Round 2 MHS Submission Langston Hughes
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ALS-MLA American Literature Section of the Modern Language
ALS-MLA American Literature Section of the Modern Language Association ANNUAL REPORT, 2011 Compiled by Joycelyn Moody and Emily Broadwater, University of Texas at San Antonio CONTENTS Officers............................................................................................................................................2 The Hubbell Medal 2011…………...…………………................………………….…………....3 The Foerster Prize 2011………………………………..................……………….……………..5 Report from American Literature………………………………………………........…………....7 2012 MLA Convention Session......................................................................................................8 Lists from the Hubbell Center Chairs of the Section…………………………………………………………….…………...8 Executive Coordinators of the Section……………………………………...…...……...…...9 Winners of the Hubbell Medal…………………………………………….....……………...9 Winners of the Foerster Prize……………………………..……………........…………...…….....9 Upcoming MLA Conventions…………………………………………………………..……….11 1 American Literature Section Officers 2011 The executive coordinator and editor of American Literature are also members of the Advisory Council. Chair: Michael Moon, Emory U ALS-MLA Standing Committees Ex Officio:Elizabeth Maddock Dillon, Northeastern U Executive Coordinator: Joycelyn Moody, Nominating Committee: U of Texas, San Antonio Nancy Bentley, U of Pennsylvania, Chair Advisory Council Tina Chen, Pennsylvania State U Elected Members of the Council: Sheila Contreras, Michigan State U Priscilla Wald, Editor of American Literature Hubbell -
U·M·I University Microfilms International a Bell & Howell Information Company 300 North Zeeb Road
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adverselyaffect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrightmaterial had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. U·M·I University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. M148106-1346 USA 313/761-4700 800/521-0600 Order Number 9429649 Subversive dialogues: Melville's intertextual strategies and nineteenth-century American ideologies Shin, Moonsu, Ph.D. University of Hawaii, 1994 V·M·I 300 N. -
D. H. Lawrence and the Harlem Renaissance
‘You are white – yet a part of me’: D. H. Lawrence and the Harlem Renaissance A thesis submitted to The University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2019 Laura E. Ryan School of Arts, Languages and Cultures 2 Contents Abstract ...................................................................................................................... 3 Declaration ................................................................................................................. 4 Copyright statement ................................................................................................... 5 Acknowledgements .................................................................................................... 6 Introduction ................................................................................................................ 7 Chapter 1: ‘[G]roping for a way out’: Claude McKay ................................................ 55 Chapter 2: Chaos in Short Fiction: Langston Hughes ............................................ 116 Chapter 3: The Broken Circle: Jean Toomer .......................................................... 171 Chapter 4: ‘Becoming [the superwoman] you are’: Zora Neale Hurston................. 223 Conclusion ............................................................................................................. 267 Bibliography ........................................................................................................... 271 Word Count: 79940 3 -
1-54 FORUM Talks Programme Announced for Second Edition in Marrakech, Curated by Art Historian and Curator Karima Boudou
1-54 Contemporary African Art Fair La Mamounia, Marrakech, 23 – 24 February 2019 1-54 FORUM talks programme announced for second edition in Marrakech, curated by art historian and curator Karima Boudou • Twelfth edition of 1-54 FORUM, titled ‘Let’s Play Something Let’s Play Anything Let’s Play’1, will examine narratives of surrealism in Africa and its diaspora • Conversation on Ted Joans’ relationship with surrealism by lecturer Joanna Pawlik • Screenings of work by filmmakers Kara Walker and Louis Van Gasteren • Panel discussions on the contemporary use of sound and language to liberate the unconscious and document it • Talk on Maghrebian Surrealism and the Surrealist movement in Egypt L-R: Noureddine Ezarraf, The Public Writer, 2017, installation. Photo by Lisa Stewart of Queens Collective. Courtesy the artist; Vince Fraser, BLAQUE MATISSE, 2017. Courtesy the artist; Abdellah Hassak, Alarme! Alarme! Alarme!, 2016. Courtesy the artist. 