., English, 1996 Princeton University, B.A., English, magna cum laude, 1995 Princeton University, Certificate, Afro-American Studies, 1995 PROFESSIONAL ACADEMIC EXPERIENCE Associate Professor, Department of English, University of North Carolina, Chapel Hill 2018-pres. Associate Professor, Department of English, Howard University 2013-2017 Co-Director, Texas Institute for Literary & Textual Studies, University of Texas, Austin 2011-2012 Associate Professor, Department of English, UT-Austin 2011-2013 Associate Professor, Department of African and African Diaspora Studies, UT-Austin 2011-2013 Assistant Professor, Department of English, UT-Austin 2005-2010 Assistant Professor, Department of English, George Washington University 2001-2005 Visiting Scholar, Carter G. Woodson Institute, University of Virginia 2000-2001 Graduate Program Coordinator, Dean of Students Office, Stanford University 1998-1999 Research Assistant, Stanford University, Department of English 1999-2000 Teaching Fellow, Program in African American Studies, Stanford University 1998 Teaching Assistant, Department of English, Stanford University 1997 Writing and Critical Thinking Instructor, Department of English, Stanford University 1996-1997 FELLOWSHIPS AND GRANTS -
The Constitutive Relationship Between Race and Disability
THE CONSTITUTIVE RELATIONSHIP BETWEEN RACE AND DISABILITY IN AFRICAN AMERICAN LITERATURE: A BLACK CRITICAL DISABILITIES STUDIES APPROACH by DELIA D. STEVERSON TRUDIER HARRIS, COMMITTEE CHAIR NIRMALA EREVELLES CASSANDER L. SMITH PHILIP BEIDLER YOLANDA MANORA A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2017 Copyright Delia D. Steverson 2017 ALL RIGHTS RESERVED ABSTRACT In this project, I examine what disability scholars such as Ellen Samuels, Nirmala Erevelles, and Cynthia Wu label as the “constitutive relationship” between race and disability, meaning that race informs disability in the same way that disability informs race. The relationship between the two categories of difference is interconnected, yet seldom does black literary studies engage a disability studies praxis and rarely does disability studies engage with African American literature. I formulate a theory of reading race and disability as it pertains to the fiction, authors, and the larger African American and disability communities and strive to reconcile the overlooked, yet imperative, relationship between the two categories of difference. By using a Black Critical Disabilities Studies Approach, as I label it, my project breaks down the ways in which African American authors and scholars use disability as a metaphor for race, usually carrying a negative connotation. Not only do I engage the rhetorical strategies of disability in African American literature and scholarship, but I also employ a historical materialist lens to explore how, through the brutal system of slavery, the black body becomes the epitome of the disabled figure. -
Harriet E. Wilson's Our
View metadata, citation and similar papers at core.ac.uk brought to you by CORE HARRIET E. WILSON’S OUR NIG: A TRIAL FOR WRITING “MY OWN STORY” II Keiko Noguchi I. Neither of the two key elements of the domestic novel, marriage and home, is given to the heroine of Our Nig. The “true womanhood” with its emphasis on piety, purity, obedience, and domesticity1 is either unavailable to, or unable to support, a black woman in a patriarchal racist society based on slavery rules. The problem, then, focuses on the way how the heroine establishes herself in such a hostile society. One of the cheif themes of the story, in fact, lies in Frado’s struggle to acquire independence. According to Harryette Mullen, nineteenth- century black women writers strived to incorporate “an oral tradition of resistance” into their literature, since the two traditional literary forms available to them, the male slave narrative and the white female sentimental fiction, are inadequate to express their experience (245). They assert oral power of black women to resist the oppressors and to insist upon their selfhood, while male writers of slave narratives underscore the physical power to attain manhood as Douglass does in the scene of his fight with Mr. Covey. When submission and self-effacement were endorsed as female virtues, black women resorted to “orality”—talking back, arguing, or revealing secrets of their masters, all of which were regarded as “saucy” or “impudent” by the ruling class—to surface their voice and thereby to establish their identity (Mullen 245-46)2. II. -