1-54 Contemporary African Art Fair, the leading international art fair dedicated to contemporary African art, has announced details of 1-54 FORUM, the fair’s acclaimed talks and events programme, for the second Marrakech edition in February. Curated for the first time by art historian and curator, Karima Boudou, the programme entitled ‘Let’s Play Something Let’s Play Anything Let’s Play’ will take place during the fair at La Mamounia. In addition, 1-54 FORUM will host three sessions around the city at ESAV (L'École Supérieure des Arts Visuels de Marrakech), Musée Yves Saint Laurent Marrakech and Le 18, a multidisciplinary art space. 1-54 Marrakech 2019 will present 18 leading galleries from 11 countries featuring more than 65 artists from Africa and its diaspora. -
Langston Hughes
Classic Poetry Series Langston Hughes - poems - Publication Date: 2012 Publisher: PoemHunter.Com - The World's Poetry Archive Langston Hughes (February 1, 1902 – May 22, 1967) an American poet, social activist, novelist, playwright, and columnist. He was one of the earliest innovators of the then-new literary art form jazz poetry. Hughes is best known for his work during the Harlem Renaissance. He famously wrote about the period that "Harlem was in vogue." Biography Ancestry and Childhood Both of Hughes' paternal and maternal great-grandmothers were African-American, his maternal great-grandfather was white and of Scottish descent. A paternal great-grandfather was of European Jewish descent. Hughes's maternal grandmother Mary Patterson was of African-American, French, English and Native American descent. One of the first women to attend Oberlin College, she first married Lewis Sheridan Leary, also of mixed race. Lewis Sheridan Leary subsequently joined John Brown's Raid on Harper's Ferry in 1859 and died from his wounds. In 1869 the widow Mary Patterson Leary married again, into the elite, politically active Langston family. Her second husband was Charles Henry Langston, of African American, Native American, and Euro-American ancestry. He and his younger brother John Mercer Langston worked for the abolitionist cause and helped lead the Ohio Anti-Slavery Society in 1858. Charles Langston later moved to Kansas, where he was active as an educator and activist for voting and rights for African Americans. Charles and Mary's daughter Caroline was the mother of Langston Hughes. Langston Hughes was born in Joplin, Missouri, the second child of school teacher Carrie (Caroline) Mercer Langston and James Nathaniel Hughes (1871–1934). -
Second Novel No End: an Open Letter to Ralph Ellison
Second Novel No End 175 Second Novel No End: An Open Letter to Ralph Ellison Horace Porter March 8, 20141 Skirvin Hotel Oklahoma City Dear Ralph, I’ve arrived in Oklahoma City for the first time. I’m recalling how you and I talked about Oklahoma City the first time I visited you and Fanny at your Harlem apartment. I was twenty-six and a graduate student at Yale. I wrote you a letter during the fall of 1976. I received your reply just before Christmas—a long eloquent letter—a special Christmas gift indeed. The letter, which I still treasure, has evidence of your characteristic style and wit: “once I shocked a white man whose shoes I was shining by revealing that I was familiar with Freud’s theory of dreams, but neither of us was prepared to communicate on that level, for it would have placed too great a strain on the arrangements of social hierarchy—and on the two of us!”2 You suggested that I come to see you. On Friday, February 17, 1977, I visited you and Fanny. I’ve already written about that special day.3 Suffice it to say on this occasion that it was an unforgettable and inspiring afternoon. Now thirty-seven years later, I’m standing here in Oklahoma City’s Skirvin Hotel, where you worked as a teenager. I’m reading this open letter to you at a conference and symposium dedicated to your work. We’re also celebrating your 0026-3079/2015/5403-175$2.50/0 American Studies, 54:3 (2015): 175-184 175 176 Horace Porter hundredth birthday. -
Meta Duewa Jones