African American Childhood and the Nineteenth-Century Literary Imagination (1850S-1900)
BREWINGTON, PAULETTE YVONNE, Ph.D. Wild, Willful, and Wicked: African American Childhood and the Nineteenth-Century Literary Imagination (1850s-1900). (2013) Directed by Dr. Karen A. Weyler. 249 pp. This dissertation examines nineteenth-century depictions of African American children in Harriet Beecher Stowe’s Uncle Tom’s Cabin (1852), Frank J. Webb’s The Garies and Their Friends (1857), and Harriet E. Wilson’s Our Nig (1859). It explores Stowe’s characters as wild, willful, and unruly minstrel-inspired comic figures further exaggerated with nineteenth-century stereotypes such as: shiftlessness, ignorance heathenism, and demonism. Both novels of Webb and Wilson serve as respondents to Stowe’s creations. Frank J. Webb presents industrious, educated children whose pranks are born out of self-possession. Wilson, on the other hand, illustrates that for the African American child in servitude in the free North, hardship and violence can rival that of the slave-holding South. WILD, WILLFUL, AND WICKED: AFRICAN AMERICAN CHILDHOOD AND THE NINETEENTH-CENTURY LITERARY IMAGINATION (1850S-1900) by Paulette Yvonne Brewington A Dissertation Submitted to the Faculty of The Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Greensboro 2013 Approved by ____________________________ Committee Chair © 2013 Paulette Yvonne Brewington APPROVAL PAGE This dissertation has been approved by the following committee of the Faculty of The Graduate School at The University of North Carolina at Greensboro. Committee Chair ______________________________________ Committee Members ______________________________________ ______________________________________ ______________________________________ ___________________________ Date of Acceptance by Committee _________________________ Date of Final Oral Examination ii TABLE OF CONTENTS Page LIST OF FIGURES ............................................................................................................v CHAPTER I. -
OUR NIG, by HARRIET E. WILSON: Frado and the Characterization Of
OUR NIG, BY HARRIET E. WILSON: Frado and the characterization of oppression Eliza de Souza Silva Araújo (*) Liane Schneider(**) Resumo Em sua autobiografia em terceira pessoa Our Nig, Harriet E. Wilson conta sua história de opressões que sofreu quando morou na casa de uma família do norte dos Estados Unidos, onde se violenta e denigre a mulata quando criança. Com base nos pressupostos de Crenshaw sobre intersectionality e de Joan Scot e Michele Wallace sobre as implicações históricas e de gênero buscamos compreender o contexto e condição da protagonista, além das intenções buscadas com a contação dessa história. Palavras-chave: Our Nig. Opressão. Intersectionality. Raça. Gênero. OUR NIG, POR HARRIET E. WILSON: Frado e a caracterização da opressão Abstract In her autobiography Our Nig, written in the third person, Harriet E. Wilson tells the story of the oppressions she suffers when she lived at a family house in the North of the US, where she undergoes violence and denigration. Based on Crenchaw’s accounts on intersectionality and Joan Scott and Michele Wallace’s propositions on historical implications and gender, we aim at understanding the context and condition of the protagonist, besides her intentions in telling her story. Key-words: Our Nig. Oppression. Intersectionality. Race. Gender. Harriet E. Wilson’s Our Nig; or, Sketches from the life of a free black, in a two- story white house, North. Showing that slavery’s shadows fall even there (1859) is a work (*) Pós-graduanda em Literatura no Programa de Pós-Graduação de Letras da UFPB; pesquisadora de literatura em língua inglesa com interesse nas temáticas de gênero e raça. -
Slave Narratives, Captivity Narratives, and Genre Transformation in Keckley's Behind the Scenes
University of Kentucky UKnowledge Theses and Dissertations--English English 2021 Wilderness of Freedom: Slave Narratives, Captivity Narratives, and Genre Transformation in Keckley's Behind the Scenes Hannah Gautsch University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2021.205 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Gautsch, Hannah, "Wilderness of Freedom: Slave Narratives, Captivity Narratives, and Genre Transformation in Keckley's Behind the Scenes" (2021). Theses and Dissertations--English. 132. https://uknowledge.uky.edu/english_etds/132 This Master's Thesis is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.