Meta DuEwa Jones Associate Professor Department of English and Comparative Literature/University of North Carolina-Chapel Hill Greenlaw Hall, CB #3520/Chapel Hill, NC 27599-3520 (919) 962-5481/[email protected] EDUCATION Stanford University, Ph.D., English and American Literature, 2001 Stanford University, M.A., English, 1996 Princeton University, B.A., English, magna cum laude, 1995 Princeton University, Certificate, Afro-American Studies, 1995 PROFESSIONAL ACADEMIC EXPERIENCE Associate Professor, Department of English, University of North Carolina, Chapel Hill 2018-pres. Associate Professor, Department of English, Howard University 2013-2017 Co-Director, Texas Institute for Literary & Textual Studies, University of Texas, Austin 2011-2012 Associate Professor, Department of English, UT-Austin 2011-2013 Associate Professor, Department of African and African Diaspora Studies, UT-Austin 2011-2013 Assistant Professor, Department of English, UT-Austin 2005-2010 Assistant Professor, Department of English, George Washington University 2001-2005 Visiting Scholar, Carter G. Woodson Institute, University of Virginia 2000-2001 Graduate Program Coordinator, Dean of Students Office, Stanford University 1998-1999 Research Assistant, Stanford University, Department of English 1999-2000 Teaching Fellow, Program in African American Studies, Stanford University 1998 Teaching Assistant, Department of English, Stanford University 1997 Writing and Critical Thinking Instructor, Department of English, Stanford University 1996-1997 FELLOWSHIPS AND GRANTS -
The University of Delaware Library Is in the Process of Converting Its
The University of Delaware Library is in the process of converting its legacy HTML, PDF, and word processed finding aids into Encoded Archival Description (EAD) and migrating them into a new XTF-based delivery system. During this conversion many finding aids will direct you to an older version of the Special Collections website. For additional information, please contact Special Collections at: http://library.udel.edu/spec/askspec/ Special Collections University of Delaware Library 181 South College Avenue Newark, DE 19717-5267 USA (302) 831-2229 Charles Henri Ford Letters to Ted Joans 1964 - 1987 (bulk dates 1964-1965, 1975-1987) Manuscript Collection Number 292 Accessioned: Purchase, 1993. Extent: 55 items (.1 linear ft.) Content: Letters, posters, brochures, announcements, clippings, and poems. Access: The collection is open for research. Processed: January 1994 by Anita A. Wellner. Biographical Notes Charles Henri Ford Poet, artist, filmmaker, and editor, Charles Henri Ford was born on February 10, 1913, in Brookhaven, Mississippi. In 1929, having dropped out of high school, Ford began his literary career as co-editor, with Parker Tyler, of Blues: a magazine of new rhythms (1929-1930). Published in Columbus, Mississippi, this literary magazine showcased the new schools of modern art and literature, publishing such contemporary writers as Gertrude Stein, William Carlos Williams, Erskine Caldwell, Ezra Pound, and e. e. cummings. By 1931 Charles Henri Ford had left the United States for France, the beginning of his world travels. During his first few years abroad, Ford wrote his only novel, the classic The Young and the Evil (Obelisk, 1933). Since that time, Ford has lived in Morocco, Italy, France, Crete, and New York City; and his poetry, films, and artwork have reflected his international travels and multicultural experiences. -
Ted Joans' Surrealist History Lesson
Ted Joans© surrealist history lesson Article (Published Version) Pawlik, Joanna (2011) Ted Joans' surrealist history lesson. International Journal of Francophone Studies, 14 (1-2). pp. 221-239. ISSN 1368-2679 This version is available from Sussex Research Online: http://sro.sussex.ac.uk/id/eprint/51360/ This document is made available in accordance with publisher policies and may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the URL above for details on accessing the published version. Copyright and reuse: Sussex Research Online is a digital repository of the research output of the University. Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable, the material made available in SRO has been checked for eligibility before being made available. Copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. http://sro.sussex.ac.uk International Journal of Francophone Studies Volume 14 Numbers 1&2 © 2011 Intellect Ltd Article. English language. doi: 10.1386/ijfs.14.1&2.221_1 Ted Joans’ surrealist history lesson Joanna Pawlik University of Manchester Abstract Keywords This article argues for the importance of Ted Joans within histories of surrealism, Ted Joans which seldom acknowledge the existence of the movement post-World War II or surrealism its participants outside of interwar Paris. -
248-Newsletter.Pdf
The Poetry Project October / november 2016 Issue #248 The Poetry Project October / November 2016 Issue #248 Director: Stacy Szymaszek Managing Director: Nicole Wallace Archivist: Will Edmiston Program Director: Simone White Archival Assistant: Marlan Sigelman Communications & Membership Coordinator: Laura Henriksen Bookkeeper: Carlos Estrada Newsletter Editor: Betsy Fagin Workshop/Master Class Leaders (Fall 2016): Krystal Reviews Editor: Sara Jane Stoner Languell, Trace Peterson, Brenda Coultas, Miyung Mi Kim Monday Night Readings Coordinator: Judah Rubin Box Office Staff: Micaela Foley, Cori Hutchinson, and Wednesday Night Readings Coordinator: Simone White Catherine Vail Friday Night Readings Coordinator: Ariel Goldberg Interns: Shelby Cook, Iris Dumaual, and Cori Hutchinson Friday Night Readings Assistant: Yanyi Luo Newsletter Consultant: Krystal Languell Volunteers Damla Bek, Reynaldo Carrasco, Mel Elberg, Micaela Foley, Hadley Gitto, Cori Hutchinson, Anna Kreienberg, Phoebe Lifton, Dave Morse, Batya Rosenblum, Erkinaz Shuminov, Viktorsha Uliyanova, Shanxing Wang, and Emma Wippermann. Board of Directors Camille Rankine (Chair), Katy Lederer (Vice-Chair), Carol Overby (Treasurer), and Kristine Hsu (Secretary), Todd Colby, Adam Fitzgerald, Boo Froebel, John S. Hall, Erica Hunt, Jonathan Morrill, Elinor Nauen, Laura Nicoll, Purvi Shah, Jo Ann Wasserman, and David Wilk. Friends Committee Brooke Alexander, Dianne Benson, Will Creeley, Raymond Foye, Michael Friedman, Steve Hamilton, Viki Hudspith, Siri Hustvedt, Yvonne Jacquette, Gillian McCain, Eileen Myles, Patricia Spears Jones, Michel de Konkoly Thege, Greg Masters, Ron Padgett, Bob Holman, Paul Slovak, John Yau, Anne Waldman and Hal Willner. Funders The Poetry Project is very grateful for the continued support of our funders Axe-Houghton Foundation; Committee on Poetry; Dr. Gerald J. & Dorothy R. Friedman Foundation, Inc.; Jerome Foundation; Leaves of Grass Fund; Leslie Scalapino – O Books Fund; LitTAP; New York Council for the Humanities; Poets & Writers, Inc.; Poets for the Planet Fund; The Robert D. -
Langston Hughes: Voice Among Voices
Curriculum Units by Fellows of the Yale-New Haven Teachers Institute 1991 Volume III: Afro-American Autobiography Langston Hughes: Voice Among Voices Curriculum Unit 91.03.01 by G. Casey Cassidy I. Introduction Over the past two years, while participating in the Yale-New Haven Teachers Institute, I have written extensive units detailing the lives and creations of the Wright Brothers and Edward Hopper. When I set out to research these folks, I decided to read as much as possible about them from their childhood to their formative years, and then to accompany them through their great achievements. With this pattern in mind, I decided to read Langston Hughes, never realizing the monumental literary portfolio that this gentleman produced. His literary accomplishments are well represented through his poetry, his fiction, and his drama. His short stories were written utilizing a character named Jesse B. Simple, a universal, charming figure within whom we all can see a little bit of ourselves, usually in a humorous and honest capacity. His poetry often conveyed serious messages. Although his story was seldom pleasant, he told it with understanding and with hope. His novels, especially Not Without Laughter, created a warm human picture of Negro life in Black America. The family was very important to Langston Hughes, but so were the forces that surrounded the family—the racial discrimination, the violence of society, the unfairness of educational opportunities, and the right to share in the American dream of opportunity and freedom. It’s to these high ideals of opportunity and freedom that my research and efforts will be devoted this year as my curriculum unit develops. -
Ralph Ellison
Ralph Ellison Ralph Waldo Ellison was born on March 1, 1914, to Oklahoma City pioneers Lewis Alfred Ellison and Ida Millsap Ellison. A businessman and former soldier with a passion for literature, Lewis Ellison named his son after the American author Ralph Waldo Emerson with the hope that the name would endow him with a similar love and talent for literature. Ellison's younger sibling was named Herbert. He was famed as a critic and for his internationally acclaimed novel, Invisible Man, Ralph Ellison began writing during the concluding years of the Harlem Renaissance but, despite a close association with author Langston Hughes and an affinity for jazz, considered his work separate from that of the New Negro movement rather than an extension of it. After his father's death when Ellison was three, his mother continued to encourage his intellectual development by later providing him with magazines discarded by employers in her work as a domestic. Among the magazines she presented him was Vanity Fair, the same publication in which Carl Van Vechten during the 1920s promoted the works of Langston Hughes, James Weldon Johnson, Bessie Smith, Ethel Waters, and others associated with the Harlem Renaissance. Although Ida Ellison eventually remarried twice, Ralph Ellison's childhood was essentially one of poverty that forced his mother to constantly relocate while generally raising her sons alone. Attending Oklahoma City's Frederick Douglass School at the elementary and high school levels, Ellison became a student of music. He learned to play the trumpet for his high school band as well as with local jazz bands.